New York Magazine

3

The

$1.5 Trillion for Defense? by Michael Kramer
Secret of Social Stamina, by Marie Brenner

John Lennon^s Killer
The Nowhere Man

By Craig linger

lv\ENTHOL

<

u

VJ

21 mg. "lar", 1.8 mg. nicotine av. per cigarBtte by FTC method.

Warning The Surgeon General Has Determined
That Cigarette Smoking Is Dangerous to Your Health

Chaps by Ralph Lauren:

Drawing a Fine Line When it Connes to Stripes

Capturing the elusive qualities
of summer in Ralph's polo shirt
for Chops. At home on South
Hampton's Jobs Lane. Equally
at ease at Yankee Stadium.
Here, from the collection of
candy stripes in raspberry,
kelly, turquoise, pink, navy,
red, citron or electric blue. All
wWh contrasting collars and
ribbed cuffs. Sizes S,M,L,XL,
24.00

Chops by Ralph Lauren on 1,
New York. And in all our
fashion stores,
Jenkintown included.

Weave ocJd atxwoc'O'e joles toii ond 2 50 beyorxj oui
tree oo*iverv area Wo regfet no C O D j M6-003

0>v

Sua

Ptce

Chaps by Ralph Lauren at

biGDmingdole's men's store

Crtv/Siate/?0 _

: t ve encioseo Cf^t</M O m orrxxint o* S
" OaomingcKte s Cha»oo Account No

I I 1 1 I I I II I

M-066-OI

a Am6ncon tscfess Accwjnt Uo (VoW Thru _

I I I I I I I I I I I I l_L

Signatijre

I I I

eioonrvngorte ! Bo. J03? FDR Sroton Now Vort Nv KX322

Cci

-iterial

For ^fewl)tters\^k)^« been look^

somethii^ interestiiig has jiKt come up

If sk)-high interest rales aiid staggering monthly
payments have been keeping you out of the luxury
apartment you want, we've got your number. 9Vi\ *

Yes. 9^/4% mortgage financing.
The opportunity of a lifetime.

It's no mistake. You can buy a magnifi-
cent apartment at Galaxy today, and get a 30-year
mortgage at 9 Vi% * interest for the first three years.
11 Vi% thereafter — far, far below today's pre\'ailing
rates. With terms like these, a resident's net monthly
payments on a luxury condominium here may actu-
ally be lower than the cost of a cramped rental
apartment in Manhattan!

Or you may prefer a 35-year mortgage
(that's right ... 35 years!) at a phenomenal fixed rate
of just 111/2%.

And whichever of these plans you choose,
you'll need to pay no more than 10% down in most
cases . . . and not a penny in closing costs.

It's your ticket to the home and
lifestyle you've been waiting for.

A sumptuous contemporary residence.
And larger than many you'll find in Manhattan at
twice the price. With over a dozen distinctive designs
to choose from.

Galaxy's riverfront towers give you a
spectacular skyline view of Manhattan that most
New Yorkers see only on postcards. And access to
midtown that's quicker and easier than most Man-
hattanites enjoy. The express bus that stops at
Galaxy's door whisks you there in comfort, in just 22
scheduled minutes.

And every day, you come home to your
own indoor and outdoor pools; your own health spa;
your own enclosed mall with shopping, fine dining
and services; even your own parking garage if you
need it. It's all here in the Galaxy towers — together
with the security and services of a superb staff, includ-
ing your own concierge. It's waiting for you right now.
At Galaxy.

Here are some typical prices and terms:

(pleae mxe thai there an niore than U models lo dwox front with prices from IIM.OOO to t595.00O)

ApduUiMil

Price

DOM

Payment

Monptje'

"Points"

aosug

Costs

MufltMy
Mortgage
Payment

Mo MaiiiL
iod taxes &
all utilities

Net Cost (eat)
fi]« }yra. in
W% ax bndai

1 B.I.,|'/iBaAs

$106,600

110,660

0

0

(824

1406

|7«»

1148,700

114,870

0

0

(1150

(588

(1123

Sqscr2B^R.
(2full,2haIO

(160,500

116,050

9^,%

0

0

>1241

(706

IIMI

Sponsor: The Prudential Insurance Company of
America.

Directions: From Lincoln Ttinnel, take Weehawken
Boulevard East exit; proceed north on Boule\'ard East
2'/; miles to Galaxy. From the G. W. Bridge (upper
level) , take Fort Lee (Lemoine Avenue) exit; turn left at
the light; continue on Palisade Avenue to Woodcliff
Avenue; turn left at the park entrance and follow
Boule\'ard East to Galaxy.

You can also visit the Galaxy display in Manhattan at
thej.l. Sopher Exhibition Hall, 425 E. 6lst Street. Open
10 to 6 daily. Or even visit Galaxy via limousine,
courtesy of J, I. Sopher & Co., Exclusive Sales Agency.

Model apartments open 10 to 6 daily. In New Jersev,
phone (201) 861-5700: in New York, (212) 695-2028.

What Man hattan is coming to.
TTie condominium.

TVplcjl FuuiKlns Temis: 2BednxKn, Z'/jBatliApartnienllOSL Purchase pnaSH«,700 Down pavmenl of (14.900 Montjase of ( I. VV800 payable in VjO muitililv paMneiiis JIIWforllKfirM .16 monihs ai 9" .% ANNIM. PERCENTAGE RATE,
mtl Ihen (1542 for the lemalning .124 months al 1 1 ANNIAL PERCENTAGE RAIT Model Suites b\ E L DesiRns. Inc , New >oilt. This atheniseraenl is nol an offenng. whicJi can be maiie onlv bv foiroal prospectus. New York 80-073

Cu

aerial

CONTENTS

$1.S Trillion for Defense?

By Michael Kramer

Why does Ronald Reagan want to spend
all that money for defense, and what will it
buy? Michael Kramer examines the ration-
ale behind the administration's proposed
military buildup and looks at the shopping
list of weapons. In some cases, he finds,
America's security would be better served
by spending less and thinking more.

26

Social Stamina

By Marie Brenner

Each night, when corporate types have all
turned in. New Ydrk's most accomplished
writers and intellectuals are out. The Von-
neguts, the Mailers, the Schlesingers are
on the circuit. After a long day at the
typewriter, God knows, they deserve it. But
how productive can they be the morning
after? Do they really enjoy it? Above all,
where do they get their energy? Each, finds
Marie Brenner, has his own little secret.

5Q

John Lennon's Killer:
The Nowhere Man

By Craig linger

Six months after the tragic shooting of
John Lennon, Mark David Chapman re-
mains a mystery. Should the trial proceed
as planned, the defense will try to establish
that Chapman was in the grip of delusions
when he killed Lennon. Craig Unger has
retraced Chapman's steps, seeking out
those who knew him to flesh out a portrait
of a man obsessed with lost love, shattered
hero worship, and The Catcher in the Rye.

DEPARTMENTS

ID

The Bottom Line:
Pan Am'* Stee'^DIve

By Jack Egan

Pan Am is trying to stay afloat amid a
rising tide of red ink.

43

Health: Ye«, You Can Be Too Thin

By Pat McManus

Our cultural code of string-bean chic has
fallen into disrepute.

46

Theater: All in the Family

By lohn Simon

Lanford Wilson's new Talley play is ex-
pertly naturalistic and about real people.

48

Movie*: The Decline and
Fall of Mel Brook*

By David Denby

History of the World — Part I is an orgy of
low camp and flabby burlesque; Superman
11 is an exhilarating summer entertainment

H

On Film: Ducking the Tough Ones

By Wdliam Wolf

For all the praise heaped on some recent
films, few have faced the hard realities of
the relationships they portray.

53

The Insatiable Critic:
An Afghan Detour

By Gael Greene

Two spots — one Spartan, one cozy —
where you can sample the spicy, fragrant,
mysterious cuisine of Afghanistan.

56

Art: Before Photography

By Kay Larson

Once again, we're informed that the skill
of the cameraman is as much art as the
skill of the painter. But the Modem's show
makes its argument in unconvincing, nine-
teenth-century terms.

63

Books: Snares and Stratagems

By Ann Arensberg and Tim O'Brien
A nerve-racking psychological thriller by
Ian McEwan: a mystery that deals with the
fracturing of identity and the destructive
power of sex by Martin Amis; a micro-
scopically precise novel of life after the
revolution in South Africa by Nadine
Gordimer.

MISCELLANY

6 Letters
14 Intelligencer, by Sharon Churcher
1 6 In and Around Town.

by Ruth Gilbert
60 Best Bets, by Henry Post

66 Sales & Bargains,

by Leonore Reischer
69 Cue Listings
105 New yorlk Classified

1 1 2 Town A Country Properties

1 1 3 Travel Services

1 1 4 Mew York Competition.
by Mary Ann Madden

1 1 6 London Timet Crossword
1 1 6 Cue Crossword,

by Maura B. facobson

Cover: Illustration by Frank Morris.

lUNE 22. 1981— VOL 14. NO. 25. The following ape registered trademarks, and the use of these trademarks is strictly prohibited: The Anful Ledger, Best Bets, Best Bits. The Bottom
Line. The Capitol Letter. The City Politic. Cityscape. Cue. Cue New York. The Global Village. In and Around Town, Le jal Aid, Love Times, New York, New York Intelligencer, Page
of Lists, The Passionate Shopper, The Underground Gourmet, and The Urban Strategist. New York (ISSN #0028-7369) is published weekly (except for combined issues the laj^week
in December and the first week in lanuary, and the first two weeks in (uly) by News Croup Publications, Inc., 755 Second Avenue, New York, New York t(X)l7. Copyright ^ 1981
by Newt Group Publications, Inc. All rights reserved. Reproduction without permission is strictly prohibited. OfTicers of News Croup Publications. Inc.: Donald Kummerfeld.
President: lohn C. Bender. Vice-President and Secretary: leffrey A. Leist. Vice-President and Treasurer. Second-class postage paid at New York, New York, and additional mailing
offices. Editorial and business offices: 212-880-0700. Send Form 3579 to New York. Box 2979, Boulder, Colorado 80302. Subscription rates in the United Slates and possessions: 50
issues, t22.50: 100 issues, t*0. For fubacriplion information, write loscph Oliver. New York Magazine. Subscription Department. Box 2979. Boulder. Colorado MS22.

Photographs: center left. Wide V^o^ld; bollom left. Toronto Star Syndicate: right. Alan Kaplan.

JUNE 22. 1981/NEW YORK 3

jlerial

If you haven't found
Ms. Right yet,

we can otter a few
consolations.

The Concord isn't a place where there's nothing to do but meet people.

We're a place where there's everything to do, and meeting people is just one of
them. And that makes all the difference in the world.

Instead of the awkwardness (and obviousness) of singles' bars, you'll find
yourself in an entirely different climate. One that's a lot less pressurized. Where
you meet people as naturally as you enjoy all the other Concord activities.

Such as playing tennis in one of the largest tennis complexes in the East (40
courts).

Playing golf on a course that's been voted one of the best in America. 45 holes
of golf in all.

Going swimming, nightclubbing, (New show nightly. Never a cover or
minimum.) Or Discoing.

Of course, there are special activities designed just for singles. Such as
get-acquainted parties, and tournaments that have produced some of the worst
volleyball, softball and swimming ever seen. (The participants were having too
much fun to mind).

And you can do all that for less than you thought. We're an entirely self-
contained vacation resort. So we can offer a lot for a little . . . right up to and
including three fabulous meals a day (Full American Plan) at no extra charge.

Come to the Concord. You may just go home with a little black book full of new
phone numbers. And one of these may just be Ms. Right.

But if not, just think of all the fun you'll have being consoled.

More vacation for your money

OONOORD

RESORT HOTEL

Kiamesha Lake, Mew York 12751
rH.Y.C.(212)244-3500 • Hotel (914)794-4000

4 NEW YORK/JUNE 22. 1981

WITH

Editor
Edward Kosner

Managing Editor
Lauri* Jones

Design Director
Roger Black

Executive Editor; Deborah Harkins

Senior Editors
Richard Babcock, Suaana Duncan
Rhode Koenig, Nancy McKeon
Alan Rich, Craig linger, Carter Wiieman
Copy Editor: Peter W. Devino
Contributing Editors
Julie Baumgold, Alexia Bespaloff
Marie Brenner, Seymour Britchky, Rinkcr Buck
Sharon Churcher, Orde Coombs, Bartura Costikyan
David Denby, Jack Egan, Chel Flippo, Linda Bird Francke
Gael Greene, Anthony Haden-Guest, Pate Hamill
Michael Kramer, Kay Larson, Mary Ann Madden
Calerin* Milinairs, Philip Mobile, Nicholas Pilaggi
Henry Post, John Simon, TobI Tobias, Richard West
Anna Winlour, William Wolf, Linda Wolfe, Vic Ziegd
Staff Writer . Leonore Fleischer
Around Town Editor: Ruth Gilbert
Associate Editors; Frederick Allen, Quits McMath
Assistant Editor; Florence Fletcher
Editorial Assistants
Jim Bracciale, Jane Fredericks, Linda Gottlieb
Ellen Hopkins, Fran Kessler, Ssrah Lewis, Robert Love

Corky Pollan, David Pomerantz, Patricia Weiss
Cue Listings: Gillian Duffy, James Gullo, Edie Newhall
Editorial Publicity: Suzanne Eagle

Picture Editor; Karen Mullarksy
Cover Editor; Jordan Schaps
Art Director: Roiiert Best
Associate Art Director: Patricia Bradbury
Art Production Manager; David White
Art Staff: Don Morris (Assistant Art Director)
Christina Lang, Susan Vermazen (Art Assistants)
Daane Folsom, Shelley Leikowilch
Erik Murphy, Vivette Porges, Joan Ranieri

Publisher
Cathleen Black

Circulation Director
Vince Dema
Circulation Business Manager: William Kovacs
Staff: Deborah Burns, Nora George, Harriet Krivit
Stophenie Ratanski, Celine Rubenstein
Marcia Schultz, Kathleen Tully
Production Director
Frank Sullivan
Production Manager; Richard Muehleman
Staff: Dolores Liberie, Denise Spencer
Controller
Sidney Ferenc
Credit Manager; Molly Strauss
Staff Accountants Ruth Chaml>erlain, Carmine Tiero
Staff; Rosalie Bernstein, Joan Cheda, Rochello Hamowy
Mary Ann McCarthy, Judith Migdol, Mary O'Connor
Advertising Sales Director
David O'Brasky
Advertising Manager; Marvin Krauss
Promotion Director
Elaine Shindler
Promotion Manager; Anthony Irving
Research Manager: Steven Greenberger
Staff; Nan Elmore, Linda Katims, Jilann Picariello

Sales Representatives
Alan Barman, Larry Burstein, Elinore Carmody
Mary Joe Cassidy, Carol Crellin, Betsy Cronen
Thomas Florio, Wenda Harris, Jack Kaduson
Wendy Levine, Randy Rosen, Lori Zelikow
Advertising Coordinator; Nancy Pollock
Staff Terry Esposito, Ksthy Kontiles
Cynthia La Polio, Cheryl Latronica, Mimi Moskowitz
Chicago; Heidi Crumley, Manager
West Coast: Joseph Kerwin, Manager
Classified Advertising Manager; Ellen Aronoft

Staff: Jeffrey Telfair
Information Services Manager; Valerie Taylor
Staff; Paul Abrams, James Dillon, John Gillette
Sandi Grosawald, Joseph Markfelder
Michael Ording, Anna Preato
Special Consultant: Mort Glankoff
Assistant to Publisher: Kathy West

News Group Magazines
President: Marty Singerman

Director of Finance: Alan Greene
Coordinator; Lucille Piccoli

Cl , aerial

HOW THE NEW

BEATS THE IMPORTS AT TH0R OWN GAME.

CIMARRON

AUDI
5000

BMW
3201

VOLVO
GLE

SAAB 900S
SEDAN

EPA MILEAGE
RATINGS WITH STO. TRANS.
HWY. EST/
EPA EST. MPG"

42/[l

33/[l

36/E5I

25/[l

33/Ell

FRONT-WHEEL DRIVE

STANDARD

STANDARD

NOT
AVAILABLE

NOT
AVAILABLE

STANDARD

POWER-ASSISTED
RACK AND PINION
STEERING

STANDARD

STANDARD

RACK AND
PINION
ONLY

STANDARD

STANDARD

FOUR-SPEED MANUAL
INCLUDING OVERDRIVE

STANDARD

STANDARD
5-SPEED

STANDARD
5-SPEED

STANDARD

STANDARD
5-SPEED

TACHOMETER

STANDARD

EXTRA COST

STANDARD

STANDARD

STANDARD

EPA PASSENGER

COMPARTMENT VOLUME

89 CU. FT.

90 CU. FT.

82 CU. FT.

89 CU. n.

89 CU. FT.

ALUMINUM
ALLOV WHEELS

STANDARD

EXTRA
COST

EXTRA
COST

STANDARD

STANDARD

AIR

CONDITIONING

STANDARD

EXTRA
COST

EXTRA
COST

STANDARD

DEALER
INSTALLED
OPTION

LEATHER-WRAPPED
STEERING WHEEL

STANDARD

NOT
AVAILABLE

EXTRA
COST

DEAIER
INSTALLED
OPTION

NOT
AVAILABLE

LEATHER SEATING
AREAS

STANDARD

EXTRA
COST

NOT
AVAILABLE

STANDARD

NOT
AVAILABLE

MSRP"

$12,131
(FOB.)

$11,240
(PQE.)

$13,105
(POE.)

$14,850

(POE.)

$12,700
(POE.)

For years foreign car manufacturers have
boasted about their gas mileage, standard
features and interiors. But now, there's a
car that beats the imports at their own
game. Cimarron by Cadillac.

As the chart shows, Cimarron has
features the imports have, plus Cadillac
comfort and convenience, with reclining
body-contoured bucket seats and
perforated leather seating areas. Cimarron
has front-wheel drive, just as the Cadillac
Eldorado and Seville do. It comes with
Cadillac's exclusively tuned, road-hugging
touring suspension and a four-speed
manual transmission including overdrive.
What's more, Cimarron behaves like a
civilized car should. Nimble . . . easy to
maneuver . . . with a smooth, refined ride.

If you've been thinking about buying an
import, it's time to re-think your decision.
It's time for Cimarron.

Due to limited initial production,
Cimarron is not available at all Cadillac
dealers at this time.

BY CADILLAC

*Us* Mtimatvd mpg for comparison. Your miloaQ* may dlffar daponding on ipaad. distanca, waathar Actual highway mitaaga lowar.
Cadillaca ara aqulppad with GM-built anginaa producad by various divisions. Ssa your Cadillac daalar for dstalls.
"Manufacturar's Suggastad Ratail Prica including daalar prap. aa of 3/31/B1. Tax, llcansa. daatlnation charges and optional aquipmant
additional. Dostination chargas vary by location and may affact this compariaon. Lava/ of standard mqufpmmnt vtrlt.

A NEW KIND OF CADILLAC
FOR A NEW KIND OF CADILLAC OWNER

CARTE BLANCHE'PUTS NEW WRK'S HNEST CUISINE
AT WUR HNGERTIPS.

A small, intimate and happy dining spot where
nouvelle cuisine is the challenge in adventure
and imagination. Chef-owner Frank is devoted
to "The Compleat Kitchen',' from baking bread
to whisking zabaglione. At Peaches you taste
rich and feel thin! 353 East 77th St. West of
1st Ave. 249-8476.

Caite Blanche. We give you credit for who you are."

SHO 123 Sbl 8

JIDES P HDTDCa

Our Classic *Navy Blazers For Summer

*Also
available
in
Tim
I ' ' Brown
I Black
^ Bone
Green

At finesioresSlJS. At The Arthur Richards Factory $95.

The Man

Arthur Richards

The Woman

Buying Designer Clothing Direct

79 Fifth Ave., New York, N.Y. 10003 (26th St) Uth Floor • 222-247-2300

American Express, Visa, Master Charge • Mon-Sat 9 to 6; Thurs. till 7:30PM

NEW YORK/JUNE 22. 1981

LETTERS

Crime and Pmiishmenl

NICHOLAS PILEGGI S ARTICLE I 'lNSIDE

Rikers Island," June 8] is one of the best
unintentional endorsements for capital
punishment I have ever read. Recently,
my boyfriend was murdered by an indi-
vidual who is presently awaiting trial at
Rikers. The crime my boyfriend com-
mitted was not having enough money to
appease the muggers. He got the death
penalty. One of the muggers got away,
and the other's sentence is to live in a
playground full of sex and drugs. Yet I
am asked to ponder this criminal's frus-
tration and rage at being isolated in jail
and his growing insecurity about the
loyalty of his wife or girl friend. Perhaps
I am lucky to not have to worry about
the possible disloyalty of my boyfriend.

Eileen M. Gaffney
Locust Valley, N.Y.

I AM A CORRECTION OFFICER AT RIKERS is-
land. I found the article to be a very
accurate description of conditions on
"the rock." The correction officers have
long been at odds with the adminis-
tration over the lack of control of the
prisoners. There can be no "correction"
when the same antisocial acts occur in
prison as outside.

Neat Baden
Mamaroneck, N.Y.

ON SATURDAYS AND SUNDAYS THE "INFA-

mous" 101 bus is so crowded that people
who live in the Astoria/Steinway area
very often cannot even use the bus be-
cause there is no room on it, they are
afraid of using it, or they prefer not to
endure the abuse that getting on it often
involves. Why is it not possible to have
some of the weekend 101 buses go to
Rikers while others stop at the Steinway
Transit Company depot at 20th Avenue?

Herman D. Defong
Queens

Take the Money and Run

ALTHOUGH I HAVE NEVER WRITTEN TO A

magazine in response to an article, 1 feel
I must respond to your article on
Citibank ["The Bottom Line: Is Citibank
Asleep on the |ob?" by Jack Egan, June
8]. My husband and 1 recently purchased
a condominium, and as part of the trans-
action we had a personal check drawn
on our joint account at Citibank cer-
tified for $7,000. Shortly after we moved
into our new home we received a debit
memo from Citibank claiming that our

Letters for this department should be ad-
dressed to Letters to the Editor. New York
Magazine. 755 Second Avenue, New York.
New York 10017.

Cii iterial

86PR00f BlENOtDSO

KV DIST iLLtD AND 80TTIED IN SCOTIA NO. IMPORTED BY THE BUCKINOHAM CORPOKATION, NEW YORK. N Y

ONE OUT OF EVERY 100 NEW BUSINESSES SUCCEEDS.
HERES TO THOSE WHO TAKE THE ODDS.

lohn DeLorean was on the
way to the presidency of Gen-
eral Motors when he quit to
huild his own car company. Im
his 17 years with CM he helpe*
quadruple Pontiac sales, huil^
Chevrolet into a 3-millj()n *
seller and was awarded 44 1
automotive patents. While hifi
hosses railed at him for wear-<
injj his hair too long. 5
Now his stainless steel m
De Lorean Sports Car is here. X
Designed to last 20 years rust-fi
free. And the first year's pro- ■
duction is sold-out. S
|ohn DcLprcan anticipates S
the needs and wants of car j
buyers. He does no less for thw
scotch drinkers he invites m
home. That's why he selects S
and serves the impeccably f
smooth Cutty Sark. ^HjC

Neatness Counts!

At I.ockwood we specialize in
helping you make the most of
your storage space. It might be
like our closet-wall system shown
on the lelt. Each unit can be
fitted 10 your exact needs so
youll have the ultimate use ol
space. There arc all sorts ol
options, but don't worry, well be
glad to help design the system
that works best for sou.

Need a good night's sleep... and lots of extra room?

I.ockwood is famous for its Concealed Bed Systems. Get the bed by itself, (twin,
double, or queen si/e) or design a complete storage system around it. The bed
is totally counterbalanced to store away with a Hick of the wrist.
The bedding stays on. no need to store the pillows

and blankLis elsewhere. Hui the
\er\ best pan is
the great night's
sleep youll have
with this
quality bed!

Sound and Sight.,
important to you,
important to us.

W hat to do with I \ and stereo
equipment is a problem we work
with all the time. We have roll-
out sheKes. record dividers,
custom spacing lor your
equipment, and specially trained
delivery and installation teams to
make sure your wall system and
stereo system are in perfect order.

" He are awfully proud of Ihe
quality we build into our wall
\y\tems. But it's the individual
service we give each one of our
customers that really makes the
differerwe."

Sundays..

LOCK WOOD

THE WALL STORAGE SPECIALISTS

visit our
Madison Aveiiue store, where
you'll see our full selection.
Free parking at Sylvan Garage
66 East 90 Street. We're open
12 to 5. Call us at 34S-2100.

163 East 61st between Le.\. & Third 752-8374- Madison Ave. between 93rd & 94th 348-2100
Both stores open Monday thru Saturday 10-6. Visa, Master Charge accepted

check had "bounced" due to insufiicient
funds! Remember — it was a certified
check. It seems that the teller who
certified the check forgot to place a
sticker on it that would have indicated
that it was certified. Therefore, when the
check was returned for payment, our
account was already depleted by the
$7,000, and, of course, it bounced. After
several phone calls (many long-dis-
tance), the bank has apologized for the
"bank error," yet the original owner has
still not received his S7,000.

Shelley Sperling
Bergenfield, N.J.

I'.M STILL FIGHTING WITH CITIBANK OVER A

55,000 deposit (of a Chase check) made
in November 1980 that was not "auto-
matically" credited to my account until
January 1981 — after weeks of screaming.
I've suggested that they pay me interest,
and they insist that the law limits them
to 5'/2 percent. Hogwash! Small-claims
court is the next stop for me.

David Ingraham Jr.
Manhattan

I'D WAGER THAT THAT FIGURE OF 900,000

New Yorkers who possess Citicards in-
cludes those of us who, after endless
adventures with reason-stunning errors
and haughty, obstructionist managers,
finally closed our accounts in frustration
— yet find we are still receiving monthly
statements over a year later.

Nancy C. Knuth
Manhattan

IT'S GREAT TO BE POPULAR— I THINK. WE

must be doing something right. One-
third of all metropolitan-area families
are doing business with us. Apparently,
it's not so much our smiling faces as our
24-hour banking machines and the 55-
million transactions they're handling a
year. So I guess we'll have to work even
harder on the people side. We hear you.
But Citibank isn't one big computer that
can be programmed overnight. We're
human, and it takes time to get up to
speed on the people side. We're working
on it.

William /. Heron
Vice-president, Citibank
Manhattan

From Rusaia With Love

IN GRACE LICHTENSTEIN'S ARTICLE "A LIT-

tle Russia Grows in Brooklyn" (June 1]
we are introduced to self-described Rus-
sian-speaking Russians from the
Ukraine. This may distort the reader's
impression of the integrity of the Ukrain-
ian habitat, where some 35 million
people consider Ukrainian their mother
tongue. In the Ukraine there are also
about 9 million who profess to be
Russian-speaking Russians.

The complexity of the history of this
region cannot be unraveled here, but

NEW YORK/JUNE 22, 1981

Co-

because historical Russian Muscovy, by
force, made it a crime to publish, print,
disseminate, and teach in the Ukrainian
language, the language continued te-
naciously as a unifying element in the
battle for national identity and ethnici-
ty. Suffice it to say that no self-respecting
Ukrainian refers to his motherland as
"Russia" unless he is indeed an ethnic
Russian or a Russified Russophile who is
reinforcing the cultural and territorial
expansion of the Russian empire.

fohn Vezendy
Westport. Conn.

YOLR ARTICLE W AS REFRESHING. HERE ARE

a group of immigrants who work long
hours to provide a better life for them-
selves and their children. They make no
demands for welfare or bilingual educa-
tion. They seek no subsidized housing.
They don't burn down their apartment
buildings to get better furniture from the
city dole. From what i recall before I fled
New York City, many of her other immi-
grants — and citizens as well — could take
a hint from these Russian-Americans.

lohn E. Flood /r.
East Longmeadow. Mass.

WE CONSIDER OURSELVES FORTUNATE TO

have many of these Soviet emigres work-
ing in various capacities at Maimonides
Medical Center. We can also confirm
Ms. Lichtenstein's poignant observation
about how ardently the newfound op-
portunity to practice their religion is
embraced. Vladimir, the ten-year-old
she mentions as having had his bris (rit-
ual circumcision) at Maimonides, is one
of scores of men and boys who have
come to us for this procedure, which we
have been able to provide at no charge
through the generosity of concerned
physicians and community organiza-
tions (Tuesday has been set aside as bris
day). Ms. Lichtenstein has given a vivid
portrait of people in the process of re-
alizing the religious and economic free-
doms that we take for granted. I would
only add that the vigor with which they
pursue their dreams enriches us all.

Lee W. Schwenn
Executive vice-president
.Maimonides .Medical Center
Brooklyn

Yea, Ono

I CANT TELL VOL WHAT A PLEASURE IT WAS

to finally come across an article in the
"legitimate" media that was sympathetic
in tone toward Yoko Ono Lennon ["A
Talk With Yoko." by Philip Norman,
May 25]. She has been so constantly
maligned through the years that I can
understand her confusion at not "being
hated" anymore. To many of us, how-
ever, her talent, her sense of humor, and
her class have always been evident.
The Yoko Ono Appreciation Society
Chatham. N.).

The greatest exhibition of
Shakespeare ever to travel is now at the
American Museum of Natural History.

Recapture performances of
the toorlds finest actors in
Shakespearean roles.

Engrave this 1618 etching
of Henry V in your memory.

Imagine yourself at
the theatre in this famous
model of the London Globe.

Relive the moments of
history that Shakespeare
chose to immortalize.

View the portrait of
Shakespeare on the title page of
the 1623 First Folio.

Get thee to the exhibition!

June 18 through September 20

(The American Museum of Natural History -Central Park Wist at 79th St.)

Shakespeare: The Globe & The Warld is an exhibition from the collection of the Folger
Shakespeare Library, Wishington, D C. Made possible by grants from the National Endowment
for the Humanities, Metropolitan Life Insurance Company
^ Exxon Corporation and the Corporation for Public Broadcasting.

Metropolitan

Xhi s One

S109-BLP-KKX5

JUNE 22, 1981 /NEW YORK

The Bottom Line/ Jack Egan

PAN AM*S
STEEP DIVE

Seeing Red

"PAN AM IS A FLYING PENN CENTRAL." SAYS

one longtime Wall Street observer of the
beleaguered airline.

The statement may be too strong. De-
spite recent losses and the dismissal of
over 100 members of its executive ranks.
Pan American World Airways is far from
possible bankruptcy. And it is nowhere
close to the financial brink it faced
in the mid-1970s, when, in an act
of sheer desperation, the airline
negotiated a $300-million invest-
ment from the late shah of Iran.
Luckily for Pan Am, the shah's
ministers found they had over-
extended themselves, and the deal
fell through. Otherwise, Pan Am
today might be owned by Iran.

But recent record losses from its
airline operations have again
raised questions about the long-
term outlook for one of the
proudest names in commercial-
aviation history.

"It is hard to see when Pan Am
will actually return to profitabil-
ity," says Alfred Norling, airline
analyst for Kidder, Peabody.

Norling estimates that Pan
Am's net loss for 1981 will be be-
tween $100 million and $125 mil-
lion, and he says he is being op-
timistic at that. That would be the
largest red-ink total in the compa-
ny's history. A return to profitabil-
ity would require Pan Am to get
lucky on everything: Business
would have to pick up substantial-
ly, and fuel prices would have to
remain stable. But the chaotic
conditions that caused interna-
tional carriers to lose $2.5 billion

Am racked up a staggering $87.8-million
operating loss, to which $136.8 million
in debt-load interest had to be added.
Only the sale of its Park Avenue tower
for a one-time capital gain of nearly $300-
million allowed Pan Am to report a net
profit of $80 million for last year.

In the first quarter of 1981. the airline
had a loss of $1 14.5 million. While Pan
Am normally is in the red during the first

M«n on Mm spot: Pan Am chairman William Seawell.

in 1980 seem likely to persist this year;
another large loss — $2.3-billion worth —
is projected.

From 1970 through 1976 Pan Am ran
up seven straight deficits, totaling $277-
million. The airline managed to dig itself
out of the hole in the next few years:
indeed, in 1978 it earned a record $118.8-
million, partly as a result of a debenture
exchange.

But since then Pan Am's fortunes
have reversed direction. Rising fuel costs
hit the airline particularly hard, its inter-
national business turned sour, and Pan
Am's acquisition of National Airlines
over a year ago did not produce any of
the benefits a domestic route system was
supposed to provide.

Last year was. in fact, a disaster: Pan

part of the year, the deficit was the larg-
est ever recorded for a single quarter.
The figure sent a shock through the
company and set off the recent publi-
cized round of corporate firings.

A strenuous effort is being mounted
to restore the airline's health, but
analysts think Pan Am has only limited
room to maneuver.

"They're in a lousy business, and they
have mediocre management," says one
analyst. "Seawell runs the place as if it
were the air force."

Pan Am chairman William T. Seawell,
a former air-force general, has guided
the company through the years of tur-
bulence since 1972. Though company
insiders insist that Seawell — whose dis-
tinguished, gray-haired good looks

make him seem like the prototype of an
aging Pan Am pilot — continues to enjoy
the full support of the board, outsiders
believe that the chairman will inevitably
be forced out if Pan Am's finances and
operations don't improve soon.

"There's a good chance Seawell will
get canned," said one analyst who de-
clined to be named. "Pan Am's prob-
lems just won't go away, and I see some
major changes in management."
The analyst picks Pan Am's senior
vice-president for marketing, Wil-
liam Waltrip, as the logical suc-
cessor.

Seawell, who had to face angry
shareholders for five hours at the
company's annual meeting, in
May, has not been available for
questions since then.

One specific point of criticism
was Seawell's decision to acquire
the Miami-based National Air-
lines, a move that is forcing Pan
Am to pay more in annual interest
than National ever earned in its
heyday.

At the same time, none of Pan
Am's expected cost economies
have materialized. Integration of
the two airlines' personnel came
extremely slowly, and until recent-
ly. National pilots refused to fly
Pan Am routes — and vice versa.

Pan Am was inept in puttmg
together the reservation services
of the two airlines. During a single
week last November, Pan Am res-
ervation agents failed to answer
154,000 calls, losing untold mil-
lions of dollars in revenues. The
attempt to mesh the schedules of
the two carriers led to long delays
in takeoffs and landings because
the connections were made too tight.

The timing of the purchase was also
very unfortunate, coming, as it did,
when the domestic airline business went
into the tank. On top of that, Pan Am's
hopes of selling a large part of Na-
tional's fleet of airplanes have been un-
dermined because the market for used
airplanes has gone soft. And many of
National's planes were DC-lOs, which
are now less desirable because of contin-
uing passenger resistance to the planes
following the calamitous 1979 Chicago
air crash. The company currently has
five DC-lOs that it is unable to sell.

"The National acquisition was a mis-
take, and Pan Am's international prob
lems are ongoing," says Michael Armel-
lino, airline analyst for Goldman, Sachs.

10

NEW YORK/JUNE 22, 1981

Photograph by Chip Hirvs/Gamma'Liaison.

Beraiiida.
So right, right now!

600 miles at sea, there's a vacation paradise where cricket is a national sport, traffic keeps to the left,
tea is taken ritually at 4, and acres of pink ii beaches are waiting to take the kinks out of your weary system.
Read on for more about *\ Bermuda, then send for our colourful Vacation Kit.

L* Legendary
pink beaches.

Bermuda's soft coral
sands are almost as pink
as this page. And our turquoise
waters (gentled by offshore barrier
reefs) are so crystal-clear, you can
stand shoulder-deep and see your toes.

Little wonder travel experts have
ranked Bermuda's seashore among the.
ten most beautiful in the world.

Z'vMore golf-per-acre than any island
on earth! Our 8 spectacular sea-view
courses will challenge your camera as
well as your game.

(Take care on your approaches— our
greens lie perilously close to Atlantic
Ocean blue.)

flavour of Bri.in.Ou.

Streets have names like One Gun Alley
and Aunt Peggy's Lane. Our
barristers wear wigs. All of us wear
Bermuda shorts. And our cozy English
pubs invite you in for frosty ale,
dart games and cordial conversation.

A total change of scene, 600 miles
off the coast of South Carolina. (And
less than 2 jet hours from the East
Coast on American and Eastern.)

Y* Get out and get under. Bermuda
is paradise for snorkel and scuba
lovers. (We have no lakes or rivers to
deposit silt in the sea, so our waters
are among the clearest anywhere.)

Bermuda is unrivalled as well for
fun atop the water. Wind-surfing,
sailing, water-skiing, deep-sea fishing-
it's all here!

5« Be an easy rider. After your first
breezy ride along lanes shaded by
royal palm and allspice, you'll fancy
our motorbikes quite as much as
we do.

They are, in fact, our visitors'
favourite mode of transport.
A marvellous way to nip about our
tiny, 21-square-mile island.

(Mind our civilised
20 mph limit. And do keep
left— we follow the British
custom.)

•Rub shoulders with
history. Founded before
the Pilgrims landed at
Plymouth, our 17th cen-
tury town of St. George's
abounds with fascinating
museums, shops, pubs and
restaurants.

'^Warm welcome. For almost a
century, hospitality has been a great
Bermuda tradition. This, perhaps, is
why almost half our visitors come
back to us again and again.

We invite your visit to Bermuda,
where accommodation ranges from
charming guest houses to luxury
resort hotels. For further informa-
tion, talk to your Travel Agent.

Bermuda

Get away to it all!

Call (212) 397-7700, or write for free
Bermuda Vacation Kit.
Bermuda Department of Tourism
630 Fifth Avenue, New York, N.Y. 10111

[128

Name —
Address.

City

State

(Please Print)

-Zip.

jterial

A classic view of tradition, as photographed
in the Lobby of Boston^s Parker House.

Other Dunfcv Classic Hotels:
Berkshire Place. New York; and
Ambassador East. Chicago

DUNFEY

CiT^ssic Hotels

Creating new standards in the art of hospitality
For reservations call your travel agent or 800-228-2121

This glass was nearly a 200 inch telescope.

In 1934, this 42,000 pound glass disk
was cast as the lens for the Mt. Palomar
Observatory telescope. But an imperfec-
tion developed —so a second casting was
done and is in use there, while the origi-
nal is at the Corning Glass Center.

You'll also see 20,000 objects in the
Museum of Glass— illustrating man's use
of glass over 35 centuries.

Then, in the Hall of Science and
Industry— set push-button displays in
motion, see films and demonstrations.

And in the Steuben Glass Factory,
you can watch skilled craftsmen turn
molten glass into Steuben crystal.

See a major exhibition of Czechoslo-
vakian glass, until November 1.

Come visit the Corning Glass
Center— in the beautiful Finger Lakes
region of New York State.

Open datly 9 AM-5 PM. Admission charge.
Send for free brochure;

Corning Glass Center, Dept. 3-NYM. Corning, N.Y. 14831

0

Corning Glass Center

Corning, New York

"There's a real question whether, long-
term, Pan Am should be in the airline
business. Instead of buying National,
they could have used their financial
capability to buy something in an area
where the profits would be higher."

Trans World Airlines, for example,
has managed to use the ample cash flow
generated by its airline to diversify the
company substantially, and now earns a
comfortable profit, which cushions its
airline operations.

In another ironic development. Pan
Am decided to lease the National termi-
nal at JFK Airport to TWA, which ad-
joins the former National space. TWA
has rented extra gates to other airlines,
which are. in turn, feeding their business
into TWA's international routes. TWA is
therefore gaining market share at the
expense of Pan Am.

To be fair to Pan Am, it should be
noted that a large part of its problem
results from United States -government
policies on international aviation, and
their inconsistency.

Though the domestic airline industry
was deregulated in 1978, the Carter ad-
ministration kept the lid on internation-
al fares. Carter wanted to force other
nations' airlines to become more com-
petitive on pricing — to move away from
fare setting by cartel. But many interna-
tional carriers are government-owned
and -subsidized and will continue to
operate at a loss, no matter what the
competitive conditions in the market-
place happen to be. The result has been
to keep fares lower on both the North
Atlantic and Pacific routes than they
would otherwise be.

In addition, the Civil Aeronautics
Board in the Carter years certified a
number of domestic airlines to fly direct-
ly to European destinations from such
cities as Atlanta and Dallas. In turn,
reciprocal air rights were granted to oth-
er international airlines to serve these
cities from abroad. This has diminished
the importance of New York as the ma-
jor departure point for Europe, although
this city remains Pan Am's major
gateway.

Pan Am's most immediate challenge
is to control its labor costs. The airline
has asked its employees to agree to a
contribution plan that would reduce
current salaries, and also all increases
through 1983. by 10 percent. (The em-
ployees would be paid back from future
airline earnings.) The immediate re-
sponse from the labor unions has been
cool.

Pan Am's sale of its Grand Central
building provided the company with a
large but temporary infusion of cash.
This gives Pan Am a few years' breathing
space during which to recover. But if
operating losses continue at the same
level through 1982, Pan Am may again
find its very existence in jeopardy. ^

12 NEW YORK/JUNE 22, 1981

The Adrien Arper
''One-on-One Makeover^'..

For two weeks only— June 23 to July 7!
a complete skin and makeup makeover-
plus— a bonus: the Adrien Arpel
Complexion Companion Kit. .all yours for
just 14.50! Imagine: the Arpel Mini-Facial.
Complete complexion therapy geared to
your particular skin type with electric
brushing, vacuuming and nature-based
masque; plus a "how-to at-home" kit Then,
you'll be indulged in the Heated Paraffin
Hand Treatment and a corrective Makeup
Application and Lesson. To take home, your
personalized "How To Look 10 Years
Younger Beauty Workbooklet"—plus your
own travel-sized skincare at-home
treatments. Call for your appointment now:
753-4000, ext. 2757, in Cosmetic
Collections, Street Floor, New York
only— where we are all the things you are.

INTELLroEWCER

Toko Taps Photographer Who Snapped Lennon With His Killer

1

y

Teaming up; Ono . . .

PAUL GORESH. THE YOUNG

Beatles fan who photo-
graphed John Lennon with
his accused killer, Mark
David Chapman, said last
week that he's been paid
"once in a while" for work
for the late-star's widow.

The 21-year-old amateur
photographer may testify for
the prosecution if Chap-
man's case goes to trial (see
"lohn Lennon's Killer: The
Nowhere Man," page 30). In
that event, one source told
New York, the defense may
use Goresh's dealings with
Yoko Ono to try to discredit
his testimony. "They would
suggest he's not a disin-
terested witness," the
source said.

Ono apparently got in
touch with Goresh after she
saw his picture of Lennon
with Chapman on the day of
the shooting.

"She said the photo said
everything about how gul-
lible lohn was," explained

Goresh, who claims to have
taken about 200 pictures of
the singer in the course of
trailing him for two years.

Ono chose a Goresh pho-
tograph of her crossing a
New York street with Len-
non for the cover of Len-
non's recently released sin-
gle, "Watching the Wheels,"
said a source who worked
on the record.

In addition, Goresh
claimed Ono had asked him
to collaborate with leading
Beatles photographers on a
photo essay about her late
husband and has been "real-
ly generous" to him.

Goresh could be an im-
portant prosecution witness
because he has alleged

. . . and Beatles fan Goresh.

Chapman warned him, "You
might not see him [Lennon]
again," shortly before the
shooting.

"Yoko had no idea they
might be putting him on as a
witness," said an acquain-
tance of Ono's.

French Cafe 1 , Brown-Baggers 0

A NEW FRENCH CAFE IS Dis-
placing brown-baggers on
the public terraces at Olym-
pic Tower, and some New
Yorkers are furious.

"The tower's developers
were allowed to build mil-
lions of dollars' worth of ex-
tra space in return for creat-
ing this public area, and
now the city is giving the
store away to these charac-
ters," charged William H.
Whyte, the planning con-
sultant who's a frequent
critic of the city's midfown-
zoning policies.

Similar protests were
lodged by Municipal Art
Society activists and by peo-
ple who used to eat lunch at
public tables on terraces
overlooking the waterfall in
the building's pedestrian
arcade. The tables have been
displaced by the new cafe,
Delices La Cote Basque.

The cafe is considered an
improvement by the city
planning department. The
city buildings department
previously had threatened to
revoke the Fifth Avenue
tower's occupancy permit
unless its owners — Onassis-
family interests — enlivened
the arcade.

"But at the same time the
cafe was put in, they were

14 NEW YORK/ JUNE 22. 1981

supposed to install sub-
stitute public seating and
signs saying that other
amenities like toilets were
available," added a plan-
ning-department official.
"Putting in the cafe first has

ill

"Public" «pace; Cashiered.

to be bad judgment on their
part."

Alan Grossman, a spokes-
man for the building's
owners, said new public
benches are coming along.
"I think the city will be ex-
tremely pleased with the re-
sult," he said. "We've gone a
little bit overboard."

Felker Phasing Ont of 'Tonight'

THE LATEST NEWS FROM THE

embattled Daily News:

□ Clay Felker is talking to
News executives about leav-
ing his job as editor of the
paper's Toni^t edition.

□ Some observers are
predicting the News will
lose $17 million this year
and $30 million in 1982.

□ The Tonight edition,
launched last year with the
hope that it would sell
300,000 copies daily, has a
circulation of about 100,000
and has cost the News more
than $10 million so far.

□ Circulation at the Sun-
day News has dropped by
200,000 (to 1,995,000) in the
last year.

A close acquaintance of
Felker, the founder of New
York Magazine, said he
"probably will continue as
an editor of the Neivs, but
not of Tonight. As of July, his
function would effectively
be that of a consultant."

The acquaintance
claimed that Felker wants
out of Tonigjht simply be-
cause he's eager to start a
"new venture" — perhaps
one "along the lines" of the
"pennysaver" publication he
already owns in California.

BY SHARON CHURCHER

As for Tonig^it, it's sup-
posedly testing the patience
of Chicago's Tribune Com-
pany, the News's parent.
"The wolf is at the door, and
there's going to be a lot of
pressure from Chicago to
fold the Tonight edition,"
said one businessman close
to the company.

According to one esti-
mate, News payroll costs are
set to rise by as much as $18-
million in the next twelve
months. Given that, one ob-
server called the $30-mil-
lion-loss prediction for 1982
"conservative," if Tonight
survives.

News vice-president and
marketing director Les
Bridges, however, claimed
both the $17-million and
S30-million figures were
much too high. "We are hav-
ing a tough time, but you're
out of the ball park," he
said. The executive said that
to cut costs, space in Tonight
is being trimmed and the
edition's sales halted in
Westchester County.

Asked about rumors that
Tonight will be axed after
Christmas, Bridges said, "It
surely will be around to the
end of the year, and we are
certainly hopeful it will be
around next year."

Photographs: lop left. Sipa/Black Stan top right. Daily NewK bottom, lody Caravaglia.

Ci

aerial

Channel 7 Ganght Boasting

THOt'GH STUNG BY THE RE-

cent disclosure that phony
letters from "viewers" were
being used on some of its
shows, WABC-TV has con-
tinued to make one proud
claim. "Eyewitness News is
now recognized by both the
Associated Press and United
Press International as New
York State's best regularly
scheduled newscast," the
station has been saying at
the end of its evening broad-
casts.

Last week, however, it
emerged that Channel 7's
boast was misleading.

UPI president Roderick
Beaton and A.P. president
and general manager Keith
Fuller told New York their

organizations don't rate tel-
evision newscasts.

The WABC announce-
ment apparently refers to
awards the station has won
in the last year from two
groups of broadcasters —
one made up of members of
A.P., the other of clients of
UPI. The awards were for
the best local newscast in
New York City.

Following New York's in-
quiry, the station dropped
one word in its claim last
week, to say, "Eyewitness
News is now recognized by
both the Associated Press
and United Press Interna-
tional as New York's best
regularly scheduled news-
cast."

Go-op Picks Bone Over Poodle

filed suit in New York Su-
preme Court to stop the
eviction. Their poodle
weighs only four pounds
and "will be a very little
dog" all her life, their court
papers say.

Invoking what could be
termed a grand-dog princi-
ple (the canine equivalent of
a grandfather clause), they
say dogs were allowed when
they moved in, nine years
ago, with Phoebe's prede-
cessor, who's now in dog
heaven.

Attorneys for the man-
agement of Imperial House,
whose residents include
Liza Minnelli and Howard
Cosell, claim a ban on bring-
ing in new pets was imposed
in 1977.

They added, however,
that because of the dispute,
tenant-owners will be polled
next week on whether they
wish to rethink the ban.

Dogfight: Phoebe and owner.

THE BOARD OF A TOP-DRAWER

East 69th Street co-op is
threatening to evict a couple
and sell their apartment be-
cause of Phoebe — their
eight-month-old toy poodle.

Phoebe's owners, at-
torney Michael Alexander
and his wife, Claire, have

Role Ghange Seen at Fox

A HOLLYWOOD PRODUCER

who set up an independent
movie company with Marvin
Davis shortly before the oil-
man bought Twentieth Cen-
tury-Fox may be in line for a
major role at the studio.

Mace Neufeld, whose
production credits include
The Omen and The Frisco
Kid, has become "very, very
tight" with Davis, said one
acquaintance.

A friend of Davis's told
New York that Neufeld is
expected to have at least an
unofficial role at Fox, and
that it's possible he'll re-
place Alan Hirschfield as
vice-chairman. Hirschfield
and Fox chairman and presi-
dent Dennis Stanfill have
been reported at odds.

A spokesman for Davis
wouldn't comment on
Neufeld's future with Fox.

George Lncas*s Gase of Nerves

Shooting fto/dors: Lucas, director Steven Spielberg.

IVSJ BEFORE THE OPENING OF

his latest movie blockbuster,
Raiders of the Lost Ark, exec-
utive producer George
Lucas is said to have
suffered a costly attack of
review-phobia.

"He was nervous the mov-
ie was going to be a flop," a
source claimed last week.
He persuaded Paramount's
vice-president for national
advertising, Tom Cam-
panella, to increase the pro-
motional budget to $8 mil-
lion, the source said.

According to one studio
insider, that amounted to a
hike of about $2 million —

which might seem a bit su-
perfluous now that the mov-
ie's become a hit with both
the critics and the public.

Campanella, however, in-
sisted that the higher outlay
was Paramount's idea.
Lucas — who reportedly
started work on Raiders
while hiding from what he
feared would be "dis-
astrous" reviews of his pre-
vious blockbuster, Star Wars
— wasn't available for com-
ment. Said a colleague,
"Paramount (boosted) the
budget to assure all of us,
including George, that the
movie got a good send-off."

Trendsetters Throw 'Oroovy ' Party

Tho shape of thing* to come? Woodstock redux.

PLT OFF BY THE MASS-MARKET-

ing excesses of punk and
New Wave, some vanguard
New Yorkers are turning
backward to create another
fad: neo-psychedelia.

With teenagers showing a
growing interest in LSD, the
I Ching, and flower power,
art students and other
scene-makers recently as-
sembled at the formerly
punkish Club 57, on St.
Marks Place, for one of the
biggest black-light be-ins
since the late sixties.

They painted themselves
in Day-Glo colors, talked
about chewing on magic
mushrooms, and listened to
classic sixties bands like the
lefferson Airplane and the
•Mamas and Papas. "I'm just
feeding my head," one
partygoer was heard to say.

Another told a reporter,
"I saw the movie Woodstock
three times, but I can't be-
lieve you were actually
there. WTiat was it like?"

"Groovy," the reporter
said. — Henry Post

Photograph, center left: lody Caravaglia.

JUNE 22, 1981 /NEW YORK 15

-iterial

IN AND

AROUND

TOWN

By Ruth Gilbert
June 15 through 24

s

M

T

W

T

F

S

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16

17

18

19

20

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24

Superman II, already
proclaimed a winner, opens
June 19 at theaters everywhere.
Tammy Grimes, also a winner
— in 42nd Street — moonlights
at Les Mouches for two weeks
starting June 1 7. The Public
Theater will show The Patriot
Game, a film about events in
Northern Ireland, for three
weeks starting June 20 on
Saturdays and Sundays at 2 P.M.

Admission is free;
distribution
of tickets
begins at
one.

Second Time Around

Zooman and the Sign, by
Charles Fuller, had such
a splendid run when
produced by the Negro
Ensemble Company
several months back that
it has returned for
another six weeks,
starting June 20. The
original cast, including
Ciancarlo Esposito (left),
is intact. At NEC's
Theatre Four.

Catch a
Rising Star

IN THE MIDDLE (left) is

Starr Danias, formerly a
Joffrey Ballet principal
and now a song-and-
dance girl in El Bravo, a
"musical myth," at the
Entermedia Theatre.
On the right is Vanessa
Bell; on the left,
Michele Mais.

Centennial

PERETz HiRSHBEiN S Yiddish masterpiece,
Green Fields, will be performed at the
92nd Street Y June 20, 21, and 22 in
honor of the playwright's 100th birthday.
Shiome Kryng (below, left) and Billy
Goldig have starring roles. A detailed
synopsis in English is available.

IfkaHeUnfaFilm

THE FULL-LENGTH vcrsion of Martin
Scorsese's New York, New York,
including a never-before-seen "Happy
Endings" production number with Liza
Minnelli (above), opens for two weeks at
Cinema I on June 1 9. As you may
remember, she plays a big-band singer
who becomes a Hollywood star.

One Sings, tlie Other Doesn't

POPULAR Irish flutist James Galway and British popular singer Cleo Laine (above)
have taken to performing in concert together. You can see them June 1 8 at the
Westbury Music Fair, on Long Island, and June 20 ^^^^^^ and 21 at Avery
Fisher Hall.

LOOK AT IT THIS WAY:

Who worked harder than you today?
Pour yourself a Pinch more taste.

— — ^ >

VincH 12 year olb Scotch

EXTRAORDINARY TASTE DY HAIG 6 HAIG

$1.5 Trillion
For Defense?

By Michael Kramer

How to Understand Reagan's Big Buildup

RONALD REAGAN WANTS TO SPEND SI. 5 TRILLION OVER
the next five years to build up America's military
machine, the largest increase during peacetime
in the nation's history. A good deal of this
expenditure is undoubtedly necessary. Some of it,
though, is questionable, and some of it — like a one-year
appropriation of $89 million for military bands, more than the
entire budget of the National Endowment for the Arts — is
nonsense.

One and one half trillion dollars. A lot of money. A big
number. "I've been trying ... to think of a way to illustrate
how big a trillion is," Reagan said at the beginning of his
economic address last February. "If you had a stack of $1,000
bills in your hand only four inches high, you would be a
millionaire. A trillion dollars would be a stack of $1,000 bills
67 miles high."

Get the picture? Still having trouble? Let me try. If you had
one and a half trillion single dollar bills and you laid them end
to end starting at the sun, they would stretch past the earth
and then past .Mars. If you then tried to pick them up at the
rate of one each second and you worked 40 hours a week, it
would take you 201,000 years to do the job.

So the United States is about to spend a lot of bucks to
increase its defense — and to project itself as a world power.
To pay for the buildup, a wide range of domestic programs
are being cut. The cities will lose a quarter of their federal aid.
At least a million people will lose their food stamps. Federal
support for education, dependent children, mass transit,
subsidized housing. Medicaid, nutrition, the arts, jobs in
general, job training and welfare, legal services for the poor,
black-lung benefits for coal miners — all these and more will
lose money in order to provide for the common defense.

Two questions are obvious. Why? And for what?

To begin to answer the first question, one must understand
Ronald Reagan's very coherent world view. To the president,
the United States is still locked in a life-and-death struggle
with the Soviet Union (with America, in Lincoln's phrase, still
obligated to play a divine role as "the last best hope of earth").
The enemy used to be worldwide Communism, no matter its
Ellen Hopkins assisted with the research and writing of this article.

18 NEW YORK/JUNE 22. 1981

form. But ever since America found itself becoming friendly
with selected Communist states, like China, which in turn
have become further and further alienated from Moscow, the
threat has been refined. Nowadays, the administration is
talking almost exclusively about Russia, and its policy is one
of anti-Sovietism.

That anyone might not comprehend the threat is, in Rea-
gan's view, incomprehensible. "Let us not delude ourselves,"
says the president. "The Soviet Union underlies all the unrest
that's going on. If they weren't engaged in this game of
dominoes, there wouldn't be any hot spots in the world."

To MEET THE SOVIET ADVANCE. THE PRESIDENT IS, IN
effect, resurrecting "containment," the policy that
described America's stance during the early years
of the Cold War. As a policy, containment has
many advantages, and foremost among them is
simplicity. Containment seeks to meet the Russians ev-
erywhere, and by so doing to create so much trouble for them
that they eventually collapse. Unfortunately, containment
carries with it some unsettling fSTllout.

First, it aligns the United States with some unsavory ele-
ments — dictatorial states that we embrace simply because
they share our anti-Sovietism.

Second, because containment challenges the Soviets ev-
erywhere, Vietnams are possible.

And, third, containment can create problems with our
allies (and others), who sometimes perceive only regional
strife where we see an extension of the larger East-West
conflict. (Most recently, for example, the Saudis refused to
follow our lead in identifying the Soviets as the greatest threat
to peace in the Middle East. To the Saudis, that distinction
belongs to Israel.)

Despite these troublesome aspects, containment Reagan-
style is the order of the day. And certainly the major premise
is correct: The Soviets are an expansionist state, with an
erratic record of betrayal and excess. If unchecked — and only
America can do the checking — the Russians will surely grab
whatever they can.

To contain the Soviets, the president's prescription

Cot

Illuilrated by Chris Peienon.

. .The top military brass likes sophisticated weapons.

•II

requires dramatic military spending for three reasons.

First, in many areas the American military is on the skids.
"We're in greater danger today," says Reagan, "than we were
the day after Pearl Harbor. Our military is absolutely in-
capable today of defending this country."

Second, in Reagan's view the mere fact that America is
spending more for armaments while cutting back elsewhere
creates the "impression" that the United States is serious
about containing the Soviets and that it is willing to sacrifice
to do so.

There is a problem here, though. When a policy of spend-
ing increases and weapons acquisition is undertaken mainly

Too hoavy: There's a shortage of planes capable of carrying the massive M- 1 tank.

for symbolic purposes — to create an impression rather than to
meet rational needs — there can never be enough. The spend-
ing spiral must continue; more weapons, newer weapons,
"better" weapons must be purchased all the time. If one
accepts this thesis — as the Reagan administration seems to
have done, since it has vowed to increase spending without
detailing where the money will go — then the arms race may
well continue forever.

Not so, says the president, and in countering this argument
his third reason for increasing defense outlays becomes clear.
"The card that's been missing in [the arms-reduction] nego-
tiations," says Reagan, "has been the possibility of an arms
race." In Reagan's mind, Leonid Brezhnev, or his successor,
"will be far more inclined to negotiate in good faith if he
knows that the United States is engaged in building up its
military." And, says the president, the Russians will do so
because their economy will be strained by the competition.

BUT THERE IS A DANGER HERE AS WELL. ANYONE WHO
knows the Soviets knows that the Russian economy
really operates on two levels. The first, the
domestic economy, is close to being a shambles.
Shortages abound, so much so that even Brezhnev
has admitted that "management methods haven't yet been
brought to a level meeting contemporary standards."

The other Russian economy works for the military, and it
works exceedingly well. So a country in trouble can cause
trouble. And as the domestic economy falters, there is in-
creasing pressure on the Soviet leadership to divert the
people's attention to the (largely contrived) foreign military
crises for which it claims priority: "We must tighten our belts.

20

NEW YORK/ JUNE 22, 1981

comrades. The imperialists are everywhere." Thus Russia's
strength (its military) can be viewed as less dangerous than its
weakness (the Soviet economy). The next generation of Soviet
leaders will have to deal with the failures of Marx and Lenin,
the failure to provide a thriving homeland — and that require-
ment may generate the greatest attention diverter of all, war.
It is obviously too early to predict a revolution of freedom in
the Soviet Union. But the years ahead will surely witness
profound, and perhaps violent, change in Russia — and all
mankind will be less secure because of it. For whatever Russia
is or is not, it is far too powerful a state to suffer shocks and
upheavals without endangering the world.

None of these present and potential
problems seems to bother Ronald Reagan,
and there has been only minor (although
growing) criticism of his plans to boost
military spending. Which brings us to the
second big question: What will all the mon-
ey be used for? And the best way, perhaps,
to get at that question is to ask others that
incorporate some common — and often in-
correct — assumptions about America's
military vulnerability to both nuclear and
conventional war.

Is the United States vulnerable
to a surprise nuclear attack?

"The Soviet Union," says Ronald Rea-
gan, "believes that nuclear war is possible,
winnable, and survivable."

It's called the "nightmare scenario," and
it goes like this: Sometime in the mid-
eighties, the Soviet Union achieves the abil-
ity to knock out 90 percent of America's
land-based force of 1,054 ICBM's. At the
same time, the Russians destroy a majority of our B-52
bombers and wipe out about 40 percent of the 41 -ship
American nuclear-missile submarine fleet, since approx-
imately 18 of the subs are always in port for repair or crew
rotation.

Even assuming such a blow, the United States would
clearly retain enough retaliatory power to obliterate most of
the Soviet Union. This is so because, as limmy Carter said in
his 1979 State of the Union address, just one nuclear-missile
submarine possesses enough force "to destroy every large-
and medium-size city in the Soviet Union."

But the nightmare scenario contemplates that the Ameri-
can president will absorb the Russian first strike without
retaliating. It assumes that the destruction of most of our
nuclear arsenal can be accomplished with as few as 2 million
civilian deaths, and that the United States might therefore
choose not to retaliate lest the remaining Soviet missiles then
kill 100 million or so additional Americans in a second strike.
Thus, according to this scenario, the United States would
surrender, if only because, under the circumstances, Russia's
terms might not appear all that onerous — say, American
acquiescence in a Soviet takeover of the Middle East or
Western Europe, rather than a Russian occupation of the
United States itself.

To believe in this scenario is to argue for an expanded
nuclear capability, the theory being that an increased nuclear
force, and more innovative basing options, would act as a
deterrent by reducing Russia's ability to accomplish a suc-
cessful first strike.

Arguing against the nightmare scenario — and its implied
requirement that we bolster our nuclear capacity — are a set

Coi

but technology has become the new Maginot Line. .

of facts, rather than assertions, regarding nuclear weapons
and their use.

First is the matter of accuracy. If the Russian missiles (or
ours, in a reverse of the nightmare scenario) are off-target,
then the ICBM force will not be destroyed — and many mil-
lions of civilians will die. The best evidence suggests that this
would indeed be the case, that the missiles of both super-
powers would not operate accurately in a war situation, and
that, most probably, they can never be made to do so with any
reasonable degree of confidence.

Here's the problem: The stated accuracies for both Soviet
and American missiles are measures that have been de-
veloped over the test ranges of both nations
— which fire their missiles on east-west
courses. As in conventional artillery prac-
tice, where a large number of shells have to
be discharged to perfect flight paths, it
takes the firing of a number of missiles over
time to hit close enough to "kill" an enemy
missile in its fortified silo.

In real life, however — that is, in war —
both sides will fire their missiles north to
south over the North Pole. Obviously,
neither side has practiced firing over this
course, since that would require lobbing
dummy missiles onto enemy territory. And
without the data that can only be gleaned
from such "actual" flights, it's more than
likely that the missiles of war, unlike the
missiles of practice, will land far from their
targets.

"Ballistic" warheads are boosted into or-
bit and then fall freely back to earth. As
they fall, they are affected by numerous
gravitational, atmospheric, and weather-
generated anomalies that always throw
warheads off their intended trajectories. Over a practice
course these anomalies can be carefully charted and pre-
dicted. But over the war courses (north to south) these natural
forces cannot be predicted in advance — without actual prac-
tice flights. This is because the earth is not a perfect sphere,
so gravity varies. The atmosphere is not uniformly dense, so
friction varies too. And no one can foresee the weather that
will affect the missiles if they ever fly.

THE NET EFFECT OF THESE UNCERTAINTIES IS UN-
known, but it would surely be startling. For exam-
ple, a wind of just 30 miles an hour at ground level
(to say nothing of the far greater wind speeds
found in the jet stream) could throw a warhead off
course by 1,320 feet — enough to cause it to fall outside the
"lethal" radius within which it must land in order to "kill" a
Soviet target in a fortified silo. "In a real-world combat
situation," says defense analyst Pierre Sprey, "the ICBM's of
both sides could be 'off by as much as twenty miles."

So nothing has changed since 1974, when Defense Secre-
tary lames Schlesinger, in congressional testimony since
declassified, conceded this crucial point:

I believe there is some misunderstanding about the degree of
reliability and accuracy of missiles. ... It is impossible for either
side to acquire the degree of accuracy that would give them a high
confidence first strike, because we will not know what the actual
accuracy would be like in a real world context. As you know, we
have acquired from the Western Test Range a fairly precise ac-
curacy, but in the real world we would have to fly from operational
bases to targets in the Soviet Union. The parameters of the flight
from the Western Test Range are not really very helpful in de-

termining those accuracies to the Soviet Union. We can never know
what degrees of accuracy would be achieved in the real world.

And, Schlesinger added tellingly,

the point I would like to make is that if you have any degradation
in operational accuracy, American [retaliatory] capability goes to
the dogs very quickly. We know that, and the Soviets should know
it, and that is one of the reasons that I can publicly state that neither
side can acquire a high confidence first strike capability. I want the
President of the United States to know that for all the future years,
and I want the Soviet leadership to know that for all the future
years.

Now, even assuming that Schlesinger and Sprey and a host

Too limllod; Ground reflectors could foil the cruise missile's navigation system.

of other experts are wrong, and that the accuracy anomalies
could somehow be accounted for in advance, two other very
significant problems remain.

The first is reliability — the question of how many missiles,
after years of sitting in their silos supposedly ready to go at
a moment's notice, will actually get out of those silos when
commanded to fly. On this point, it is interesting to note that
the United States has never successfully launched a Minute-
man ICBM from an operational silo. After four unsuccessful
attempts, the last in 1965, the air force quit trying. Today, a
Minuteman is taken from its silo, trucked cross-country to
Vandenberg Air Force Base, in California, and tested there.

Assuming, though, that the missiles do get off the ground,
and that they fly accurately, there is the problem of
"fratricide" — which is to say that no one can predict the effect
of the first nuclear warhead on those that follow. Surely,
however, the effect would be adverse. The blast, debris,
electromagnetic pulse, and radiation of the first warhead will,
as physicist Richard Garwin says, "change the atmosphere
and induce winds," and in so doing, the targeted area could
be blocked off to subsequent missiles for as long as 30
minutes. So, says Garwin, echoing Schlesinger, "you can
never be certain that it would work [as planned] on the first
strike, and unless you're certain, you're not going to do it."

All of this suggests, in the words of Reagan's army
secretary, John Marsh, that "in the spectrum of warfare,
nuclear war is the least likely occurrence," and that Dwight
Eisenhower was correct when he calmly said of America's
nuclear arsenal as it faced the first Russian buildup, "What
you want is enough, a thing that is adequate. A deterrent has
no added power once it has become completely adequate. . . .

JUNE 22. 1981 /NEW YORK 21

. . In competitions against NATO allies, handpicked

There comes a time . . . when a lead is not significant in the
defensive arrangements of a country. If you get enough of a
particular type of weapon, I doubt that it is particularly
important to have a lot more of it."

But Eisenhower's successor — like Ronald Reagan twenty
years later — owed his election, at least in part, to his near-
hysterical articulation of the notion that "enough" was not
enough. "Let us make certain," said John Kennedy, "that so
long as the unbridled power of Communism exists, we will
have in fact as well as word a military establishment not only
second to none, but first. ... I mean first — period."

Ronald Reagan hasn't used the same words, but who can
say he hasn't expressed, and doesn't hold, the same view —
and this despite the fact that in the realm of nuclear war, at
least, we are damned well off.

Not well enough off. says the president. Enter, then, the
administration's proposals for a new generation of nuclear
delivery vehicles — the MX missile, the B-l and Stealth bomb-
ers, and the cruise missile, each of which is expensive and, as
far as their missions are concerned, troublesome.

Briefly, the proposed MX missile is a supposedly more
accurate version of the Minuteman 111. In land-based mode,
the 200 MX missiles are supposed to make a Soviet first strike
more difficult because the real missiles will be hidden among
4.600 empty silos. Construction of the .MX complex would tie
up 40 percent of the nation's concrete capacity for three
years. More land would be moved than was excavated for the
Panama Canal, and 10,000 miles of roads would be built. (By
way of comparison, the entire Federal Interstate Highway
system consists of only 42.500 miles of roads.) Estimates of the
cost of this program range between S35 billion and $100-
billion.

limmy Carter called the MX program the "craziest" thing
he had ever heard, and even Defense Secretary Caspar Wein-
berger has said "it's got an element of the unreal in it. There's
no question about that." To "kill" the MX's, the Soviets would
have to commit approximately 9,200 warheads — assuming
accuracy, of course. But, assuming accuracy, the Soviets could
target the MX successfully by simply increasing their warhead
production.

THE 244 B-l BOMBERS. PROPOSED AS A REPLACE-
ment for the aging B-52s (some of which are older
than their pilots), would cost at least $26.6 billion.
Designed to penetrate Soviet air defenses, the B-l,
says Pierre Sprey, is too large and unmaneuverable
for its mission — which would require flying extremely close
to the ground, "under" Russian radar.

A Stealth bomber, designed with curved features and
special alloys to "absorb" an enemy radar's searching signal
and thus remain "invisible," could not be ready before the
mid-1990s. Harold Brown. )immy Carter's defense secretary,
claims Stealth is "a major technological breakthrough ... ten
times sexier than we've let on." But others, including physicist
Edward Teller, warn that there are simple and obvious
measures the Soviets could take to counter Stealth. One such
measure, says Pentagon consultant Thomas Amlie, would be
simply to increase the power of the radar.

At $1.2 million a copy, the cruise missile is the cheapest
answer yet to increasing America's nuclear punch. A small,
torpedo-size drone with a range of 1,500 miles, the cruise
could be launched far from Soviet air defenses by the B-52,
the B-l, and even a converted 747.

Sounds terrific. But would it work? Very simply, this is how
the missile is supposed to operate: The cruise flies toward its
target at a low altitude, tracing its course by a navigation
system and a computerized radar altimeter that matches the

22 NEW YORK/JUNE 22, 1981

ground to a contour map that has been stored in its electronic
brain. As the data from the ground is matched to the map, the
cruise, unlike a free-falling ballistic warhead, makes its own
corrections as it flies to its objective.

There are four problems with the cruise. First, as the
General Accounting Office has pointed out, the missile has
thus far worked well only at altitudes so high that it would be
in easy reach of Soviet air defenses.

Second, the cruise requires rolling terrain with many well-
defined features in order to work as designed. But many
Russian targets — including the Soviet missile force — are
deployed in flat areas that don't offer enough distinct ground
features for the cruise to fly as planned.

Third, as the GAO says, the detailed contour maps needed
for "matching" do not exist. And "high quality source data
. . . may not be available for operational areas." What this
means, says a Pentagon consultant, is simple: The maps that
may be available will only be extrapolations. Even the high-
resolution photography obtained from satellites cannot offer
the proper angles for efficient cruise operation. "And the only
way you could get angularly precise data," says a defense
specialist, "is to pre-map the target areas by flying at the
cruise's programmed altitude over its wartime course — and
the Russians would be nuts to let us do that."

Worse still, assuming all the foregoing problems could be
resolved, a "correct" contour map could be foiled by simply
stationing reflectors in the path of the cruise; it would then
become confused and couldn't come up with the required
"match."

Still, the administration and the military press ahead.
New weapons mean contracts, money, jobs, and careers. And
no one is going to cut back if it means, in effect, firing himself.

Nuclear war may be unlikely, but
conventional war is highly probable. How
capable is the American army?

"I wouldn't trade one American soldier for ten Russians."
At one time or another, every American president and service
secretary has said something like that. And for good reason.
The Russian army is a mess. For example, of the 3.5 million
soldiers in its military forces, almost half are non-Russian-
speaking ethnics who can't read their instruction manuals.
Their training is therefore poor — so poor that many ethnic
troops had to be pulled out of Afghanistan because they
couldn't perform their jobs.

America's 2-million-member military doesn't have much of
a language problem, but with 40 percent of new recruits
unable to read above a seventh-grade level, the army has been
tagged as the world's largest remedial reading program. And
last year's evaluations found six of the ten combat divisions
stationed in the United States unprepared for action. The
army, says its chief of staff. General Edward Meyer, is
"hollow."

Abroad, on the front lines, the picture is almost as bleak.
Last year, nine out of ten American soldiers assigned to
operate and maintain the army's nuclear weapons in Western
Europe flunked basic tests of military skills. Eighty-six
percent of the army's artillery crewmen also flunked, as did
77 percent of the computer programmers, 89 percent of the
tracked-vehicle mechanics, and 82 percent of the crews of the
Hawk surface-to-air missiles.

Do these shortcomings affect combat efficiency? Of course.
In NATO competitions, handpicked American troops finish
dead last almost all the time. In a recent gunnery exercise,
American crews failed to hit a single target; Allied gunners,
meanwhile, achieved scores of 70 percent or better.

Cor

American troops almost always finish dead last . . .

Incredibly, john Marsh's predecessor as army secretary,
ClifTord Alexander, refused to acknowledge that intelligence
scores relate to a soldier's performance ability. "No one, no
expert," said Alexander, "has been able to state what
difference [intelligence scores] make."

Well, Alexander no longer runs the army, but the problem
of low aptitude remains. What's more, it will likely continue
until the draft is revived, a position Ronald Reagan has
refused to take. But the president — or his successor — will
have to revive the draft before long. The pool of 17- to 21 -year-
old men is dropping and will decrease by a million by 1985.
By the end of the decade, one of every three eligible males will

technical complexity and sophistication has made high tech-
nology solutions and combat readiness mutually exclusive."

Some examples will make what Spinney is saying in-
telligible, beginning with the air force, the glamour service,
where much of the latest wizardry has been concentrated.

E

Too complex: Breakdowns keep the high-lech F-15 fighter out of the air.

have to enlist if the military is to retain its present force levels.
Clearly, that is not going to happen.

Worse, the volunteer army has found it necessary to com-
pete for personnel in the marketplace. Beginning pay has
skyrocketed, while the truly skilled, non-commissioned veter-
ans are being shortchanged, and even those who would like
to stay are finding it financially impossible to do so. Those
television reports of army families relying on food stamps
have not been fabricated. The bottom line is staggering: The
army is short some 22,000 non-commissioned officers; the
navy needs 20,000 more petty officers.

For this reason alone — to free up funds for those soldiers
the army must retain if it is to function at all (the non-
commissioned officers) — conscription must return.

Can the United States tolerate military
manpower shortages because of
the technological superiority of its weapons?

No. Unequivocally. And not just because many soldiers
can't operate the equipment. Too often, the equipment itself
doesn't operate. Too often, the technologically elegant solu-
tion — perfect on paper — fails in the real world.

Technology has become the new Maginot Line. Here's
Franklin "Chuck" Spinney, a tactical-air-warfare specialist in
the Pentagon's program-analysis office: "By ignoring the real
world, we have evolved a self-reinforcing, yet scientifically
unsupportable, faith in the military usefulness of ever increas-
ing technological complexity. The costs of [this] can be
generalized into low readiness, slower modernization and
declining forces. . . . Our strategy of pursuing ever increasing

VEN FOR AN ACRONYM-CRAZED PROFESSION LIKE THE

military, it was a mouthful. It was called AIM-VAL,
ACE-VAL. and it was an $80-million fly-off in 1977
between the air force's "hottest" planes (the F-14s
and F-15s) and America's older fighters, the F-4s
and F-5s. which were supposed to simulate Soviet Mig 21s. It
was the most sophisticated and most re-
alistic air-combat exercise ever.

The older. "Russian" jets had their radar
detectors removed. The air force figured
the Soviets couldn't possibly have that kind
of sophistication. But one of the "Russian"
pilots figured better; he could easily read
the powerful searching radars of the F-14s
and F- 1 5s with nothing more elaborate than
a slightly modified automobile dashboard
"fuzzbuster" — and surely the Soviets could
be presumed to have that low level of so-
phistication. After all, they have put men in
space — so it seems reasonable to assume
they've developed a radar-reading capabili-
ty equal to what an American motorist can
buy over the counter to thwart the highway
patrol.

Well, the fuzzbuster worked. The F-4s
and F-5s were able to detect the F-14s and
F-15s when the newer planes used their
radar. And, by so doing, the "inferior" F-4s
and F-5s consistently "killed" the "better"
planes. Al.M-VAL. ACE-VAL taught the air
force — or. more precisely, should have taught it — four les-
sons. First, combat is always confused. The only textbook
battles are in textbooks. Second, the number of planes avail-
able to fight was far more important than the technical
capabilities of the planes in the fight. Third, the smaller,
harder-to-see planes outlived the bigger ones — no matter the
advanced gadgetry on the "better" planes. And, fourth, the
pilots of the smaller, less souped-up planes learned to fly
them faster and. for the most part, flew them better.

As for the powerful radar that our "hot" planes utilize in
order to let them "see" the enemy early — well, that radar
often backfires. When in use, it acts like a beacon, and thus
denies its user the single most important advantage in air
warfare — surprise. It's like going into a dark room with a
flashlight to look for a burglar. Unless you are very lucky,
chances are the burglar will see you long before you see him.

Add to this the fact that smaller aircraft, like the F-5, are
more maneuverable than the F-15. Even an official Pentagon
spokesman concedes that the "F-5 can turn inside an F-15,
and it can turn faster. The worst possible situation for an F-15
is a dogfight. It is designed for non-visual flight."

But non-visual flight requires the F-15 to use its radar. And,
again, once it uses its radar, it's like being back in that dark
room with a flashlight.

On top of this, much of the killing capability of the "hot"
planes is overrated. The F-15, for example, is so big (and
therefore so easy a target) because it was designed around its
radar-guided air-to-air-missile system — the same kind of
system used by our F-4s in Vietnam. And while in Pentagon
tests the missiles killed in seven often shots, the record shows
that in the real world of Vietnam, our missiles hit their targets

JUNE 22. 1981 /NEW YORK

23

"... The defense establishment needs to start thinking

at a rate of between one shot in five and one shot in twelve.
That's why America's kill ratio over the Mig 21s in Vietnam
was only two to one.

There's another major problem with the "hot" planes (and
this includes the latest "hot" aircraft, the F-16): They're so
complicated that they're often in the shop for repair. The
F-14, for example, requires 97 man-hours of maintenance for
every hour it flies.

The result of all this, says Pierre Sprey, who helped design
some of the country's "hottest" aircraft, is that America's
current first-line land-based fighter, the F-15, "is [only] ready
— that is, fully mission capable — about 35 percent of the time.

Small «ucc.«»! The maneuverable F-5 has one big advantage — il works.

Deploying a squadron of them usually requires stripping two
or three other squadrons of their spare parts and test equip-
ment. In fact, in a 1980 inspection, the air force's prestigious
First Fighter Wing (F-15s) was found incapable of deploying
with three weeks' prior notice."

This downtime, says Sprey, takes its toll: "In the even more
important area of personnel readiness, our pilots average
only about one-third as many flights per month as Israeli
pilots average." The net effect, says Sprey, is that "both pilots
and maintenance crews in the air reserves and Air National
Guard [who fly the older, less complex aircraft] are noticeably
superior to those in the regular forces. Retention of active
fighter pilots has dropped to an all-time low, primarily be-
cause of inadequate flying time and only secondarily because
of low pay [which is the reason the air force claims it is losing
its best pilots]."

So today, because of the cost of the fighters, the air force
has fewer of them than ever before — and their complexity
doesn't begin to make up for their small number. Still, the top
brass likes the super-sophisticated stuff. The system — and this
includes the aerospace industry — can't continue expanding
by simply turning out the less complicated, cheaper fighters.
Says former House member Bob Carr, "We'd rather buy new
technology than fix the old."

The very real dangers of complexity are everywhere. In
Western Europe, for example, the army has less than half the
number of tanks that are available to the Warsaw Pact
nations. To counter this numerical inferiority, the army is
counting on its new, sophisticated M-1 tank, each of which
costs $2.8 million. The army wants 7,058 of them. The M-1 is
the heaviest tank ever built, and if it ever has to be quickly

airlifted to a combat zone, the army will be in trouble.
America's biggest transport aircraft, the C-5A, can only ac-
commodate one M-1 tank at a time — and in the entire air
force there are only 77 C5-A's.

The M-1 can go fast, all right. But there is a 70 percent
probability that it will need a whole new engine after only
4,000 miles. Before that happens, the M-1 will eat a lot of fuel;
it gets three gallons to the mile.

Naturally, the M-1 has the very latest computerized gun,
but it is so complicated that most G.I.'s seem to agree with the
army sergeant who said "I prefer to just John Wayne it," and
fire blind from side to side.

Needless to say, the gadgetry on our
planes and ships and tanks, and even in the
hands of the lowly infantry soldier, doesn't
come cheap. That's why the president
wants $1.5 trillion for the military over the
next five years.

Now, it stands to reason that when
there's that much money around, there'll be
a little waste. According to the Committee
on National Security, a private watchdog
group, recent Pentagon extravagance to-
taled some $32 billion — more than enough
to make up for next year's projected mili-
tary-budget increase. And even the General
Accounting OfTice, with little trouble, has
identified numerous areas in which billions
could be saved. For example, says the
GAO, improving the maintenance-and-
support system for a single plane, the navy's
F-18 ("A turkey," says New York Represen-
tative Tom Downey, "a prototypical exam-
ple of technology gone crazy"), would save
an estimated $4 billion.

Requiring the air force to make do with
one instead of two computer systems to handle routine
administrative functions, says the GAO, would save another
billion. And still another billion could be saved by simply
utilizing more air-force planes on Saturdays.

The list is endless, and it doesn't include the greatest mind-
boggling atrocity of all — sole-source procurement. Accord-
ing to the Office of Federal Procurement Policy, the govern-
ment could save up to $8 billion by having the Defense
Department move to competitive bidding more frequently.

This doesn't mean sole-source purchases should be ruled
out entirely. Sometimes, sole-source is the only way to go. But
why, as Senator Howard Metzenbaum asks, should the De-
fense Department purchase lawn mowers at $200 each when
competitive bidding could get them for $120? Even spark
plugs, says Metzenbaum, are bought at 60 cents apiece when
they could be had for 20. And what about the 25-cent knob
that the Defense Department picked up for $23? Or the $5
bolt it picked up for $96, or the 3-cent screw that was
purchased for $91? This list, too, is endless.

A

LL IS NOT LOST. A GOOD DEAL CAN BE DONE TO IM-

prove the military, and much of it simply involves
some rethinking.

To begin with — and to repeat, because it needs
repeating — the draft must be reinstated. The truly
important manpower consideration is the loss of trained non-
commissioned officers.

Meanwhile, the general officer corps could be safely re-
duced. There are, at present, 1,136 generals and admirals in
the armed forces — the same number, approximately, as in
World War II, when the military was six times today's size.

24

NEV^ YORK/JUNE 22. 1981

Cot"

smaller - smaller planes, ships, subs, and tanks. . . "

The navy, as the president has said, needs more ships. But
it needs smaller ones. The administration wants two new
large aircraft carriers. With their escorts and planes, their
combined cost would approach $14 billion. No wonder the
administration wants only two. But large carriers are particu-
larly vulnerable targets, and many of their planes must be
assigned exclusively to their defense. Smaller, faster, more
maneuverable ships (some with vertical-takeoff-and-landing
planes) have a better chance of surviving. And, as radar expert
Thomas Amlie points out. Stealth technology (almost certain-
ly destined to fail in the real world when it is applied to
planes) probably can be made to work for small vessels, since
the sea's wave action, in combination with Stealth, can help
mask a ship's radar "signature."

Similarly, the proposed placement of the nation's entire
nuclear-submarine arsenal in 24 Trident subs seems foolish.
The Soviets would be even harder pressed than they now are
if they were forced to find smaller and more numerous
targets.

For the cost of one Trident, America could buy three
smaller diesel-electric subs. And, according to Richard Gar-
win, these diesel-electrics (already perfected by the Germans)
are extremely quiet. What's more, since they would operate
close to shore, they would be good candidates for Stealth:
Coastal waters are easily filled with decoy noise, and the small
size of the diesel-electrics would also make them harder for
an enemy to locate.

Less complex and lighter tanks should be a top priority.
They can form the backbone of a truly rapid force. Today, the
Rapid Deployment Force is not rapid, deployable, or forceful.
It is simply a headquarters command reflecting age-old serv-
ice rivalries. Its proposed functions should be assigned to the
marines, who have always been mobile and who can acquire
the few additional skills necessary for the RDF.

THE AIR FORCE NEEDS SOME MA/OR CHANGES. RIGHT
now, says Pierre Sprey, there is an urgent need for
a "combined arms fighter" that trades near-useless
supersonic speed (which necessitates a relatively
large, heavy plane) for small size and easy han-
dling. What America doesn't need is another large, un-
maneuverable plane — like the B-1 bomber.

The air force also needs a new air-to-air gun (the current

one, even on the "hot" fighters, uses a 1942 round that is the
least effective in the world).

And among the many changes that must be accomplished
regarding radar, the first involves development of an accurate
air-to-air missile that doesn't require it — because, again, in
using that radar it is telegraphing its position and aiding in
its own demise.

Most important, what the air force needs is a large fleet of
small, simple, and easily maintained planes that don't spend
half their lives in the shop like a racing Ferrari.

Finally, there is the matter of tactics. America's military has
invested so heavily in technology in part because it assumes
it can predict the nature of future conflicts. Such predictabili-
ty is essential when a nation spends billions for weapon
systems that have highly specific uses, but, unfortunately, war
is inherently unpredictable — a truth understood by the guer-
rillas of the Revolutionary War but one today's American
military appears to have forgotten. In fact, today's American
army pretty much resembles the British redcoats. It engages
in massive attrition campaigns that often fail to establish
winners and losers.

Sometimes, the consequences of such policies are tragic. In
Vietnam, for example, America never seemed to learn that it
was fighting the wrong kind of war. Large-scale bombing and
huge land forays couldn't cope with an elusive guerrilla force.
And, ironically, as the Vietnamese improved their anti-air-
craft capabilities, they destroyed more of our property than
we did of theirs.

Non-nuclear war in the foreseeable future could break out
almost anywhere (but probably not in Europe, which is about
the only place we are prepared for it). And when it does, it
again will likely be of the guerrilla variety — if only because a
potential enemy can see how ill-prepared America continues
to be to fight that kind of conflict. And at that point, all our
high-tech solutions won't be worth their computer printouts.

Less is sometimes more, and more is sometimes less.
America should pause to consider the limits of technology.
And it should also remember that throughout history the
intangibles of battle — leadership, command experience, tac-
tical ingenuity, and troop skill — have always meant more than
materiel factors. Depending then on how the money is
spent, a trillion and a half dollars can buy a lot of defense —
or hardly any at all. ^

Myths, Money, and Missiles: A Defense Reading List

IN RECENT MONTHS, A FAIR AMOUNT
of good work on defense-related
issues has appeared in books and
magazines and on television. Here is
a brief and admittedly subjective
guide to further study in this area:

The very best overall critique of
America's defense posture is Na-
tional Defense, by fames Fallows
(Random House, 1981). Richard Bar-
net's Real Security (Simon and Schu-
ster, 1981) explores the psychology of
defense and its relationship to foreign
policy. The question of missile ac-
curacy is best discussed by Andrew
and Alexander Cockbum in "The
Myth of Missile Accuracy," The New
York Review of Books (November 20.

1980). Also, see Richard Garwin's
"Basing the MX Missile: A Better
Idea," in Technology Review, May/
lune 1981.

Franklin C. Spinney's December 5,
1980, report, "Defense Facts of Life"
(available through the Defense De-
partment's Public Affairs Office),
deals with technology and weapon
effectiveness. So do two articles by
Pierre Sprey: "Land-Based Tactical
Aviation," in Reforming the Military
(through the Heritage Foundation, in
Washington), and "Negative Margin-
al Returns in Weapons Acquisition,"
in American Defense Policy, third
edition (the )ohns Hopkins Universi-
ty Press, Baltimore, 1977). "The Plane

the Pentagon Couldn't Stop," by
Michael Ennis (Texas Monthly, June
1981), details the development of the
F-16 fighter.

For an understanding of the mag-
nitude and kinds of waste found in
defense expenditures, see two Gener-
al Accounting OfTice reports: "Oper-
ational and Support Costs of the
Navy's F-18 Can Be Substantially Re-
duced" (LCD-80-65) and "Effective-
ness of U.S. Forces Can Be Increased
Through Improved Weapon System
Design" (PSAD-81-17).

The best piece on air-force read-
iness is Dave Marash's May 1, 1980,
piece for ABC's 20/20 (available from
ABC). — M.K.

JUNE 22. 1981 /NEW YORK

25

Social Stamina

By Marie Brenner

MIDNIGHT. IKRZY
Kosinski eased
the big Buick
up Eighth Ave-
nue. The route
was familiar though Kosinski
wasn't sure where he was
going. He was never sure.
Night after night, after his
black tie was back on the tie
rack, after he had sat through
another dinner where he
knew he was invited "because
of their image of me," he was
ready to turn himself into a
kaleidoscope, ready to be
"shaken into new patterns."
!n these hours, he was com-
pletely anonymous. No one
knew him as the author of The
Painted Bird or Being There.
No one asked him about Peter
Sellers or his activities at
PEN.

This April night, Kosinski
didn't know exactly what he
was looking for. He had heard
about a strange after-hours
club where the entertainment

was "more Bosch than Pel-

lini." Kosinski's stops were not the stops
of other social men. He was after
cockfights, sweatshop Haitians, the ex-
otic and perverse. He was well rested, in
training for these adventures. His energy
level made Mailer look like Baby lane.
At dinner, he barely touched his sin-
gle rum-and-cola, determined to stay
alert.

East 125th Street. He looked in his
rearview mirror and noticed two men
were following him. "I speeded up,"
Kosinski recalls. "I thought I lost them.
Anyway, I wasn't concerned." Over the
next few hours, he made fifteen stops. By
four in the morning he was back in the
city for an "appointment" to photograph
a resident of a Times Square hotel. He

w

The perpetual gUMto; fill Krementz and Kurt Vonnegui

took the stairs and asked the hall porter
for directions to Room 368. Suddenly he
was surrounded.

Two detectives flashed their badges at
him on the staircase. "They said they
were going to search me," Kosinski re-
members. "All I had with me was my
leather satchel." In it was his advance
copy of Cockpit, cameras, a legal pad,
and a packet of the three-by-five cards
he uses to jot down notes. The detectives
looked at the book-jacket photo and
back at Kosinski. "We thought you were
a dope dealer," one said. "Do you re-
alize all the stops you've made? Do you
realize what you've cost the city of New
York?" A pause. "Is this what every
writer does at night?"

26

NEW YORK /JUNE 22. 1981

I VKS WD

no. Kosinski
works the
late shift.
Others punch
out earlier, but all over the
city. New York's most ac-
complished writers and
thinkers are out night after
night, like debutantes in high
season. See Vonnegut in
black tie at the opening of the
circus or the Tchaikovsky fes-
tival. See Mailer at Alice Ma-
son's Valentine dinner. See
Mailer at Liza Minnelli's par-
ty for Rock Brynner, talking
with Tatum O'Neal at
Elaine's. See Kosinski at a
benefit in the basement of the
World Trade Center. See Ar-
thur Schlesinger just off a
plane from London, partying
with Steve Smith and lean.
Read all about them in Wom-
en's Wear Daily and "Liz
Smith."

Their stamina inspires.
Corporate types wilt after ten.
The eyes droop. So do the
spirits. Husbands pull at wives. Gelusil
waits at home in the medicine cabinet.
They fret about their early-morning
breakfast dates.

Not our speediest social long-dis-
tance runners. Celebrity is their B-12
shot. Hundreds may go out, but only a
dozen seem ubiquitous. Everyone won-
ders where they get the energy. Perhaps
flashbulbs are their poppers. Partygoers
stare at them, their opinions are sought.
You hear the whispers: "There's
.Mailer." "There's Jerzy." "Is that Henry
the K?" They hear the whispers too.
Their adrenaline surges. In that kind of
atmosphere, it's hard to get home in
time for Warner Wolf. Fringe socialites
plan dinner tables with pretty girls to

Photograph by Ron Calelta.

Cl

"...Why do these serious people go out so
often? And how do they have the energy?..."

please them. Their date books are filled.
Their achievements have been their
ticket into this ballroom of New York
high life. Tlieir phones ring. Secretaries
decline and accept, RSVP and confirm.
Mailer has become our Streisand, Von-
negut our Goldie Hawn. The city is their
stage, their colleagues their co-stars.
Night is their reward.

God knows, they deserve it. All day
long they sit there like invalids, staring
at typewriters, telling their researchers
what to do. They type a sentence. They
reverse a phrase. They think important
thoughts about neo-conservatism, Egyp-
tology, the creation of the world. Rare is
the lunch at the Four Seasons grill. They
sit. Gloom joins them. Not for them the
pleasures of the facial. Voyage en Douce
at two, the street.

Come the night, they are ready to
bloom like jasmine. And it isn't their
wives who force them into dinner
clothes. "At the end of the day, I'm
absolutely exhausted," fill Krementz
Vonnegut says. "But Kurt has been
alone in a room all day. He's more anx-
ious to stretch his legs. It helps him to
clear his head." "I even like the chaos of
a cocktail party," Arthur Schlesinger
says. "Not Alexandra. After a day of
taking care of the children and the
house, she's tired. She wants to rest
before going out in the evening."

Anything can attract them. A prize-
fight, an aikido bout. A crush at Star-
buck's. A birthday party for Fran9ois De
Menil. A benefit at Lord & Taylor.
They'll inevitably turn up where a Ken-
nedy is, and usually at a Marion Javits
ffete. Celebrity auctions, press screen-
ings. The de la Rentas are always

good for a Sunday- night pot-roast-
dinner date.

WHAT RV ERYONE WONDERS
is not why they go, but
how they do it. How are
they able to flit around
like Sylvia Miles and
still get up to think? They have all sorts
of little tricks. "I have a very strict re-
gime," Michael Arlen says. "I drown
myself in Perrier and then have one glass
of wine after dinner. I know it's strange,
but it works. Another thing: We go to
Elaine's when it's quiet, around eight,
and by ten, when Marcel Proust and the
rest of the Ice Capades come in, we're
usually quite ready to leave."

Arlen insists he goes to sleep early.
Henry Kissinger makes no such claim.
He only needs four hours' sleep a night.
"The light goes out at two and he's up at
six," a close friend says. Jerzy Kosinski
has trained himself to sleep from four
o'clock to eight o'clock — twice a day.
William Buckley has trained himself to
avoid going out almost at all, delighted,
friends say, to have Jerry Zipkin, Ameri-
ca's escort, serve as his wife's walking
stick. And Arthur Schlesinger sounds
absolutely virtuous about his schedule:
"We try not to go out more than three
times a week," he says. "Usually we fail."

Self-destruction is no longer chic. The
absence of alcohol is another key. Now
the Hemingway syndrome of booze and
bars seems to afflict those in crisis or the
terminally second-rate. Vonnegut and
Mailer have stopped drinking entirely.
Kosinski must disguise his solitary rum
with something sweet. "The answer to
the whole equation is drinking," Mi-

Man, woman, and ttiair •laganc*: Norman Mailer and Norris Church.

o

c

Bird of night: lerzy Kosinski.

chael Arlen says. "The amount you
drink has a direct effect on your ability
to do serious work. When you're totally
involved with your work, how could any-
one stay up late, take drugs, or drink?"

They all say they live by the strictest
rules. And those Spartan disciplines
must be rewarded, when they wander out,
by decent conversation to keep them
going. At dinners, the debs often tend to
chatter and scrutinize. They demand to
be amused. Don't put Mailer next to
your aunt from Providence if you expect
him to return to your dining room. "If
I'm having a dinner for Norman and (his
wife] Norris," says Mailer's constant
hostess, Ian Cushing Olympitis, "I'll put
Norman with attractive girls that are
bright. Pat Lawford or Alexandra
Schlesinger are always good." Mrs.
Olympitis remembers the first time her
good friend Arthur Schlesinger met her
husband: "He absolutely grilled him on
the classics and historical dates. For-
tunately, my husband went to Oxford
and knew more than Arthur about cer-
tain things. I watched Arthur's face turn
from a kind of a frown to a beam."

"What would send me into incipient
alcoholism is giving the impression that
we're all enjoying ourselves tremen-
dously," Joe Heller says. "When I go out
to give lectures, all these people look at
me with envy because they see me
photographed at parties talking with
other writers or an actress or editors,
and they imagine I'm having a great time
when I'm not. Often, when my picture is
taken, what I'm saying to someone is
'What are we doing here?' I mean, the
only reason I go to these literary parties
is out of obligation or a frantic need to
have something to do."

It's more than that, of course. It's

JUNE 22, 1981 /NEW YORK

27

"...Craving a place at the dinner tables of celebrity hostesses
is like shooting smack. One constantly needs more and more..."

good business. It's a need to be afFirmed.
Those who choose to shine in this arena
know that the going-out process is al-
ways a gamble, rarely a pleasure, often
more work than work. A form of cyni-
cism sets in.

Michael Arlen sounds wistful. "The
other day an eminent publisher told me
there were three factors in the writing of
any book, and I thought he was about to
give me a learned discussion about ex-
position and narrative. Instead, he said
that the three factors were
"the writing,' 'the selling,' and
'the promotion.' A lot of writ-
ers out there believe it."

But they pretend they
don't. No one serious wants
to be accused of being Judith
Krantz, but they all want to
make Krantzian dollars. A
kind of awful realism takes
the place of literary naivete.
In this sphere, fame and ac-
complishment are confused
and connected, a Mobius
strip. That fine phrase "The
aristocracy of success knows
no strangers" has become one
of the cliches of our culture. It
is that aristocracy which pro-
pels our debs of Mensa to ac-
cept, decline, confirm. No
one is surprised anymore to
see Kurt Vonnegut and Jerzy
Kosinski going to the same

dinner party as Farrah

Fawcett and Ryan O'Neal.

INTELLECTUALS HAVE ALWAYS MADE
alliances with socialites. Fitzgerald
and the Murphys. Truman Capote
and "Babe" Paley. The socialites
like to collect them, and the in-
tellectuals feel flattered — salon pets of a
rarefied world. These alliances are not
capricious. Friends of Capote's say
that after the publication of excerpts
from Answered Prayers he all but
"cracked up" over his rejection by the
social elite. But Capote learned a hard
lesson. Craving a place at these tables is
like shooting smack. One constantly
needs more: more afllirmation, more ob-
ligation, more weary sighs of "It's lonely
at the top." There's an awful lot to be
said for being able to sigh "It's lonely
at the lop."

The urge to be Mother Teresa aside,
there is little more rewarding than feel-
ing sought-after. And if one is sought
after as a kind of final certification for
genuine accomplishment, then smoky
rooms can become bearable, idiotic so-
cial babble can sound inspired, tedious
dinner partners begin to sparkle, bleary
mornings turn into a time for rest, and

columnists' dumb questions and pho-
tographers are simply hazards of the
trade. We read about Robert Penn
Warren reciting Homer to his wife at
night in the country, and that activity, to
a New Yorker, seems like a daffy
affectation from another age.

The debs may complain, but few stay
home. Mailer will show up at fashion
shows — he tells friends he does it "for
Norris" — but whatever his reasons, he
goes, he goes. Yet the partygoers worry

d: The Schlesingers step out.

about being thought frivolous. They
stress their attendance at dinners for
Isaiah Berlin. Thus one hears, "Last
week we hardly went out at all." Or
"We're always home by twelve."

And among the practitioners, theories
of social stamina abound — that is, about
everybody else's. "Next to the Mailers
and the Schlesingers, we're stay-at-
homes," lill Krementz says. "I don't
know how the Mailers and Schlesingers
do it," she adds. "I swear, they're out
every night."

Joe Heller takes the long view. "I
think what happens with American au-
thors is that the most ambitious and
successful works are done early — look
at Faulkner and James. But as writers get
successful, I think maybe we don't want
to work as hard. And perhaps because
we aren't working as hard, there is more
dissipation. More parties, more manic-
depression, more alcohol. I think that's
more a symptom than a cause."

Some of them manage to balance ev-
erything. All of them say their social
lives have little effect on their work.
Mailer, says Mrs. Cushing Olympitis, is
up by six and working in an office
without a telephone. Vonnegut retreats

to his upstairs office by nine, his wife
says. Her secretary takes care of all the
messages and keeps track of the invita-
tions addressed to Mr. and Mrs. "Once
they get into Kurt's office, they're gone
forever," Krementz says. The Schles-
ingers compare date books every Mon-
day "to see if we have the same week in
mind." "My tendency is to want to put
things off," Arthur Schlesinger admits.
Michael Arlen says, "God knows, at this
age I often think an eight o'clock bed-
time would be just fine."

FOR A FEW. A \ ERY FEW.
the social process is
actually creative and
connected to their
work. Kosinski, a so-
cial scientist by training, has
even analyzed his own social
structure. "A good event
makes a dent in my notion of
myself, modifies my ritual,
and makes me richer," he says.

But Kosinski is way beyond
mere thoughts of social stam-
ina. "With me, it is social ob-
session. Social stamina is to
the fabric of social life what
exercise in the park is to
sport. You just go through it
because it is part of what
you're doing. With social ob-
session, the need is visceral.
You come to life when you go

out. Your being depends on

being with other people."

He is not talking about hanging
around with Nan Kempner. Kosinski
leads a double life. Before midnight, he
might wander into the de la Rentas' "to
feed the socially aware side of me." Af-
ter midnight, he is in search of the
creative. "In one world, I am a pro-
fessional voyager knowing what it is that
is expected of me; in the other . . . well,
I wonder."

His world is that of freaks, aliens,
after-hours clubs, photo sessions, en-
counter groups listed in the Voice, or
odd strolls through hospitals. There is
no pattern to it. Inevitably, those travels
will reappear in a later book. Sometimes
he wears a mustache and goes under his
nonfiction nom de plume, Joseph No-
vak. He goes out ritualistically, whether
tired or not. Always, he travels alone,
carrying his three-by-five cards. "I can-
not have a companion with me," he says.
"A male friend wouldn't share my same
interests. I might get protective of a
woman. Either would think that some-
thing was supposed to happen each
time, and often nothing does. And then
they would say to me, 'Jerzy, why are you
wasting your time this way?' "

NEW YORK/JUNE 22. 1981

Photograph by Ron Calell*.

Ci

After Mailer and Arlen and Schles-
inger and Kissinger and Vonnegut are at
home, the big Buick covers the five
boroughs; Kosinskl's nocturnal compan-
ions are the city's insomniacs and out-
of-town businessmen on the prowl. Un-
like them, because of his twin sleep ses-
sions, he is at his desk by eight. Then,
even his work method is scientific. A
telex roll sits on the floor and feeds his
typewriter, to save him the wasted mo-
tion of a paper shift. Every hour his
secretary comes in, rips the roll from his
typewriter, then retypes on her typ-
ing paper the pages Kosinski has
done.

The cards sit on his desk. At the mo-

Four-hour man: The Kissingers.

ment, a new novel is in progress. Music
is its theme. Kosinski has been seen all
over New York with Tony Bennett. At
nightclubs, in jazz joints, at the Rainbow
Room. His stamina pays off. Hundreds
of cards are filled with descriptions,
some mundane, others oblique, notes
about "classical American nightclubs"
and "a million-dollar penthouse with
private recording studio." Out of this, he
hopes, will come art. "Social life is just
a propellant for my main event, which is
my work. This is my compass. I follow
my compass, but the compass trem-
bles."

The work finally propels all of them,
however their social compasses might
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good time. They do not seem bothered
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"Someone might ask me if I had a good
time," Kosinski says. " Tes, very,' I
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29

Cl

iterial

John Lennon's Killer:

ByCraigUngefi

MARK DAVID CHAPMAN
picked up the November
1980 issue of Esquire and
started reading. "I was
looking for the Lennon
who had always shot his mouth off," said
the article, by Laurence Shames, ". . . an
often pathetic truth-seeker whose
pained, goofy, earnest, and paranoid vis-
age was the emblem and conscience of
an age. The Lennon I would have found
is a forty-year-old businessman who
watches a lot of television, who's got
SI 50 million, a son whom he dotes on,
and a wife who intercepts his phone
calls."" That phony," thought the 25-year-
old Chapman — or so he later confided.
It was just as he had known all along.
Holden Caulfield would never stand for
this. Not the catcher in the rye.

Last October 23, Chapman went to
the sign-out sheet at the high-rise condo
in Honolulu where he worked as a secu-
rity guard. Instead of his own name.
Mark scrawled "john Lennon."

Before leaving his job, he made at
least one phone call. Mark's employ-
ment counselor had always seemed
friendly, even when her office was
jammed. She appreciated the painting
Mark had made for her. The least he
could do would be to tell her he was
leaving his job.

"Gee, Mark," she said. "Are you look-
ing for something else?"

"No. 1 already have a job to do."
And so began a 17,000-mile odyssey
that would take Mark David Chapman
to New York three times, to his home-
town in Atlanta, and back to Hawaii
before its bloody denouement in De-
cember inside the archway at the Dako-
ta. In the intervening six weeks, he
would revisit the sites of many of his past
failures. Student, musician, boyfriend.
Christian, YMCA camp counselor — he
had failed at them all. He had even failed
as a suicide. It was, as he'd told a friend
years before, as if the world had decided
that there was no place for Mark Chap-
man, that Mark Chapman didn't exist.

Now. SIX MONTHS ^FTHR THK
shooting of Lennon. Mark
David Chapman is approach-
ing judgment. Yet the mys-
tery surrounding his motiva-
tions remains as perplexing as ever. Last
week, eleven days before the selection
of the jury for his trial was to get under

way. Chapman suddenly began talking
about changing his plea. After months of
preparation for the trial, during which
Chapman's new attorney, Jonathan
Marks (Chapman's first attorney re-
signed after receiving threatening phone
calls), had assembled a topflight team of
expert witnesses to buttress a plea of not
guilty by reason of insanity. Chapman
reported that "God told me ... to
change my plea" to guilty after all.

Proceedings will begin with jury
selection next Monday, and only then,
sources say, would a change in plea be
made. Manhattan District Attorney
Robert Morgenthau's office has already
said a guilty plea would be acceptable
only if no plea bargaining was involved.
But if it was accepted. Chapman's case
would not go to trial. Should the guilty
plea be disallowed, and the trial go for-
ward as planned, Marks could con-
ceivably use Chapman's about-face as
further evidence of his client's instabili-
ty. Whether or not he does that, Marks
would still have to base his case on
presenting evidence that Chapman
acted under a delusion that compelled
him to shoot Lennon. And the prose-
cution, led by Assistant District At-
torney Allen Sullivan, would have to
prove beyond a reasonable doubt that
Chapman was sane, within the meaning
of the law, when he shot Lennon.

Isolated as he was at the time of the
shooting, it is difiicult to think of Mark
Chapman alone. His name inevitably in-
vokes those of John Hinckley. Dennis
Sweeney, and those others Ken Kesey.
the merry prankster, refers to as "this
new legion of dangerous disappoint-
eds." To deal with this corps that guns
for the great, psychiatrists have coined
the term "magnacide." Others refer to
them simply as the "killer nurds."

They share more than just a legacy of
failure. From acidhead to lesus freak,
from runaway to camp counselor. Chap-
man's personality swung between its
various poles until it came to rest in an
intense love affair and what appeared to
be a satisfying career. But, like Allard
Lowenstein's alleged killer, Dennis
Sweeney, Chapman's good times were
all too brief. Painfully aware of his own
shortcomings. Chapman searched des-
perately for a secure identity. Unable to
find it in the world around him, he in-
ternalized his search, creating a world of
his own. Its signposts were his ob-

Doomed hero: Outride the Dakota before the

sessions: lohn Lennon, Norman Rock-
well, and the catcher in the rye.

/ keep picturing all these little kids playing
some game in this big field of rye and all.
Thousands of little kids, and nobody's
around — nobody big, I mean — except me.
And I'm standing on the edge of some
crazy cliff. What I have to do, I have to
catch everybody if they start to go over the
cliff— I mean if they're running and they
don't look where they're going I have to
come out from somewhere and catch
them. That's all I'd do all day. I'd just be

30

NEW YORK/JUNE 22. 1981

ilerial

The Nowhere Man

shooting, Lennon signs Mark Chapman's copy of the i;)oublc t'antasy album as the would-be assassin looks on.

the catcher in the rye and all. I know it's
crazy, but that's the only thing I'd really
like to be.

— Holden Caulfield
The Catcher in the Rye

MARK CHAPMAN'S PARENTS
don't live on Green For-
rest Drive in Atlanta any-
more. His mother, Diane,
divorced her husband and
now lives in Hawaii. Mark's father,
David Chapman, a former air-force ser-
geant who works as a middle-man-

Pholograph: 1980 by Paul Goresh.

agement bank employee in Atlanta, re-
married after the divorce and moved
from this crossroads of Bible Belt and
suburban-mall culture to a country
house a few miles away. Down by the
lake olT Snapfinger Woods, Camp Koda,
where Mark was a counselor, closed
down long ago. And at the nearby South
DeKalb branch of the YMCA, Mark's
home away from home, his colleagues
have all moved on to other things. No
one there remembers him.

Those who did know Mark don't rec-
ognize the man who shot John Lennon,

or even the surly, brusque,
high-strung individual
whose erratic behavior
caught the eye of Hon-
olulu acquaintances. "It's
just like a different person
than I used to know," said
David Chapman, who,
sources say, hasn't spoken
with him since about the
time Mark attempted sui-
cide in 1977. Mark's father
says he won't speak his
piece until the trial is over.
Mark's chorus teacher at
Columbia High School in
Atlanta says, "Out of the.
400 students I had, Mark
would be the last to do
something like that."

Drugs, family strife, bro-
kenhearted love affairs,
and rock 'n' roll — Mark
grew up carrying more
than his share of the banal
emotional baggage of sub-
urban adolescence. Highly
suggestible, highly impres-
sionable, intensely eager
to prove his worth. Chap-
man was drawn to author-
ity figures as mentors and
role models, aping their
values. "He would do any-
thing to please me," says
Tony Adams, former exec-
utive director of the South
DeKalb YMCA branch,
where David Chapman
taught guitar and Mark
worked for several years.
"We made him assistant
director of the summer
camp because he had real
leadership qualities. Mark

was a very caring person.

Hate was not even in his vocabulary. He
said he had experimented with drugs.
But when he was fifteen or sixteen, he
had more or less a religious experience.
He felt like the Lord had touched him,
that he had turned his life around. He
wanted to prove that he was a good
person, that there was no bad person
inside of him."

Those years at the Y were magical for
Mark, who was then in his late teens. His
boss at Camp Koda, Vincent Smith, re-
members him as a regular Pied Piper
with children. Sending his young

JUNE 22. 1981 /NEW YORK

31

Cl

iterial

. .The breakdown had come very quickly. One by one, the sources
from which he drew his unsteady identity began to collapse..."

Alon* again: Holding The Catcher in the Rye at his arraignment.

charges out on a watermelon hunt, Mark
would tell them they were looking for
dinosaur eggs. They called him Nemo,
presumably after the captain in 20.000
Leagues Under the Sea. "He was a great
storyteller, and the kids loved him," says
Smith. "He was always very respectful.
He looked up to me."

One day in 1974, Mark approached
Smith with a well-worn copy of The
Catcher in the Rye. "It's a good book," he
told Smith. "I just wanted to make sure
you had read it."

But there was more to Mark than the
eager YMCA counselor. "He got into
drugs pretty early, around ninth grade,"
recalls Miles McManus, a classmate who
also worked with him at the Y. "Pot,
MDA, hallucinogens — he did anything
he could get his hands on. He was real
down on LSD and said he had real bad
experiences. Then he became kind of a
lesus freak. He carried a Bible with him.
He would quote Scriptures and prose-
lytize. He did that for about a year
before he cooled off."

With rock 'n' roll, as with drugs and
religion, Mark would occasionally seem
to cross over the line between exuber-
ance and excess. His "theme
song,"according to Tony Adams, "which
he sang over and over," was Jerry JefT
Walker's "Mr. Bojangles," a ballad
about meeting the legendary song-and-
dance man in jail. He worshiped pop
musician Todd Rundgren, occasionally
quoting to Miles "the gospel according

32 NEW YORK/JUNE 22. 1981

to Todd." Mark said he wanted Jimi
Hendrix's "All Along the Watchtower"
played at his funeral. A prolific cor-
respondent, Mark ended letters to his
friends with quotes from some of his
favorite musicians, including Bob Dylan
and |ohn Lennon.

He admired Lennon and argued that
he was the most talented of the Beatles.
But in high school, Mark's prayer group
had a standing gag about Lennon's song
"Imagine." "Imagine," they sang, "im-
agine if )ohn Lennon was dead." Mark
said he thought the lyrics sounded Com-
munistic. Later he would accuse Lennon
of arrogance for declaring publicly that
the Beatles were more popular than
Jesus Christ.

When it came to his own musical
ability, Mark was no match for "gods"
like Rundgren or Lennon. Taught to
play the guitar by his father, he cared for
the instrument religiously, even refusing
to take it out of its case in humid weath-
er. When he was asked to sing solo in the
chorus, he grew visibly nervous. "He'd
get frustrated easily," recalls Miles Mc-
Manus. "He'd go out and buy a $150
guitar. He'd practice on it for a while.
Then someone would say something
negative and he'd just give his new
guitar away. He'd say, 'Take my guitar.'
That happened more than once."

It was the YMCA that provided the
anchor for Mark's life. He hoped to get
a college degree and become a YMCA
director like his idol Tony Adams. And

if he was really lucky, he would marry
Jessica Blankenship, the pretty girl with
the long dark hair, whom he had met
while still in high school. Together they
would become Christian missionaries or
go abroad for the Y. After graduating
from high school, in 1973, Mark took
courses at DeKalb Community College,
in the meantime raising money for his
first stab at YMCA overseas work. In
1975, he left for Beirut.

Mark's stay in Lebanon was short-
lived. Civil war erupted shortly after his
arrival. Mark made a cassette of bomb
explosions and machine-gun fire. Evac-
uated just two weeks after he got
there, he played the tape over and
over for friends. Shortly afterward,
in the summer of 1975, David C. Moore
— now a YMCA executive in Chicago
but then executive director of YMCA
services in Fort Chaffee, Arkansas, over-
seeing the arrival of Vietnamese refu-
gees — got a call from someone in his
New York office. He said he had
someone who was just back from Leba-
non. Mark arrived within the next few
days.

"It was a young staff," says Moore. "It
was exciting. TTie whole refugee issue
was very fresh: hundreds, thousands of
Vietnamese were arriving every day. We
were a part of history. It was the best
staff I ever worked with; they all put in
twelve- to eighteen-hour days. But of all
of them, Mark was outstanding. It was
his sense of humor. And he was very,
very concerned about the refugees.

TIm d*f*nM; Attorney Jonathan Marks.

Drawing by Tom Chri»iopher/WCBS Newi.

aerial

'^..His moods shifted wildly from the meek and obsequious to
the grandiose and arrogant. A nonentity became a surly brute. . . "

Old friend*: Chapman with Dana Reeves at Fort Chaffee in 1975.

"When his girl friend, lessica, came to
visit him, I invited them over to dinner.
Gosh, they were like a couple of kids
from the country. She was charming,
intelligent, quiet, intense. She was the
best thing that ever happened to him."

Mark, then twenty, pursued her, like
his other passions, without any re-
straints. "He would talk about her end-
lessly," says Rod Riemersma, who
bunked with Chapman during the Fort
Chaffee program. "He used to call her
up all the time on the WATS line. And
when she came for her birthday visit, he
had the marquee of the Holiday Inn
reading happy birthday, iessica. It was
signed mark." He saw her home to the
motel each night, and he went back
alone to his apartment in Fort Smith.

According to one of his closest friends
at Chaffee, "virtually everything Mark
did during that period he did because of
lessica. His whole involvement with re-
ligion. Even what he ate and drank. He
wouldn't drink alcohol, or Coca-Cola, or
any kind of soda pop — anything that was
bad for your body. He said how dis-
pleased she would be if he had a beer.
He was so concerned with doing the
Christian-like thing."

BY DECEMBER OF 1975, THE FORT
Chaffee program was ending.
Nearly all the camp's 29,000
Vietnamese ' refugees had
been placed in the homes of
sponsoring families. Formal closing cer-
emonies were only a day or two away,
but Mark, uncharacteristically, had de-
cided to leave early. His friend Dana

Reeves had driven the 675 miles from
Atlanta to Fort Chaffee to pick him up.

Tall, slender, with angular features,
Dana Reeves made a striking contrast to
Mark's friends. Some years older than
Chapman, Reeves now works the grave-
yard shift for the police department in
Henry County, not far from Atlanta.
Reeves had known Mark since he was in
high school, but he struck Mark's Atlan-
ta YMCA friends as an unlikely compan-
ion for Chapman. His friends at Fort
Chaffee were particularly jarred when

Reeves showed up with a white-handled
revolver in his gear. "As soon as Dana
arrived, Mark's behavior changed," says
a friend, remembering Mark's last day at
Fort Chaffee. "Mark cleaned his nails for
Dana, he put on clean clothes for Dana,
he made telephone calls for Dana. And
there was Dana's gun. Mark was so non-
violent. He hated guns. I still remember
them sitting in the office of the YMCA
center at Fort Chaffee, playing with this
gun, looking at it, talking about it. It just
wasn't like Mark. They started rough-
housing, then Dana gave Mark this look.
He froze."

A few minutes later, Mark's friends
gathered outside with him and Dana to
say good-bye. It was a crisp, clear day,
and with the refugees gone, it was eerily
quiet. Most of the white barrack build-
ings were empty. The small group had
almost all of Fort Chaffee's barren six
square miles to itself. Mark got in the car
with Dana and called out to the people
with whom he had spent the happiest six
months of his life. As Rod Riemersma
remembers it. Chapman said, "We're all
going to get together again. One day,
one of us is going to be somebody.
About five years from now, one of us will
do something famous, and it will bring
us all together." It was December 1975.

CARING. COMPASSIONATE. MARK
was the man who had it all
together. He had a girl he
loved, he was going to college
(lessica had persuaded him to
enroll at Covenant College, a strict Pres-
byterian school in Tennessee), and he

Phoiograph. boiiom: DPI.

JUNE 22. 1981 /NEW YORK 35

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even had a summer job lined up at the Y
in Atlanta. "If any of us at Fort Chaffee
had a future, it was Mark," says a friend.
"If you had told me he was delusional, I
would have said you were. But when I
saw him in the summer of 1978, things
had changed."

By that time, there were 30 extra
pounds on .Mark's five-foot-eleven
frame, and he was slovenly and pro-
foundly depressed, presenting a deeply
disturbing contrast to the trim, fas-
tidious young man of two years earlier.
According to the same friend, "Mark
told me, 'My life is gone.' He said that,
because he had failed in certain areas,
society had decreed there was no life left
for Mark Chapman."

36

NEW YORK /JUNE 22. 1981

The breakdown had come quickly.
From the moment Mark left Fort Chaffee
in 1975, virtually everything began to go
wrong for him. School, lessica, the
YMCA, his family — one by one the
sources from which Mark drew his iden-
tity collapsed. He dropped out of Cove-
nant College after one semester. "I real-
ly cracked up," he told David Moore
later. "I was a failure, and lessica made
me see it, and I screamed at her. I de-
manded that she not leave me."

lessica left him nonetheless, and sud-
denly Mark found himself both alone
and barred from the career he had been
planning. Without a college degree, he
could never become a YMCA director.
One day at summer camp in 1976, he
had exploded at a parent of one of the
campers. "1 know how easy it is for that
to happen," recalls a friend. "But it
wasn't like Mark. He thought he really
had destroyed the whole summer pro-
gram." Following that incident, Mark
quit the Y. He took a job as a security
guard, which brought him a gun permit.
He took to the training and became an
excellent shot.

At the same time, Mark's family was
falling apart. When he was a schoolboy,
his mother and father fought so much
that he would frequently stay with
neighbors. Now that his younger sister

Photograph; Toronto Star Syndicate.

Ci : iteria

was growing up, there was no longer any
reason for his parents to stay together.
Despondent, Mark decided that he
would live out his one last fantasy. He
had always wanted to see Hawaii. A
friend recalls, "He told me he went there
with the idea of killing himself. He said
that was his biggest dream." He would
go there and then he would kill himself.
Or at least he would try.

NOT LONG AFTER HE ARRIVED IN
Honolulu in 1977, Mark at-
tached a hose to the exhaust
pipe of his car, fed it into the
interior, and climbed in to
wait. The attempt failed, and Mark was
hospitalized for psychiatric treatment.

in Hong Kong; his wife, Gloria Abe.

His mother moved out to be with him.
He later took a room on his own with a
minister. But there was no Jessica
Blankenship, no Tony Adams, David
Moore, or Dana Reeves to fill the ex-
panding void in his life. With a suicide
attempt and psychiatric treatment on his
record, he told a friend, he would never
be able to get even a low-level position at
the YMCA.

More impressionable and suggestible
than ever, Mark still needed to latch on-
to someone. When he failed, his behav-
ior became increasingly fragmented and
erratic. His moods shifted wildly from
the meek and obsequious to the grandi-
ose and arrogant. A timid nonentity be-
came an aggressive, surly brute. In 1978,
he took a jaunt around the world. The
next year. Chapman announced that his
goal was to be a housekeeper. In 1979,
he took a job as a S4-an-hour security
guard, then became a spendthrift art
collector.

Where did he get the money? That
remains a mystery. More significant is
the fact that a man of Chapman's modest
means would even consider the ex-
travagance of a round-the-world tour.
His itinerary: Tokyo, Seoul, Hong Kong,
Singapore, Bangkok, Katmandu, Delhi,
Israel, Geneva, Paris, London, and At-
lanta. Armed with a letter of introduc-

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tion from David Moore, his Fort Chaffee
mentor, he stayed at YMCA's all over the
world.

In Geneva, Mark met up with Moore,
who introduced him to the international
head of the YMCA. "He was so im-
pressed by that," Moore recalls. One
night on a balcony overlooking Geneva,
Mark told Moore about his suicide at-
tempt. "As a joke he said, 'Let's talk
until the sun rises,' " Moore says, "and
then Mark told me about his failure with
Jessica, his breakdown, his attempted
suicide, and his problems with his
father. He was so naive. He couldn't
understand why the world was so
messed up." But, according to Moore,
Mark appeared to be recovering from his
breakdown.

When he returned to Hawaii, Mark
worked in housekeeping and the print-
shop at Castle Memorial Hospital, the
same hospital where he had received
psychiatric care. His supervisor, Leilani
Siegfried, remembers him fondly. "He
was delightful to work with," she says.
"He tried to please us so. And he was so
sympathetic to the old people. He would
play them Hawaiian songs on his guitar
and pay attention to them when nobody
else would. Some of them hadn't spoken
to anybody in years, but they started
again when Mark showed them some
attention."

Other job supervisors in Honolulu de-
scribe Mark in similar terms. But at an
employment agency in 1979, he pre-
sented an altogether different picture of
himself. According to his application, he
had worked with radios and weapons,
had guarded prisoners in the sherifTs
department in Decatur, Georgia, and
had a strong background in security. At
the bottom of the form, he casually men-
tioned the YMCA. "The Y just didn't
seem important to him," his employ-
ment counselor said. "He was interested
in firearms."

kMt Rockwell's Triple Self -Portrait.

38

NEW YORK/JUNE 22. 1981

Reprinted from Saturday Evening Post
^ I960 Curtis Publithing Co.

Mark was also interested in human
contact, and his search for it became
more and more desperate. In June 1979,
he married Gloria Abe, a Japanese-
American travel agent whom he'd met
while booking his world tour. He also
returned repeatedly to the employment
ofiice, eagerly trying to strike up a
friendship with his counselor. "Occa-
sionally he mentioned his family," she
recalls. "That seemed very painful to
him. But I was too busy working to really
listen. He was also quite interested in
art. He gave me a painting he'd done
himself with blue skies and fluffy
clouds."

Pat Carlson, a Honolulu art dealer,
watched his interest in art surge. "I've
never seen anybody with such an ob-
session," she told a Honolulu reporter.
"He would call me three or four times a
week to talk about his art." Mark spent
$5,000 on a lithograph of Salvador Dali's
Lincoln in Dalivision. Later, he returned
it and paid $7,500 for Norman Rock-
well's Triple Self- Portrait. "He was so
proud of that piece," Carlson said. "To
give you an idea about how consumed
he was by this thing, I know he bought a
book about Rockwell that he displayed
on his coffee table." On the cover of the
book was Rockwell's Triple Self- Portrait.
which had first appeared on the cover of
The Saturday Evening Post. "He had a
copy of the cover of the book laminated,
and put it on the wall of his apartment.
. . . He started writing letters and mak-
ing phone calls all over the mainland
trying to find a [copy of the magazine]."

Other acquaintances began to notice
Mark's erratic behavior. Barbara Linn,
who worked with Gloria at the Waters
World Travel agency, says she "felt a lot
of negativism oozing from him." The
husband of another of Gloria's co-work-
ers told a reporter that Mark snubbed
people, grunted curt greetings, and was
surly. He was impatient and would honk

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JUNE 22. 1981 /NEW YORK 39

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incessantly if he was waiting for Gloria
and she was late. At his last job, he
found a target for his rage, Scientology.
Chapman's supervisor told a Honolulu
reporter that he compared the religious
sect to the Reverend fim |ones's suicide
cult in Guyana. And even earlier, in
1979, a witness saw Mark with a button
that read, "John Lennon."

But why Lennon, instead of another of
his heroes? Observes MIT psychohis-
torian Bruce Mazlish, "There is in-
evitably a certain randomness in these
kinds of fixations. When a guy is frag-
menting as much as Chapman, you can't
expect his reasoning to be wrapped up
in a nice neat little package."

Chapman shared his delusions with
no one. But one can speculate: that
Mark Chapman, who saw himself as the
savior of the children at Camp Koda and
later at Fort Chaffee, having failed to
make a career of the YMCA, would try
to fulfill himself in a fantasy world where
he would save small children as they
played in "this big field of rye"; that, like
Holden Caulfield in the novel, Mark
would wage his own private war against
phoniness; that, having failed one way or
another with Jessica, and, presumably,
with Gloria, with his employment coun-
selor, and with his art dealer, he would
find his identity in the cultural icons of
Salvador Dali, Norman Rockwell, and
lohn Lennon. But then he began to per-
ceive Lennon as a hypocrite himself,
one who had allowed wealth and success
to tarnish the principles he held holy.
Mark David Chapman, the catcher in the
rye, would go to New York.

ON SEPTEMBER 10, 1980, MARK
wrote a letter to Lynda Irish,
a schoolteacher friend from
Honolulu who had moved to
New Mexico. On it he had
drawn a picture of Diamond Head with
the sun, the moon, and the stars above it.
Mark wrote, "I'm going nuts," and
signed the letter "The Catcher in the
Rye, Mark."

On October 10, he sold his Norman
Rockwell to a Honolulu public-relations
man for $7,5(X). At about the same time,
Mark called his employment counselor
and told her he "had a new job to do."
On October 23, he signed the work sheet
at his job with John Lennon's name, and
left work for good.

On the twenty-seventh, Chapman
went to I & S Sales, a Honolulu
gun shop. The salesclerk — whose name,
ironically, is Ono — sold him a snub-
nosed charter Arms .38-caliber revolver.

A few days later, according to
sources, Mark was at the Waldorf-
Astoria Hotel, in New York. He also
spent some time at the Hotel Olcott, at
27 West 72nd Street, just half a block
away from the Dakota, the apartment
building where Lennon lived. He later
confided to a minister that he was wres-

40

NEW YORK/JUNE 22. 1981

Cl

aerial

tling with "good" and "evil" spirits.

By the second week in November,
Mark was back in Atlanta, seeking
solace from his torment. He found little.
He told friends that he had come to see
his father. Instead, he stayed with his
friend Dana Reeves.

If Mark still intended to shoot Len-
non, he did an excellent job of disguising
it. "If he had that on his mind," says
Reeves, "he put on a command per-
formance. He never made any delusions
known to me or anyone I know. He was
his old self of five years ago as far as I'm
concerned." He visited his chorus teach-
er from high school and a classmate,
Paul Visscher, both of whom said he was
the same old Mark.

The art of pain: A Chapman painting.

But he wasn't. He went to visit )essica.
The local press later reported that the
mother of an old girl friend, who refused
to be identified, had seen Mark and that
he had appeared to be disturbed.

Finally, Mark went by the South De-
Kalb branch of the YMCA. His old boss,
Tony Adams, had long since moved on.
None of the old stafT was there. So he
spoke with Pat DeCouq, a swimming
instructor who was a relative newcomer.
Mark went over to the swimming pool
and pointed out a tile with his father's
name on it. He asked if anyone still
remembered Nemo. No one did.

Mark returned to New York. A few
days later, he called Gloria. According
to the minister, Mark told her, "I've won
a great victory. I'm coming home. I'll tell
you about it when I get there." In Hon-
olulu, Mark made an appointment at the
Makiki Mental Health Clinic for No-
vember 26.

But he never showed up. On Saturday,
December 6, he checked back in at the
West Side YMCA, just nine blocks from
the Dakota. Though he had several
thousand dollars with him, he took a
room without a bath. Mark also carried
the letter of introduction to Y officials
that David Moore had written for him
for his round-the-world trip. Then, it had
been a virtual passport to YMCA's
everywhere, usually allowing him to stay
free. Here, he showed it to no one.

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Mark began hanging out in front of
the Dakota. "I saw him the day of the
shooting," recalls one Upper West Side
resident, "and I remembered I'd seen
him there a couple of days before. You'd
always notice people waiting for Len-
non. This guy was shifting back and
forth like he was impatient."

Sometime around midaftemoon on
Sunday, December 7, Mark returned to
the Y and checked out of his room, in the
process severing ties once and for all
with what had been the most important
institution in his life. He then took an
$82-a-day room at the Sheraton Centre
hotel, at Seventh Avenue and 52nd
Street.

On Monday, Mark returned to his
vigil outside the Dakota, bringing with
him fourteen hours of Beatles tapes, a
copy of the new album by Lennon and
Yoko Ono, his .38 revolver, and his copy
of The Catcher in the Rye. He struck up
a conversation with a young blond fan
who was a regular outside the Dakota.
They lunched together at the Dakota
Restaurant, across the street. Afterward,
the two returned to their vigil. By 4:30
P.M. the two were joined by three other
fans, including Paul Goresh, an amateur
photographer who often waited outside
the Dakota for Lennon. A few minutes
later, Lennon left his apartment accom-
panied by Yoko. As Lennon stepped out,
Chapman held up a copy of Double Fan-
tasy for him to sign. John paused briefly
and signed his name as Goresh snapped
a photo.

"Did I have my hat on or off in the
picture?" Chapman asked Goresh. "I
wanted my hat off. They'll never believe
this in Hawaii."

Later, Goresh told Chapman that he
was leaving. "You never know," Mark
said. "Something might happen. You
know, he could go to Spain or something
tonight. You never know if you'll see him
again."

Shortly before 1 1 p.m.. John and Yoko
returned from the studio. As they
walked through the archway, Mark took
a step toward them.

"Mr. Lennon," he said.

Chapman assumed a combat stance
and fired all five shots from his .38 re-
volver.

In a few minutes, the police arrived.
By then, Mark had taken his copy of The
Catcher in the Rye out of his pocket and
had started reading.

A FEW WEEKS LATER, JOHN HINCK-
ley spoke into a tape recorder.
"I just want to say good-bye to
the old year, which was noth-
ing, total misery, total death.
John lennon is dead, the world is over,
forget it," he said. "Anything that I
might do in 1981 would be solely for
Jodie Foster's sake. Just tell the world in
some way that I worship and idolize
her."

42

NEW YORK/ JUNE 22, 1981

Health/Pat McManus

YES, YOU CAN
BE TOO THIN

. .A study casts shadows on our cultural code of string-bean
chic— being too thin can be as dangerous as being too fat. . .

Some ladies smoke too much and some
ladies drink too much and some ladies
pray too much. But all ladies think that
they weigh loo much.
— Ogden Nash in "Curl Up and Diet"

RELAX. IF YOtAE BEEN GALGING YOUR

ideal weight the way most of us have —
by those familiar doctors' charts — and
you've managed to hover close to the
"ideal" level, then you're probably un-
derweight! And what better time to find
out than now, as we enter the season of
bare midriffs and voluptuous cookouts?

A recent National Institutes of Health
study, conducted in Framingham, Mas-
sachusetts, finds that being underweight
carries as many — if not more — dangers
as being overweight and raises questions
about the validity of current standards of
ideal weight. The study casts some seri-
ous shadows on the cultural code of
string-bean chic.

At least half the population will read
anything about how to reduce, and pub-
lishers are meeting that demand with
everything from the "ultra-fasting" diet
to the "sexy pineapple" diet. And you
may go to an obesity clinic or to Over-
eaters Anonymous, to a behavior-mod
program, to a health spa, or join the 13-
million who have enrolled in Weight
Watchers. We are, in short, preoccupied
with being skinny. But weight standards
are changing.

The Framingham study followed
5,209 men and women (ranging in age
from 30 to 62 years when they entered
the program), from 1950 to 1974. It
found the most desirable weight levels
for both sexes to be considerably higher
than the weight standards that have been
guiding the American population for the
past two decades. ("Desirable" or
"ideal" or "optimal" weight means
weight associated with the greatest lon-
gevity.)

Where did the current standards of
weight come from? In 1959, the Society
of Actuaries in Chicago published a
massive "Build and Blood Pressure
Study" (BBPS), which followed 3.9 mil-
lion insured men and women for the
nineteen years between 1935 and 1954.
Along with other information, it pub-
lished average weights and looked for an
association between weight and mortal-
ity. Its conclusion: The greater a per-

son's weight, the greater his risk of
death; the healthiest people were those
who were up to 20 percent below aver-
age weights.

Using the BBPS data, the Metropoli-
tan Life Insurance Company developed
tables of desirable weights related to
height for three frame sizes — and made
these tables available to physicians, pub-
lic-health officials, nutritionists, physi-
cal-education teachers, and the general
public. This was wonderful exposure
for the company, but have these tables
been misleading the American public all
these years?

We rightly associate overweight with
health risks, especially coronary heart
disease and diabetes. But studies relat-
ing weight to coronary heart disease
have been inconsistent, and researchers
speculate that variables other than
weight, such as the amount of fat and the
muscularity of the body, could be at
work.

The Framingham study has put Met-
ropolitan's weight tables to the test. Fra-
mingham used a table of five builds,
determined by weight, sex, and height,
with Group One the leanest and Group

Five obese. The greatest mor-
tality risk was found in the
leanest group. For women,
the mortality data formed a
"U" curve indicating prob-
lems at both ends of the
weight spectrum, but slightly
more problems in the leanest
group. The leanest group of
men had the highest death
rates from cancer and all oth-
er diseases except those of the
cardiovascular system.

In Framingham, the best
weight for a male of medium
build, five feet eight and a half
inches tall, is 170 pounds; the
Metropolitan tables set his
ideal weight at 146 pounds.
For a woman of average build,
five feet six inches tall, ideal
weight, according to the Met-
ropolitan table, is 132 pounds;
her ideal weight in Framing-
ham would be 147 pounds.
The risks associated with
being underweight start at 10
percent under the average
weights.

"We are not sure why we observed
what we observed," says the study's co-
author, Paul Sorlie, of the Biometrics
Research Branch of the National In-
stitutes of Health. "Maybe there is some-
thing wrong with being lean. Maybe you
can say resistance is down. We acknowl-
edge the dangers of being obese and the
value of losing weight for those people
much heavier than the average weights.
But we also want to point out that there
are risks attached to being underweight,
too."

7I1ERE IS OTHER EVIDENCE ON THE DAN-

gers of being too thin. An American
Cancer Society study published in 1978
spotlighted health problems in those
who are less than 80 percent of average
weight. These underweight men and
women, the study showed, suffer higher
mortality from digestive diseases and
cerebrovascular disease than their coun-
terparts who are close to average weight.
And underweight men (but not women)
suffer higher cancer mortality rates.

Other research shows that under-
weight teenage girls have delayed sexual
maturation and that a certain amount of

llluslrmlion by Laura ComeN.

JUNE 22. 1981 /NEW YORK 43

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body fat is necessary for a mature wom-
an's reproductive system to function.
Scientists who spent fourteen years fol-
lowing 1,233 men working for the Chica-
go Peoples Gas Company found the
weights associated with the lowest rate
of mortality were 25 to 35 percent above
the ideal weights developed by Metro-
politan. Therefore, the "safest" weight
level in this study would, by current
standards, be deemed "overweight."

What could account for the dramatic
differences between the BBPS and these
studies? The BBPS followed only the
lives of insurance holders and has there-
fore been criticized as not representative
of the general population. Nutritionist
Ancel Keys carries the criticism even
farther: "The fact is that the tables of

Putting On
A Few Pounds

WOMEN
Ages 40-60

Short
(4'n"-5'2^

1979 BBPS*

115-24

1959 BBPS

105-14

MEN
Ages <M)-60

Short
(5'r-5'6")

1979 BBPS

150-59

1959 BBPS

135-44

' The 1979 figures are preliminary.

Optimal weight is the weight associated with minimum mortality

'ideal' or 'desirable' weights are arm-
chair concoctions starting with ques-
tionable assumptions and ending with
three sets of standards for frame types
that have never been measured or even
defined."

Paul Sorlie explains that though his
study had a considerably smaller popu-
lation than the BBPS, Framingham in-
cluded a broader range of people: "We
represented the spectrum of life, in-
cluding the healthy, sick, retired, un-
employed, etc. But because BBPS covers
an insured population only, people who
are underweight and ill would not be
accepted into the BBPS sample. Conse-
quently, no link between low weight and
mortality could be seen."

Even the BBPS figures are creeping
upward. An updated BBPS study was
completed by the Society of Actuaries in
Chicago in 1979. Tlie update, based on
research done from 1954 to 1972, reports
a number of changes that will lead to
revisions in weight charts.

The new BBPS shows that men 15
percent under the average weights suffer
increased mortality from pneumonia
and influenza, higher hypertensive heart
disease, and higher suicide rates. Cancer
and digestive -system diseases are as-
sociated with men 25 percent under
the average weights.

Cl

Women weighing 15 percent less than
the average weights are vulnerable to
pneumonia, influenza, and diseases of
the digestive system. Additionally, these
findings show a decrease in problems
associated with being over the average
weights. For unknown reasons, the re-
cent data imply that both men and wom-
en can safely weigh more than the 1959
data suggested.

Obviously, those ideal-weight tables
will be changing. But how much? Cath-
erine Crean, managing editor of the
Metropolitan Life Statistical Bulletin,
says, "The optimal-weight charts will
definitely be going up. We will have to
take into consideration the data from
Framingham and other studies pointing
up the dangers of being underweight.

Weights Considered Optimal in a 1939

BBPS Study and in a 1979 BBPS Updated Study

Medium
(5T-5'6'0

Tall

(ST'-S'lOT)

125-34

140-49

115-24

125-34

Medium
(57"-5'l(n

Tall

155-64

165-74

140-49

145-54

Data arc from the 1959 and 1979 Build and Blood Pressure
Studies published by the Society of Actuaries in Chicago.

But the main guide will be the new
BBPS. It follows the largest sample —
about 4 million people."

Why have ideal weights gone up since
1959? Crean says, "The old charts were
true for that time, for that group. Those
figures may have been best for twenty
years ago for reasons we can't pin down.
Nobody knows why these changes are
showing up. Maybe we are eating differ-
ently."

Metropolitan will issue new guide-
lines later this year, and while Crean
admits that they will be going up by "a
few pounds," it appears that the figures
ought to rise by considerably more than
that. Others associated with the new
project say they would have no problem
with adding a full ten pounds in all
categories to the old optimal weights.
Doing so would bring these ideal
weights closer to the safe weights found
in the Framingham study, though Met-
ropolitan's desirable weights would
still be a few pounds under Fra-
mingham's.

"1 wouldn't quibble with a few
pounds." says Sorlie. "It would defi-
nitely be a step in the right direction."
And adding those pounds would proba-
bly take a lot of pressure off a lot of
people as summer's treats beckon and
we head for the potato salad. ^

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45

Theater/ John Simon

ALL IN
THE FAMILY

. .Lanford Wilson's A Tale Told, not a lovable play, is more
commanding of respect than the others in theTalley cycle. .

WITH A Tale Told, lanford wilson
reafTirms his position at the forefront of
American dramatists. I find this third of
the projected five plays of the Talley cy-
cle less entertaining than Fifth of July
and less enchanting than Talley's Folly,
but somehow more imposing, more
commanding of respect, than either of
its predecessors. This is not a lovable
play, as the others are; there is some-
thing mundane or even dour about most
of its characters, and their very in-
tensities and eccentricities tend to be
less than appealing. But why not? Such
people exist in large, indeed over-
whelming, numbers and demand to be
anatomized on the stage. Let's say that
in Fifth of July Mr. Wilson wears his
Chekhov hat; in Talley's Folly, his
Giraudoux beret; in A Tale Told, his
Ibsen stovepipe. They all fit him equally
well, and he makes them convincingly
his own. But hats, though they may help
make the dramatist, do not make the
man; underneath them, Lanford Wilson
remains headily himself.

A Tale Told concerns the rich Talleys
in the house on the hill, during that same
Independence Day evening in 1944
when Sally Talley, down at the
boathouse, is being wooed by Matt
Friedman. The house is the very one that
the as yet unborn Kenneth Jr. will toy
with selling in Fifth of July; here we are in
its front parlor, which exudes Lebanon,
Missouri, concepts of comfort, gracious-
ness, and casual aflluence, but an
affluence that, what with a downward
turn in the Talley fortunes and the
strains of wartime, is beginning to edge
from the lived-in toward the moth-eaten.

Grandfather Talley (referred to by all
as Mr. Talley), the cunning patriarch
who started the mill that wove the Talley
wealth and now grinds out army uni-
forms, fluctuates between periods of
blithering dotage and full Machiavellian
acuity. His son Eldon, who now runs the
business together with Harley Campbell
(son of the former partner, and the fel-
low who ditched Sally), is a conscien-
tious and honest businessman, but
without the flair and verve of his father
and with a private life that is both
blemished (he has cheated, perhaps con-
siderably, on Netta, his wife) and shad-
owed (his father has usurped his very
identity). Sister Lottie (Charlotte) is a

gravely ill, cynically acerb spinster,
whose only remaining pleasures are pro-
voking the rest of the household and
promoting Matt's suit of Sally — partly
for vicarious satisfaction and partly as a
blow against Talley complacency.

Then there is Netta, a woman who has
been the moral and physical support of
her family, but who, as the scales are

though a redeeming feature, is not quite
a saving grace.

Beyond these, there is Viola Piatt, the
no-nonsense laundress, with her seven-
teen-year-old scheming tart of a daugh-
ter who initiates a threat to the Talley
respectability that Mr. Talley defuses;
this subplot also involves Emmet Young,
the Talley handyman, who inches into

Family chat: Michael Higgins and Fritz Weaver of the Talley clan.

removed from her eyes this evening and
night, withdraws into a shell within the
larger shell into which she would con-
vert the house. Son Kenneth (Buddy),
General Mark Clark's driver, is back on
leave from the Italian campaign on the
erroneous news that Mr. Talley is dying.
He has no stomach for the family busi-
ness, and is eager to start a more con-
temporary one in pre-fab housing upon
the end of the war. Daughter Sally, who
appears only marginally, you know from
the other plays. Timmy, the younger son,
has just been blown to bits on Saipan,
but is present as a ghost, zestfully relat-
ing to the audience and Lottie (who
seems to hear him) the events surround-
ing his demise. Olive, Buddy's wife, is a
foolish busybody, yet also a touching
homemaker — a simp with unexpected
slivers of spunk glinting forth from her
humdrum soul. Harley is your average,
well-off, moderately oafish provincial,
but with an intermittent jollity that.

upward mobility. Twelve characters,
then, some of them treated only
marginally, but all of them glaringly
alive and kicking and being kicked; in-
teracting, intriguing, injuring or getting
injured; and, every so often, extending a
helping hand instead of giving one an-
other the finger. I have described them
as characters rather than quoted their
dialogue, which is always idiomatic, fre-
quently racy, and sometimes pene-
trating. If I did not copy out chunks into
my program for reproduction here, it is
because I did not want to miss the next
Talley sally.

There are some weaknesses. Lottie's
motivation could be gone into more in-
cisively and revealingly; the business
aspects — financial finaglings and the im-
pending sale of the mill — might be made
clearer, the minor characters could per-
haps be given a little more to do and be.
Most troubling of all is Timmy's ghost,
who seems to have wandered in out of a

46 NEW YOflK/JUNE 22, 1981

Pholograph by Gerry CoodMein.

play by David Rabe — a supernatural, or
merely theatrical, device that jars in
such an expertly managed piece of natu-
ralism. Of course, the character has his
legitimate use, opening a window as he
does on the greater cataclysm beyond
the intramural shattering of the Talleys.
But couldn't this have been achieved by
realistic means? To some of my stric-
tures it might be objected that there are
two more plays to come, that the com-
pleted Talley tally may fill in all the gaps.
But, surely, each play must also stand on
its own feet, as the previous two have so
firmly demonstrated.

Yet the strengths are equally patent
and rather more pertinent. A Tale Told is
spread across a larger canvas even than
Fifth of July, with business, war, and fam-
ily matters, as well as a sort of Budden-
brooksian decline of acumen over three
generations cannily sketched in. These
characters benefit both from their local
color, which pricks and tickles our at-
tention, and from the archetypal sharp-
ness of their contours, which compels
universal recognition and self-iden-
tification. At a time when most play-
wrights can produce only chamber mu-
sic, Wilson can write for a whole or-
chestra. Indeed, he uses both complex
harmony and moments of grating dis-
cord to excellent advantage. And his
range is, as usual, wide: He possesses
that Dickensian or Balzacian knowledge
of many professions, activities, modes of
being that puts the narrowness of a
David Mamet and even the inspired
monomania of a Sam Shepard to ul-
timate shame.

The Circle Rep production is, once
again, a collaboration of inspirednesses.
lohn Lee Beatty's set is of a noble sim-
plicity compounded of ingenious
stratagems, not least of which are
shrewd apertures for the ghost to appear
and vanish through and a piece of cen-
tral wall with fireplace that blots out part
of the hall beyond, even when sliding
doors to the right and left of it are
opened. Thus our pursuit of upstage lat-
eral movements is teasingly interrupted,
and the impenetrable mystery at the
core of this or any house smartly objec-
tified. Dennis Parichy has lit this fine set
so as to convey perfectly the effects of
the lighting and extinguishing of the
many Talley lamps, to evoke fully the
continuous play of illumination and
darkness as characters espouse one or
the other, picking away at the light
switches as if they could clarify nagging
uncertainties or shed appeasing obscuri-
ty. Laura Crow has provided telling cos-
tumes, and Chuck London persuasively
rural sounds.

The acting is of a high order, with es-
pecially arresting contributions from
Elizabeth Sturges (Lottie), Fritz Weaver
(Mr. Talley), and Jimmie Ray Weeks
(Harley). The others are not far behind.

and only Michael Higgins seems to me
too megalopolitan for Lebanon and too
dry for a former philanderer. Patricia
Wettig would be a splendid Olive if only
Marshall W. Mason, the able director,
who has otherwise yet again done ex-
hilarating justice to a Wilson work, had
not let her lapse into caricature. And I
don't think that there should have been
interaction between the ghost and an-
other character, although this may be
the author's, not the director's, doing. A
Tale Told belies its title: Almost every-
thing in it is dramatized, directed,
enacted to a fare-thee-well; we are not
given lumps of narration (except in the
ghost's soliloquies), but are, like true
albeit temporary Missourians, shown.

KEVIN WADE S FIRST PLAY, Key Ex-
change, is a story of nine Sundays in
Central Park for three Sunday cyclists
caught in one game: man-woman rela-
tions among thirtyish swingers, semi-
swingers, and would-be non-swingers.
Philip, a struggling popular novelist, has
a nonexclusive affair with Lisa, a pho-
tographer with yearnings for exclusivity.
Michael, an advertising man, has mar-
ried his dancer girl friend (an unseen
character, but as real as the others) only
to have her leave him for another, then
return to the hearth whose fires of happi-
ness seem now forever banked. Michael
and Lisa achieve a chaste (though, on his
part, not unerotic) friendship, even as
Lisa drifts away to another man from a
Philip now eager for commitment.

You might think that these nine
vignettes add up to a sort of geometry
rather than dramaturgy, and, certainly.
Key Exchange — a reference to Lisa's
offer to exchange apartment keys with
Philip, which he perceives as a mon-
strous deviation toward matrimony —
has its schematic aspects, as well as too
many tales told rather than acted out.
But the old stories are constructed out of
shiny new building blocks: virgin wit
that has not trafficked with other peo-
ple's perceptions, and an invaluable gift
for ferreting out the absurd in the quo-
tidian, the normal in the preposterous.

There are choice performances by
Mark Blum, who keeps Michael's sor-
rows crisp; Ben Masters, who skillfully
reveals the frangibility of toughness: and
Brooke Adams of the downward-curling
mouth, provocatively plangent voice,
and ingenuous sexiness, whose Lisa
moves us by the very intensity of her
clinging to sensibleness. Bamet Kell-
man's staging errs only in allowing Terry
Ariano's set a meaninglessly revolving
centerpiece, and in using the Fanfare for
the Common Man over and over until it
becomes commonplace. Otherwise, this
production of a piquant play by an elo-
quently promising playwright can ac-
tually make you forget the lack of air
conditioning at the WPA Theater. ^

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JUNE 22. 1981 /NEW/ YORK

47

Cl

. . In History of the World, Brooks's lack of finesse wears us
down. He has gone beyond bravado into sick humor. .

Movies/ David Denby

THE DECLINE AND FALL
OF MEL BROOKS

Mad monks: Brooks leads a cowled chorus line in the Spanish Inquisition number.

HALFWAY THROUGH MEL BROOKSS Hl»-

lory of the World — Part I, the title
"The Inquisition" flashes on a Ijlackened
screen, and the great man appears in a
red cassock as Torquemada, standing on
a balcony above a dreary Gothic dun-
geon. A Cole Porter-ish tune begins,
and Brooks bounces down a circular
staircase, joins a chorus line of
cassocked monks kicking up their san-
dals, and starts to sing "The Inquisition!
It's the Inquisition . . . !" Roguishly, he
vamps a group of tied-up heretics, urg-
ing them to convert ("Say yes, don't be
boring!"), while the heretics sing back
"No! No! No!"

As I laughed at this brilliantly di-
rected number, I began to realize that all
the heretics were Jews dressed in black
suits, black hats, and prayer shawls —
nineteenth-century shtetl clothes, so we
could recognize them as lews. As the
number continued, my laughter and the
laughter of other people in the theater —
which had been joyous — promptly sank
to nothing. Or almost nothing; an un-
easy titter at best. But Brooks is off and
running. Victims tied to torture wheels
that are like the cylinders of a slot ma-
chine are spun around by Torquemada
Mel; when three identically dressed Jews
turn up, money pours out of the wall.
Nuns in black habits arrive. Standing on

48 NEW YORK/ JUNE 22. 1981

the edge of the pool, they throw off their
habits, revealing white bathing suits and
bathing caps underneath, and then they
dive into the pool one at a time (the cam-
era travels down the line), like the swim-
ming chorines in an Esther Williams
aquatic extravaganza. Jews are then
dumped into the pool and disappear —
presumably pulled under by the bathing
beauties, who quickly resurface, arrayed
in the formation of a menorah, with
sparklers on their heads.

Long ago, Mel Brooks freed Jewish
comedy from self-humiliation (as
Woody Allen still hasn't), turning Jew-
ishness into a new kind of bravado. What
he did, I thought, was healthy, even lib-
erating — a way of announcing to ev-
eryone that American Jews need not be
responsible all the time, that they felt
safe enough to be clownish, even vulgar
(Philip Roth did the same thing in liter-
ature). But I underestimated Brooks's
bad judgment. Brooks is so confident of
his liberating effect that he's gone be-
yond bravado into show-ofT Jewish sick
humor. In the classic "Springtime for
Hitler" number from The Producers
(1968), Brooks showed two theatrical ad-
venturers staging a routine calculated to
outrage a Jewish theater audience. "The
Inquisition," Brooks's attempt to top
himself, is his own outrage, his attempt

to turn himself into a Hollywood de
Sade (those torture wheels are out of 120
Days of Sodom). He's trying for heavily
ironic "dark" jokes and Holocaust
cruelties — hilarity on the edge of an-
nihilation and all that — and he fails, be-
cause the impulse behind the number is
exploitive and pointless. The Jews are
there simply because their dress makes
them recognizable — and because
Brooks thinks Jews are always funny,
even as victims. And Brooks throws in
the swimming nuns only because he's
wanted to do an Esther Williams parody
for years.

History of the World is full of great
beginnings followed by a quick collapse.
The movie is a burlesque-show version
of history — life in different epochs as a
parade of fools, sadists, hucksters.
Whether wearing a pelt, a toga, a cas-
sock, or a ruffled shirt and frock coat,
man is always the same low, dirty animal
— a buffoon. Brooks's jokes fall below
the level of satire; his movie is show-
business blasphemy — funny, but not as
bold as he thinks it is. Instead of drawing
a mustache on the Mona Lisa, Brooks
draws one on the Last Supper, pre-
senting himself as a waiter who is trying
to collect the check (Leonardo shows up
and arranges the disciples on one side of
the table — better for the portrait).

Brooks has made himself master of a
kind of epic lowbrow surrealism — silly
gags lavishly mounted, utterly gratui-
tous, and then ruthlessly thrown away.
In Blazing Saddles, was that really Count
Basic's entire orchestra playing in white
silks in the middle of the desert? All for
one gag? In History of the World. Brooks
uses huge sets and dresses everyone in
togas and armor just to make jokes
about ancient Rome as a center for hus-
tlers, entertainers, and tummlers — a sort
of white-columned, marble Gros-
singer's. Brooks stars as Comicus, a
"stand-up philosopher" who plays the
main room at Caesars Palace, with hairy
legs sticking out below his toga. Ron
Carey is his agent, Swiftus Lazarus, and
Henny Youngman and Shecky Greene
are on hand. The marvelous black danc-
er Gregory Hines shows up, claiming to
be Jewish, and does a suavely relaxed
soft-shoe. Madeline Kahn makes a great
entrance as the Empress Nympho,
playing her as a cross between screechy

Queen of the Night and Long Island
bitch. Dom DeLuise, even heavier than
usual, does a euphoric fag Nero, his
hands entwined in grapes, his mouth
sucking, biting, chewing — he's obscene-
ly funny, an undulating mountain of un-
clean flesh. The form of Brooks's movies
is so open that if there's something you
can do, he'll fit you in somewhere. But
then he leaves you stranded, lost, trying
to be funny with stupid material.

Some of Brooks's mad obsessions
break through in ways that are embar-
rassing. It's bad enough that he shows
us, in the primitive-man sequence, what
homo erectus really means; he also has to
have various people pulling at Gregory
Hines's breechcloth to see if Hines is
really Jewish. Mel Brooks, who never
tires of joking about gays, is more ob-
sessed with phallic size than any habitue
of Eighth Avenue pom films. Brooks the
heterosexual size queen concocts such
bizarrely lewd sequences as Madeline
Kahn's selecting men from the Roman
legions for an orgy (armored to the waist
but bottomless, the men are photo-
graphed from behind) on the basis of
priapic attainment. What Brooks may
not understand is that the audience isn't
necessarily obsessed in the same way he
is. What he takes to be the glorious folk
humor that modern people have re-
pressed looks to many of us like the tired
jokes that were yawned off the burlesque
stage 50 years ago.

Brooks sets up his French Revolution
sequence splendidly: a Fragonard look
to the frolics among the nobility; Harvey
Korman, as an epicene count, resplen-
dent in peruke and beauty mark; Cloris
Leachman, with the largest wart in his-
tory, as Madame de Farge. But then
Brooks destroys the whole thing with
dumb chamber-pot and gang-bang
jokes. He underestimates and misjudges
us every time. We want to be taken low,
of course, but for laughs, not to be freed
of our hang-ups. Brooks offers an ideol-
ogy of low humor: He thinks body func-
tions and cruelty are the basis of all
honest laughter. But his insistence, his
lack of finesse finally wear us down. We
laugh, but with gathering feelings of re-
volt and then of boredom.

THE ORIGINAL Superman, directed by
Richard Donner, was one of the
most disjointed, stylistically mixed-up
movies ever made. TTie mystico-sub-
lime rubbed elbows with low farce
and pop irony, and everything gave
way to disaster-movie squareness in
the end. But now all is well. Richard
Lester, of Beatles-movie fame, took over
the direction of Superman II, and
Lester has brought unity and a high style
to the material. The fantasy and play-
fulness that Lester has always striven for
fall to him easily this time, and without
the nagging, jumpy irritability that

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" . . . Lester brings high style to Super-
man //—the summer's best spectacle. .

turned so many of his other movies sour.

Gene Hackman returns as master
criminal Lex Luthor, and this time he's
been given jaunty lines; Haclcman re-
sponds with an effortlessly funny per-
formance as the fast-talking opportunist,
completely indifferent to everything but
his own interests. Hackman's Lex
Luthor gives the pop fantasy a knowing
tone. The three revolutionary traitors,
expelled from Krypton and now eager to
rule the earth, give it grandeur and men-
ace. What a superbly evil trio! Terence
Stamp, as the masterful General Zod,
has a clipped black beard, an ice-cold
voice, and a fanatic's burning eyes (you
aren't surprised when his gaze knocks
down buildings). Like all great pop vil-
lains, Zod is an aesthete and snob — the
physical weakness of earthlings disgusts
him so much that he doesn't take much
pleasure in killing them. At his side are
two other creatures in black: Non (Jack
O'Halloran), a voiceless brute with a
brow like a cement fa9ade — a stupid su-
perior being; and the sexy witch Ursa
(Sarah Douglas), devastating in her
shiny interplanetary dominatrix rig.

These three are so advanced they are
like ballet dancers walking among clods.
When they land in an American hick
town, Lester and the screenwriters
(Mario Puzo, David and Leslie Newman)
do comic riffs on an old invaders-from-
outer-space movie. Without thinking
anything of it, Zod walks on water (a
red-neck sitting in a rowboat gapes), and
all three, flying past Mt. Rushmore, in-
stantaneously carve their own images on
the rock face (Lincoln's nose falls to the
canyon floor with a dismal crash). Their
high-style nastiness brings the movie to
life. Without these super-villains, there's
no tension, just a dull procession of Su-
perman's miracles.

Superman, of course, is an adolescent
fantasy of strength and sexual prowess
masquerading deliciously as weakness
— Clark Kent, timid and prissy, the fum-
bler in glasses. Just as before, Christo-
pher Reeve's little smile and charming
modesty make the conceit work. By
openly enjoying his role, by showing an
actor's pleasure in the notion that put-
ting on glasses makes one a eunuch and
taking them off a stud. Reeve takes away
the queasiness we might feel; he turns
the fantasy into a sophisticated joke.
With his suits that fit awkwardly, his
heavy shoulders drawn up in embarrass-
ment. Reeve as Clark Kent is like an ath-
lete at a press conference — abashed, out
of it. Encased in those ridiculous blue-
and-red tights, however, his bulk is no
longer a burden; he's muscular but lithe,
clean but not square, and when he raises

his arms and simply glides into flight, as
if submitting to his own power as a sen-
sual experience, he's beautiful.

As the adoring Lois Lane, Margot
Kidder has stopped smirking; her sexual
longing for Superman now seems ro-
mantic — he's a nice man as well as the
fellow who sweeps her into the air.
When Lois suspects that Clark might ac-
tually be Superman, she jumps into
Niagara Falls to see if he will rescue her,
allowing for the nuttiness of her act, she
could be any woman testing her man's
loyalty and love. Superman II is still a
pop daydream, but it has its roots in
common feelings (unlike Raiders of the
Lost Ark), and the emotion enlarges the
fantasy, takes the pre-packaged gleam
off it. There's even a powerful note of
pathos this time: In order to make love
to Lois, Superman is forced to give up
his powers. Beaten up by a common bul-
ly at a truck stop, he feels pain and hu-
miliation for the first time; part of the
pain for him comes from confronting the
sordid arbitrariness of power — some-
thing he's never displayed himself, even
with his much greater strength.

Superman re-arms himself to fight
General Zod and his gang, and Lester
begins to have a ball. The struggle above
Manhattan is a series of oflFhand colossal
feats — Jovian play. Superman smashes
Non into the giant Coca-Cola sign above
Times Square, and the sign explodes in
an uproar of coruscating red flashes.
The three invaders open their mouths,
blowing down the earthlings who come
to help Superman with gale-force winds;
in a true Lester touch, cars, people, and
refrigerators are swept up in the rush of
air, while one man, talking on the
phone, continues his conversation lying
on the curb, even after the phone booth
has blown away. Few movies have made
the confrontation of man and super-
natural power so astonishing and so fun-
ny. Superman II is easily the best specta-
cle movie of the season.

A PATCH OF DREARINESS CALLED Rich-
ard's Things confirms an earlier suspi-
cion that Liv Ullmann falls apart outside
the movies of Ingmar Bergman and Jan
Troell. Playing a middle-class English
woman who has an affair with the girl
friend of her late husband, she keeps a
look of glassy, dull respectability on her
face, relieved by some of the most ac-
tressy bits of business she's ever done.
She approaches a ringing telephone so
gingerly it might be a time bomb; she
wrestles cigarettes into her mouth and
then doesn't light them. Indeed, she is so
solemn that she turns the woman's les-
bian affair into a penance.

50

NEW YORK/ JUNE 22. 1981

On Film/ William Wolf

DUCKING

THE TOUGH ONES

. .There's no reason to sneer at escapism. The letdown comes
when a movie pretends to be deeper than it really is. . ."

THE FACE OF FILMMAKING HAS NEVER BEEN

more realistic. Directors travel the world
to ferret out exotic locations; pubic hair
has gone public; killing (let us count the
ways) is depicted graphically; and child
actors spout profanities onscreen. But
when it comes to more challenging
realism — portraying the deeper truths
about people, relationships, and life on
our planet — movies still tend to be shal-
low, shifty, and sugarcoated.

Despite the celebration of film as the
great twentieth-century art form, more
often than not, producers and audiences
alike continue to treat the medium as
escapist entertainment. Those films that
do have more serious aspirations are
usually diluted to accommodate the de-
mands of mass entertainment and bot-
tom-line economics. It's all right to pose
problems, but the resolution had better
be upbeat lest the audience go home up-
set or depressed, ready to bad-mouth the
film as a downer.

Kramer vs. Kramer and Ordinary Peo-
ple, the most popular, widely acclaimed
dramatic hits of the past two years, are
cases in point. The plot development,
characters, and motivations in Kramer
vs. Kramer dictate a much tougher end-
ing, in which Dustin Hofi'man has to ac-
cept defeat when Meryl Streep wins the
battle for custody of their son. But the
audience has been primed to root for the
extremely likable Hoffman. When, de-
spite her victory, Streep magnanimously
opts to give the boy to her ex, the au-
dience is able to revel in Hoffman's joy
without qualms about Streep. It's the
requisite happy ending, even though the
custody conflict has no happy all-
around solution.

Ordinary People strikes a chord with
audiences who can relate to the emo-
tional turmoil of a well-heeled suburban
family. The final breakthrough in father-
son communication and the son's new-
found psychological insights afford the
audience an emotional high. But the film
hedges on the undemonstrative, seem-
ingly selfish mother. She is made the
heavy without enough delving into what
molded her personality. Giving the
mother her due would have made the
film more complex, increased the de-
mands on viewers — and ruffled the dra-
matic tidiness of the ending.

Comedies could also benefit from

more realism. Much as I was entertained
by The Four Seasons, it occurred to me
that while one of the men cheats on his
wife, and his two friends moralize about
it, there isn't the remotest recognition
that the wives might even daydream
about a secret fiing, let alone enjoy one.
Perhaps the gap is merely writer-direc-
tor Alan Alda's male orientation, but
then, too, wifely infidelities might upset
moviegoers who find it easier to laugh at
more-time-honored, male indiscretions.

Timidity is by no means limited to
American films, as two current imports
show. / Sent a Letter to My Love, an in-
teresting but soapy vehicle for Simone
Signoret and )ean Rochefort, hints gin-
gerly at incestuous feelings that beg for
more candid consideration. However,
that would have embarrassed those who
prefer their latent incest with a dash of
sugar, or at least Sweet 'n Low.

From Russia with lots of love comes
Moscow Does Not Believe in Tears, this
year's Oscar winner as Best Foreign Lan-
guage Film. The amiable, once-over-
lightly story of three women seeking
happiness in a society that looks sus-
piciously bourgeois was surely designed
to give Muscovites a smug sense of iden-
tification. Hollywood apparently recog-

nizes a mirror image when it sees one;
the Oscar voters chose this pleasant
trifle over Akira Kurosawa's splendid
sixteenth-century epic, Kagemusha, and
Fran9ois Truffaut's The Last Metro, a
film about wartime collaboration and
anti-Semitism in France, which, for all
its shortcomings, is better crafted.

Among domestic Oscar entries, Mar-
tin Scorsese's Raging Bull proved far
more sophisticated cinematically than
Ordinary People. The director's trans-
gression was to focus on a character de-
void of the redeeming qualities needed
to win audience sympathy. Accordingly,
viewers — and presumably Oscar voters
— were sharply divided. By not com-
promising and trying to make lake La
Motta more appetizing, Scorsese left au-
diences impressed, but also depressed,
thereby diminishing the film's chances.

I'm always amazed at how agitated
otherwise levelheaded individuals can
get over movies that deviate from the
preference for pleasant experiences. A
common complaint about Bob Fosse's
All That Jazz was that he used shots of
open-heart surgery. How dare he! An-
other example, Just Tell Me What You
Want, was unyieldingly acerbic in its
comic portrayal of the predatory couple

A elastic of film realism: Vitlorio De Sica's Bicycle Thieves.

Photograph: Movie Star News.

JUNE 22. 1981 /NEW YORK 51

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Outside lights flicker, reflections play in the fountains of the Metropolitan
Museum of Art. Inside may take you back to a time forgotten — 19th century .America.
Original oil paintings of rural America's past from the Saratoga farms to the
Susquehanna River, crowd the walls while the live music of classical harp and flute
play nightly from Tuesday through Saturday.

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(Alan King and Ali MacGraw), making it
tough on audiences who want charac-
ters they can love.

Far too few American films attempt
social comment, and when they do,
they're likely to run into trouble. Al-
though primarily a cop story, Fort
Apache, the Bronx painted a grim pic-
ture of urban blight, provoking protests
by community groups demanding a
more positive treatment. The usual fall-
back formula for dealing with social is-
sues is to lay on the gloss. Director
Martin Ritt did this in Norma Rae, ren-
dering Sally Field's gutsy battle for un-
ionization consistently heartwarming, if
not always totally believable. The China
Syndrome, a thriller in the tradition of Z,
made its anti-nuclear message more
palatable by carrying Jack Lemmon's
heroism to ultra-noble heights. The Deer
Hunter resorted to the gimmicky Rus-
sian-roulette metaphor instead of dig-
ging deeper into the Vietnam tragedy.

I'm afraid my standards for movie re-
alism were irrevocably changed when I
first discovered the Italian post-World
War II masterpieces Open City and Bi-
cycle Thieves. Even The Best Years of
Our Lives, of the same period and at the
time considered lifelike by American
standards, was tinsel by comparison.
The beautiful simplicity and candor with
which Satyajit Ray portrays life in India
has further spoiled me.

Curiously, some of the films that turn
out to be most emotionally realistic are
not realistic at all. The still very relevant
farce Dr. Strangelove (1963) leaves one
with a sick feeling along with the laugh-
ter by conveying with gallows humor the
utter insanity of the nuclear-arms race.
Bonnie and Clyde, the violent but often
poetic saga of bank-robber folk heroes
of the 1930s, caught the emotional tem-
per of the rebellious 1960s. Although
bizarre and futuristic, A Clockwork Or-
ange (1971) unnervingly expressed the
mounting, mindless violence overtaking
our society. These films evoked irritation
or anger but were welcome antidotes to
the industry's tendency to play it safe —
the bland leading the bland.

Fortunately, throughout film history
there have been superb exceptions to the
rule — those films that have not flinched
from getting closely in touch with life on
some important level, whether personal
or political. There is no reason to sneer
at good films made for escapist enter-
tainment; the letdown comes when a
film pretends to be deeper than it is.

In the present atmosphere of industry
instability, ambitious filmmakers trying
to create works that ring true may feel
even greater pressures to compromise.
It's too early to predict how crippling an
effect the Moral Majority mentality will
have, or whether a resulting polarization
in the country will produce a backlash of
new creative boldness.

52

NEW YORK/ JUNE 22. 1981

Cci'

The Insatiable Critic/Gael Greene

AN AFGHAN
DETOUR

" . . . Discover the brochettes and stews of Afghanistan, the
spicy fried half-moons, the trailing scents of cumin, mint. .

GEOGRAPHY IS NOT MY STRENGTH. IF IT

weren't for the Russian invasion I would
have no clue where to find Afghanistan.
Gastronomically, too, the country is
something of a mystery. In the 1,000 vol-
umes of my culinary library I can't find
even a nod to the Afghan kitchen. Arme-
nian, African, Arcadian, Abruzzian, yes.
Afghanistan is one stewing pot not
sampled by the irrepressible busybodies
of the Time-Life cookbooks. But ambi-
tion, persecution, and wanderlust do
bring the world's cuisines to us. And
what delicious discoveries — the bro-
chettes and stews of Afghanistan, the
spicy little fried half-moons and tri-
angles, the soft meat-filled dumplings,
the delicate perfumed pilaf, the bracing
thick soups . . . the trailing scents of
cumin, cardamom, mint ... the heat of
cayenne and fresh hot pepper against
yogurt's coolness.

THE GEOGRAPHY OF 43RD STREET BETWEEN

Sixth Avenue and Broadway is, quite
frankly, forbidding. Xenon is a magnet
at night, of course, for the glitterati, the
flutter-bys, and those of us who like to
bounce about till two, but Xenon's
sawhorses and cheerless fa9ade scarcely
lessen the 43rd Street gloom. It's easy to
go by Little Afghanistan twice and
miss it, even with the address in hand.
And the interior is possibly even more
discouraging than the mean and shabby
entrance. A trio of sallow, sullen skulk-
ers. A deserted bar. One iconoclastic
duo dining in a sea of white tablecloths.
"We have no hope," the decor seems to
say, with its shabby, exposed vitals, its
travel posters framed in silver tape. My
first impulse is to flee. But then ... the
adventuress triumphs. Let's try it!

We are exhilarated by the lighting of
our candle, by the waiter's unabashed
clumsiness, his bemused good nature.
He is out of both wines we have chosen
from an unappealing, slightly overpriced
list. But all three appetizers enchant us.
Crisp fried sambosa ($1.75) — spicy lamb,
chick-peas, and beans tucked into pastry
half-moons. Boolaunee ($1.50) — a large
fried turnover filled with herb-scented
scallion and ground beef. (Each dish
with its own minty yogurt puddle.) The
scallion-and-leek-stuffed boiled dump-
lings known as aushak ($2), blanketed
with peppery tomato sauce and yogurt.

"Does Afghan food ever get hotter
than this?" we ask.

"Americans don't like it hot," our
host says sadly.

Our protest convinces him. Now even
the salad (for two, $3.95) is dynamite-
iceberg lettuce, yes, but curiously ap-
pealing, with slices of lemon, tomato,
and cucumber, ribbons of fresh hot pep-

The waiter is struggling. The owner
himself is layering salad into a giant tu-
reen. And in response to our advance
request for "something special" he has
made kichree krot, two dozen lamb
meatballs in a moonscape of mush (Is it
rice overcooked? With smashed bread?
No. It's mung beans and rice, he says),
with that lava of peppery tomato sauce

Tenting tonight: Two. or a few. can dine under Little Afghanistan's corner tent.

per. and the bold perversity of mint-
spiked yogurt hot with cayenne . . . fire
and quencher all in one. Lamb kebab
($8.50) could be rarer. We forgot to ask.
And the eggplant with bits of lamb
($7.95) smothered in zesty tomato sauce
and yogurt is oily but delicious. Thick,
yeasty naun, the Afghan bread (95
cents), is irresistible. Desserts, I must
confess, are not. The waiter doesn't
know the name for the spice that trans-
forms Tetley into Afghan tea. It is
cardamom. In one corner I notice a tent
and piles of pillows . . . perfect for a
small dinner party, it seems to me.

"If you think you're in the wrong
place, you're in the right place," I tell my
friends a few weeks later. Somehow our
party of eight has grown to twelve. The
tent will not stretch. And the kitchen is
clearly overwhelmed trying to turn out
all those appetizers to order, even with
only four other customers in the house.
Wine disappears speedily in the lull.
And I'm serving the naun myself.

edged in cooling yogurt. A homey con-
coction that is curiously appealing.

We sample zesty beef kofta kebab
($7.95); spicy hot marinated lamb on
skewers ($8.50); tasty chalow subsi, spin-
ach crisped with leek and lamb ($8.50);
eggplant, of course; and a delicate
kabule palow ($7.95) — a pilaf of rice
cooked in lamb broth with raisins,
almonds, and carrot strips, fragrant with
cumin. There is much too much of ev-
erything, more than I actually ordered.
Everyone agrees that the Afghan pud-
ding ($1.50), a cross between Elmer's
glue and baby food, is better than it
looks, but the walnut baqlawa ($1.75) is
stern and disappointing.

Much to my shock, the bill is $50 for
the meatball-moon mush — "nine por-
tions of a very special dish I prepared
myself," the owner explains. "It should
have been $75." Am I crazy? Is he?
Would I have ordered nine portions of
anything at a tasting dinner? I figure
it's a lesson well learned. Always ask

Photograph by Theo Weslenberger/Gamtna-Uaison.

JUNE 22. 1981 /NEW YORK 53

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54 NEW YORK/JUNE 22. 1981

the price. Take nothing for granted.

Lunch for two in the tent . . . nothing
could be more sensual or romantic. We
are sipping rose on the rocks. Somehow
ros6 seems invented for lazy Afghan
lunches. Draped languorously against
velvet pillows, backs to the worn and
empty room, we are thrilled by Little Af-
ghanistan's splendid, bold soups —
chockablock with chick-peas and beans
or vegetables and noodles, each stoked
with zesty tomato sauce, cayenne-hot,
yogurt-cool, mint-fresh, a meal for $2.
Beef ribs (S4.95 at lunch) are rare and
tasty. The chalow subsi ($4.95 at lunch),
boiled lamb in herb-and-leek- scented
spinach, is bland, the meat skimpy and
tough.

Dare I send readers to this tacky little
place? Will the kitchen (the chef is a
diplomat in retreat, we are told) be able
to feed more than six mouths at a time? I
sound out our host. "I am selling out any
day now, to an Irish pub," the owner
announces. The restaurant critic is dis-
mayed. Dr. Zia Jaghory is an anesthesi-
ologist eleven years in exile. He is rest-
less, angry about the invasion of his
homeland. Politics haunts him . . . and
dreams of liberation. You too might wel-
come an Irish pub if only four people
came by for lunch. "I keep this place to
remind people about my country," he
says. Afghan consciousness is his only
profit. Even New York's 2,000 or so Af-
ghans don't come that faithfully. "They
eat better at home," he confesses. Per-
haps he will hold ofT on the Irish pub.
Perhaps he will be a bit more generous
with the lamb . . . more demanding
when the customer says "rare" . . . more
imaginative and less greedy with the
wine list if business permits. I cannot
promise. A flash of success could quell
his wanderlust. Little Afghanistan is
in reprieve now ... for the adventur-
ous.

Lillle Afghanistan. 106 West 43rd Street
(921-1676). Lunch. Monday through Friday
noon to J p.m.: dinner, Monday through Satur-
day 5 p.m. to midnight. American Express.

HAPPILY. THE AFGHAN KITCHEN IS COMING

into its own uptown, too. Pamir
Restaurant is as welcoming as Little
Afghanistan is bleak. Oriental rugs and
Afghan saddlebags hang on bare brick
walls among the fake Tiffanys and
plastic stained "glass" of a departed ten-
ant. The gentle, amiable men who run
Pamir are shy — constricted by an in-
nocence of English, I suspect. But, alas,
the chef is timid too. The ubiquitous
tomato-and-bean spicing sauce here
lacks the pizzazz and fire of the West
Side rendition. And the skewered meats
are all too well done, even if you beg for
them rare.

But Pamir's little triangle and half-
moon appetizers are impeccably crisp
and delicious (though one evening the

sambosa were a bit skinny). Soft
scallion-filled dumplings are splendid.
And starters are served with shot glasses
of yogurt and a puree that tastes like
minced coriander. Actually, it's mint,
with ground walnuts and pistachios, a
hint of lemon and vinegar ... an .\fghan
pesto that would be sublime on pasta.
The wine list is more gently priced.
Yeasty strips of naun and salad are on
the house (though one night the salad
was warm, and even crisply chilled it
lacks the panache of the crosstown ver-
sion). Soup is inspired too.

Pamir's quabilli palaw ($8.25) lacks
the finesse of Little Afghanistan's, but on
its own it's a delicate, pleasant contrast
to the spicier meats. Norange palaw

Cozy and welcoming: Pamir Restaurant.

($8.50) is a lush toss of brown rice,
almonds, pistachios, raisins, small
chunks of lamb, and candied orange
strips in a musk of rose water. Kofta
kebab ($7.75) can be a juicy, heady
choice if you ask for it very spicy. Lamb
kebab ($9.75) may or may not be juicy
and rare (most often not), but a bit of
lamb chop on the Pamir kebab sampler
($10.95) was moist and full of flavor. Side
orders of spinach and pumpkin ($2 each)
and eggplant ($1.95) were served togeth-
er — an exotic and sensuous notion,
though I'm not sure I ever found cer-
tifiable evidence of eggplant.

I always order gosh-e-feel for the
sound of it as well as curiosity to taste
fried pastry dusted with cardamom,
pistachio, confectioner's sugar. It's nev-
er on hand. But Pamir's baghlawa ($ 1 .75)
is an elegant, mildly sweet layering of
paper-thin pastry and walnuts. The Af-
ghan custard is consistent — sweet and
bland. It does not really grow on me.

Pamir Restaurant, 1423 Second Avenue, at
74th Street (734-3791). Dinner, daily 5:30 to
1 1 p.m. MasterCard, Visa.

Photograph by Peter M. Fine.

Art/Kay Larson

BEFORE
PHOTOGRAPHY

. .MOMA's combative little show is not likely to dispel any
remaining doubts about the relation of photography to art. . ."

BY THE LATE NINETEENTH CENTURY. PHO-

tography was stirring up endless trouble
for its defenders. The mechanical dis-
coveries themselves held little ambigui-
ty: an application of silver salts to glass,
a bit of ardent chemistry to fix the image.
But the camera's greater intimacy with
the real world gave pause to critics like
Baudelaire, who argued that since a
photograph was not made up, like a
painting, it couldn't be art.

Ironically, hordes of artists are now
"making up" or manipulating photo-
graphs, while photography's purists de-
nounce them for violating the realism of
the medium. Apparently more eager to
continue the debate in nineteenth-cen-
tury terms, the Museum of Modern Art
rails on in Before Photography, a com-
bative little show organized by associate
photography curator Peter Galassi, who
was passed the football by department
chairman lohn Szarkowski.

In 1963, as Galassi relates it, Szar-
kowski heard a lecture by the art his-
torian Heinrich Schwarz on "photo-
graphic" developments in small Europe-
an landscape paintings prior to 1839, the
year that the diorama designer Louis
Jacques Mand6 Daguerre announced
the discovery of the daguerreotype to
the French Academy of Sciences and ex-
hibited his curiosities before stunned
Parisians. Schwarz noted the little paint-
ings' curious resemblance to the view
through a lens eye; the near-twenty-year
interval since that lecture may explain
why "Before Photography" seems so
quaintly grounded in an era when mod-
ernism was still earnestly proclaiming its
triumph over other art forms.

Galassi, from his ivory citadel, has
done little to update the argument. Aim-
ing directly at Baudelaire, he wishes to
demonstrate that "photography was not
a bastard left by science on the doorstep
of art, but a legitimate child of the
Western pictorial tradition." If any
doubters remain, they are not likely to
be convinced by the evidence here. The
exhibition is split into two halves: the
first, those humble little landscape stud-
ies from the 60 years before 1839 by
French, British, German, and Scandina-
vian painters who are seldom studied to-
day: the second, landscape photographs
from the 20 years (1850-70) after photo-
graphic chemistry was perfected. What

we are to learn from these modest works
is that the paintings "mark the emer-
gence of a new norm of pictorial
coherence that made photography con-
ceivable."

That is a statement of Eiffel Tower
proportions. It and others like it have
brought down on "Before Photography"
more hot dispute than any MOMA
offering since Arthur Drexler and col-
laborators hung Beaux Arts architec-
tural drawings on its clean Bauhausian
walls. While it may be a good idea to

tant town. A Wall in Naples, by English
painter Thomas Jones, typifies Galassi's
search for more and better pre-mod-
ernist frontality; the brick wall squares
off against the plane of the canvas with
enough flatness to presage Ellsworth
Kelly — if you don't mind perpetrating a
little historical mayhem.

The strategy is clever, but circular. If
Baudelaire's accusation still stings after
all these years, what better way to stamp
out the suggestion of illicit parentage
than to make the invention of the cam-

Historical mayhem? Thomas lones's 1782 oil A Wall in Naples, at the Modem.

think of the history of photography as
more than a mechanical process, and to
link it with a "historical analysis of vi-
sion," one would prefer less talk and
more demonstration.

What forges the link between the
show's two halves, according to Galassi,
is "pictorial coherence": an objectified
rendering of a bit of fiat architectural
wall or natural rise of ground; a more
rational, realistic perspective; a de-
termination to catch the impressions of
the moment. The paintings are etudes —
studies for larger works — as in Con-
stable's square of clouded sky cut
through by a triangle of trees or
Friedrich Loos's View of Salzburg From
the Md nchsberg, in which a massive fore-
ground cliff nearly overwhelms the dis-

era dependent on a type of painting that
necessarily predates it? Galassi struc-
tures his arguments around a dogma of
recent invention known as the "history
of seeing" — academic shorthand for an
analytic method that prefers to dissect
stylistic changes in more quantifiable or
pseudo-scientific terms. This time the
topic of the lecture is the conceptual
shift in the understanding of perspec-
tive, from Uccello's awkward self-con-
sciousness to Degas's snapshot sophisti-
cation.

"Before Photography" attempts, con-
sciously or semiconsciously, to extend
the reach of formalist historical analysis
back into the dim prehistory of the
modem era, to claim even more territory
for that "photographic," or objective.

56 NEW YORK/JUNE 22. 1981

point of view in painting. Not only does
the existence of these proto-Degaslike
landscape studies link the invention of
the camera to a "true" modernist
aesthetic, in this view, but photography in
turn cordially justifies the paintings, giv-
ing what would otherwise be modest but
charming little scenes all the ideological
clout of great archaeological discoveries.
Galassi would have us believe these are
the remains of the rodents whose hot-
blooded genes spelled the end of lum-
bering allegorical monstrosities. The
pseudo-scientific strategy makes it eas-
ier for modernism to assert, as it was
doing with great fervor in 1963, that it
had severed itself from the past, that it
had become, sui generis, a new evolu-
tionary beast. Yet Rubens is still a bet-
ter painter than Thomas Jones, and
Constable transcends his small works
here.

Most of Galassi's zeal is harmless,
though one wishes he had spent more
time on the visual resonances between
the exhibition's two halves and less on
his defense of The Cause. Now that the
more outrageous exaggerations of mod-
ernism are being tempered by historical
revisionists, it's a curious piece of bad
timing for MOMA to subject us to more
ideologizing, unless perhaps it wants to
remind us where we've been and why we
had to leave. A more acceptable exhibi-
tion might have given us a look at artists'
use of the camera obscura — the "black
box," frequently used from the Renais-
sance to the mid- 1800s, that helped them
draw in perspective. TTiere is much to
reflect on in photography's relation to
art, and the camera obscura is a crucial
link. If we could know which of these
early landscape studies were done with
the aid of the device, we might make a
tougher and more constructive analysis
of Galassi's thesis.

Instead, the show ends with the pho-
tographs, which need no grand theses or
countertheses. These early experiments
in direct seeing are rare and magical.
After the camera was invented, photog-
raphers joyfully snapped pictures of any-
thing, anywhere. The photographs' bare
factualness, that same intimacy with re-
ality, mingles in the early works with a
graceful ingenuousness and a fascinat-
ing philosophical ambiguity. The tiny
muddy-hued painting The Roman Cam-
pagna at Sunset, by Francois-Marius
Granet, has almost the same subject as
Humphrey Lloyd Hime's photograph
The Prairie on the Bank of the Red River,
Looking South: first, a dark urban
horizon and pale sky; second, a dark-
gray slash of bare water and bare gray
sky. Yet they don't partake of the same
values. Granet's is artful, Hime's is not;
in fact. Red River would hold nothing
at all of interest except for the profundi-
ty of the history it already carried with it.
(Through July 5.)

Some of the world's finest collections
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Let us help you start yours. Many affordable paintings, drawings and
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during the preview, starting June 20,
1981. Inquiries to Jay Cantor at
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(sculpture only) at 212/546-1148.
Left: Joseph Christian Leyendecker, The

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JUNE 22, 1981 /NEW YORK 61

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Books/ Ann Arensberg, Tim O'Brien

SNARES

AND STRATAGEMS

. .In Other People, Martin Amis goes Robert Louis Steven-
son one better: He integrates Mr. Hyde with Dr. Jekyll..."

Th« Comfort of Strangers, by Ian

McEwan. Simon and Schuster, $9.95.
Other People: A Mystery Story, by

Martin Amis. Viking. $12.95.

IN BOTH OF THESE NOVELS. MURDER IS

done (or may have been done), and in
each case victim and perpetrator are
ioci<ed in a death dance; but Martin
Amis uses the mystery-story genre as a
point of departure, while Ian McEwan
works inside the confines of the category
and enhances it.

As a psychological thriller. The Com-
fort of Strangers is nerve-rackingly satis-
fying. Colin and Mary, an unmarried
couple, are vacationing in a foreign city
very much like Venice. They are picked
up by Robert, who is rich and effusive,
and are bullied into accepting his heavy-
handed and prolonged hospitality. Why,
asks the wary reader from the safety of
his armchair, is this sophisticated pair so
sheeplike, so easily led? Why do they
shrug off disturbing observations, such
as the constant grimaces of pain made
by Robert's wife. Caroline; her admis-
sion that she had watched them while
they were napping, naked; and .Mary's
discovery in their apartment of a picture
of Colin taken with a telephoto lens?
What repressed fascination draws them
back again, into the trap that Robert and
Caroline have designed, are baiting, and
will spring? Has Mary and Colin's doc-
trinaire belief in the equality of the sexes
made them defenseless against the vio-
lence that lies at the outermost point on
the sexual spectrum? Has it made slen-
der, tapering, fine-boned Colin, of the
species Post-Feminist Man. the easy prey
of long-armed, hairy Robert, species
Throwback Man?

The Comfort of Strangers can be
viewed, as well as read, since McEwan
has a cinematographic eye and pays
close attention to the surfaces of things,
letting the changeable seaside light play
over and heighten those surfaces, buffer-
ing strangeness or horror with visual
beauty and leaving the real mystery at
the core of the story intact, the mystery
of the nature of human nature.

In Other People: A Mystery Story. Mar-
tin Amis goes Robert Louis Stevenson
one better: He integrates Mr. Hyde with

Ann Arensberg is the author o/ Sister Wolf.
Tim O'Brien is the author of Going After Cac-
ciato.

Amis: Brilliant satire with a moral edge.

Dr. lekyll. Amis invents an innocent
young girl, Mary Lamb (not her real
name), innocent because amnesiac, who
is dismissed from a hospital and has to
learn the world from scratch. She makes
her way through a picaresque under-
world populated by muggers, alcoholics,
tramps, wayward girls, squatters, and
rich dropouts, progressing from circle to
circle of a hell whose inmates (the Other
People of the title) incarnate the seven
deadly sins as redefined by .\mis: "venal-
ity, paranoia, insecurity, excess, carnali-
ty, contempt, boredom." Mary is not yet
bothered by her loss of memory; she is
able to live in the present, although pre-
cariously, since dreams of violence
haunt her sleep, and dreams come from
the past.

Throughout this period of false, un-
stable innocence. Mary's moves are
stalked and recorded by the Novelist, a
kind of petulant, scolding Virgil, who is

sometimes in control of his
character, but more often frus-
trated by her independent ac-
tions. The Novelist speaks in
various tones of voice, sound-
ing like a caseworker, like Mrs.
Grundy, like a worried suitor
or a desperate parent: "I want
Mary out of all this. I want her
out of this whole risk-area of
clinks and clinics and soup-
queues, of hostels and borstals
and homes full of mad women.
I want her away from all these
deep-divers. She might go bad
herself . . . she might smash."
Suspense builds as the Novel-
ist-Undercover Agent loses
ground; he has no choice but to
turn himself into a character,
John Prince, a plainclothes po-
liceman who shows Mary a
photo of a girl named Amy
Hide, a missing person who
may have been murdered, and
who may have "asked for it."

So much for Mary Lamb's
simplicity; she was one person,
now she may be two. Nothing
she finds out about Amy Hide
is reassuring. Amy had awe-
some beauty and sexual power,
and she used them to incite her
lover to revenge and madness.
When Mary discovers her own
sexual power and its hurtful properties,
she can smash the mirror and come back
from the other side. Reunited with
herself again, she can know the pain of
living and its ecstasy: "Everything in the
named world was pressing for admit-
tance to her heart; at the same time she
knew that all these things, the trees, the
distant rooftops, the skies, had nothing
to do with her. Their being was separate
from hers, and that was their beauty."
What is left for John Prince to do now —
lohn Prince, alias Prince Charming, alias
the Novelist. Mary's creator and watch-
dog, her unsuccessful murderer and
future killer? He must end the book,
which is a kind of murder: "I'm tired. I'm
not in control any more, not this time.
Oh hell. Let's get it over with."

Martin Amis, also known as the Au-
thor, is very much in control, however.
He is the master of his skepticism, his
flippancy, his appetite for metaphysical

Photograph by loyce Ravid.

JUNE 22, 1981 /NEW YORK 63

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with a moral edge. — A.A.

July's People, by Nadine Gordimer. Vi-
king, $10.95.

ON THE STORY LEVEL, July's People IS A
novel of direct simplicity. Bam and
Maureen Smales are white South Af-
rican liberals who fully support the
cause of black freedom and justice.
Now, though, they are on the run. Revo-
lution has come to South Africa, and the
Smaleses abandon their suburban-
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only their three children and a few hasti-
ly gathered possessions. Guided by their
longtime black servant, a man they call
July, the Smaleses set off in their
truck, heading deep into the South
African bush, finally taking refuge in the
home village of their servant. July's Peo-
ple is a story of the newly disinherited; it
is a story also of human adaptation,
deprival, upheaval, and disorder.
Beyond that, it is a story that examines
the changing perceptions and the chang-
ing roles that social revolution can bring
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On its surface, July's People might be
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story not totally unlike Robinson Crusoe.
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ties. Indeed, that old, tidy world has
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ing, and sheltering themselves. For-
tunately, like Crusoe, they have their
man Friday — a "native" — in the person
of their loyal servant, July.

Nadine Gordimer, who is perhaps
South Africa's most prominent and
skilled writer, does not restrict her atten-
tion merely to the difTiculties of physical
survival. With microscopic precision,
she develops a drama that is essentially
psychological. To survive, in this sense,
the Smaleses must come to terms with
shifting power relationships and expec-
tations with respect to their savior-ser-
vant.

Although July has lived and worked
with them for some fifteen years. Bam
and Maureen have never troubled to
learn his native name; although progres-
sive in their politics, they subtly,
perhaps thoughtlessly, allow the master-
servant relationship to endure. Even on
his own ground, even with the black
revolution exploding all around, July
continues to call Bam "the master." He
continues to serve.

And yet, as time passes, the old pat-

64

NEW YORK/ JUNE 22, 1981

Oct'

terns begin to fade. July takes command
of the family's truck, keeping the keys,
learning to drive, slowly expropriating a
piece of property that represents both
literal and symbolic freedom. For the
Smaleses, the truck is one of their few
remaining possessions, a means of es-
cape, a reminder of the past, and a hope
for the future. For July, the vehicle is a
tangible symbol of new independence
and new possibilities.

The drama of July's People is always
understated. Except for a powerfully
rendered confrontation between Mau-
reen and July near the end of the novel,
Gordimer prefers to develop her nar-
rative in a series of quietly unfolding
transformations of character. Bam slow-
ly disintegrates, humiliated by the loss of
power and property, unable to cope with
the inevitable consequences of his own
liberal politics. Maureen slowly retreats
from her husband and into herself; she
becomes estranged, not only from her
previous middle-class life but from the
man with whom she made and shared
that life. And July, in a sequence of low-
key scenes, slowly asserts himself, slowly
sheds his dependence on the Smaleses,
and slowly comes to realize the immense
change that has been wrought in his own
life.

In style, July's People is a dense and
often difTicult book. Gordimer's prose,
while elegant and complex, has a pecu-
liar sound to it, and a peculiar kind of
structure. Clauses appear in unexpected
places, forcing the reader to backtrack,
and it is sometimes irritating (though
just as often profitable) to reread a sen-
tence or whole paragraph in order to
capture its meaning. Breaking with con-
vention, Gordimer does not enclose dia-
logue within quotation marks, prefer-
ring the use of dashes, and this can
occasionally create unnecessary con-
fusion. When dialogue is embedded in
the body of a paragraph, it is sometimes
hard for the reader to know where
the dialogue begins and ends.

At her best, Nadine Gordimer is a
writer with unusual gifts for visual de-
scription and psychological exactitude.
With striking precision, for example,
Gordimer dramatizes the revolution in
Maureen's life by showing her unable to
read a book that she has carried with her
from home: "The transport of a novel,
the false awareness of being within an-
other time, place and a life that was the
pleasure of reading, for her, was not
possible. She was in another time, place,
consciousness; it pressed upon her and
filled her as someone's breath fills a
balloon's shape. She was already not
what she was." This density of prose
generates a density of character and
emotion, a tangled sense of human
beings lost in the African bush, de-
nuded, stripped of conventions, "exist-
ing only for their lone survival." — T.O'B.

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THE FOUR CHARIVARI STORES ARE HOLDING

a semi-annual clearance sale of spring
and summer clothing for men and wom-
en. Ladies' clothing comes in sizes 4-14
at all stores. At 72nd St. you'll find:
Claude Montana linen shirts, were
$235-$310, now $129-$ 169; Montana
white poplin pants, were $210, now
$109: Kansai silk blouson jackets and
pants, were $315 and $190,now$199and
$99; and Christian Aujard silk jump-
suits, were $190, now $109. At Charivari j
for Women: Anne Klein silk separates, ;
were $50-$250, now $29-$ 129; Tahari
gabardine suits, were $164-$ 198, now
$89-$99; silk-crepe de Chine blouses,
were $78, now $39; pants and dresses of
silk crepe, were $70-$78 and $105-$135,
now $39 and $59-$69; plus St. Tropez
West silks, including culottes, were $72,
now $49, dresses, were $90-$105, now
$60-$79, and more. At both stores:
Kenzo linen buccaneer blouses, were
$155, now $89; France Andrevie jungle-
print skirts, were $135, now $79, cotton
pants, were $105-$160, now $59, and
leather Bermuda shorts, were $255, now
$129; and Perry Ellis ankle-length linen
skirts, were $180, now $89. At the Sport
store: British Khaki bush jackets, were
$77, now $39; Leon Max linen jackets,
were $68, now $39; Ralph Lauren crew-
neck T-shirts, were $22, now $16; and
corduroy jodhpurs, were $45, now $29
For men, at both Broadway and 72nd St
stores: suits by Giorgio Armani, were
$335-$525, now $269-$399; Arman
sport coats, were $330-$350, now $229
Armani raincoats, were $200, now $139
Cerruti suits, were $495-$600, now $399
Cerruti sport coats, were $415, now
$299; Pinky & Dianne silk shirts, were
$100-$ 140, now $69-$89; MicMac St.
Tropez sweaters, were $136, now $79:
Missoni knitwear, was $160-$635, now
$119-$399; Punch original shirts, were
$90-$120, now $69-$89; and Kansai
pants, were $75-$90, now $59-$69. At
the Sport store: Calvin Klein sport coats,
were $165-$ 185. now $89; British Khaki
field jackets, were $75, now $49; Calvin
Klein cotton sweaters, were $65-$85,
now $39-$59; and Cacharel shirts, were
$38, now $19. American Express (AE),
.MasterCard (MC), Visa (V), checks ac-
cepted; all sales final. Charivari for
Women, 2307 Broadway, near 84th St.

Send suggestions for "Sales & Bargains" to
Leonore Fleischer, New York Magazine, 755
Second Ave., N.Y., N.Y. 10017, a month before
t he sale. Do not phone.

"One of the finest French
restaurants of Its class In the city"
GOURMET, MARCH 1978
FIREPLACE ROOM FOR PARTIES
DELIGHTFUL SKYLIGHT GARDEN
Luncheon • Cocktails • Dinner

Open Sat. 6 PM-11:30 PM
All Major Credit Cards • CI. Sun.
248 E. 49th St. (Nr. 2nd Ave.) NYC/355-1810

Hornblowers
on Horatio

Romantic Easy Elegance
Superb Continental Menu
Featuring Fresh Seafood
Veal in Tarragon Cream
741-7030 Duck arrange. Til 1:30 a.m.
Joseph Kovac Lunch and Weekend Brunch
59 Horatio St. & Greenwich St. Amer. Exp.

ALItlll GIAMBILLI'S

frussels Ijeslaurant

115 EAST 54th STREET

Luncheon Cocktails Dinner

Fine French Cuisine

Private Parties

Now serving dinner on Saturday

We honor the American Express Card
PL 8 0457

mm S CHHRIOT

HWn YUA/V
SUPERB SZECHUAN CUISINE

Four
Season
.Sidewalk
Cafe

OPEN 7 DAYS

- Hrs. Free
Parking
Mon. -Sal.
After 6 P.M.
LUNCHEON COCKTAILS DINNER

PARTY FACILITIES
Ttl: 355-5096 - 355-5098
236 EAST 53rd STREET
Ibtt. 2nd & 3rd Av«.| NEW YORK CITY

WEST ENDcale

NITECLUB LIIUNGE HrST«UR»NT

nrll4thS: SColumbiallniv'

2911 BROADWAY

\Jazz^ightly '

NEVER A COVER OR
ADMISSION CHARGE

V'The Best Jazz
\Bargain In Town!"

GARY GIDDINS.
New York Ma9, 3/10/80

TEL.: 666-8750

06

NEW YORK/JUNE 22, 1981

(873-1424); Mon.-Wed. and Fri. 10:30
a.m.-7 p.m., Thurs. till 8 p.m.. Sat. till 6:30
p.m., Sun. 12:30-5:30 p.m. Charivari 72,
58 West 72nd St. <787-7272): Mon.-Wed.
and Fri. 1 1 a.m.-8 p.m., Thurs. till 9 p.m..
Sat. till 7 p.m.. Sun. 1-6 p.m. Charivari for
Men, 2339 Broadway, at 85th St.
(873-7242): Mon. and Thurs. 11 a.m.-8
p.m., Tues., Wed., and Fri. till 7 p.m.. Sat.
10:30 a.m.-6:30 p.m.. Sun. 12:30-5:30
p.m. Charivari Sport, 2345 Broadway, at
85th Street (799-8650): Mon.-Wed. and
Fri. 10:30 a.m.-7 p.m., Thurs. till 8 p.m..
Sat. till 6:30 p.m.. Sun. 12:30-5:30 p.m.
While stock lasts.

Yarn

THE YARN PRICES HERE ARE NOT TO BE BE-

lieved; they run from $1 to $3 a lb. These
are the leftover yams from Offspring's
line of machine-knit wean although the
quantities of each are too small for fac-
tory use, there's more than enough for
the home knitter or crocheter. It comes
by the cone, and you have to buy the
entire cone — a full one runs about 2'/i
lbs., but many are less. At $1 per lb.,
there is mercerized cotton for sum-
mer sweaters, in darks, brights, neutrals,
black, off-whites — the whole spectrum.
Also, a group of miscellaneous yams in
very limited quantity. At $2 per lb.,
there is an assortment of (laked-cot-
ton and blended yams, plus a space-
dyed thick-and-thin yam in wonderful
color combinations. At $3 per lb., there
is a fluffy acrylic yam in pastels and
whites. Also: spools of Lurexyarn,
including space-dyed and bright-col-
ored items in solid colors (gold too), are
here in limited quantity; a few oz. are left
on the spool, but there's plenty for the
average sweater, and they cost $2 per
cone. You'll find knitwear here too,
priced lower than in the downtown
stores for which this firm manufactures.
MC, V accepted; no checks; all sales
final. Offspring Industries. Inc., 27
Bruckner Blvd.. the Bronx (292-8426).
From Manhattaiv Take the FDR Drive
north, and exit across the Willis Ave.
Bridge: take the first right to the traffic
light, and turn left onto Bruckner Blvd. By
subway: Take the Lexington Ave. No. 6
train (Pelham Bay local) to the 138th
St.-Third Ave. station, and walk south
two blocks to Bruckner Blvd. Mon.-Fri.
10 a.m.-4 p.m.. Sat. 9:30 a.m.-4 p.m.,
through 6/27.

Fabric

WHEN YOU GO UP TO BUY YARN AT OFF-

spring, walk around the corner and
check out this fabric sale. Classic is re-
organizing to create more space and is
closing out fabric from such top mills as
Jay Yang, Waverly, Schumacher, and
Cohama. Large remnants in solids and
prints, mostly in 54-in. cottons, but also

A $1000 DESIGNER WARDROBE

FOR $395'

■OUR CONCEPT.

"WE SELL AT ALL TIMES CURRENT DESIGNER FASHIONS AT
20-60% BELOW DEPARTMENT & SPECIALTY STORE PRICES. ALL
1st QUALITY MERCHANDISE. NEW SHIPMENTS DAILY'

* prices opproximated

DCSIGMCR LIQUIDWORS

127 East 57tti St NYC 2045 B way (at 70fh St) NYC

(212) 751-4353 (212) 787-3955

lues. Wed. Fri & Sal 10-7 Mon-Sat 10-8

t^on & Thurs 10-8. Sun 10-5 Sun 12-6

Amefcant»piess.MasieiCtx>foe. Visa

AD BY PLUM ADVERTISING

JUNE 22 1981 /NEW YORK 67

STOP

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at appetizing prices!"

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Of*« every day for d l—r.

STONE FREE KIDS

124 West 72 Street, New York. N.Y. 10023
(212)362-8903
STONE FREE |R

1086 Madison Avenue (81/ 82 Street)
NewYork, N.Y 10028 (212) 744-7152

SUPERB FRENCH CUISISIB

iLE CLODENIS
RESTAURANT :

1409 YORK AVENUE S Y N Y 10021
TEL 98« 4660 MON/SAT 6 HPM

Value! Value! Value!

' New York's Best Bet
for Complete Dinners from
$7.50 & a la carte from $4.25.
Sinjins Walters & Waitresses,
"nt. nightly.

urs

WMt Seth street Rm: 581-9705

Restaurant Francois
"Magnificent Food aerved in o
French^oun*iy-inn frtmoiphera"
Lunch • Cocktail! • DInnir • After Ttieatrt
Private fttttt Boom . . . Cloted Son.
321 n 51 St. RVC In: 246-3023 er 974-*07t

••• Rating

SUKRI ITALIAN CUISINE

• Lunch • Dinner
• Supper
PIANO ENTERTAINMENT

03 E. 61 Street
Telephone
759-6684

in chintz and sailcloth fabrics, among
others, now $1.95 a yd.; ends of bolts are
available in up to 15-yd. pieces (you
must take the whole piece), now $2.95 a
yd., and cut-to-order yardage of the
above (bring measurements), now $3.95
a yd. Antique satins in end-of-bolt yard-
ages, now only $1.95, and cut-to-order
casement fabrics (there are a great many
of these), now $2.95 a yd. The store will
also make draperies and quilted
bedspreads, both hand-guided and ma-
chine-quilted (bring measurements).
Cash-and-carry only; all sales final. Clas-
sic Draperies, 112 Lincoln Ave., at
Bruckner Blvd.. fifth floor (993-5668):
Mon.-Sat. 10 a.m.-4 p.m.. through 6/27.

Making Up

EVELYN MARSHALL COSMETICS ARE NEVER

discounted or put on special offer, and
they are sold in the better stores. Now
the packaging has changed, and, to get
rid of the old packages, the firm has put
fresh cosmetics into them and is holding
a two-week sale in its midtown offices.
Nineteen colors of lipstick, including
summer shades, blushers, and shadows,
usually $5.50 and $6, now $3 each or two
for $5 (you may mix and match); LipKits,
in muted and bright shades, with sable
lip brush, now $3 or two for $5; EyeKits,
with brow color, shadow, contour color,
sable brush applicator, and more, were
$10, now $5; sable eyeliner brushes,
were $7, now $2; magnifying mirrors on
stand, were $7.50, now $3.50; and more.
Cash-and-carry only; all sales final.
Evelyn Marshall Cosmetics. Ltd., 14 East
38th St.. eleventh floor (532-6400):
Mon.-Fri. 10 a.m.-5 p.m., through 7/1.

For Women

LOVELY CLOTHING FOR WOMEN SIZES 4-12,

most of it imported from France, Eng-
land, and Italy, is on sale here at 30-60
percent off. A few examples only: linen
suits, with cardigan jackets and pleated
trousers, were $558, now $335; Italian
sleeveless cotton blouses with matching
wrap pants, were $185, now $90; a selec-
tion of cool cotton and silk separates,
now 30-50 percent off; imported suits in
wool gabardine and linen, and blazers in
wool and in silk, were $320-$450, now
$2l5-$320; dressy two- and three-piece
silk outfits, for day or evening, were $410
and $599, now $285 and $360; many,
many accessories, including belts,
scarves, jewelry, and bags, now at half-
price; and much, much more. Also: the
"two for the price of one" rack; pick any
two garments from it and pay the single
price of the higher-priced one. AE,
Carte Blanche, Diners Club, MC, V,
checks accepted; all sales final. The
General Store. 3 East 55th St. (688-4496):
Mon.-Wed., Fri. and Sat. 10 a.m.-6 p.m.,
Thurs. till 7 p.m., throu^ 7/31. ^

260 989^

FOR THE
FINEST NORTHERN
ITALIAN FOOD
Private Party Room
Near New York Hilton

53 West 53rd Street, N.Y.C.
JUDSON 6-4370 A M. EXP. .

"An eleRanl restaurant offering
ddkious Frencfi cuisine"

y-1 ^--5% CDI MACA/INI

I litu hc(in / C ()( kl«iiK / Dtofirr
20lasl 76lhSl. Hps; 51S-72«)

EL aHOTE*]

Bring your appetite to Mexico.

Treat your taste to authentic
food & drink. Mexican meals &
mouth-watering Margaritas.
Broadway between Mh A ICHti SI. 677-4201

FOR GREAT CORNED BEEF...

MAtZO BALL SOUP KISMKA CHOPPED LIVER BAGELS < lOX

THE OLD FASHIONED WAY
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59 east 59th NYC PL5-5959

ofiginaf SUSHI'

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49 Charles St. ^^r^*- ^.^ ,

68 NEW YORK/JUNE 22. 1981

Movies

69

Other Events

86

Theater

77

Radio

87

Music

Television

88

& Dance

80

Restaurants

93

Art

82

Nightlife

102

A Complete Entertainment Guide for the Week Beginning June 15

MOVIES

Theater Guide

In this listinq of movie theaters in the greater New
York area, the Manhattan theaters are listed
geographically; those in the Bronx, alphabetically:
and those elsewhere, by locality. The number
preceding each theater is used for cross-indexing the
capsule reviews that follow.

Schedules are accurate at press time, but theater
owners may make late program changes. Phone
ahead and avoid disappointment and rage.

Manhattan

Below 14th Street

3. ESSEX-Euex at Grand St. 982-4455. Thru
June 18: "Happy Birthday to Me"; "He Knows
You're Alone."

4. BLEECKER STREET CINEMA-At La
Guardia. 674-2560. June 15: "Fellini's Satyricon."
June 16: "The Men Who Tread on the Tiger's
Tail", "Yojimbo." June 17: "The Old Gun";
"Lacombe, Lucien." June 18: "Letter From an
Unknown Woman"; "All About Eve." June 19:
"Mean Streets"; "The Wild One." June 20:
"Stardust Memories"; "Manhattan." June 21: "O
Lucky Man!"

6. WAVERLY-Ave. Americas at W. 3. 929 8037
"Polyester."

7. 8TH STREET PIiAYHOUSE-8lh St. W. of
Fiith Ave. 674-6515. Thni June 17: "Dial M lor
Murder" (in 3-D). Beg. June 18: "Kiss Me Kate "
(in 3-D).

9. ART-8th St. E. of Univeraily PL 473-7014
Thru June 16: "The Dark End of the Street."

10. THEATRE 80 ST. MARKS-E. of Second
Ave. 254-74(X) June IS: "Walti oi the Toreadors";
"Two Way Stretch." June 16: "The Goose and the
Gander"; "Stranded." June 17: "The Seventh
Seal"; "Persona." June 18: "The Girl From Tenth
Avenue"; "Housewife." June 19 & 20: "Freaks";
"Dr. Jekyll and Mr. Hyde " June 21: "Life With
Father"; "Our Town."

11. ST. MARKS CINEMA-Second Ave. at St.
Maika PL 533-9292. Thru June 18: "Thief"; "The
Dogs of War."

13. CINEMA VILLAGE- 12th St. E. of Fifth Ave.

924-3363 Thru June 16: "Cabaret"; "Something
for Everyone." June 17 & 18: "Myra
Breckenridge"; "Beyond the Valley of the Dolls."
June 19 4 20: "Let It Be"; "Yellow Submarine"
Beg. June 21: "Days of Heaven"; "Badlands."

14. GRE:ENWICH-12th St. at Greenwich Ave.
929-3350 # 1-Thru June 18: "The Legend of the
Lone Ranger." # 2-"Claah of the Titans."

16. QUAD CINEMA-13lh St W. of Fifth Ave.
255-8800. # 1-Thru June 18: "Oblomov." Beg
Juno 19: "The Stunt Man." #2— "Mon Oncle
d'Amerique." # 3— "CafA Express." « 4— Thru June
18: "Return of the Secaucus Seven." Beg. June 19:
"The Fan."

15lh-42nd Streets

20. GRAMERCY-Z3rd St. nr. Lexington Ave.

475-1660 "Tess"

21. BAY CINEMA-32nd St. & Second Ave.
679-0160 "Cheech S Chong's Nice Dreams"

22 MURRAY HILL-34th St. nr. Third Ave.

685.7652. Thru June 18: "Modern Romance";
"American Pop" Opening June 19: "Superman
II"

23. 34TH STREET EAST-Nr. Second Ave.

683 0255 ■History of the World Part I."

24. LOEWS 34TH ST. SHOWPLACE-Ni.
Second Ave. 532 5544. « l-"Bustin' Loose." «2
— "Outland." # 3— "Raiders of the Lost Ark."

27. HAROLD CLURMAN THEATER-412 W.
42nd St 594-2370 June 17 & 18: "The Buddy
Holly Story"; "lanis" June 19 S 20: "limi
Hendrix"; "Monterey Pop." Beg. June 21: "The
T.A.M.I. Show". "Keep on Rockin'."

43rd-60th Streets

30. NATIONAL-B'way. & 44th St. 869-0950
"Polyester."

31. LOEWS ASTOR PLAZA-B'way. at 44lh St

869-8340 "Raiders of the Lost Ark "

32. CRITERION-B'way. & 45th St 582. 1795 « 1
-"Outland." #2-"History of the World Part I."
#3— "The Legend of the Lone Ranger." #4—
"Death Hunt" # 5— "Nighthawks" « 6-
"Excalibur."

33. LOEWS STATE 1-B'way. at 45th St
582-5060 "The Four Seasons." LOEWS STATE
2—582-5070. "Cheech & Chong's Nice Dreams."

34. EMBASSY 5.-B'war. & 46th St 354 5636
Thru June 18: "Firecracker." Opening June 19;
"The Cannonball Run."

35. EMBASSY-B'way. at 46lh St. 757-2408 "The
Fan."

36. MOVIELAND-47th St at B'way. 757-8320.
"Thru lune 18; "The Blues Brothers""; "Cheech and
Chong's Next Movie."

37. CINERAMA 1-B"way. at 47th St 975 8366
""Clash of the Titans "" CINERAMA 2-975 8369.
Thru lune 18: "Search & Destroy." Opening lune
19: "Superman II."

38. EMBASSY Z-B-way. & 47th St 730-7262
"Friday the 13th, Part 2" EMBASSY 3-"'The
Texas Chainsaw Massacre."" EMBASSY 4 —
""Tess."

39. HOLLYWOOD TWIN CINEMA-8th Ave. at
47th St 246-0717 # 1-Thru June 16: ""Gracie
Allen Murder Mystery""; ""International House.""
June 17-20: "'Pat and Mike"; "Adam's Rib."" Bog
June 21: ""It Happened One Night"'; "Boom Town."
#2- "Thru lune 16: "Fellini's Satyricon"; "Fellini's
Roma." June 17-20: "Limelight"; "Red Shoes."
Beg. June 21: "The Seventh Seal"; "Wild
Strawberries.""

41. RIVOLI-B'way. & 49th St 247-1633

Tentative: "Bustin' Loose."
44. GUILD-SOth St W. of Fifth Ave. 757-2406.

"The Fan."

46. EASTSIDE CINEMA-Third Ave. nr. SSth St

755-3020 Tentative: "Polyester.""

47. CARNEGIE HALL CINEMA-Seventh Ave.
nr. S7th St 757-2131. June 15: "The GeHing of
Wisdom"; "Picnic at Hanging Rock."" June 16:
"Breakfast at Tiffany's"; "Roman Holiday." June
17: "Days of Heaven"; "Pretty Baby," June 18:
"Days of Heaven""; "Pretty Baby""; "'Numero Deux""
(one showing). Beg. June 19: ""Numero Deux.""

48. SUTTON-57th St nr. Third Ave. 759-1411
'"History of the World Part I."

50. rESTIVAI,-57th St W. of Fifth Ave.
757-2715 "Tess.""

51. S7TH STREET PLAYHOUSE-W. of Ave.
Americas. 581-7360. Tentative: ""Breaker Morant.""

52. LITTLE CARNEGIE-S7th St. & Seventh Ave.
246-5123 ""Atlantic City "

54. TRANS-LUX GOTHAM CINEMA-Third
Ave. nr. S8lh St 759-2262. Thru June 18: ""Death
Hunt."' Opening June 19: "The Cannonball Run."

55. PLAZA-S8lh St. nr. Madison Ave. 355-3320
"'The Last Metro."

56. PARI&-S8th St W. of Fifth Ave. 688 2013 "I
Sent a Letter to My Love.""

57. D.W. GRIFFITH-59th St bet Second &
Third Aves. 759-4630. ""Caf6 Express ""

58. MANHATTAN l-59th St bet Second &
Third Aves. 935-6420. ""From Mao to Moiart:
Isaac Stem in China."" MANHATTAN 2— "'The
Stunt Man""; ""Eyewitness.""

60. BARONET-Third Ave. & 59th St 355-1663
""Cheech & Chong's Nice Dreams." CORONET—
"Raiders of the Lost Ark.""

61. CINEMA 1-Third Ave. nr. 60th St 753-6022
Thru June 18: ""A Second Chance."" Beg. June 19:
" New York. New York. " CINEMA 2-753-0774
"'Richard's Things."

62. CINEMA 3-59th St W. of Fifth Ave.
752-5959. "The Valley."

61 si Street & Above
East Side

70. GEMINI l-64th St & Second Ave. 832 1670
Tentative: "Bustin" Loose." GEMINI 2—832-2720.
Tentative: "The Blues Brothers""; "Cheech and
Chong's Next Movie.""

71. BEEKMAN-Second Ave. nr. 6Sth St
737 2622. '"Clash of the Titans ""

72. LOEWS NEW YORK-66th St at Second
Ave. 744-7339, # l-"Atlantic City." #2-
"Outland."

73. 68TH STREET PLAYHOUSE-At Third Ave.

734-0302. "La Cage aux FoUes 11."

74. LOEWS TOWER EAST-Third Ave. nr. 72nd
St 879-1313. "The Four Seasons."

75. THE MINI CINEMA-1234 2nd Ave. at 65th
St 650-1813 Thru June IS: ""Bus Slop'";
"Niagara."" June 16-18: "Repulsion""; ""Icy Breasts.""
June 19-21: ""Wuthering Heights'"; "Rebecca."

76. 72ND STREET EAST-72nd St & First Ave.
288-9304. Thru June 18: "Nighthawks."

JUNE 22. 1981 /NEW YORK 69

MOVIES

78. UA EAST-First Ave. & 8Sth St. 249-5100.
Thru Juno 18: "Cheech and Chong's Next Movie";
"The Blues Brothers " Beg. June 19 (tentative):

"Bustin' Loose."

80. LOEWS ORPHEUM-86th St nr. Third Ave.
289-4607. "Raiders of the Lost Ark." ORPHEUM
2-427- 1332. "Busttn' Loose."

82. 86TH STREET EAST-Nr. Third Ave.
249-1144. Thru June 18; "Apocalypse Now."

83. RKO 86TH STREET TWIN-At Lexington
Ave. 289-8900. # 1 -"Cheech & Chong-'s Nice
Dreams." #2— "Clash of the Titans."

84. COSMO-176 E. U6th St 534-0330. Thru
June 18; "Kung Fu Executioner", "A Hard Way to
Die." Beg. June 19: "Beyond the Fog"; "They're
Coming to Get You."

81 St Street & Above
West Side

88. PARAMOUNT-61st St & B'way. 247-5070.
"The Four Seasons."

89. LINCOLN PLAZA CINEMAS-B'way nr.
63rd St 757-2280. # l-"CitY oi Women." #2-
"Messidor." #3— "Voyage en Douce."

90. CINEMA STUDIO-B'way. & 66th St
877-4040. # 1-Thru June 18: "City of Women."
Opening June 19: "Coup de Sirocco." # 2— Thru
June 16: "Jonah Who Will Be 25 in the Year
2000." Opening June 17: "Gaijin: A Brazilian
Odyssey "

91. REGENCY-B'wey. nr. 67th St 724 3700.
June 15: "They Might Be Giants"; "The Seven Per
Cent Solution." June 16 & 17: "Mark of the
Vampyre"; "Mad Love." June 18-20: "The Woman
in the Window"; "Dark Passage." Beg. June 21:
"The Man Who Knew Too Much"; "Young and
Innocent."

92. EMBASSY 72ND STREET-B'way. nr. 72nd

St 724-6745. # l-"Moscow Does Not Believe in
Tears " » 2— "Moscow Does Not Believe in Tears."

94. NEW YORKER-B'way. & 88th St 580-7900
# l-"Polyester." #2-"Caf6 Express."

95. THALIA-95ih St W. of B'way. 222-3370
June 1 5: "Undercovers Hero"; "Never Let Go."
June 16: "The Christine Jorgensen Story"; "I Want
What I Want" June 17: "A Delicate Balance"; "A
Bill of Divorcement" June 18: "Oklahoma Kid";
"Little Giant" June 19 & 20: "Stevie"; "Mr.
Forbush & the Penguins." June 21: "Woman in the
Dunes"; "Gate of Hell."

97. OLYMPIA-B'way. at 107th St 865-8128 # 1
—Thru June 16: "Death in Venice"; "The
Damned." June 17 & 18: "Lolita"; "Baby Doll."
June 19 & 20: "Citizen Kane"; "The Magnificent
Ambersons." Beg June 21: "Singin' in the Rain",
"Meet Me in St. Louis." # 2— Thru June 16:
"Modern Romance." # 3— Thru June 18; "The
Blues Brothers"; "Cheech and Chong's Next
Movie." Beg. June 19: "The Fan."

99. RKO COLISEUM-B'way. at 181st St.
927-7200. # l-"Search & Destroy." #2-
"Outland", "Kung Fu Executioner."

Museums,
Societies, Etc.

ANTHOLOGY FILM ARCHIVES-80 Wooater

St 226 0010 Call for adm prices. June 16, 8
p.m.: Video by Downtown Community Television,
& KUTV, Salt Lake City. June 17, 8 p m.: Films by
Joe Gibbons. June 18, 3 p.m.: Video by Ira
Schneider & Beryl Korot, Crane Davis, & Peter
Crown/Bill Etra; 8 p.m : Films by Diana Barrie,
Renata Breth, Phil Weisman, A William Scaff; 10
p.m.: Films by Joe Gibbons, Greg Sharits, & Willie
Varela.

BAHA'I CENTER-S3 E. Uth St 674-8998 Adm.
$1; senior citizens & students 50c. June 21, 2:30
p.m.: "Guess Who's Coming to Dinner" with
Katharine Hepburn, Sidney Poitier, & Spencer
Tracy.

CHRIST AND ST. STEPHEN'S CHURCH-120
W. 69th St 787 2755 Adm. $1.50; senior citizens
75c. June 17. 8 p.ra.; "Backstreet" (1932) by John
Stahl with Irene Dunne.

COLLECTIVE FOR LIVING CINEMA-52 White

St 925-2111. Free. All shows begin at 8:30 p.m.
June 19: Films by Standiah Lewder. June 20:
"King of the Champs Elysees" (1934) by Buster
Keaton. June 21: Four films by Charlie Chaplin.
ISAIAH'S-17 W. 27th St 260-3494. Free with
club adm. June 19 & 20, 10 p.m.: "The Harder
They Come" with Jimmy Cliff

JAPAN SOCIETY-333 E. 47th St 832-1 155.
Adm. $3.50; members $2.50. Kenji Mizoguchi
retrospective. June 19, 7:30 p.m.: "Miss Oyu"

(1951) . June 21, 2 p.m.: "The Life of Oharu"

(1952) .

MILLENIUM FILM WORKSHOP-66 E. 4th St

673-0090 Adm. $2. June 20, 8 p m.: Films by
Chris Monger.
MUSEUM OF MODERN ART-11 W. SSrd St
956-6100. June 15, 12 p.m.: Films by Saul Bass,
2:30 p.m.: "The Phantom Enthusiast" (1975) by
Andrew Noren; 6 p.m.: "Charmed Particles"

(1977) by Noren. June 16, 12 p.m.: Films by Saul
Bass, 2:30 p.m.: Films by James Herbert (a); 6
p.m.: Two films on aging. June 18, 2:30 p.m.: Films
by James Herbert (b); 6 p.m.: Films by James
Herbert (c); 8 p.m.: Films by James Herbert (d).
June 19, 2:30 p.m.: Films by James Herbert (d); 6
p.m.: Films by James Herbert (e). June 20, 12 p.m.:
"First Men in the Moon" (1964) by Nathan Juran;
2:30 p.m.: "Torment" (1944) by Alf Sjbberg with
Alf Kjellin. June 21, 12 p.m.: "First Men in the
Moon"; 2:30 p.m.: "The Road to Life" (1931) by
Nikolai Ekk with Nikolai Batalov; 5 p.m.: Films by
James Herbert (b).

NEW COMMUNITY CINEMA-423 Park Ave..
Huntington. N.Y. 516-423-7619 Adm $3;
members, senior citizens, & children under 12,
$1.50. June 15, 8 & 10:30 p.m : "The Great
Dictator" (1940) by Charles Chaplin with Chaplin
a Paulette Goddard. June 16 A 17, 8 A 10:15
p.m.; "Strosxek" (1977) by Werner Herxog with
Bruno S. June 18, 8 p.m.: "Revolution or Death"
(1981) on El Salvador, by the World Council ol
Churches, 6t "El Salvador: Seeds of Liberty"
(1981) by Glen SUber. June 19-21 (call for
showtimes): "The Chant of Jimmie Blacksmith"

(1978) by Fred Schepisi.

NEW YORK UNIVERSITY-Schimmel

Auditorium. 40 W. 4th St 925-8685. Adm. by $3
donation. Asian American Film Festival. June 19, 7
p.m.: "Tattoo City" by Emiko Omori,
"Heliography" by Hiroshi Yamasaki, "Enigma" by
Toshio Matsomoto, "Summer Is Gone" by
Masanobu Nakamura, A "Dangerous Encounters of
the First Kind" by Tsui Hark.

THE PUBLIC THEATER-425 Lafayette St.
598-7171- Adm. $5; students & senior citizens $4
June 16-21 (call for showtimes): "The Discreet
Charm of the Bourgeoise" (1972) by Luis Bunuel
with Fernando Rey & Delphine Seyrig. June 20, 2
p.m.: "The Patriot Game" (1980), on Northern
Ireland.

THE QUEENS MUSEUM-N.Y.C. Bldg.,
Fluehing Meadow/Corona Park. 592-2405
Adm. by donation. From Inkwells to Puppets: Early
Animation Art. June 20, 2:30 p.m.: Cartoon
Menagerie: 7 cartoons, including "Felix the Cat in
Woos Whoopee" (1936) & "AUadin and His
Wonderful Lamp" (1939).

Bronx

100. ALLERTON-TRIPLEX-744 AUatton At*.
547-2444 # 1 -"Cheech 4 Chong's Nice Dreams."
#2— "Outland." #3-"Bushn' Loose "

101. BAINBRIDGE-E. 204 at Perry. 798-2370
Thru June 18: "Moctern Romance"; "American
Pop " Beg. June 19; "The Fan"; "The Hand."

102. CAPRI— Fordham ni. Jerome Ave. 367-0558
Tentative: "The Four Seasons."

103. CIRCLE-Westchester al E. 177. 863 2100
"Clash of the Titans."

104. CITY CtNEMA-2081 BaHow Ave.

379-4998. #l-"Baiders of the Lost Ark " » 2-
"Clash of the Titans."

105. DAI<E-231at St & B'way. 884-5300. "Raiders
of the Lost Ark."

109. INTERBORO— Tremont itr. Bruckner Blvd.
792-2100 # 1 -Tentative: "Cheech & Chong's
Nice Dreams " # 2— Thru lune 18: "The Blues
Brothers"; "Cheech and Chong's Next Movie."
Beg. June 19 (tentative): "Superman 11." #3— Thru
lune 18: "The Four Seasons." Beg. June 19
(tentative): "The Cannonball Run." #4— Thru June
18: "Bustin' Loose." Beg. June 19 (tentative): "The
Four Seasons."

1 12. LOEWS AMERICAN-Eaat Ave. at Metro.
828-3322 # 1-Thru June 18: "Firecracker" « 2-
Thru June 18: "Raiders of the Lost Ark."

1 13. LOEWS RIVERDALE-259tli SL at
Riverdale Ave. 884-2260. Thru June 18:
"Outland."

114. LOEWS PARADISE-188th St. at Grand

Cone. 367-1288 # 1-Thru June 18: "Clash of the
Titans." #2— Thru June 18: "History of the World
Part I." #3— Thru June 18: "Firecracker." #4-
Thru June 18: "Raiders of the Lost Ark."

119. VALENTINE-Fordluun at Valanlina.

584-9583. « 1— Thru June 18: "The Bluai
Brothers"; "Cheech and Chong's Next Movie."
Beg. June 19 (tentative): "Superman 11." #2— Thru
June 18: "Search & Destroy." Beg. June 19
(tentative): "Bustin' Loose." #3— Thru June 18:
"Bustin' Loose." Beg. June 19 (tentative):
"Superman 11."

Brooklyn

200. BAY RIDGE-ALPINE-Fifth Ave. at 6»th

St. 748-4200. # 1-Thru June 18: "Breaker
Moranl." # 2-Thru June 18: "Cheech A Chong's
Nice Dreams."

201. BAY RIDGE-FORTWAY-Ft HamUton
Pkwy. at 69tli St 238-4200. # 1-Thru June 18:
"Outland." Beg. June 19: "Superman U." #2 —
"History ol the World Part 1." # 3-"Clash of the
Titans." #4-Thru June 18: "Bustin' Loose." Beg.
June 19: "Outland." #5-Thru June 18: "The
Blues Brothers"; "Cheech and Chong's Next
Movie."

202. BENSONHURST-BENSON-20th Ave. al
86th St 372-1617. # l-"History of the World
Part 1." #2— "Clash of the Titans."

206. BENSONHURST-LOEWS ORIENTAL-
86th St at 18th Ave. 236-5001 # 1-Thru June
18: "Haiders of the Lost Ark" # 2-'niru June 18:
"Firecracker,"

208. BOROUGH PARK-AJl.'S WALKER-18th
Ave. at 64th St 232-4500. "Polyester."

209. BOROUGH PARK-BEVERLY-Chtuch at
McDonald. 438-1465. # 1-Thru June 18: "The
Blues Brothers"; "Cheech and Chong's Next
Movie." # 2-Thru June 18: "Hardly Working."
Beg. June 19: "Superman 11."

210. BRIGHTON BEACH-OCEANA-Brigbton
Beach at Coney Island Ave. 743-4333. # I—
"Raiders of the Lost Ark." # 2— Thru June 18: "The
Blues Brothers"; "Cheech and Chong's Next
Movie." Beg. June 19: "The Cannonball Bun." #3
—Thru June 18: "Bustin' Loose."

211. BROOKLYN HEIGHTS-BROOKLYN
HEIGHTS— Henry at Orange. 596-7070. * 1-
"The Four Seasons." #2— "Stir Crazy."

212. CANARSIE-CANARSIE-E. 93nl at Ave. L.
251-0700. # l-"Cheech A Chong's Nice Dreams."

# 2— "Polyester." #3— "The Four Seasons."
215. DOWNTOWN BROOKLYN-LOEWS

METROPOLITAN-Fulton at Jay St 875-4024

# 1-Thru June 18: "Raiders of the Lost Ark." #2
-Thru June 18: "Cheech & Chong's Nice
Dreams" #3— Thru June 18: "Outland." #4— Thru
June 18: "Clash of the Titans."

217. FLATBUSH-ALBERMARLE-Albermaila
at Flatbush. 287-93CX) "Kung Fu ExecuHoner";
"Outland."

220. FLATBUSH-NOSTRAND-Nostrand at
Kings Hwy. 252-6112. "The Four Seasons."

221. FLATBUSH-RKO KENMORE-Church at
Flatbush. 284-5700. # 1 -"Bustin' Loose." «2-
"Raiders of the Lost Ark." « 3— Thru June 18:
"Cheech & Chong's Nice Dreams." Beg. June 19:
"The Cannonball Run." #4— "The Four Seasons "

223. FLATLANDS-BROOK-FUtlands at
Flatbush. 258-2034. "Clash of the Titans."

224. FLATLAND&-KING8 PLAZA NORTH-
Upper Mall. Flatbush at Ave. U. 253-1 1 10. Thru
June 18: "Search & Destroy." KINGS PLAZA
SOUTH— Bog June 19: "Superman 11."

226. FLATLANDS-LOEW8 OEOROETOWNE-
Ralph Ave. at Ave. K. 763-3000. # 1-Thru June
18: "Raiders of the Lost Ark." #2-Tlini June 18:
"History of the World Part 1."

231. MIDWOOD-AVENin: U-Ave. U al E. 16lh.
336-1234. "History of the World Part I."

233. KENT-Coney Uland Ave. al Ave. H.
434-8422. "La Cage aux Folles 11."

234. MIDWOOD-KINOSWAY-Kings Hwy. at
Coney Island Ave. 645-8588. «l-"Cheech St
Chong's Nice Dreams." # 2— Thru June 18:
"Search & Destroy." Beg. June 19: "Outland." #3
-Thru June 18: "Outland." Beg. June 19:
"Superman 11."

235. MIDWOOD-MIDWOOD-At*. J al E. 13th
St. 377-1718. Thru June 16: "Fort Apache, the
Bronx." Beg. June 17: "Thief."

237. RIDGEWOOD-RIDOEWOOD-Myitla at
Putnam. 821-5993. Thru June 18: "I Spit On
Your Grave", "The Killing Machine."

70

NEW YORK/JUNE 22. 1981

MOVIES

Staten Island

300. ELTmOVILIiE-AMBOY TWIN- 356-3800.
# l-"Raidera of the Lost Ark." # 2— "Claih of the

Titans."

301. MARINER'S HARBOR-JERRY LEWIS
CINEMA— 720-9300. Tentative: "Bustin' Loose."

302. NEW DORP-FOX PLAZA- 987 6800 # 1-
Thru June 18: "Modern Romance"; "American
Pop." Beg. June 19; "Superman II." #2— Thru
June 18: "Firecracker." Beg. June 19: "The
Cannonball Run."

303. NEW DORP-HYLAN- 351-6601. #1-
"Cheech & Chong's Nice Dreams." # 2— "History
of the World Part I."

304. NEW DORP-LANE- 351-21 10. "Oudand."

Queens

402. ASTORIA-STRAND-25-15 B'way. at 2»th
St 274-6740. # 1-Thru June 18: "The Kids Are
Alright"; "Hock and Roll High School." # 2-Thru
June 18: "Modern Romance"; "American Pop."

404. BAY8IDE-BAY TERRACE-B«U Blvd. ai
26tk Ave. 428-4040. * 1-Thru June 18: "Breaker
Morant." #2— Thru June 18: "Cheech & Chong's
Nice Dreams."

407. CROSS ISLAND-CINEMA-1S3-67A Crosi
Uland Plnnry. 767-2800. # 1-Thru June 18:
"Excalibur." #2— Thru June 18: "Modem
Romance." Beg. June 19: "Breaker Morant."

408. ELMHXn^ST-ELMWOOD-Oueens Blvd.
nr. 57th Ave. 429 4770. # 1-Thru June 18:
"Cheech & Chong's Nice Dreams." #2— Thru June
18: "Firecracker."

409. FLUSHINO-KEITH'S-Noithem at Main.
353 4000. « l-"Raiders of the Lost Ark." #2—
Thru June 18: "Firecracker." Beg. June 19: "The
Cannonball Run." # 3— "Outland."

411. FLUSHING-PARSONS-Pateons at Union
Tpke. 591-8555. # 1-Thru June 18: "Cheech &
Chong's Nice Dreams." #2— Thru June 18:
"Outland."

412. FLUSHING-PROSPECT-Main St. >l
Kiauna Blvd. 359-1050. # 1-Thru June 18:
"Clash of the Titans." Beg. June 19: "Superman
II." #2— Thru June 18: "Search & Destroy." Beg.
June 19: "Clash of the Titans"

414. FLUSHING-UTOPIA-Union Tpke. at
188th St. 454-2323 "The Four Seasons."

416. FOREST HILLS-CINEMART-
Metropolitan Ave. at 72nd Rd. 261-2244. Thru
June 18: "La Cage aux Folles II."

417. FOREST HILLS-CONTINENTAL-Austin
at 71st Ave. 544-1020 » 1-Thru June 18:
"Cheech and Chong's Next Movie"; "The Blues
Brothers." Beg. June 19: "The Cannonball Run."
#2— Beg. June 19: "The Cannonball Run."

421. FOREST HILLS-TR'YLON-Oueene Blvd.

at 66th Ave. 459-8944. Thru June 18: "Haiders of

the Lost Ark."
424. GLEN OAKS-GLEN OAKS-Union Tpke.

at 255th St. 347 7777 "Outland"
426. JACKSON HEIGHTS-BOULEVARD

CINEMA-Northem Blvd. at 83rd St. 335-0170.

# 1 -"Raiders of the Lost Ark." # 2-"Clash of the

Titans." #3— Thru June 18: "Cheech and Chong's

Next Movie"; "The Blues Brothers."
429. JACKSON HEIGHTS-THEATER

JACKSON— 82nd St. at Roosevelt Ave.

779-2834. # 1 -"Bustin' Loose" # 2-"The Four

Seasons." #3— "Hardly Working."

432. JAMAICA-RKO AU)EN-Jamaica Ave. ai
16Sth St 739-8678. # 1 -"Cheech St Chong's
Nice Dreams." # 2— "Bustin' Loose." #3— "Search
& Destroy"; "Kung Fu Executioner." #4—
"Outland"; "Firecracker."

433. JAMAICA-ROCHDALE-Baialey Blvd. at
N.Y. Blvd. 276-5300. Thru June 18:
"Firecracker"; "Friday the 13th, Part 2."

436. KEW GARDENS HILLS-MAIN ST.

PLA'YHOUSE-Main St. at 72nd Dr. 268-3636

Thru June 18: "Nighthawks"; "Smokey and the

Bandit II." Beg. June 19: "The Fan"; "Rough Cut."
442. REGO PARK-DRAKE-Woodhaven Blvd. at

63rd Ave. 639-0600. Thru June 16: "Fort Apache,

the Bronx." Beg. June 17; "Thief."
444. RICHMOND HILL-LEFFERTS-Liberty at

122nd St 843-8240. "Cheech & Chong's Nice

Dreams."

447. ROCKAWAY PARK-SURFSIDE-103-22
Rockaway Beach Blvd. 945-4632. Thru June 18:
"Hardly Working"; "Tribute."

448. SUNNYSIDE-CENTER-Oueena Blvd. at
43rd St 784-3050. * l-"Che*ch A Chong's Nice
Dreams." #2— "Clash of tha Titans."

449. WOODHAVEN-HAVEN-80-16 Jamaica
Ave. 296. 2325 Thru June 18; "American Pop";
"Modern Romance."

Long Island

(Area Coda 516)
Naaaau Cotmty

500. BALDWIN-BALDWIN- 223 9230 "Clash of
the Titans."

501. BALDWIN-GRAND AVE- 223-2323.
"Hardly Working."

503. BELLMORE-BELLMORE PLAYHOUSE-

785-5400. Thru June 18: "Hardly Working"; "The

Hand."

504. BELLMORE-THE MOVIES- 785-3032.
"Modern Romance"; "American Pop."

507. BETHPAGE-MID-ISLAND- 796-7500 Thru
June 18: "Hardly Working." Beg. June 19; "The
Fan."

508. CEDARHUR8T-CEMTRAL- 569-0105. # I
-"Cheech & Chong's Nice Dreams." # 2-"The
Four Seasons." #3 — "Outland."

509. COPIAGUE-ALL WEATHER INDOOR-
691-8505. Thru June 18; "Cheech and Chong's
Next Movie"; "The Blues Brothers." Beg. June 19
(tentative); "Superman II"; "Caddyshack."

511. EAST MEADOW-FUCK 1- 794-8008. Thru
June 18: "Hardly Working." Beg. June 19: "The
Legend of the Lone Ranger." FLICK 2— Thru June
18: "American Pop"; "Modern Romance." Beg.
June 19; "The Fan."

512. EAST MEADOW-MEADOWBROOK-
731-2423. # 1-Thru June 18; "Cheech and
Chong's Next Movie"; "The Blues Brothers." Beg.
June 19 (tentative); "Superman II." # 2— Tentative;
"The Four Seasons." #3— Thru June 18: "The
Legend of the Lone Hanger." Beg. June 19
(tentative): "Outland." #4— Thru June 18:
"Airplane!"; "Up in Smoke." Beg. June 19
(tentative); "Torso"; "Autopsy."

513. EAST ROCKAWAY-CRITERION-
599-0242. « l-"Hardly Working." #2-
"Excalibur."

516. FARMINGDALE-FARMINGDALE-
249-0122. Thru June 18; "Hardly Working."

517. FLORAL PARK-FLORAL- 352-2280. Thru
June 18; "Bustin' Loose."

518. FRANKLIN SQUARE-FRANKUN-
775-3257. # 1-Thru June 18: "Modern Romance";
"American Pop." # 2— Thru June 18; "Hardly
Working"; "Tribute."

519. GARDEN CITY-ROOSEVELT FIELD-
741-4007. # 1-Thru June 18; "Search 4 Destroy."
Beg. June 19: "Superman II." #2— "Raiders of the
Lost Ark."

521. GARDEN CITY PARK-PARK EAST-

741-8484. "Cheech & Chong's Nice Dreams."

522. GREAT NECK-PLAITHOUSE- 482 0500.
Tentative; "Cheech and Chong's Next Movie";
"The Blues Brothers."

523. GREAT NECK-SQUIRE- 466-2020
Tentative; "History of the World Part I."

526. HEWLETT-HEWLETT- 791-4000 "Fort
Apache, the Bronx."

527. HICKSVILLE-HICKSVILLE- 931-0749
# 1-Tentative; "The Four Seasons." #2-
Tentative: "Bustin' Loose."

528. HICKSVILLE-TWIN NORTH- 433 2400
"History of the World Part I." TWIN 80UTH-
"Polyester"; "Bananas."

530. LEVITTOWN-LEVITTOWN- 731-0516.
Thru June 18; "Nighthawks"; "Smokey and the
Bandit II." Beg. June 19; "The Legend of the Lone
Ranger"; "The Incredible Shrinking Woman."

531. LEVITTOWN-LOEWS NASSAU QUAD-
731-5400 # 1— Thru Juno 18; "Raiders of the Lost
Ark." # 2-Thru June 18: "Cheech & Chong's Nice
Dreams." # 3— Thru June 18: "Breaker Morant."
#4-Thru June 18; "Atlantic City."

532. LONG BEACH-LIDO- 432 0056 Thru June
18: "Hardly Working." Beg. June 19: "The Legend
of the Lone Ranger.""

533. LYNBROOK-L'YNBROOK- 593-1033. « I
—Tentative: ""Lion of the Desert."' # 2— Tentative:
"The Four Seasons." # 3— Tentative; "Airplane!";
"Up in Smoke." # 4— Tentative: "Polyester."

534. LYNBROOK-STUDIO ONE- 599-5151.
Thru June 18: "Nina to Five." Beg. June 19; "The
Fan."

535. MALVERNE-TWm CINEMA- 599-6966.

# 1-Thru June 18: ""Stir Craxy."' Beg. June 19:
"The Legend of the Lone Ranger." # 2— Thru June
18; 'Tess." Beg. June 19: "The Fan."

536. MANHASSET-CINEMA- 627-1300. "CafA
Express."

537. MANHASSET-MANHASSET- 627-7887.

# 1— Tentative: "The Four Seasons." #2— Thru
June 18; "Outland." Bag. June 19 (tentative): "Tha
Cannonball Run." #3— Thru June 18: 'Tolyester."
Beg. June 19 (tentative): "Outland."'

539. MASSAPEOUA-PEOUA- 799-6464
Tentative: "'Raiders of the Lost Ark."

541. MASSAPEOUA-SUNRISE MALL-
795-2244. # 1— Tentative: "Clash of the Titans."

# 2— Thru June 18: "History of the World Part I."
Beg. June 19 (tentative): "Superman II." #3— Thru
June 18; "Outland." Bag. June 19 (tentative):
"Superman II." #4— Tentative: "History of the
World Port I." #5— Thru June 18; "Bustin' Loose."
Bag. June 19 (tentative): "Cheech A Chong's Nice
Dreams." #6— Thru June 18: "Cheech A Chong's
Nice Dreams." Bag. June 19 (tentative); "Outland."

# 7— Tentative; "The Four Seasons."

542. MERRICK-OABLES- 546-0734. Thru June
16; "Fort Apache, the Bronx." Beg. June 17;
"Thief."

543. MERRICK-MALL- 623-4424. Thru June 18:
"1 Spit On Your Grave"; "The Killing Machine."
Beg. June 19: "The Texas Chainsaw Massacre";
"The Fifth Floor."

544. MERRICK-MERRICK- 623-1522. "Chaach
A Chong's Nice Dreams."

546. NEW HYDE PARK-ALAN- 354-4338.
"Haiders of the Lost Ark."

547. NEW HYDE PARK-HERRICKS-
747-0555. Thru June 18; "Modern Romance";
"American Pop." Beg. June 19: "The Legend of
the Lone Ranger."

548. OLD BETHPAGE-CINE CAPRI- 752-1610.
Thru Jxine 18; "Modern Romance."; "Amencan
Pop." Beg. June 19; "The Legend of the Lone
Hanger."

549. OYSTER BAY-MOVIES- 922-0333. # 1-
Thru June 18: "Hardly Working." Beg. June 19:
"The Fan." #2— Thru June 18: "Breaker Morant."
Beg. June 19; "Death Hunt."

550. PLAINVIEW-MORTON VILLAGE-
938-2323. Thru June 16; "Fort Apache, the
Bronx." Beg. June 17: "Thief."

551. PLAINVIEW-OLD COUNTRY- 931-4242

# 1 -"Cheech A Chong's Nice Dreams." #2-
"Hardly Working."

552. PLAINVIEW-PLAINVIEW- 935-6100.
"Clash of the Titans."

556. PORT WASHINGTON-MOVIES-
767-5600. # l-"Clash of the Titans." # 2-Thru
June 18; '"Hardly Working."" Beg. June 19; ""The
Legend of the Lone Ranger." #3— "La Cage aux
FoUes II."

557. ROCKVILLE CENTRE-FANTASY-

764-e(XX). Thru June 18: "Search A Destroy."' Beg.
June 19: "Superman 11."

558. ROCKVILLE CENTER-RKO- 678-3121

# 1-Thru June 18: "History of the World Part I."
Beg. June 19; "The Cannonball Run." #2-
"Breaker Morant."

559. ROSLYN-ROSL'YN- 621-8488. # 1-
"Cheech A Chong's Nice Dreams." # 2— "Breaker
Morant."

561. SYOSSET-SYOSSET- 921-5810. Tentative:
"Outland."

562. SYOSSET-UA CINEMA 150- 364-0700
Thru June 18: "The Four Seasons." Beg. June 19
(tentative); "Superman H."

563. UNIONDALE-MINI CINEMA- 538-3951.
Thru June 18: ""Polyester."' Beg. June 19; "Dr.
Strangelove"; "And Now For Something
Completely Different."

568. VALLEY STREAM-SUNRISE 8IXPLEX-
825-5700. # 1-Thru June 16: "Outland." #2-
Thru June 16; "Bustin' Loose." #3— Thru June 16:
"Cheech A Chong's Nice Dreams." #4 — Thru June
16: "History of the World Part I." #5— Thru June
16: "Raiders of the Lost Ark." #6-Thru June 16;
"Cheech and Chong's Next Movie"; "The Blues
Brothers."' #7-Thru June 16; "Clash of the
Titans." #8— Thru June 16; "Firecracker."

569. WANTAGH-CINEMA WANTAGH-
221-7784. #1— Thru June 18: "Modern Romance";
"American Pop." Beg. June 19; "The Legend of
the Lone Ranger." #2— Thru June 18; "Hardly
Working."

571. WANTAGH-WANTAGH- 781-6969 Thru
June 18: "The Elephant Man"; "Midnight Express."
Bog. June 19: "Thief."

JUNE 22, 1981 /NEW YORK 71

634. HUNTINGTON-WHrmAM- 423-1300.

Thni June 18: "Search & Destroy."
636. HUNTINOTON-YORK- 421-3911.

"OutUnd."

573. WE8TBURY-WESTBURY- 333-1911. #1-
"Eicalibur." #2— "Hardly Working."

574. WESTBURY-WESTBURY DRIVE-IN-
334-3400 #1-Thru June 18: "Oulland." Beg.
June 19 (tentative): "The Four Seasons." # 2— Thru
lune 18: "Cheech & Chong's Nice Dreams." Beg.
June 19 (tentative): "Superman 11." #3— Thru June
18: "The Four Seasons." Beg. Tune 19 (tentative):
"The Cannonball Run."

575. WOODMERE-FIVETOWNS- 374-2223.
"Clash of the Titans."

Suilollt County

600. AMTTYVUJiE-AMITYVIUjE- 264-7789

# 1— Thru June 18: "Modern Romance";
"American Pop." # 2— Thru June 18: "Hardly
Working."

601. BABYIjON-BABYIjON- 669-3399.
Tentative: "The Four Seasons."

602. BABYLON-RKO- 669-0700. # l-"Ch«Mh
A Chong's Nice Dreams." #2— "History oi the
World Pari I."

603. BABYLON-SOUTH BAY- 587-7676. # 1-
"Raiders ol the Lost Ark." # 2— "Clash of the
Titans." #3— "Buslin' Loose."

604. BAYSHORE-BAYSHORE- 665-0200. Thiu
June 18: "Search & Destroy." Beg. June 19:
"Superman II."

605. BAYSHORE-BAYSHORE CINEMA-
665-1722. Tentative: "Cheech and Chong's Next
Movie"; "The Blues Brothers."

606. BAYSHORE-ENCORE- 655-9834. Thru
June 18: "Happy Birthday to Me"; "The Hand."
Beg. June 19: "Death Hunt"; "Terror Train."

607. BAYSHORE-LOEWS SOUTH SHORE
MALL- 666 4000 # 1-Thm June 18: "Outland."

# 2— Thru June 18: "Firecracker."

608. BAYSHORE-SUNRISE TWIN DRIVE-IN-
665-1 1 1 1. # 1-Tentative: "Cheech & Chong's
Nice Dreams"; "Up in Smoke." # 2— Tentative:
"Bxistin' Loose."

609. BRENTWOOD-BRENTWOOD- 273-3900.
Thru June 18: "Hardly Working" Beg. June 19
(tentative): "The Legend of the Lone Ranger."

612. CENTEREACH-CENTEREACH-
588 0088. "Hardly Working."

613. CENTER MORICHES-CENTER-
878-2100. Thru June 16: "Fort Apache, the
Bronx."

614. COMMACK-COMMACK DRIVE-IN-

499-2900. Thru June 18: "Bustin' Loose";
"Everything You Always Wanted to Knowr About
Sex." Beg. June 19 (tentative): "Cheech and
Chong's Next Movie"; "The Blues Brothers."

616. COMMACK-MAYFAIR- 543-0707
"Outland."

617. COMMACK-RKO- 499 4545 # 1-Thru
June 18: "Polyester." Beg. June 19: "The
Cannonball Run." # 2— "Cheech & Chong's Nice
Dreams."

618. CORAM-CORAM- 698.7200. Thru June 18:
"Hardly Working."

619. CORAM-CORAM DRIVE-IN- 732-6200
Tentative: "Cheech & Chong's Nice Dreams"; "Up
in Smoke."

621. CORAM-PINE CINEMA- 698-6442 # 1-

"Clash ol the Titans '■ « 2 -Thru June 18:
"American Pop"; "Modern Romance." Beg. June
19: "The Legend of the Lone Ranger."

622. DEER PARK-DEER PARK- 667-2440
"Cheech & Chong's Nice Dreams."

623. EAST HAMPTON-CINEMA- 324 0448.

# 1— Thru June 18: "The Four Seasons." Beg. June
19 (tentative): "The Cannonball Run." # 2-Thru
June 18: "Cheech & Chong's Nice Dreams." Beg.
June 19: "Superman 11." # 3— Tentative:
"Outland." # 4— Tentative: "Clash of the Titans."
#S-Thru June 18: "Outland." Beg. June 19
(tentative): "Bustin' Loose."

627. EAST SETAUKET-FOX- 473-2400
"History of the World Part I."

628. ELWOOD-ELWOOD- 499-7800 "Raiders of
the Lost Ark."

629. FARMINGVILLE-COLLEGE PLAZA-
698-2200. # 1-Tentative: "Clash of the Titans."

# 2— Tentative: "Outland."

630. GREENPORT-GREENPORT- 477 0500
Thru June 18: "The Legend of the Lone Ranger."
Beg. June 19: "Tess."

633. HUNTINGTON-SHORE- 421-5200. # 1-
Thru June 18: "The Four Seasons." Beg. June 19:
"Superman 11." # 2— "Cheech & Chong's Nice
Dreams." #3 — Thru June 18: '3ustin' Loose." Beg.
June 19: "The Four Seasons."

72 NEW YORK/JUNE 22. 1981

638. UNOENHURST-LINDENHURST-

888 5400. Thru June 16: "Fori Apache, the
Bronx." Beg June 17 (tentative): "Tliief."

639. MATTITUCK-TWIN- 298-4405. # 1-Thru
June 18: "The Legend of the Lone Ranger." Beg.
June 19: "Bustin' Loose." #2— Thru June 18:
"Polyester."

642. NESCONSET-SMITHTOWN INDOOR-

265-8118. TentaHv e: "T he Four Seasons."
SMTTHTOWN OUTDOOR— Tentative: "Cheech
and Chong's Next Movie"; "The Blues Brothers."

643. NO. BABYLON-NO. BABIfLON-
667-2495. # 1-Thru June 18: "Polyester." #2-
Thru June 18: "Hardly Working"; "Oh Heavenly
Dog."

644. NORTHPORT-NORTHPORT- 261-8600.
Thru Jiine 16 "Fort Apache, the Bronx." Beg. June
17 (tentative): "Thief."

645. OAKDALE-OAKDALE- 589-8118. Thru
June 16: "Fort Apache, the Bronx." Beg. June 17:
"Thief."

647. PATCHOOUE-PATCHOOUE- 475-0601.
Thru June 18: "Cheech & Chong's Nice Dreams."
Beg. June 19: "Superman 11."

648. PATCHOGUE-PLAZA- 475-5225 "The
Four Seasons."

650. PATCHOGUE-SUNRISE OUTDOOR-
363-7200. Thru June 18: "Outland"; "The
Shining." Beg. June 19 (tentative): "The
Cannonball Run." SUNRISE INDOOR-
Tentative: "History of the World Part I."

651. PATCHOGUE-SimWAVE TWIN-
475-7766. « 1— Tentative: "Raiders of the Lost
Ark." #2— Thru June 18: "Bustin' Loose." Beg
June 19 (tentative): "Cheech & Chong's Nice
Dreams."

653. PORT lEFFERSON-MINI EAST-
928-6555. "OuUand." CINEMA WEST-Thru
June 18: "Hardly Working"

654. PORT JEFFERSON STA.-BROOKHAVEN

— 473-1200. Thru June 16: "Fort Apache, the
Bronx." Beg. June 17: "Thief."

655. RIVERHEAD-SUFFOLK- 727-3133 Thru
June 18; "The Texas Chainsaw Massacre." Beg.
June 19: "The Legend of the Lone Ranger."

656. ROCKY POINT-ROCKY POINT
DRIVE-IN- 744-8900. Thru June 18: "Outland";
"The Shining." Beg. June 19 (tentative): "Bustin'
Loose"; "Everything You Always Wanted to Know
About Sex."

657. SAO HARBOR-SAG HARBOR- 725 0010.
June 19-21: "Bye Bye Braiil."

658. SAYVILLE-SAYVILLE- 589-0232. Thru
June 18: "Modern Romance"; "American Pop."
Beg. June 19: "The Legend of the Lone Ranger."

659. SHIRLEY-SHIRLEY DRIVE-IN- 281-5444.
Thru June 18: "Cheech and Chong's Next Movie";
"The Blues Brothers." Beg. June 19 (tentaHve):
"Outland"; "The Shining."

662. SMITHTOWN-SMITHTOWN- 265-1551
Thru June 18: "The Legend of the Lone Ranger";
"The Incredible Shrinking Woman." Beg June 19:
"Superman 11."

663. SOUTHAMPTON-SOUTHAMPTON-
283 1300 # l-'Raiders of the Lost Ark." # 2—
Thru June 18: "Bustin' Loose." Beg. June 19: "The
Four Seasons."

664. STONY BROOK-LOEWS TRIPLEX-
751-2300. # 1-Thru June 18: "Cheech & Chong's
Nice Dreams." # 2-Thru June 18: "Raiders of the
Lost Ark." #3— Thru June 18: "Firecracker."

666. WESTHAMPTON-HAMPTON ARTS-

288-2600. "History of the World Part I."

667. WESTHAMPTON-WESTHAMPTON-

288-1500. Thru June 18: "Cheech and Chong's
Next Movie"; "The Blues Brothers." Beg. June 19
(tentative): "Cheech & Chong's Nice Dreams."

668. WEST ISLIP-TWIN- 669-2626. # 1-Thru
June 18: "Hardly Working." Beg. June 19: "The
Legend of the Lone Ranger." #2 — Thru June 18:
"Modern Romance"; "American Pop." Beg. June
19: "The Fan."

New York State

(Area Code 914)
Westchester County

700. BEDFORD-PLAYHOUSE- 234-7300
Tentative: "Bustin' Loose."

701. BEDFORD VILLAGE-CINEMA 22-

234-9577. "Raiders of the Lost Ark."

702. BRONXVILLE-BRONXVILLE- 961-4030.

# 1-Tentative: "The Four Seasons." #2—
Tentative: "Btistin' Loose." # 3— Tentative: "Clash
of the Titaru."

703. CROSS RIVER-CINEMA- 763-8389. Thru
June 18: "American Pop"; "Modem Romance."

705. HARRISON-CINEMA- 835-2668 Thru
June 18: "Hardly Working." Beg. June 19: "The
Fan."

706. HART8DALE-CINEMA- 428-2200. # 1-
"Baiders of the Lost Ark." # 2-Thru June 18:
'Tess." Beg. June 19: "Superman 11." #3—
"Oulland." #4— Thru June 18: 'Tolyester." Beg.
June 19: "The Cannonball Run."

707. LARCHMONT-PLAITHOUSE- 834 3001.
Tentative: "The Four Seasons."

708. MAMARONECK-PLAITHOUSE- 698-2200.

# 1— Tentative: "Outland." # 2— Tentative: "Bustin"
Loose." # 3— Tentative: "Cheech and Chong's Next
Movie"; "The Blues Brothers." #4-Thru June 18:
"Polyester." Beg. June 19 (tentahve): 'Torso."

709. MT. KISCO-MT. KISCO- 666-6900. # 1-
"Cheech & Chong's Nice Dreams." # 2— Thru June
18: "The Last Metro." Beg. June 19: "Superman
II."

711. MT. VERNON-PARKWAY-FLEETWOOD-

664-3311. Thru June 18: "Modern Romance";
"American Pop." Beg. June 19: "Tess."

712. NEW ROCHELLE-LOEWS TWIN-
632-1700. # 1-Thru June 18: "Cheech & Chong's
Nice Dreams." #2— Thru June 18: "History of the
World Part I."

713. NEW ROCHELLE-MALL THEATRE-

636-8808. Thru June 18: "Search A Destroy." Beg.
June 19: "Superman II."

716. NEW ROCHELLE-TOWN- 632-4000 Thru
June 18: "Firecracker."

717. OSSINING-ARCADIAN CINEMA-

941-5200. # 1-Thru June 18: "The Texas
Chainsaw Massacre." Beg. June 19: "Superman
II." # 2— "Cheech & Chong's Nice Dreams."

718. PEEKSKILL-BEACH- 737 6262. # 1-
"Cheech & Chong's Nice Dreams." # 2— "The Four
Seasons." # 3-"History of the World Part I."

719. PEEKSKILL-WESTCHESTER MALL-
528-8822. # l-'Raiders of the Lost Ark." # 2-
Thru June 18: "Search & Destroy." Beg. June 19:
"Superman II." # 3— Thru June 18: "Tess." Beg.
June 19: "The Cannonball Run."

720. PELHAM-PELHAM PICTURE HOUSE-
738-3160 Thru June 18: "Hardly Working."

721. PLEASANTVILLE-ROME- 769-0720.
"Outland."

722. RYE-RYE RIDGE- 939 8177. # 1- "Haiders
of the Lost Ark." #2— "Clash of the Titans."

723. SCARSDALE-FINE ARTS- 723-6699. The
Four Seasons."

724. SCARSDALE-PLAZA- 725-0078. Thru June
18: "Fort Apache, the Bronx." Beg. June 19
(tentative): "Nighthawks."

725. WHITE PLAINS-CINEMA 100- 946-4680

# 1— "Return of the Secaucus Seven." # 2—
"Cheech & Chong's Nice Dreams."

726. WHITE PLAINS-COLONY- 948-8828
Thru June 18: "Firecracker." Beg. June 19:
"Beyond the Fog."

727. WHITE PLAINS-OALLERIA- 997-8198.

# l-"Clash of the Titans." #2-"History of the
World Part I."

728. WHITE PLAINS-UA CINEMA- 946-2820
Tentative; "Bustin' Loose."

729. YONKERS-CENTRAL PLAZA- 793-3232

# l-Thru June 18: "Death Hunt." # 2-Thru June
18: "Breaker Morant." Beg. June 19: "The
Cannonball Run."

730. YONKERS-KENT- 237-3440 Thru June 18:
""Hardly Working." Beg. June 19: "The Legend of
the Lone Ranger"; "The Incredible Shrinking
Woman."

732. YONKERS-MOVIELAND- 793-0002. » 1-
"History of the World Part I." #2-"Raiders of the
Lost Ark." # 3— "Cheech & Chong's Nice Dreams."
#4— Thru June 18: "Outland." Beg. June 19:
"Superman II."

733. YORKTOWN HEIOHT8-TRIANOLE-
245-7555. # 1 -"Outland." «2-"Clash of the
Titans."

Rcxiklsmd County

740. MONSEY-ROCKLAND DRIVE-IN-

356-4040. Thru June 18: "Cheech and Chong's
Next Movie""; "The Blues Brothers "" Beg. June 19:
""Cheech & Chong's Nice Dreams"; "Up in
Smoke."

Cl

741. NANUET-ROUTE 59 THEATRE-

623-3355. "Raiders of the Lost Ark."

742. NEW CITY-TOWN- 634-5100. "History oi
the World Part I "

743. NEW CITY-UA CINEMA- 634 8200 # 1-
Thru June 16: "Bustin' Loose." Beg. June 19:
"Superman H." # 2— Thru June 18: "Cheech and
Chong'a Next Movie"; "The Blues Brothers." Beg.
June 19: "Superman II."

744. NYACK-CINEMA EAST- 358-6631. "The
Four Seasons."

746. NYACK-NYACK DRIVE-IN- 358- 1844
Thru June 18: "Cheech & Chong's Nice Dreams";
"Up in Smoke." Beg. June 19 (tentative):
"Superman II."

747. ORANGEBTn^G-ORANGEBURG-
359-6030. Thru June 18: "Outland."

748. ORANGEBURG-303 DRIVE-IN- 358-2021
Thru June 18: "Outland"; "The Shining." Beg.
June 19: "Torso."

749. PEARL RIVER-CENTRAL- 735-2530 Thru
June 18: "The Legend of the Lone Ranger." Beg.
June 19: "Superman II."

750. PEARL RIVER-PEARL RIVER- 735 6500
"Breaker Morant."

752. SPRING VALLEY-CINEMA 45- 352 1445
"Cheech & Chong's Nice Dreams."

753. STONY POINT-9 W CINEMA- 942-0303.
Thru June 18: "Hardly Working." Beg. June 19:
"The Legend of the Lone Ranger."

754. SUFFERN-LAFAYETTEr- 357 6030. Thru
June 18: "Hardly Working." Beg. June 19: "The
Cannonball Run."

756. WEST HAVERSTRAW-PLA2A- 947-2220.
"Raiders of the Lost Ark."

Putnam County

760. BREWSTER-CAMEO- 279-3688. Thru June
18: "Thief." Beg. June 19: "Death Hunt."

761. CARMEL-CINEMA- 225-6500. # l-Thru
June 18: "Cheech and Chong's Next Movie"; "The
Blues Brothers." Beg. June 19 (tentative):
"Superman 11." # 2— Tentative: "Clash of the
Titans."

Connecticut

(Area Code 203)
Fairfield County

770. BRIDGEPORT-BEVERLY- 368 06 16

"Outland "

772. BRIDGEPORT-HIGHWAY CINEMA I & H

— 378-0014. # l-"Clash ol the Titans." « 2-
"Cheech & Chong's Nice Dreams."

773. BRIDGEPORT-RKO MERRITT-
372 3013. # 1— Thru June 18: "Emmanuelle
Around the World." # 2-"Raiders ol the Lost
Ark."

774. DANBURY-FINE ARTS I & II- 775-0070

# 1— "Bustin' Loose." # 2— "The Four Seasons."

775. DANBURY-TRANS-LUX CINE- 743 2200.

# l-"Raiders of the Lost Ark." #2-"Ch6ech &
Chong's Nice Dreams." #3— Thru June 18:
"Airplane!" Beg. June 19: "The Cannonball Run."

776. DANBURY-TRANS-LUX CINEMA-
748-2923 # l-"HistorY of the World Pari I." # 2
—"Outland."

777. DANBURY-TRANS-LUX PALACE-
748-7496 # l-Thru June 18: "Clash of the
Titans." Beg, June 19: "Superman II." # 2— Thru
June 18: "Firecracker." Beg. June 19: "Clash of
the Titans." #3— Thru June 18: "Alligator."

778. DARIEN-DARIEN- 655-0100. "Historv of
the World Part 1."

779. FAIRHELD-COMMUNITY I & H-

255-6555. # 1— "Cheech & Chong's Nice Dreams."
#2— "Clash of the Titans."

780. FAIRTIELD-COUNTY CINEMA-
334-1411 "Bustin' Loose"

781. GREENWICH-CINEMA- 869-6030 "The
Four Seasons."

782. GREENWICH-TRANS-LUX PLAZA-

869-4030 # l-"History of the World Part I." #2
-Thru June 18: "The Last Metro" # 3-"Caf6
Express."

783. NEW CANAAN-NEW CANAAN- 966-0600
Thru June 18: "Bustin' Loose." Beg. June 19:
"Superman 11."

784. NORWALK-CINEMA- 838 4504. # 1-
"Clash of the Titans." » 2-"Cheech & Chong's
Nice Dreams."

785. NORWALK-THEATER- 866-3010. 'TuiUn'
Loose."

786. SOUTH NORWALK-SONO CINEMA-

866-9202. Thru June 16: "Malijia"; "Alfredo,
Alfredo." June 17-19: "The Wonderful Crook"-
"Jonah Who Will Be 25 in the Year 2000." Beg.
June 20: "Where's Poppa?"; "Lord Love a Duck."

787. 8PRINGDALE-STATE- 325-0250. "AUantic
City."

788. STAMFORD-TRANS-LUX AVON-

324-9205. # l-"Outland." #2-"Clash of the
Titans."

789. STAMFORD-TRANS-LUX CINEMA-

324-3100 #l-"Raiders of the Lost Ark." #2-
"Cheech & Chong's Nice Dreams." # 3— Thru June
18: "Airplane!"

790. STAMFORD-TRANS-LUX RIDGEWAY-
323 5000 Thru June 18: "The Ian Singer." Beg.
June 19: "Superman II."

791. TRUMBULL-TRUMBULL- 374-0462. Thru
June 18: "The Four Seasons." Beg June 19:
"Superman II."

793. WESTPORT-FINE ARTS- 227-3324. "The
Last Metro " FINE ARTS 2-227-3324.
"Outland." FINE ARTS 3-227-9619. "The Four
Seasons." FINE ARTS 4-226-6666. "'HistorY of
the World Part 1.""

794. WESTPORT-POST- 227-0500. "Baiden oi
the Lost Ark.'"

797. WILTON-CINEMA- 762-5678. "Breaker
Morant.""

Newlersey

(Area Code 201)
Hudson County

804. JERSEY CITY-HUDSON PLAZA CINEMA

- 433-1 100. » l-"'History of the World Part I.""
# 2— "Clash of the Titans."

806. JERSEY CITY-STATE- 653 5200 # 1-
Thru June 18: "Bustin' Loose." Beg. June 19.
"Superman U." #2— Thru June 18: "Cheech and
Chong's Next Movie"; "'The Blues Brothers." Beg.
June 19: "Torso." # 3-Thru June 18: "Outland."
Beg. June 19: "Bustin' Loose"; "The Jerk."

807. SECAUCUS-LOEWS HARMON COVE-
866-1000 » l-Thru June 18: " Raiders of the Lost
Ark." »2-Thru June 18: " Cheech & Chong's Nice
Dreams." #3— Thru June 18: "Outland." #4— Thru
June 18: ""Breaker Morant."

808. UNION Cmr-CINEMA- 865-5600. Thru
June 18: "'The Hand"'; ""The Stunt Man." Beg. June
19: "'The Fan"'; '"It"8 Alive ""

809. UNION CITY-SUMMIT- 865-4120. Thru
June 18: ""Alligator""; "Deadly China Doll." Beg.
June 19: "The Legend of the Lone Ranger"; "The
Incredible Shrinking Woman."

810. WEST NEW YORK-MA'YFAIR- 865-2010.
Thru June 18: ""Hardly Working." Beg June 19:
""The Legend of the Lone Ranger.""

Essex County

811. BLOOMFIELD-CENTER- 748 7900
"Bustin' Loose."

812. BLOOMFIELD-RKO ROYAL- 748-3555

# l-""Raiders of the Lost Ark.'" # 2— "Thru June 18:
""Firecracker."' Beg. June 19: "Superman II."

813. CEDAR GROVE-CINEMA 23- 239-1462
"Cheech & Chong"s Nice Dreams.""

814. EAST ORANGE-RKO HOLLYWOOD-
678-2262. ""Bustin" Loose."'

815. IRVINGTON-CASTLE- 372-9324 Thru
June 18: "Firecracker." Beg. June 19: "The
Legend of the Lone Ranger."

816. mVINGTON-SANFORD- 371-3998. Thru
June 18: "I Spit On Your Grave"; "The Killing
Machine."'

817. LIVINGSTON-COLONY- 992-0800 Thru
June 18: "La Cage aux Fotles II."" Beg. June 19.
""The Legend of the Lone Ranger.""

819. MILLBURN-RKO MILLBURN- 376 0800

# l-"'The Four Seasons." # 2-"History of the
World Part I "

821. MONTCLAIR-CLARIDGE- 746-5564
"Clash of the Titans.""

822. MONTCLAIR-WELLMONT- 783-9500
"Outland."

825. NUTLEY-FRANKLIN- 667-1777. "Cheech

& Chong's Nice Dreams.""
827. UPPER MONTCLAIR-BELLEVUE-

744-1455. "The Four Seasons."'

MIWflM

828. VERONA-VERONA- 239-0880. "American
Pop"; "Modem Romance."

829. WEST ORANGE-ESSEX GREEN-

731-7755. # l-"Raiders of the Lost Ark."" #2-
Thru June 18: ""The Fan." Beg. June 19:
"'Superman 11.'" # 3— Thru June 18: "Search &
Destroy." Beg. June 19: ""The Cannonball Run."

Union County

840. BERKELEY HEIGHTS-BERKELEY-

464-8888 Thru June 18: "Tess."

841. CRANFORD-RKO CRANFORO-
276-9120. # l-"Nighlhav»ks." # 2-"History oi the
World Part I."

846. LINDEN-LINDEN TWIN- 925 9787. # I-
"The Four Seasons." # 2— Tentative: "Cheech and
Chong's Next Movie"; "The Blues Brothers."

847. RAHWAY-OLDE RAHWAY- 388- 1250
"Clash oi the Titans."

849. SUMMIT-STRAND- 273-3900. Tentative:
"Breaker Morant."

851. UNION-FIVE POINTS- 964 3466 "Bustin"
Loose."

852. UNION-FOX- 964 8977. " Outland."

853. UNION-LOST PICTURE SHOW-
964-4497. Tentative: 'The Last Metro."

854. UNION-RKO UNION- 686-4373. # l-
"Cheech & Chong's Nice Dreams." # 2— "Raiders
of the Lost Ark.""

857. WESTFIELD-RIALTO- 232 1288 # 1-
'The Four Seasons." #2-"The Four Seasons." #3
—"Clash of the Titans."

858. WESTFIELD-TWIN CINEMA- 654 4720
# 1— "Outland." # 2— Thru June 18: "Cheech and
Chong's Next Movie"; "The Blues Brothers."

Bergen County

860. BERGENFIELD-PALACE- 385 1600 Thru
June 18: '"Hardly Working "" Beg. June 19: "The
Legend of the Lone Ranger."

861. CLOSTER-CLOSTER- 768-8800. Thru June
18: "Hardly Working." Beg June 19: "The Legend
of the Lone Ranger."

863. EMERSON-TOWN- 261-1000 Thru June
18: '"Modem Romance."" Beg. June 19: "'The Fan.'"

864. FAIR LAWN-HYWAY- 796 1717 # l-'"rhe
Four Seasons." # 2— "Outland."

867. FORT LEE-LINWOOD- 944-6900 # 1-
Thru June 18: "Cheech and Chong's Next Movie";
'The Blues Brothers." Beg. June 19: "Superman
II." #2— ""BusUn' Loose."

868. HACKENSACK-FOX- 488 8000 Thru June
18: "Bustin" Loose."" Beg. June 19: '"Bustin" Loose";
"The Jerk.""

869. HACKENSACK-RKO ORITANI-
343-8844. # l-"rhru June 18: ""Hardly Working."
Beg. June 19: "Death Hunt." # 2-"Oudand." # 3—
"Firecracker"; "Kung Fu Executioner."

871. OAKLAND-OAKLAND TWIN- 337-4478

# 1— Thru June 18: "La Cage aux FoUes II." Beg.
June 19: "Superman II."" # 2— '"Cheech & Chong"s
Nice Dreams."'

872. PARAMUS-BERGEN MALL- 845^449
"HUtory of the World Part I."

873. PARAMUS-CENTURY- 843-3830 « 1-
Thru June 18: "Search & Destroy." # 2— Beg. June
19: "Superman II."

874. PARAMUS-CINEMA 35- 845-5070 The
Four Seasons."

875. PARAMUS-RKO STANLEY WARNER
QUAD- 488-9444. # l-"Raiders oi the Lost
Ark." #2-""Clash of the Titans." # 3- "Cheech 4
Chong's Nice Dreams." #4— "Breaker Morant."

876. RAMSEY-RAMSEY- 327 2142 # 1- "Clash
of the Titans." # 2-"Outland."

878. RIDGEFIELD PARK-RIALTO- 641-21 15.
Thru June 18: '"American Pop"'; "Modern
Romance." Beg. June 19: "The Fan."

879. RIDGEWOOD-RKO WARNER- 444. 1234

# 1— "Cheech & Chong"s Nice Dreams." # 2—
"Raiders of the Lost Ark."

881. TENAFLY-BERGEN- 567-0004 Thru June

18: "Mon Oncle d'Amerique."
883. WESTWOOD-WASHINGTON CINEMA-

666-2221. Thru June 18: "Hardly Working."' Beg

June 19: "Breaker Morant."

JUNE 22, 1981 /NEW YORK 73

Brief Reviews

This index includes most, but not necessarily all.
films currently playing. Film titles are arranged
alphabetically, and the numbers following the
capsule reviews refer to the theater numbers in the
program-listing pages that precede this section.

MFAA RATING GUIDE

O:

General Audiences. All ages admitted.

PC:

Parental Guidance Suggested. Some
material may not be euilable for
children.

R:

Restricted. Under 17 requires
accompanying parent or adult guardian.

X:

No one undsr 17 admitted.

New Films

*

New films recommended by Nmw York'*

critic.

AMERICAN POP-<lhr. 35m., '81) Ralph Bakshi's
ambitious animated feature about the history of pop
music in this country as reflected in the five genera-
tions of an American Jewish family. Starting in
Russia, the movie passes through Yiddish theater and
vaudeville in New York, swing, rock, and punk. Bak-
shi's temperament, as always, is morose, defeatist,
and luridly violent— he sees the life of his family as a
series of disasters. There are touches of Daumier,
Gross, and Ensor in Bakshi's drawing, but much of it
is annoyingly literal-minded for animation (Bakshi
uses a process called rotoscoping. which involves
photographing the scenes first and then drawing
them from the photographed image), and the whole
movie is joyless and pretentious. The music is a mix-
ture of famous recordings and freshly recorded ver-
sions of classics. R. 22, 101, 302, 402, 449, 504, 51 1,
518, 547, 548, 569, 600, 621, 658, 668, 703, 711,
828, 878

ATliANTIC CrTY-(lhr 4Sm., '81) Shot in 1978, the
movie catches Atl^mtic City at its moment of civic
"rebirth"— i.e., its transformation from tattered old
tart to sparkling young whore. Meanwhile the losers
and dreamers who washed up on the shores of the old
Atlantic City and were comfortable there are begin-
ning to stir uneasily There's Lou (Burt Lancaster), an
elderly petty criminal; the sublime Grace (Kate
Reid), an aging moU who hit the boardwalk in the
forties for a Betty Grable look-alike contest and never
left; and hustling selfish young Sally (Susan Saran-
don), a refugee from Moose Jaw, Saskatchewan. Writ-
ten by John Guare and directed by Louis Malle, the
movie is sweet and affectionate but a little wan and
precious. The best thing is Lancaster's Lou. Dressed
like an Italian cavaUer in white siiits, Lancaster looks
at Sarandon with his tired old eyes, and the movie's
conceits almost seem like poetry. R. 52, 72, 531, 787

BLUES BROTHERS. THE-(2hr8. 1 3m.. '80) John
Belushi and Dan Aykroyd, doing their Blues Brothers
number from Ssturday Night Live, chase all over
Chicago trying to put on a blues concert. Along the
way they run into the likes of Aretha Franklin, Ray
Charles, John Lee Hooker, James Brown, and Cab
Calloway, all of whom get to perform— a little. It's a
little hard to accept Belushi and Aykroyd's pleasant
mediocrity as blues performers when these greats are
shunted aside after one number. Aretha Franklin and
Cab Calloway are especially marvelous. Much dull
comedy and innumerable car chases, spectacular
and fatiguing, pad out the movie. Directed by John
Landis. Written by Landis and Aykroyd. R. 36, 70,
78, 97, 109, 119, 201, 209, 210, 417, 426, 509, 512,
522, 568, 605, 614, 642, 659, 667, 708, 740, 743,
761, 806, 846. 858, 867

* BREAKER MORANT-(lhr. 42m., '79) During the
Boer War in 1901, an Australian unit working for the
British is fighting the bearded Boer irregulars (white
Dutch settlers trying to break away from British rule).
When Lieutenant Harry "Breaker" Morant (Edward
Woodward) executes soma Boer prisoners, the British
put Morant and his fellow officers on trial. The men
are clearly victims — scapegoats for hypocritical high-
er-ups who have informally ordered them not to take
prisoners alive. The film seems to take the position
that a man who commits an atrocity under orders
should not be held responsible; it may strike some
viewers as morally questionable or dishonest. But it's
a beautiful production— the fighting sequences are
fierce, the acting virile and commanding. With Jack
Thompson as the defense attorney. Directed by the
Australian Bruce Beresford (Th» Gotting of Wisdom).
51, 200, 404, 407, 531. 549, 558, 559, 729. 750,
797. 807. 849. 875, 883

* BUSTIN' LOOSEHlhr. 33m., '81) Richard Pryor, a
sneaky-mean ex-con, and Cicely Tyson, a high-
minded teacher, chaperone a bunch of variously dis-
turbed, unmanageable and irritating little kids across
the country in an old school bus. Leaving out the kids,
the romantic situation between the two stars is a slap-
dash reprise of the Bogie-Hepburn combo in TZie
African Queen. Richard Pryor is incandescently
funny. There isn't anything this man can't do in
comedy. His scenes with the children are possibly the
funniest business of this kind since W C. Fields took
on Baby Le Roy Magnetically beautiful and physi-
cally vibrant. Cicely Tyson is a warm, heartfelt pres-
ence—she's been missed. The movie runs down and
goes soft (the clear intention to please absolutely ev-
erybody in the audience is a little irritating), but the
early silliness is wonderful. Written by Roger L. Si-
mon. Directed by Ox ScoH. R. 24, 41, 70, 78, 80, 100.
109, 119. 201. 210, 221. 301. 429, 432, 517, 527,
541. 568, 603. 608, 614, 623, 633, 639, 651, 656,
663, 700. 702. 708. 728, 743. 774, 780. 783, 785,

806, 811, 814. 851. 867. 868

CAF£ EXPRESS-(lhr. 29m., '81) Nino Manfredi,
star of Bread and Chocolate, is back in another Ev-
eryman role — a Neapolitan who earns his living ille-
gally by selling coffee without a license on the night
train from Milan to Naples. The director, Nanni Loy,
clearly wants to offer a microcosm of Italian society:
Chased by the authorities, Manfredi winds up testing
the humanity of every person he meets. He's a power-
ful actor; he gives the Chaplinesque figure so much
tinsentimental strength that he rescues the story from
its more gimmicky and banal "allegorical" elements.
16, 57, 94, 536, 782

CANNONBAUi RUN, THE-(lhr. 35m., '81) A
comedy involving a trans-continental auto race. With
Burt Reynolds, Roger Moore, Farrah Fawcett, Dom
DeLuise, and thousands more. Dir. Hal Needham.
PG 34, 54, 109, 210, 221, 302. 409. 417. 537, 558,
574, 617, 623, 650. 706, 719, 729, 754. 775, 829

CHEECH & CHONG'S NICE DREAMS-<lhr.
48m., '81) More drug-induced mania with Cheech
Marin and Tommy Chong, directed by Chong. R. 21.
33, 60, 83, 100, 109. 200, 212. 215. 221, 234, 303,
404, 408. 411, 432, 444, 448, 508, 521, 531. 541.
544. 551, 559, 568, 574, 602, 608, 617, 619, 622,
623, 633, 647, 651, 664, 667. 709, 712, 717, 718,
725, 732, 740, 746, 752. 772, 775, 779, 784, 789,

807, 813, 825, 854, 871. 875. 879

CITY OF WOMEN-(2hrs. 18m., '81) Doesn't FelUni
ever tire of being Fellini? He's got hold of a new
subject here— the way feminist ideas have changed
women — and he digs into it entertainingly for a few
scenes but then retreats into the all- loo-familiar world
of his personal mythology. Playing the maestro's alter
ego, Marcello Mastroianni, handsome as ever, wan-
ders into a feminist convention— women milling
about or sitting on the floor, chanting, shouting, ac-
cusing, celebrating. Fellini isn't anti-feminist, but his
way of passing from one shouting woman to another
fuxses what the women are saying. The rest of the
movie is a sinister and wearying trip through the rec-
ognizable Fellini fun-house — the world of his fears,
his past, his fantasies. Much of this material, though
exuberantly colored as ever, has a peevish, de-
pressed feeling. And not one of the movie's dozens of
women is acutely observed or understood. Madon-
nas, whores, harpies, angels — and hardly a human
being among them. 89, 90

CLASH OF THE TITANS-(lhr. 58m.. '81) An ad-
venture story of Greek mythology, with Harry Ham-
lin, Judi Bowker, Burgess Meredith, and Maggie
Smith. Dir. Desmond Davis. PG. 14, 37, 71, 83, 103,
104, 114, 201, 202, 215, 223. 300, 412. 426, 448,
500, 541, 552, 556, 568. 575, 603, 621. 623, 629,
702, 722, 727, 733. 761, 772, 777. 779, 784, 788,
804, 821, 847, 857, 875, 876

DEATH HUNT-(lhr. 36m., '81) An adventure saga,
with Charles Bronson and Lee Marvin. Dir. Peter
Hunt. R. 32, 54, 549, 606. 729, 760, 869

ADOOS OF WAR, THEMlhr. 41m., '81) Christo-
pher Walken, who has the surly, narcissistic glamour
of a European male model, brings a tense, angry
presence to the role of Shannon, a mercenary soldier
hired by a shadowy British capitalist to overthrow an
African dictator. Screenwriters George Malko and
Gary DeVore have pared away the entertaining jour-
nalistic detail from Frederick Forsyth's best-seller,
stripping the story down for action. The best se-
quence — Shannon's reconnaisance to the country
(called Zingaro, and based on Idi Amin't Uganda)
and discovery of what it feels like to go to a place
where all sense of order and civil procedure has van-
ished. Director John Irvin is serious about pace, atmo-
sphere, and narrative tension in a way that has
practically disappeared from movies. An exciting but

morally ambivalent movie: gloryifying mercenaries is
dubious stuff at best. With Tom Berenger and Colin
Blakely R. 1 1

* EYEWITNESS-(lhr. 42m., '81) Splendid romantic
thriller by the writer -director team of Steve Tesich
and Peter Yates, who did BreaJring Away together.
William Hurt is charming as the quiet and dreamy
janitor, a Vietnam vet, who distantly worships a gor-
geous TV rei>orter (Sigourney Weaver). V/hen a man
is murdered at Hurt's building, he pretends to know
a lot about the crime in order to keep her interested.
His boyish passion for her is impractical in the ex-
treme: he's from a background of lower -middle-class
losers, and she's from a family of unimaginably
wealthy Russian Jewish emigres. Tesich, an emigre
himself, may believe in American possibilities that
most of us are now skeptical about. The movie isn't
neat or ruthlessly suspensefid; the scary highs are
spaced out among the many moments of gentle obser-
vation and the reflections on friendship, fantasy, and
courage. The extraordinary cast includes James
Woods, Kenneth McMillan, Pamela Reed, Irene
Worth, and Morgan Freeman. R. 58

FAN, THE-(lhr. 35m.. '81) A blonde, presentable-
looking psychopath (Michael Biehn), obsessed with a
big-time Broadway star (Lauren Bacedl), terrorizes
the star's secretary, friends, and finally the lady her-
self. Since you know who he is from the beginning,
you get sick of watching him stalk and then attack
one person after another with a straight razor. Ed-
ward Bianchi, the director, juxtaposes the fan's grimy
obsessions and squalid life and the great lady's high-
powered whirl on stage, at rehearsals, and at home in
a cavernous Central Park West apartment. They seem
to be members of a different species: She's a queen,
he's scum, and there's no human connection between
them. Lauren Bacall, playing a fantasy of herself, is
fearlessly brave, fearlessly honest. When she finally
confronts her tormenter, she tells him she's sick of
creeps like him— this to a man who has killed four
people and mutilated two others! R. 16. 35, 44. 97,
101. 436. 507, 511, 534, 535, 549, 668. 705. 808,
829. 863, 878

FORT APACHE. THE BRONX-(2hrs. 5m., '81) A
despairing movie about the cruel, absurd, and hope-
less world of cops and criminals in the South Bronx
that nevertheless depends on stock characterizations
and TV-style dramaturgy. Paul Newman is the vet-
eran cop with heart— a man trying to approach the
day's nightmares with good sense and even gaiety;
Ken Wahl is the raw rookie; and Ed Asner is the
martinet who wants to "clean things up" without re-
gard for the human reality on all sides. You've met
them all before on the tube. On the other hand, the
Puerto Rican offenders are turned into crazed ani-
mals—no attempt is made to understand them. The
problem with the movie is not that "good" characters
are absent but that the "evil" ones are portrayitd so
shallowly Written by Heywood Gould. Dir. Daniel
Petrie. R 235, 442, 526, 542, 550. 613, 638, 644.
645, 654, 724

FOUR SEASONS. THE-(lhr. 48m., '81) Alan Alda's
debut as a director is both overexuberant and stale.
This paean to friendship is about three middle-class
couples in their forties who go on vacations together,
fight, make-up and roar with laughter (like people in
TV beer commercials). When not laughing and hug-
ging, they turn to one another and announce the mo-
vie's themes (Macho Competitiveness, Fear of Aging,
Fear of Death) as bluntly as communicants at a group-
encounter session. And except for Jack Weston, who
works up some Broad way-style performing rhythm as
a paranoid, babyish dentist, the actors look crushed
by the obviousness of the material. Would these six
ever be friends in the first place? They don't appear
to have much in common. With Alan Alda and Carol
Burnett (sadly underused) as the least neurotic cou-
ple; Rita Moreno as Weston's tolerant wife; and Len
Cariou as a virile insurance man who leaves his wife,
Sandy Dennis, a vague kook (the usual Sandy Dennis
role), for Bess Armstrong, an adoring young blonde.
PG. 33, 74. 88, 102. 109, 211. 212, 220. 221, 414.
429. 508, 512. 527, 533. 537. 541, 562, 574, 601,
623, 633, 642. 648. 663. 702, 707, 718, 723, 744,
774, 781, 791, 793, 819, 827, 846, 857, 864. 874

* FROM MAO TO MOZART: ISAAC STERN IN

CHINA-(lhr. 30m., '81) In this first-rate documen-
tary, the violinist is not merely a great musician on
tour, he's a rainmaker bringing the juice to a parched
land— China, where, very recently. Western classical
music was denounced as decadent, music teachers
were thrown into jail, and even listening to a record-
ing of Schubert or Mozart was a criminal act. That
nightmare is now over, and Stern brings the goods to
an audience starved for it. The best stuff: His master
classes with highly talented Chinese students, in
which he tries to get them to go beyond the pallid

74

NEW YORK/ JUNE 22, 1981

! MOVIES

correctness of their playing and ie«l the meaning oi
th* music. The man is a terrific caawra mbjacf— hril*
Utt, pawioaate, a great teacher-rad Am n«aa*e
olAaalndenls is very moving. Produead anddiMeted
br Murray Lemer 58
CMimii A BRAZIIiIAM ODYSSEY-(lhr. 45m., '81)
A dnma about lopaneu unniigiante who want to
Bnd at flia tam al dio OMduiy. ENi. Tlmka TaauaakL
90

HARDLY WORKINGHlhr. 3Sm., '81) Hardly worth
it, as it turns out. In his first film in years, Jerry Lewis
doesn't show any development as a comic— he's just
gotten older, and ha's aad uam In Indafinable ways
that aie unpleasant to waldi. Ha pUf* an out-of-work
circus clown who screvra up in a variety of iobs. With
Susan Oliver PG 209, 429, 447, 501, 503, 507, 51 1,
513, 516, 518, 532, 549, 551, 556, 569. 573, 600,
•09. 613, 618, 643, 683, 6a«, KM, 720. 730, 753,
TH, SIO, 660, 861. 869, 8«3

HISTORY OF THE WORLD PAST I-<lhr 33m ,
'81) Reviewed in this issue. R. 23, 32, 48, 114, 201,
202, 226, 231, 303, 523, 528, 541, 558, 568, 602,
627, 850, 666, 712, 718, 727, 732, 748. 779, 778,
782, 793, 804, 819. 841. 872

*I SENT A LETTER TO MY LOVE-(lhr. 36m.,
'81) In Moshe Mizrahi's new film (he directed
Madame Rosa), the formidable Simone Signoret is
outstanding as Louise, an intelligent, stolidly com-
posed woman who has devoted most of her adult life
to the care of her paralysed, sexually frustrated
brother Gillea (lean Rochefort). Fnistrated herself,
Louise places an ad in the personals column of the
local paper. When Gilles answers (he doesn't know
it's her), she answers back with a made-up name and
idantitr, and the two bagin a tomanlic and aiotic
ca«wi p o i i dm ca af a iW B— h la«AillMafarft»to-
eathioas affair Omt oaa'i have or even drink about
Mixrahi fills in Aa BliMiicky plot with a surprising
amount of charaelar anance, and he never lets the
situation turn moldy— ha turns a satirical aye on the
characters' evasions and foiblas. With Ptlphina Say-
rig. Written by Mizrahi and Gerard Braeh (from a
novel by Bernice Rubens). In French; Enq titles 56

JAZZ SINGER, THE-(lhr S3m , '80) Who needs il?
The jowly, heavy-spirited Neil Diamond is a real
downer in the role, made iaaMua by Al lolson, of a
young cantor from tha Lower East Side burning to
perform. Diamond escapes to Los Angeles and
becomes an overnight success as a pop singer, but he
carries something solemn and sodden in his soul—
there's no release, no excitement in his performance.
Laurence Olivier over-enunciates his Old Country
accent as Diamond's lather, and Lucie Amax is ab-
normally perky as Diamond's L.A. girlfriend C*I may
be a shiksa, but 1 know the meaning of Yom Kippur").
When Diamond returns home to sing the Kol Nidre
service, he's backed up by what sounds like a barber-
shop quartet. Directed without distinction by the vet-
eran Richard Fleischer. PG. 790

* LA CAGE AUX FOIdiES Q-(lhr. 41m., '81) Fur-
Hmc lidtaHkni adiraatan* ai AUaln dttehal SarraulO,
SI. Tiopas draff-quaan, aad Raaalo (Ugo Tognani),

his employer, protector, and lover. Writer Francis
Verber and director Edouard Molinaro have ex-
tended the role-reversal slapstick of the first Cage.
Some macho cops, assigned to proloct our heroes,
dress as gays, and we get a fashion show in white silks
and broad-brimmed hall, with squara-hippad man
mincing their way down Nioa boulavarda lika angry
pussycats. Later, tha two man flaa to tha house of
Renato's mother in Italy, where poor Albin is put to
work with the women in the kitchen, scrubbing, cook-
ing, and singing. "I don't lika boing a woman in this
country." ha w^li, aaoaplBg On holinl aabneaa of
a garlic-braalhad paaaant ConaiilattdT funay and
warm-hearted. 73, 233, 416. S56, 817, 871

ALAST METRO, THE-(2hrs. 13m , '80) Fransois
Truifaut's charming, low-key drama ^lout a Parisian
theater troupe during tha German Occupation. Most
of these people are non-heroes— they want to keep
working and stay out of trouble. French fascists and
German officers are everywhere, and the atmosphere
ia dangarous. Tba traupa's leader, a Garman lawiah
nlugaa naaad Luoai Slainar (Helnx H a n — nl) , kw
gena into UdlnQ. Aetaally ha's hiding oadarldi mm
stage, listening to the actors above and trying to con-
trol their work through his wife Marion (Catherine
Deneuve), who is split between loyalty towards him
and lova for a yoiing actor (G4rard Depardiau) in tha
troupe. Truff aut builds the picture of normal liia dur-
ing the Occupation out oi many small vignattaa. Hii
attitude is relaxed, tolarani— ha's saying lalfa ingtva
tha show paopla who entertained us during dia Occu-
pation; avaryona can't ba a haro. With laan-Louis
Richard as a fascist drama critic. Co-«rritten by Su-
sanna Schiifmann. 55. 709. 782, 793, 853

LEGEND or THE LONE RANGER, THE-(lhr.
38m., '81) Stupefying, stiiily "legendary" treatment
of the old story, with long, lyrical pauses between tha
action. The actors look Uke mala models— handsome
but bland— and ipaak with loraly diction aad afaao-

lulely no paraonalily. Wifli Dinioa SpUsbnry, Mi-
chael Horse, and Christopher Lloyd. Dir. William
Fraker. PG 14, 32, 511, 512, 530, 532, 535, S47,
548, 5S6, 569, 609, 621, 630, 639, 655, 658, 662,

eeai 790, 749^ 793, 909b 910^ 9u, 917, 990^ 96i

MBMIftfTff Ohn "SI) A rafliar door faUa from
Swiss writer-director Alain Tanner. leanne (Clemen-
tina Amouroux), a university student from Geneva,
and Marie (Catherine Rilor6), a country girl who
works in a store, meet by chance in Lausanne, hitch
a few rides togettier, and soon abandon all thought of
leading a normal life. Hungry and broke, they defi-
antly bum their way back and forth across Switzer.
land. By degrees, they slip into criminality, and the
society that at first had seemed unaware of them turns
malevolent. The film has its mournful beauty, but its
despair is numbing— life within society is unworthy,
freedom outsida it is unreachable. Tanner gives the
material so little vivacity (both girls are spikily un-
communicative) that he dulls the power of his theme.
89

MODERN ROMANCE-(lhr. 42m., '81) Like Woody
Allen al his worst, the young comic and writer-direc-
tor Albert Brooks doesn't seem to realise that display-
ing yourself as an infantile son of a bitch in relations
vrith woman is not all that different from displaying
yourself as a paach, Tha dagrae oi magaloaania ia
the same. This maUm la • fouiig man'a agocan tr ic
conception oi a lo*a afialr— 4ia man (Albaft Brooks)
does most of the loving and commits most of the sins,
and the woman (Kathryn Harrold) stands and waits.
The movie is a comedy— a satire oi male delusions—
but T«u Biay ba loo fad op with Bmok'a sali-canlarad-
naa* to laugh vary mtich. Soma daoant but familiar
satire of Los Angeles seli-help jargon. R. 22, 97, 101,
302, 402, 407, 449, 504, 511, 518, 547, 548, 569.
600, 621. 658, 668, 703, 711, 828, 863, 878

* MON ONCIiE D'AMEIU0tlE-(2liia. Sil. '•O} ta

French; Eng titles. Alain Raanais (lasf faar at Ma-
rienbad) has come up with a new narrative form. As
Henri Laborit, the biologist and student of human
agression, dascribas tha instinctual nature of human
condud^ «a laa lu H il w lu ad Itvaa of three com-
plas adiills wboaa baliaylac iUnatoataa Laborit's prin-
ciples. Yet there's nothing cuMad-dried about the
movie — the three stories ara paailniialely written, di-
rected, and acted. One wonders, however, how Res-
nais and screenwriter Jean Gruault can sustain
themselves as artists while believing that behavior is
biologically determined. Isn't tha illusion of ireedom
necessary for an ailisl-parllcularly a Bairaliva artist?
Starring GArard Depardieu as a hard-pmsad plant
numagar, Micole Garcia as an arliees who baeemes
a corporation executive, and Rogar-Ptom as a madia
executive and writer. 16, 881

* MOSCOW DOES NOT BELIEVE IN TEARS-
(2hrs. 32m., '81) Three provincial girls come to Mos-
cow in 1958 looking for work, love, and marriage;
the movie traces their destiny through the mid-seven-
ties. This Oscar-winning Soviet comedy i* rathai con-
ventional (tha style is Fortiaa-MGM) aad Ma pace is
slow, but il has something going for it— our curiosity
about the way things look and feel in the USSR for
people like ourselves. Most of the movie is about
concerns that are almost .well, .bourgeois. The
gi^ eiMM aMM •! a diaaac pailTi al md;. ia a train;
tbay tiia and tail al vrorlt; mova lo baUar or poorer
ap^uiments. The director, Vladimir Menshov, brings
a slightly dull heartiness to his staging— especially of
sex scenes — but here and there the picture is charm-
ing. Starring Vera Alantova, who ia a iiaa larious
actress with a lovely abaak oi ironic wit h Rnisian;
Eng. subtitles. 92

NIGHTHAWRS-(lhr. 39m., '81) A thriller devoted
to the dubious thesis that international terrorism is
flourishing because the police aren't ruthless enough
to kill terrorists. Sylvester Stallone and Billy Dee Wil-
liams are the flaky, qood-quy New York City cops
assigned to a special unit when a dreaded interna-
tional terrorist, played by Dutch star Rutger Hauer,
comes to town. With his earring and his beautiful
suits, Hauer plays the bomb-thrower as a swank sadist
wilhoul any political paasions or aifiUation*. He's the
ate h al i pil. piir a a v l t llgwa Wnt i H i itan , altan. shark)
thai fta mos l aa pariodieally raviva ia order lo justify
tha violence of supposedly peaceful men. Exciting
sequences here and there, but a stupid movie on the
whole. Written by David Shabar; directed by TV
eooaaKdalnmafcar Bnioa Malaiauih. R. 38, 79, 439.
S90, 724, 841

* OBIjOMOV-{2hrs. 26m., '81) A very fine Soviet
movie, adapted from the classic 1858 novel by Ivan
Goncharov, about a retired civil servant and absen-
tee landlord, Obloroov (Oleg Tabakov), who lies in
bed all day in a stupor of sleep, daydreaming, and
sheer Ustlessness. In the 19th-century, "Oblomo-
vism" became the epithet for a philosophy and a way
of life, yet there is a bit of Qblomov in everyone.
Oblomov's friend, StoU (Yun Bogatryev), an ener-
getic, back-slapping man, tries to bring him to life.
Ona man it pun reflection, the other pure will, and

together they send the movie through alternating
phases of adivily aad lyrical contamplalion. Tha act-
ing is broad yal dt witp Hw ad, flw ilMtagiaplv ha-
cious, the overall mood dalicalaly taHrinwl and
nostalgic Oinelad by inuta IdUialko*, sriiaaa kit
film, A Shfit ei Lan^ waa a hit hara two yaaia ago.
16

* OUTLAND-(lbx. 49m, '81) Att u a ptata a Moua, con-
sistently exciting scianca fiction fUm that ia like a

Western {High Noon, lo be precis©) set in outer
space. On dreary lo, innermost moon of Jupiter, the
men working in a big titanium mine are flipping out
—stepping into airlocks without their environment
suits, holding prostitutes at knifepoint behind locked
doors. Marshal William T. O'Niel (Sean Connery), an
honest cop whose integrity never got him anywhere,
is trying to get to the bottom of things but no one will
help him except crusty old Dr. Lazarus (Frances
Sternhagen). 'The writer-director, Peter Hyams,
doesn't let tha camera sit there in rapt contamplalion
of floating ipacaihipa. He uses his big; menacing aala
— crisscrossaa tham at top speed, burrows into lham.
Outland is just a series of confrontations between
good and evil, but the movie is pure, weightless fun.
With Patar BoyU. R. 24, 32, 72, 99, 100. 113. 201.
SlSk 817. S84, 304. 408, 411, 48«k 438. 809, 818,
S37, 841, 891, 898. 9J*. 601, 910, 088, 029. 939,
650, 653, 656, 699. TOO. 700. 781, 788, 733. 747.
748. 770, 776, 788. 793, 000. 007, 088. 088, 800.
864. 869. 876

POLITESTEIMlb. 20m, "OI) A am Um liT Ant
FUmingoM director lohn Walart. Starring DMna and
Tab Boater. R. 0, 30, 40. 94, 808, 818. 880. 880, 887.
803, 017, 030. 048, 700, 700

* RAIDERS OF THE liOST ARK-(lhr S5m , '81)
Occult and religious mumbo jumbo, buried temples,
lots oi Naxis cunning around the desert, and a grand
priM the Aik oi Oovaaaat ia which the broken
tablets of flia Tan Commandments lie, conveying
awesome power on whoever possesses them. Thaoa
are the elements in Steven Spielberg's exhiltraling
new pop spectacle. Spielberg has made a pure-inn
extravangaxa that is like a thirties serial, only

S render, iuimier, and blessedly free of interruptioat.
arrison Foni ia tha aichaologist/adventurar haio,
Indiana lonaai Kwa Allaa hH b aaterln g, apuaty aa-
girlfriend, a aciantiatt'* daughter with a aharp loagua
and a taste for adventure. Spielberg makes things
jump — the thrills are larger and more violent than in
old movies, and they come much faster, with one jolt
linked to the next in a rhythmically charged proces-
sion. Tha only sour element: the inspirational religi-
oso stuff at the end, which feels out oi place and
cynical in a movie without a trace of religious feeling
anywhere. From an idea by George Lucas (who pro-
duced); screenplay by Lawrence Kasdan. PG. 24, 31,
60. 80. 104, 105, 112, 114, 206. 210. 215, 221. 226,
300, 409, 421, 426, 519, 531, 539, 546, 568, 603,
088, 081. 008. 004. 701. TOO, 719, 728. 798, 741,
786, 773, 778, 799, 794, 907, 918, 929, 984, 979,
879

* RETURN OF THE SECAUCUS SEVEN-<lhr.
46m., '80) Director John Saylaa has captured tha seli-
oonacious tone of a ganamttoa &al ha* apant aa

extraordinary amount oi lima agonising over per-
sonal identity. The movie is the story of an elaborate
party at a rented summer house in New England to
which Mike (Bruce MacDonald) and Katie (Maggie
Itaaite). Boatoa lehaalteadMakinvite their friends
ier tha waakaad. AH are abool SO and unmarried; all
are veterans of the anti-war movement. The "action"
consists of Sitting Around and its many variants-
cooking, charades, skinny-dipping, boosing, casual
sex, discussion of careers, etc. The title of the film
refers to an occasion in 1970 when seven of the
iriands laft Boatoa ior a protest march in Washington
oaly to gt pHllad aumr 1^ a oop, aiiaated. a a d t hi ow n
into dka tlammar ior flia nighl in Sae a ac a a, Haw Ut-
sey. 16. 725

RICHARD'S THINGS-(lhr. 44.. '91) Two womaa
must overcome tha lota oi lha man flmy lowad. 'WRdi
Liv Ullmana and Aaaaada Dir. Aadway

Harvey 61

SBAKOM • DBRWnMlhi. 88m, "Sl) A apy
fhrlUar. wHh Tiaa Parrow and Parry King. Dir. Wil-
Uam Fruel. PG. 37. 99. 119. 224. 234, 412, 432, 519.
557, 604. 634. 713, 719, 829, 873

SECOND CiHANCE, A-(lhr. 39m., '80) Gauzy un-
laality liom Claada Lalouch. Cathailaa DaMWte
amergaa from a listaen-year prison sentanca with
perfect alabaster skin and begins to live with her
teenage son (conceived in the slammer). Since the
boy doesn't know she's his mother, he makes a pass.
Disappointed when she says no, he sattlaa ior liar bast
friend, Anouk Aim6e, another as-con with a ilawlaaa
complexion. Lelouch is delirious without ever once
ceasing to be commercial. Tha movie's craftsmanship
is slovenly, wliich is actually a laliai. U tha film ware
well made, ila chic abaurdfUaa taould ba truly iaaui-
ierable. Thia way, it all aaama liha a taaaad^ loka.
PG. 61

JUNE 22. 1901 /NEW YORK 7S

Copyrighted material

SHININO, THE-<2hr3. 26m., '80) StAnley Kubrick's
attempt at an epic of the uncanny is undermined by
his own perversely cold and undramatic style. A
family of three (Jack Nicholson, Shelley Duvall, and
little Danny Lloyd) signs on as caretakers at a snow-
bound Colorado resort; their peace and love for one
another are destroyed by visions, madness, ghosts,
and violence. In Kubrick and Diane Johnson's adap-
tation of Stephen King's best-seller, the father doesn't
undergo a transformation to insanity— he seems in-
seme from the beginning— and the moral and dra-
matic tension of the story collapses. Who needs
another nut-on -the- loose movie? There are a few ter-
rific thrills, and some eerie momenta of dislocation
that only Kubrick could achieve, but most oi the
movie is unfelt, unscary, and bizarrely heavy-handed.
It's the first pompous haunted-house movie. With
Scatman Crothers. R. 650. 656. 659, 748

STARDUST M£MORIES-<lhr. 31m., '80) Woody
Allen's little cup of poison. He plays Sandy Bates, a
famous director of comedies and one serious film who
martyrs himself to his foolish, adoring fans at a roeet-
the-filmmaker weekend sponsored by a prominent
critic. The movie is Woody's imitation of 8 1/2, the
overexposed Fellini masterpiece about a director
panicking and coming apart at the seams. In Woody's
version, the director is not suffering from a specific
crisis so much as from lifelong despair. He wants to
be serious while everyone wants him to make come-
dies; he can't answer the big philosophical questions
about death, and all the rest of that. He turns his fans
—anyone who admires him— into freaks, evidently be-
cause he feels unworthy of adulation. The anguished
mixture of boasting and self -laceration is exhausting
—even a little sordid. With Marie-Christine Barrault,
Jessica Harper, and Charlotte Rampling as a tor-
tured, Diane Keaton-ish actress. Pretentious black-
and-white cinematography by Gordon Willis. PG. 4

* STUNT MAN, THE— (2hrs. 9m., '80) A paranoid
Vietnam veteran (Steve Railsback) on the lam from
the police wanders into a World War I movie as it is
being shot and has trouble telling the movie from
reality. Accidentally killing the stunt man, he
becomes his replacement, and people keep playing
tricks on him. Written by Lawrence B. Marcus (from
Paul Brodeur's novel) and directed by Richard Rush,
The Stunt Man is repetitive and pushy, but also clever
and exciting— we experience the stunt man's confu-
sion ourselves, and we never quite regain our bal-
ance. Featuring a marvelous comic performance by
Peter O'Toole as the domineering and brilliant son of
a bitch who is directing the film-within-the film. With
Allen Goorwits and Barbara Hershey. R. 16, 58, 806

SUPERMAN n-(2hrs. 7m., '81) Reviewed in this is-
sue PG 22, 37, 109, 119, 201. 209, 224, 234, 302,
412, 509. 512, 519. 541. 557. 562, 574, 604, 623,
633, 647, 662, 706, 709, 713, 717, 719, 732, 743,
746, 749. 761, 777, 783, 790, 791, 806, 812. 829,
867, 871. 873

*TESS— (2hrs. 50m., '80) Roman Polanski's adapta-
tion of Thomas Hardy's novel Tesv of tha D'Urb&r-
villes is extraordinarily well crafted but a little too
placid for the true Hardy spirit. Polanski gets Hardy's
feeling for the Dorset countryside and the passing of
traditional rural customs, but misses the anguish
seething under the surface. As the proud, tragic Tess,
Nastassia Kinski is as beautiful as the young Ingrid
Bergman, but she's not quite an actress yet. She holds
her positions like a model, and there's very little
modulation from one mood to the next. Leigh Lawrson
overdoes the smarminess as her upper-class seducer,
but Peter Firth is ardent as the high-minded Angel
Clare. Exquisite cinematography by Ghislain CIo-
quet and the late Geoffrey Unsworth. 20. 38, 50. 535.
630, 706, 711, 719, 840

it THIEF— <2hrs. 6m., '81) James Caan stars in one of
those surly existential exercises about a criminal who
insists on controlling his own destiny and winds up
taking on everybody. [Point Blank is the classic of the
genre.) Even if you've seen this sort of thing before,
you may enjoy the dark, sleek, anti-sensual surface of
the film (most of it was shot in Chicago at night); the
explosive violence, the intense concentration of the
safecracking episodes; the murderous underworld
types, with their hair-raising threats and professional
jargon. In his first feature film, TV writer -director Mi-
chael Mann shows a terrific grasp of suspense me-
chanics and a fanatical adoration of his loser/
outsider hero. With Tuesday Weld. R. 1 1, 235, 442,
542, 550, 571, 638, 644. 645, 654. 760

VAUiEY. THE-(lhr. 40m., '81) In search of the feath-
ers of the bird of paradise. With BuUe Ogier. Dir.
Barbet Schroeder. 62

VOYAGE EN DOUCE-(lhr. 37m.. '81) If men can hit
the road together in a movie, why not women? No
reason at all, but this female buddy-buddy movie,
starring Dominique Sanda and Geraldine Chaplin,
isn't what we've all been waiting for. It's almost suf-
focatingly precious, giggly, inane. The women un-
dress, flirt, but then do nothing. They tell grave
stones and then adroit that they made them up. The

director, Michel Deville, seems to be amusing him-
self with a male fantasy of what women do and say
when there are no men around. 89

Revivals

ADAM'S RIB-(lhr 41m., '49) Katharine Hepburn
and Spencer Tracy as everyone's ideal sophisticated
married couple, this time as two lawyers on opposite
sides of a case in a dated but still tremendously ap-
pealing comedy. David Wayne oils around Hepburn
and sings her a Cole Porter song, but Judy Holliday,
as a hilariously sly quivering bundle of angst, almost
walks off with the picture. Dir. George Cukor 39

ALL ABOUT EVE— (2hrs. 13m., '50) Bette Davis has
said that if she's remembered for only one movie she
hopes it will be this one. It's a superb drama, witty
and satiric, of the Broadway theater and its people.
Joseph Mankiewicz won Oscars both for wnriting and
directing it; George Sanders won one as best sup-
porting actor. 4

APOCALYPSE NOW-(2hrs 28m., '79) For three-
quarters of its length, Francis Coppola's work is
masterful— a tragic, surrealist Vietnam-war epic that
grows in power and beauty as it comes closer to hal-
lucination. But then, suddenly, the film falls to pieces,
and the effect is devastating. With Martin Sheen,
Marlon Brando, and Robert Duvall. 82

BADLANDS— ( 1 hr. 24m , '74) The very impressive
writing-directing debut of Terence Malick, about a
mass murderer and his impressionable girlfriend,
with convincing, realistic performances by Martin
Sheen and Sissy Spacek. 13

BEYOND THE VALLEY OF THE DOLLS-(lhr
49m., '70) It has nothing to do with 77ie Valley of the
Dolls. Chicago Sun-Times film critic Roger Ebert set
out to write a camp/trash outrage, incorporating ev-
ery absurdity, cliche, and bit of nonsense he could
think of. The whole thing was whipped up into a wild
storm of sex and violence by master shlockmeister
Russ Meyer. It's fitfully entertaining. . very late at
night. Starring several of Russ Meyer's silicone won-
ders. 13

BILL OF DIVORCEMENT, A-(lhr 16m , '32) Ka
tharine Hepburn's first film, one of the most endur-
ingly impressive early talkies. John Barrymore plays
her deranged father, who returns home from a mental
institution. With Billie Burke as Barrymore's wife Dir
George Cukor. 95

BUDDY HOLLY STORY. THE-(lhr S3m , '78)
This sincere bio-pic traces the career of the awkward
but self-assured West Texas boy with the goofy smile
and the Clark Kent glasses who became one of the
most creative of the early rock singer-composers and
then died in a plane crash (in 1959) at the age of 22.
The movie glorifies Holly a bit too much, but no mat-
ter; Gary Busey is brilliant in the title role. Written by
Robert Gittler. Dir Steve Rash 27

BUS STOP-(lhr 36m., *56) A fast, rowdy comedy
about an exuberant cowboy and the saloon singer he
sets his sights on. With Marilyn Monroe, Don Murray,
Arthur O'Connell, Betty Field, and Robert Bray Dir
Joshua Logan. 75

CABARET-(2hr8., '72) An effective Bob Fosse musi-
cal from the Broadway hit, with brilliant photography
and a visually persuasive recreation of pre-war Berlin
at its wicked worst. Joel Grey's performance is su-
perb; Liza Minnelli and Michael York are charming.
13

CITIZEN KANE— (2hrs., '41) The greatest American
film. This allegory and cautionary tale of American
success, told in terms of a thinly veiled Randolph
Hearst, is Orson Welles's finest achievement as di-
rector, and he's not bad at acting either. Unfortu-
nately, the script, by Herman Mankiewicz. though
clever, is somewhat shaJlow. Everything else, how-
ever, remains impressive after all these years and
despite repeated viewing. With Joseph Cotten, Doro-
thy Comingore, and Everett Sloane. 97

DAMNED. THE-(2hrs. 30m.. '69) A masterwork by
Italian director Luchino Visconti that stands with the
great movie works. The rise and fall of Nazism is
brilliantly evoked through a haunting fictional look
at the power struggle within an entrenched German
industrial family. The film becomes a hypnotic de-
scent into evil, greed, murder, and moral sickness.
With Dirk Bogarde, Ingrid Thulin. Helmut Berger,
and Charlotte Rampling. 97

DAYS OF HEAVEN-<Ihr. 3lm.. '78) An oddly une-
rotic triangle drama set in Texas in 1915, this movie
is extraordinarily handsome but perversely uninvolv-
ing. With Sam Shepard, Richard Gere, Brooke
Adams, and Linda Manz. Dir. Terence Malick. 13, 47

FREAKS— (Ihr 4m., '32) Tod Browning's classic
which takes place in a circus sideshow where the
so-called freaks exhibit a more human and civilized

society than the "normal" people who surround them.
10

ITHAPPENEDONE NIGHT-(lhr. 4Sm . '34) Clark
Gable's macho charm seems dated now, but Clau-
dette Colbert is, as usual, exquisite in this comedy
about a runaway heiress and a newspaperman who
fall in love on a cross-country chase. Not as good as
the faster-paced screwball comedies of the Depres-
sion, but still a classic. 39

JONAH WHO WILL BE 25 IN THE YEAR 2000-
(Ihr. 50m.. '76) In French; Eng. titles An Alain Tan-
ner film composed of rambling episodes from the
lives of eight good people, Genevans or French, all
of them radical survivors from the sixties looking to
make some sense out of their communal life together
in the seventies. There are a few pleasing perform-
ances, notably from Jacques Denis, Raymond Bus-
sidres, and the incomparable Miou-Miou. Art critic
and scenarist John Berger worked on the screenplay.
90, 786

KISS ME KATE-(Ihr. 49m., '53) From the great
Cole Porter musical— a fast, funny, and completely
entertaining musical comedy with top songs and
wonderful dancing. With Howard Keel, Kathryn
Grayson, and Ann Miller. Dir, George Sidney. 7

LETTER FROM AN UNKNOWN WOMAN-(Ihr

35m., '48) A lavishly produced, excessively senti-
mental tale of unrequited love in old Vienna, based
on the novel by Stefan Zweig, breathlessly acted by
Louis Jourdan and Joan Fontaine. Dir. Max Ophuls.
4

NEW YORK, NEW YORK-(2hrs. 22m., '77) Martin
Scorsese's fascinating, perversely dislikable musical
about a white be-bop player (Robert De Niro), a man
ahead of his time, and his marriage to a big-band
singer (Liza Minnelli). Scorsese uses clearly artificial
forties- musical sets, but stages a discordant story on
them. The contrast between the style and meaning of
the movie annoys a lot of people. 61

NIAGARA— (Ihr , 29m., '53) MarUyn Monroe at her
lushest dominates this steamy melodrama of sex and
murder, amusingly set in America's happy-
honeymoon haven. The pace is pawky and the vrrit-
ing clich6d, but Monroe's performance as the greedy
temptress, plus an exciting sequence of the Falls,
make this movie reasonably enjoyable. In appropri-
ately lurid color. 75

O LUCKY MAN!-(3hrs , '73) A sparkling, witty, and
perceptive film of dazzling variety and multitudinous
delights, a triumph for director Lindsay Anderson,
writer David Sherwin, and actor Malcolm McDowell.
4

PAT AND MIKE-(lhr., 34m . '52) Perfection. Ruth
Gordon and Garson Kanin wrote the screenplay;
George Cukor directed; Katharine Hepburn as a
multi-talented athlete; Spencer Tracy as a tough-talk-
ing coach. Before anyone knew the word, this movie
explained sexism better than anything else; it is also,
miraculously, one of the most completely charming
romances on film. With Aldo Ray as a dumb boxer.
39

REBECCA— (Ihr. 55m., '40) Joan Fontaine is the terri-
fied bride, Laurence Olivier the glowering lord of the
manor, and Judith Anderson the evil housekeeper in
this enthralling modern Gothic. Daphne Du Maurier
wrote the original book, and Alfred Hitchcock di-
rects with a characteristic blend of fear, wit, and sex,
75

REPUIiSION-(lhr. 43m , '65) The galvanic Roman
Polanski film starring Catherine Deneuve as the re-
pressed manslasher. Terrifying and grisly, with a
good deal of material that is more clinical than dra-
matic. 75

SOMETHING FOR EVER YONE-< Ihr. 55m . '70)
Based on a peculiar novel, The Cook, this film is
queerer yet, with a murky absurdist plot, pretentious
symbolism, grossly exaggerated performances, and
lots of nice Austrian scenery going to waste. Directed
by Hal Prince, who says it was butchered in the stu-
dio. With Michael York and Angela Lansbury. 13

WALTZ OF THE TOREADORS-(l hr. 50m., '62) An
erratic, uncertain, and elaborate British version of
Jean Anouilh's "dramatic comedy" about a retired
general (Peter Sellers) in pursuit of lost youth. With
Dany Robin, Margaret Leighton, John Fraser. and
Cyril Cusack. Dir. John Guillermin. 10

YELLOW SUBMARINE-(Ihr 30m . '69) A charm-
ing animated feature containing the Beatles, their
music, a fiesta of color, and a barrel of gentle wit.
Pepperland, the peaceful home of the Lonely Hearts
Club Band, is attacked by Blue Meanies, and a won-
derful escape odyssey follows Dir. George Running.
13

YOJIMBO-(lhr. 50m., '62) In Japanese; Eng. titles.
Top entertainment on many levels, set in a mountain
village in the 1860s and packed with drama, humor,
and satire of the stupidities and evils of war. The
direction and acting are magnificent. With the mar-
velous Toshiro Mifune. Dir. Akira Kurosawa. 4

76 NEW YORK/ JUNE 22. 1981

THEmR

KEY TO ABBREVIATIONS

AE

Amarican Express

CB

Carta Blanch*

DC

Diners Cluli

MC

MaslsiCard

V

Visa

CHGT Chargit. T*l*phon« charge to major credit
cards.

Mew York City;
New Jersey:
Long Island:
Westchester:
Connecticut:

(212) 944-9300
(201) 332-6360
(516) 354-2727
(914) 423-2030
(203) 622-1970

Many B'way theaters without Chargit <dso accept
ticket orders on major credit cards by telephone.

# Running more than a year.

• • Running more than two years.

HALF-PRICE TICKETS AVAILABLE DAY OF

PERFORMANCE, for B way and Off B way shows,
at Times Square Ticket Center, B'way at 47th Si.
(354-5800) & Lower Manhattan Theatre Center. 100
Wilham St. (344-3340).

Broadway

Prevuea and Openings

Monday, June 15

SCENES AND REVELATIONS-Elan Garonzik's
play is set in the 1890s al the height of America's
westward movement and tells of the loves and dreams
of four sisters. Directed by Sheldon Epps, cast fea-
tures Christine Lahti, Valerie Mahaifey, Marilyn
Mclntyre, Mary-loan Negro, Wyman Pendleton, and
Norman Snow. Tues.-Fri. at 8, Sun. at 3, $16, Wed &
Sat. at 2, $14; Sat. at 8, $18. At opening and there-
after, prices increase $2. Previewing now prior to a
6/25 opening. (Will play thru 10/4.) Circle in the
Square. 50th Street, west of Broadway (581-0720). 2
hrs., 10 min. All major credit cards.

Friday, June 19

A TASTE OF HONEY-Originally produced in
1958, Shelagh Delaney's play is as alive and moving
and real today as it will be forever, a gutsy play full
of rowdy impertinence and genuinely comic indigna-
tion. Directed by Tony Tanner, starring Amanda
Plummer, Valerie French. Keith Reddin, with Tom
Wright and lohn Carroll, play has now moved up to
On-Broadway status because of its enthusiastic
reception. Tues.-Thurs. at 8, Wed. at 2, $18; Fri. &
Sat. at 8, Sun. at 2, $20. Previews start tonight prior
to a 6/24 opening. Century Theater, 235 W. 46th
St. (354-6644). 2 hrs., 10 min. Major credit cards.

Now Playing

AIN'T MISBEHAVIN'-The delicious songs by Fats
Waller and friends, suggestively lighted by Pat Col-
liru, continue their joyous renaissance under Richard
Maltby's canny and easeful staging, with Arthur Fa-
ria's fetching mini-choreography. The cast of five
works together as nimbly and wickedly as five fingers
in a sleight of hand. Mon.-Wed. at 8, Sat. at 2, Sun.
at 3, $16-S28.50; Fri. & Sat. at 8, $17.50-$30; Wed.
at 2, $12-$20. Belasco, 1 1 1 W. 44th (354-4490) 2
hrs., 15 min. Major credit cards. # #

AMADEUS— Ian McKellen and Tim Curry in a play by
Peter Shaffer, set in Vienna, about the love-hate rela-
tionship between Motart and Salieri. Peter Hall has
directed with all his customary shrewdness and show-
manship, and John Bury's scenery, costumes and
lighting couldn't be more apt and inventive. Tues.-
Sat. at 8, $20-$30; Sat. at 2, Sun. at 3, $17.50-$27.S0,
Wed. at 2, $14-$23.S0. Broadhuxat. 235 W. 44th
(247-0472). 2 hrs., 35 min. Major credit cards.

ANNIEI— Given such surefire ingredients as a chorus
line of moppets, a Christmas tree, and a dog called
Sandy — only a churl could cavil even if Thomas
Meehan's book is a far cry from Harold Grey's comic-
strip Annie. Charles Strouse wrote the score, Allison
Smith is the latest Annie and Marcia Lewis is the
latest Miss Hannigan. lohn Schuck plays Daddy War-
bucks. Wed., Thurs. at 8, Sun. at 6:45, Sat. & Sun at

2, $13-$25. Fri. at 8, $U-$27; Sat. at 8, $15-$29,
Wed. at 2, $12-$21 Alvin, 250 W S2nd (757 8646).
2 hrs., 30 mins. All major credit cards. # #
BARNUM— Jim Dale stars as Phineas T. Barnum in a
musical with book by Mark Bramble, music by Cy
Coleman, lyrics by Michael Stewart. Director-
choreographer is Joe Layton. Dale is more versatile
and talented than any one man has a right to be, and
the work moves along with charm, brilliance, and
circusy surprises. Tues.-Thurs. at 8, $15-$25; Fri. &
Sat at 8, $17-$30; Sat. at 2, Sun at 3, $14-$24; Wed.
at 2, $ll-$20. St. James, 246 W. 44th (398-0280).
2 hrs., 15 min. All major credit cards. #

THE BEST LITTLE WHOREHOUSE IN TEXAS-

About the rise and fall of Texas's most famous bor-
dello. A rousing fun-tilled musical, although every
variation on the brothel theme has been worked into
the ground. Candace Tovar plays the proprietress,
Mon.-Thurs at 8, Sat at 2, $15.50-$22.50; Fri. & Sat.
at 8. $17.50-$24; Wed. at 2, $13 50-$19.50. 46th St
Theater, 226 W. 46th (246-0246). 2 hrs., 40 mins.
All major credit cards. # #

CHILDREN OF A LESSER GOD-Phyllis Frelich
and David Ackroyd star in Mark Medoff's touching
play about a romance ]:>etween a deaf woman and her
non-handicapped lover. (John Rubinstein will re-
place Ackroyd as of 6/23.) Mon.-Thurs. at 8, Sat. at
2, $17-$25. Fri. & Sat. at 8, $19.50-$27.50. Wed. at
2, $15-$20 Longacre, 220 W. 48th (246-5639). 2
hrs., 40 mins. All major credit cards.

A CHORUS LINE— Every generation needs its own
backstage legend, and this is a worthy descendant of
the great 1933 film classic 42nd St. Out of the real-
life words of chorus-line aspirants, James Kirkwood
and Nicholas Dante have fashioned a shiny romance,
and it bounces agreeably off Marvin Hamlisch's pa-
per-thin score. Mon.-Thurs. at 8, $l6.50-$27.50; Fri.
a Sat. at 8, $17.50-$30; Wed. at 2, $13.50-$22.50;
Sat. at 2, $16-$25 Shubert. 225 W. 44th
(246-5990). 2 hrs., IS mins. Major credit cards.

DANCIN'— Bob Fosse has devised a heterogeneous
choreography ranging from classical ballet through
modern dance to every form of show-biz and disco
dancin'. Sheer perfection for the vulgarians, ana-
thema for the purists, and a mixed bag for the rest.
Tues -Thurs. at 8, $20-$3O; Fri. at 6, $20-$32.50; Sat.
at 8, $22.50-$35, Sat. at 2, Sun. at 3, $I7.50-$27.50;
Wed. at 2, $15 $25 Ambaaaador, 215 W. 49th
(541-6490). 2 hrs , 20 mins. Major credit cards.

A DAY IN HOLLYWOOD/A NIGHT IN THE
UKRAINE— Prise ilia Lopez, David Garrison, and
Frank Lazarus in a musical -comedy entertainment
with book and lyrics by Dick Vosburgh, music by
Frank Lazarus, choreographed and directed by
Tommy Tune, described as a spoof of Tinseltown in
the 30s, also described as being loosely based on
Chekhov's The Bear. It's a cunning little musical re-
vue made up of a few new songs and a lot of memory-
gilded oldies. Tune's choreographic invention is like
champagne that never goes flat. Tues.-Thurs. at 8,
Sun. at 3. $20 $25; Fri. A Sat. at 8. $20-$27.50; Wed.
& Sat at 2, $16-$22. Royale, 242 W. 45th
(245-5760). 2 hrs., 15 min. All major credit cards. •

DEATHTRAP— Ira Levin's comedy-thriller concerns
a formerly successful playwright, a disciple who
sends him a play clearly destined to become a Broad-
way smash, and the stale playwright's disapproving
wife, who has strong scruples and a weak heart. With
Farley Granger, Marian Seldes, and Elizabeth Par-
rish. Suspense, chills, laughs await you here. Tues.-
Fri. at 8, Sun. at 3, $10-$16; Sat. at 8, $1 1 .50-$17 .50;
Wed. & Sat. at 2, $9 $ 15 Music Box, 239 W. 45th
(246-4636). 2 hrs., 15 mins. A£, CHGT. • •

THE ELEPHANT MAN-Bemard Pomerance's play
about a badly deformed man who is befriended and
spiritually aided by a sympathetic doctor is excellent
and moving. With Mark Hamill, Carole Shelley, and
Donal Donnelly; director is Jack Hofsiss. Tues.-Fri. at
8, Sat. at 2, Sun. at 3, $18.SO-$27; Sat. at 8,
$18.50-$28.50. Wed. at 2, $15-$20. Booth, 222 W.
45th (246-5969). 2 hrs , 20 mins. Major credit cards.

EVITA— Derin Altay has the title role in this excellent
Tim Rice/ Andrew Lloyd Webber musical; directed
by Hal Prince. With James Stein and David Cryer.
Nancy Opel stars at matinees. Mon.-Thurs. at 8,
$17.50-$30j Fri a Sat. at 8, $17.5a$3S; Wed. at 2,
$10-$21; Sat. at 2, $12.50-$23.50. Broadway,
Broadway at 53rd (247-3600). 2 hrs., 20 mins. AE,
DC, MC m

FIFTH OF JULY-Richard (John-Boy) Thomas in Lan-
ford Wilson's latest saga about the Talley family. He
and Swoosie Kurtz (who is magnificently hilarious),
Jeff Daniels, Mary Carver. Jonathan Hogan, Joyce

Reehling, and Amy Wright are interesting and
quirky. Wilson has a warmly persuasive way with
both witty dialogue and riotous monotone. Directed
by Marshall W. Mason. Tues.-Thurs. at 8, Sat. at 2,
Sun. at 3, $14.50-$22.50; Fri. & Sat. at 8, $17-$25;
Wed. at 2, $12. 50-$ 18. 50. New Apollo. 234 W. 43rd
(921-8558). 2 hrs., 30 min. Major credit cards.

THE FLOATING LIGHT BULB-Beatrice Arthur,
Jack Weston, and Danny Aiello in Woody Allen's
new play about a husband and wife and their two
teen-age sons, one of whom is trying to make it as a
magician; directed by Ulu Grosbard. Tues.-Thurs. at
8, $15-$22.50; Fri. & Sat. at 8, $16-$25; Sat. at 2 &
Sun. at 3, $14-$20; Wed. at 2, $13-$18; thru 7/S.
Vivian Beaumont, ISO W. 65th St., Lincoln Center
(787-6868) 2 hrs. Major credit cards.

42ND STREET-Tammy Grimes, Jerry Orbach, and
Wanda Richert star in a new music2d based on the
novel by Bradford Ropes which was made into the
1933 Warner Bros, film classic about producing a
musical on Broadway. Consensus terms this produc-
tion and cast pure gold and the crowning achieve-
ment o( the late Gower Champion. Book: Michael
Stewart A Mark Bramble. Music: Harry Warren. Lyr-
ics: Al Dubtn. Mon.-Sat. at 8, $20-$35; Sat. at 2,
$15-$30; Wed. at 2, $12-$27.50. Majeatic, 247 W.
44th (246-0730). 2 hrs., 15 mins. All major credit
cards.

GEMINI— Albert Innaurato's saga of life in a Phila-
delphia backyard is, at once, a stupendous verba]
circus and a touching story of people desperately
needing to be noticed. Peter Mark Schifter's direc-
tion is splendid. Tues.-Thurs. at 8, Sat. at 2, Sun. at 3.
$I6-$20; Fri. & Sat. at 8, $18-$22; Wed. at 2,
$14-$18: from 6/29. Mon.-Sat. at 8, Wed & Sat. at 2.
Littie Theater, 240 W. 44th (221-6425). 2 hrs., 15
mins. All major credit cards. # #

IT HAD TO BE YOU— Renee Taylor and Joseph Bolo-
gna are the co-stars of this comedy about a woman
who gets a man in a room and will not let him go until
she has her way with him; directed by Robert Drivas.
Tues.-Thurs. at 8. $17.50-$22 50; Fri. a Sat. at 8,
$20-$25; Sat. at 2, Sun. at 3, $15-$20; Wed. at 2,
$ 1 3.50 $ 18.50 John Oolden, 252 W. 45th
(246-6740). 2 hrs. All major credit cards.

LENA HORNE— 77ie Lady and Her Music, directed by
Arthur Faria. "The songs are shrewdly chosen. Every
one of them is either a real beauty or a darling little
thing. All that matters is the two solid hours of Lena
herself: What is the horn of plenty compared to
plenty of Horne?" Tues.-Thurs. at 8, Sat. at 2, Sun. at
3; $16-$22.50. Fri. & Sat. at 8; $18-$25; thru 9/5.
Nederlander Theater, 208 W. 41st (921-8000). 2
hrs., 20 min. All major credit cards.

THE LITTLE FOXES— Elizabeth Taylor stars as
Regina Giddens in a revival of the 1939 drama by
Lillian Hellman. Also starring: Maureen Stapleton,
Anthony Zerbe, Tom Aldredge, and Dennis Christo-
pher. Directed by Austin Pendleton. Mon.-Sat. at 8,
Sat. at 2, $25-$30; Wed. at 2, $22.50-$28.50; thru 9/
5. Martin Beck. 302 W. 45th (246-6363) 2 hrs., 20
min. All major credit cards.

LUNCH HOUR— An amiable comedy with a 50s feel
and Gilda Radner. Sam Waterston is her co-star in
Jean Kerr's comedy about two marriages and a lie
that snowballs. Also in the cast are Susan Kellermann
and Max Wright. Mike Nichols is the director. Tues.-
Thurs. at 8, Sat. at 2, Sun. at 3, $17 50-$25; Fri. & Sat.
at 8, $18.50-$27.50; Wed. at 2, $13.SO-$20; thru 6/
28. Ethel Barrymore Theater, 243 W. 47th
(246-0390). 2 hrs. All major credit cards.

MORNING'S AT SEVEN-Maureen O'SuUivan,
Kate Reid, Elizabeth Wilson, Teresa Wright, and She-
perd Strudwick in Paul Osborn's comedy about four
feisty sisters whose eccentricities play havoc with
each other and their families. With David Rounds and
Lois de Baiuie. Tues.-Fri. at 8, Sat. at 2, Sun. at 3,
$16-$27; Sat. at 8, $16-$28.50; Wed. at 2, $13 $20.
Lyceum, 149 W. 45th (582-3897). 2 hrs.. 30 mins.
All major credit cards. #

OH! CALCUTTA1— Long- running mxisical comedy de-
vised by Kenneth Tynan. Sketches by Jules Feiifer,
John Lennon, Leonard Melii, David Newman, Robert
Benton, Dan Greenburg, Sam Shepard, Sherman Yel-
len. Directed by Jacques Levy, with choreography by
Margo Sappington. Mon.-Wed., Fri. at 8, Sat. at 7 o
9:30, Sun. at 3 A 7; $15-$27. Ediaon, 240 W. 47th
(757-7164). 2 hrs., 15 min. AE, MC. V. • •

PIAF— Jane Lapotaire stars as Edith Piai in Pam Gems's
play about the singer's life covering a 30-year period;
co-starring Zoe Wanamaker as Toine, Piai's liie-long
friend; directed by Howard Davies. Judith Ivey stars
at Wednesday matinees. Tues.-Thurs. at 8, Sat. at 2,
Sun. at 3, $I6.$27; Fri. & Sat. at 8, $18-$30; Wed. at

JUNE 22. 1981 /NEW YORK 77

THEATER

2, $n-$20. PlTmouth, 236 W. 45th (73ai760). 2
hrs., 30 min. Major credit cards. Closed.

THE PIRATES OF PENZANCE-Kovin Kline,
George Rose, Estelle Parsons, Rex Smith, and Karla
DeVito in the Gilbert and Sullivan operetta; directed
by Wiliord Leach. For Ught-hearted lunacy and mag-
nificently mindless tun, there is nothing like this. It
spruces up Gilbert and Sullivan and lights up Broad-
way. Tues.-Thurs. at 8, Sal. at 2, Sun. at 3,
$17-$27.50; Fri. & Sat. at 8, $18-$30; Wed. at 2,
$14-$22.50. Uria, 51st W. of Broadway (586-6510).
2 hrs., 30 min. All major credit cards.

SOPHISTICATED LADIES-Gregory Hines and
Judith Jamison in a gorgeous and sprightly musical
production featuring to great advantage the splen-
didly sinuous and sultry works of Dulce Ellington, di-
rected & choreographed by Michael Smuin. With P.J.
Benjamin, Phyllis Hyman. Terri fClausner, Hinton Bat-
tle, Gregg Burge, Mercedes Ellington, Priscilla Bask-
erviUe. Tues.-Sat. at 8, $22-S30: Sat. at 2, Sun. at 3,
$19.5O-$27.50; Wed. at 2, $17-$25. Lunt/Fon-
tanne, 205 W. 46th (586-5555). 2hrs., 15 min. All
major credit cards.

SUGAR BABIES— Mickey Rooney and Ann Miller co-
star in a peppy, modern-day. glamorized version of
burlesque. Conceived by Ralph G. Allen/Harry
Rigby; music by Jimmy McHugh; lyrics by Fields and
Dubin. Mon.-Thurs. at 8, Sat. at 2, $ 1 S-S25; Fri & Sat.
at 8. $20-$35; Wed. at 2, $12 50-$2t. Mark HelUn-
ger. 237 W. 5l5t (757-7064)- 2 hrs., 30 mins. All
major credit cards. #

THEY'RE PLAYING OUR SONG-NeU Simon's
musical comedy about a work-obsessed tunesmith
and a wisecracking, Jewish-style urban neurotic col-
laborator (now played by Diana Canova and Ted
Wass); directed by Robert Moore. Composer and lyri-
cist are Marvin Hamlisch and Carole Bayer Sager,
and Douglas W. Schmidt's sets and projections are as
cute as they are clever. Tues.-Thurs. at 8, Sat. at 2,
Sun. at 3, $17.50-S28.50; Fri. & Sat. at 8. $20-$30;
Wed. at 2, $15 $22. Imperial, 249 W. 45th
(265-431 1). 2 hrs.. 40 mins. All major credit cards. #

WALLYS CAFE— James Coco, Rita Moreno, and
Sally Stnithers in a play by Sam Bobrick and Ron
Clark, directed by Fritx Holt, about a couple who own
a roadside cale in the Caliiornia desert on the wrong
side of Las Vegas. Mon.-Thurs. at 6, Sal. at 2,
$18.50-$25; Fri. & Sat. at 8, $20-$27.50; Wed. at 2,
$16.50-$22.50. Brooks Atkinson. 256 W. 47th
(245-3430). 2 hrs., 10 min. All major credit cards.

WOMAN OF THE YEAR-Lauren Bacall stars in a
musical based on the film of the same name, with
book by Peter Stone, music by John Kander, lyrics by
Fred Ebb; directed by Robert Moore. Bacall is, as
always, sparkling, cool, and ironic, and her co-star,
Harry Guardino, is extremely accomplished and ap-
pealing. There is brightness, shrewdness, and mea-
sured invention throughout. Mon.-Thur. at 8, Sat. at 2.
$20-$30, Fri. & Sat. at 8, $25-$35; Wed. at 2,
$20-$25. Palace, 1564 Broadway (757-2626). 2 hrs.,
30 min. All major credit cards.

Oil Broadway

AMERICAN BUFFALO— Al Pacino lets loose with
blinding histrionics in the Long Wharf Theater pro-
duction of David Mamet's 1977 Drama Critics Circle
Award-winning play, which is a field day for actors
Setting is a junk shop and plot concerns three men
who plan a rip-off of a rare coin collection. With
Clifton James and Thomas Waites; directed shrewdly
and assiduously by Arvin Brown. Tues.-Thrus. at 8,
Sat. at 2:30, $16.50; Fri. & Sat. at 8, Sat. at 2:30,
$18.50; thru 8/25. Circle in the Sciuare, 159
Bleecker St. (254-6330).

THE BUTLER DID IT-A comedy- mystery with a
good idea behind it by Walter and Peter Marks, di-
rected by Doug Rogers. Tues.-Thurs. at 8, Sun. at
7:30, $9-$13; Fri. at 8. Sat. at 7 & 10, $10-$I4.50;
Sun. at 3, $6-$ 10. Players Theatre, 1 1 5 MacDougal
St. (254-5076).

CLOUD NINE-Caryl ChurchiU's comedy al>out con-
trast in sexual mores of past and present is a bundle*
of merry mischief and absurdist slapstick, and is
genuinely touching. Some male roles will be played
by women, and some of the female roles by men. With
Don Amendolia, Veronica Castang, Jeffrey Jones, E.
Katherine Kerr, and Nicolas Surovy; directed by
Tommy Tune, who is developing into a fine farce
director. Tues.-Fri. at 8; Sat. at 7 & 10; Sun. at 3 A 7;
$12.50-$18.50. Theatre de Lya, 121 Christopher St.
(924-8782).

EIL BRAVO— Musical comedy loosely based on the
tales of Robin Hood, with book by Jose Fernandez
and Thomas Schiera, music and lyrics by John Clif-
ton; co-directed by Andre Ernotte and choreogra-
pher Patricia Birch. With Aurelio Padron, Starr
Danias, Michael Jeter, Keith Jochim, Lenka Peterson,
and Olga Merediz. Tues.-Sat. at 8, Sat. at 2, Sun. at 3
& 7; $12.50-S21. Entermedia, 2nd Ave. & 12th St.
(475-4191).

ENTERTAINING MR. SLOANE-Revival of Joe
Orton's first full-length play, starring Barbara Bryne,
Joseph Maher, Maxwell Cjaulfield, and Gwyllum
Evans; directed by John Tillinger. Tues.-Fri. at 8, Sat.
at 7 & 10; Sun. at 3 & 7:30; $1 1.95-$13.95. CherrY
Lane, 38 Commerce St. (989-2020).

THE FANTASTICKS-Long-running musical. Tues.-
Fri. at 8, Sat. at 7 & 10, Sun. at 3 & 7:30; $11-$14.
Sullivan St. Playhouse, 181 Sullivan (674-3838).

THE FUEHRER BUNKER-W.D. Snodgrass's work
on the Hitler theme, presented in collaboration with
composer Richard Peaslee and director Carl Weber.
Man. at 6:30, Tues. at 2 A 8, Sat. at 5:30, Sun. at 3 &
10; $10; Sat. at 9, $12. American Place Theater,
1 1 1 W. 46th (247-0393).

4TH WALL REPERTORY COMPANY-Otf tho
W&il Strikes Back! Comedy revue on music, satire,
comedy and politics. Tuea., Fri., SaL at 9:30; $2.50.
Truck and Warehouse Theater, 79 E. 4th
(254-5060).

I CAN'T KEEP RUNNING IN PLACE-A musical
with book, music, lyrics by Barbara Schottenield;
with Marcia Rodd and Helen Gallagher. Ms. Schot-
tenfeld has humor and compassion, and she can turn
out a score that has a musical idiom that is nobody's
debtor. The cast is joyous; the sets and costumes are
irreproachable. Tues.-Thurs. at 8, Wed. A Sat. at 2,
$15; Fri. & Sat. at 8, Sun. at 3, $17. WesUide Arts
Theater, 407 W. 43rd (541-8394).

LIFE IS A DREAM— Maria Irene Fomes's musical
adaptation of the Calderon de la Barca classic.
Thurs -Sat. at 8, Sun. at 4; $6; thru 7/5. INTAR, 420
W. 42nd (279-4200).

LOVE'S TANGLED WEB-Written and directed by
Charles Ludlam. farce concerns a wealthy heiress
who returns home after years of touring. With Black-
Eyed Susan. Everett Quinton, and Mink Stole. Thurs.,
Fri., Sun. at 8, Sat. at 7 A 10; $8-$12. Ridiculous
Theatrical Company, 1 Sheridan Square
(260-7137).

MARCH OF THE FALSETTOS-WiUiam Finn's at-
tractive mini-musical with new adventures of Marvin,
the hero of In Trousers. Michael Rupert plays the title
role, and there is extremely clever staging by direc-
tor James Lapine. Tues., Thurs., A Fri. at 8:30, Wed.
A Sat at 7 & 10; $12 Playwrights Horisons, Thea-
ter Row, 416 W. 42nd (279-4200).

NO— A poetic theater work by Alexis de Veaux, di-
rected by Glenda Dickerson, with a cast of seven.
Thurs.-Sun. at 7:30, Sat. & Sun. at 3; $5-$10. New
Federal Theater, 466 Grand St. (598-0400).

ONE MO* TIME— A charming, enthusiastic musical,
conceived and directed by Vernel Bagneris, features
Sylvia Williams, Thais Clark, Topsy Chapman, John
Stell, and Bruce Strickland, with music onstage by
the New Orleans Blue Serenaders. The performers
are radiant and the true joy of the show lies in per-
sonalities and their interactioru, and the show exudes
infectious goodwill. Tues.-Fri. at 8, Sat. at 7 A 10, Sun.
at 3 & 7:30; $14 95-$l8.95. Village Gate, 160
Bleecker St , at Thompson (475-5120). •

THE PREVARICATED LIFE HISTORY OF CON-
STANCE MCMALLEY-Women's Project musical
with book and lyrics by Caroline Kava and music by
Mel Marvin, directed by Joan Micklin Silver. Wed.-
Fri. at 8:30, Sat. at 3 A 7:30, Sun. at 5; $6. American
Place Theater, 1 1 1 W. 46th (247-0393)

REQUEST CONCERT-A play by Franz Kroetz, di-
rected by JoAnne Akalaitis, starring Joan Mackin-
tosh. Wed. A Thurs. at 8, Fri. A Sat. at 7 A 9:30, Sun.
at 5; $6; thru 6/21. Inlerart Theater, 549 W. 52nd
(246-1050).

SHAY DUFFIN AS BRENDAN BEHAN-One-man
portrait of the poet- playwright derived from his writ-
ings and ramblings, directed by Denis Hayes. Tues.-
Sat. at 8, Sun. at 3 A 7:30; $10-$12. Astor Place
Theater, 434 Lafayette St. (254-4370)

A TALE TOLD— Lanford Wilson's third play in the
Talley family cycle takes place on the same summer
evening in 1944 as TaUey's Folly. With Trish Haw-
kins, Helen Stenborg, David Ferry, and Fritx Weaver.
Thru 7/5. Circle Repertory Theater, 99 Seventh
Ave. So. (924-7100).

THIS WAS BURLESOUE-Claude Mathis (who is 82
years old) is one of the stars in Ann Corio's memory
book of burlesque in its 1981 edition. Tues. -Sun. at 8.
Wed., Sat., A Sun. at 2; $18.50-$20: from 6/19. Prin-
cess Theater, Broadway at 48th (586-3903).

Theater Companies

AMERICAN THEATER OF ACTOR&-Shalce-
spearo's Hamlet with James Nixon, Terri Sheridan,
David Adamson, and Lynne Barre. Wed. -Sat. at 9; $4;
thru 6/27. Outdoor Theater, 340 W. S4th
(581-3044). William Inge's Come Back Little Sheba,
directed by James Jennings, with Harriet Rawlings,
George Peters, Karen Ragan, and Bruce Kronen-
berg. 6/15-18, 22-25, 29-7/3 at 8. $4. Chemuclum
Theater, 314 W. 54th (881-3044).

CIRCliE REP-Laniord Wilson's The Wars in leba-
non, third in the cycle of five plays about the Talley
family, the action in this one taking place on July 4
as did Tally's Folly. With Michael Higgins, Elizabeth
Sturges, Trish Hawkiiu, and Jimmie Ray Weeks. The*
ater, 99 Seventh Ave. So. (924-7100).

LA MAMA ETC.-Manuel Lutgenhorst/Philip Glass
theater piece Tile Panther. Wed.-Sxin. at 8, Sat. & Sun.
at 3; $10; thru 6/21. Theater, 74 E. 4th St.
(475-7710).

MANHATTAN THEATER CLUB-Martin Sparr's
Hunting Scenes From Lower Bavaria is set in a
Bavarian village loUovring WW II and recounts the
story of an outsider who dares to be different. Di-
rected by Ulrich Heising. Tues. -Sun. at 8, Sat. & Sun.
al 2:30; tlO-$12; thru 7/5. Harry Ruby's Songs My
Mother Never Sang, musical revue directed by Paui
Lasarus. Tues.-Fri. at 8, Sat. at 7:30 & 9:30, Sun. al 8;
J8-$10; thru 6/28. Theater, 321 E. 73rd (472-0600).

NEORO ENSEMBLE CO.— Return engagement of
Charles Fuller's Zooman and the Sign, starring Gian-
carlo Esposito (who won a Theatre World Award for
his original performance in the role); directed by
Douglas Turner Ward. Tues.-Fri. at 8, Sat. al 3:30 &
8:30, Sun. at 2:30 4 7; $10-$12; 6/20-7/26. Theatre
Four, 424 W. SSth (246-8545)

NEW YORK THEATER ENSEMBLE-Slage One:
Shakespeare's Midsummer Night's Dream, directed
by Lester Malizia. Thurs. -Sat. at 6, Sun. al 7; $5; 6/
18-7/5. Stage Two: lean Genet's The Maids, directed
by Lee Archer. Thurs.-Sat. at 8, Sun. al 7; $4; thru 6/
28. N.Y.T.E., 62 E. 4th St. (477-31 10).

PHOENIX THEATER- Wendy Wasserstein's Isn't it
Romantic?, comedy about two women approaching
their thirtieth birthdays; directed by Steven Robman.
Tues.-Sal. at 8, Sun. at 7:30; Sat. & Sun. al 3; SIS; thru
6/28. Marymount ManhaHan Theater, 221 E.
71st (730-0794).

ROUNDABOUT/STAGE OUZ-Misalliance. by
George Bernard Shaw, first presented in 1910, di-
rected by Stephen Porter, starring Philip Bosco and
Patricia Elliot. Tues.-Sat. al 8, Wed., Sat., & Sun. al 2;
$12 50-$14.50; from 6/23 Stage One, 333 W 23rd
(242-7800).

SOHO REP— love in the Country, a musical by An-
thony Bowles and Michael Alfreds, based on the
Daphnis and Chloe legend. Thurs., Fri., & Sun. at 8;
Sat. at 7; Sun. at 4; $5; thru 6/2 1 . Theater, 19 Mercer
St. (925-2588).

THEATER LAB— William Inge's A Social Event and
Murray Osbom's A Special Evening. Wed.-Sal. at
8:30; $4; thru 6/27. Theater, 236 W. 78th
(595-0850).

13TH ST. THEATER— Israel Horoviti's Line and ITis
Indian Wants the Bronx; David Van Asselt's Dog
Dase; Shakespeare's 7!he Taming oi the Shrew. Bill
Manhoff's The Owl and the Pussycat, 6/15-18 at 6
(wine & cheese served at 5:30). Call theatre for times;
$5. Theater, 50 W. 13th (675-6677).

THE TROUPE— Upstairs: Sheridan's The Rivals, di-
rected by Dan Devere. Thurs.-Sat. at 8, Sun. al 3; $4;
thru 7/5. Downstairs: Frank Addamo's Tlie Forgotten
Warrior, directed by Andy Milligan. Thurs.-Sat. at 8,
Sun. at 3; $4; thru 7/5 335 W 39lh (244-9699).

WESTSIDE ARTS THEATER-Upstairs: Harry
Reems, Le Clanche du Rand, Holly Woodlavm, and
George Lloyd in Joe Orton's What the Butler Saw,
directed by Michael Bavar. Wed.-Fri. al 10:30, Sal. al
5 & 10:30, Sun. al 5 & 9, $10; from 6/17. Downstairs:
The Heebie leebies, musical about a popular singing
trio by Mark Hampton and Stuari Ross. Tues.-Sat. at
8:30, Wed a Sat at 2:30, Sun. at 3; $10. Theater,
407 W. 43rd (541-8394).

Off- Oil Broadway

Schedules and admissions extremely subject to
change. Phone ahead.

ASHES— David Rudkin's play about a young English
couple and their attempt to have a child. Directed by
Myra Turley, cast includes Gaynor Wood, Scott Ehr-
lich, Alan Ellington, and Cecilia deWolf. Sun. -Wed.
at 7:30; $4; thru 6/24. 18th St. Playhouse, 145 W.
18th St. (869-3530).

BARRY MARSHAIiL XX)UBIiE BILL-Dweiiing in
Milk and Chapel St. Light with the author directing
the first and Richard Secunda directing the second.
Thurs.-Sun. at 8; $3; 6/18-7/5. Theater for the New
City, 162 Second Ave. (254-1109).

BATTERY— Daniel Therriault's city romance set in an
electrical workshop, directed by George Ferenci.
Fri.-Sun. at 8; $4; thru 6/28. St. Clement's, 423 W.
46th (246-7277).

CAMtliLE— A. Dumas's play, an adaptation in Can-
tonese and Mandarin Chinese with English subtitles,
set in South China, 1915. Presented by the Four Seas
Players, directed by less Adkins. 6/20 at 7, 6/21 at

78 NEW YORK/ JUNE 22. 1981

'THEATEB

4; $3. Schimmttl C*nt«r. Pflce University
(962-8231)

CHANCE MEETING IN LUNA PARK-Musical by
Ed Kuczewski and Bill Vitale which examines life on
the fringe in an amusement park setting. Thurs.-Sat.
at 8. Sun at 7, $4 50; 6/18-7/12 Fantasy Factorr,
524 W. 42nd (594-1534)

CHANGE PARTNERS AND DANCE-Mildred

Trencher's romantic comedy based on the adven-
tures of a widow and a divorcee each seeking the
attentions of the same senior citizen; directed by Ed-
ward Beyer. Thurs -Sat. at 8, Sun. at 3; $4; thru 6/20.
Sargeani Theater. 314 W S4th (581-3044)

CLOSE ENOUGH FOR JAZZ-Musical revue by Da
vid J. Rothkopf, Scott Steidl, and loseph Keenan, us-
ing comic vignettes and the jaxz idiom to satirize the
daily iniluences in our lives 6/18-21, 24-28 at 8; 6/
20 & 27 at 2 30; S3. Wonderhorsa. 83 E 4lh St.
(533-5888)

COME SLOWLY, EDEN-A portrait of EmUy Dickin-
son by Norman Rosten. Fri. & Sat. at 8, Sun. at 3; $4;
thru 6/21. Seventh Sign Theater, 263 W 86th
(473-4737)

DOUBLE BILL-Laurence Holder's When the Chick-
ens Came Home to Roost, and Zora are the final offer
ing of the New Federal Theater season. From 6/18.
Harry Dejur Playhouse. 466 Grand St. (598-0400)

DOUBLE feature:— Tennessee Williams's Moooy's
Kid Don 't Cry, and Harold Pinter's The Dumbwaiter.
6/18-21, 25-28 at 8. 6/21, 28 at 3. Shakespeaia
Theater, 250 Third Ave. (242-6944).

DREAMS OF FLIGHT-Brian Richard Mori's play,
directed by Judith Joseph, is the story of a kid with a
plan and a dream. Also on the bill, Mori's Couples,
an experimental play. Wed. -Sat. at 8, Sun. at 3; $5;
thru 6/28. New Vic Theater, 219 2nd Ave
(673-6341)

ELEANORA DUSE: THE IMAGE OF A GREAT
ACTRESS— Solo drama with visuals created and
performed by Lynn Middleton. Thurs.-Sat. at 7:30,
Sun. at 3; S4; 6/25-28. The Open Space, 133 Sec-
ond Ave (254-8630)

THE ENCHANTED— Jean Giraudoux's comic fan-
tasy which revolves around the events that befall a
French village when a girl's romantic faith conjures
forth a phantom; directed by Christopher Thomas,
Thurs -Sat at 8, Sat. at 2 30; $5-$6, thru 6/20. Scha-
eberle Shidio, 41 Park Row (876-7162).

AN EVENING OF TWO ONE-ACT PLAYS-^gain
and Before, a mixed-media theater piece by Franklin
Engel and Miranda McDermott. The Tenor, a satire
about the artist by Frank Wedekind Thru 6/28 (call
for times), S5 New Madia Rep, 203 E 88th
(860-8679)

EXTENUATING CIRCUMSTANCES-Dick Bru-
kenfeld's play based on a real incident that took
place in Canton, China in 1821 when the Chinese
accused a young American of murdering a Chinese
woman. Cast consists of six American and six Asian
actors Tues.-Fri. at 8, Sal at 7 & 10. $6-$12, from 6/
19 Horizon Theater, 31 Perry St. (255-9186)

FASNACHT DAY-John Speicher's play about a suc-
cessful lawyer who revisits his Pennsylvania Dutch
childhood to try to come to terms with midlife crises.
Thurs. & Fri at 8, Sat. at 7 & 10, Sun at 3; $5; thru
7/5. Alvina Krause Theater, 306 W 38th
(564-3293)

FOOD — First of a series of comic plays about woman's
relationship to food, written and directed by Sondra
Segal and Roberta Sklari. Wed.-Sun. at 8; $5; thru 6/
28 (no pert 6/24) Woman's Intarart Center An-
nex, 552 W. S3rd (279-4200)

THE GAMBLER— Ugo Betti's existential/psychologi-
cal thriller, directed by Orlando Dole. Thurs.-Sat. at
8, Sun. at 3; $5; thru 6/21. NETWORK Theater,
754 9lh Ave (586-1260)

GREEN FIELDS-Peretz Hirshbein's classical Yid-
dish folk comedy with music, performed in Yiddish
with a detailed synopsis in English. It is set in a Rus-
sian village where Jewish farmers enjoy country liie
but yearn for the excitement available only in bigger
cities. 6/20 at 8, 6/21 at 2 S 6 30, 6/22 at 8;
$5-$7.50. 92nd St. Y, 92nd St & Lexington
(427-4410)

HIS MAJESTY, THE DEVILl-Alexandra Devon's
play, adapted from the writings of Dostoyevsky, star-
ring Maclntyre Dixon. Wed.-Sun. at 8 (8 & 10 Sat );
J3; 6/17-28 Nat Home Theater, 440 W. 42nd
(279-4200)

HOW IT ALL BEGAN-The Dodger Theater Com-
pany production is a first-person account of the life of
a West Berlin urban guerrilla, directed by Des McA-
nuf< Tues -Sun at 8, Sat. & Sun. at 3; thru 6/28. Pub-
lic Theater, 425 Lafayette St. (598-7150).

THE IMPORTANCE OF BEING EARNEST-Os

car Wilde's comedy, directed by Robert Sterling. Fri.
& Sat. at 7. Sun. at S; $5; thru June. National Arts,
30 Bond St. (674-9710).

LEAD US NOT INTO PENN STATION, BUT
DELIVER US FROM EVIL— Joan MoUison and
Carole Holland in a play by Dean Mcllnay and Rich-
ard Erickson which examines the liie and times of two
elderly shopping bag ladies. Thurs.-Sat. at 8, Sun. at
3; $4 (includes wine before showtime); thru 6/28
Nameless Theater, 125 W 22nd (242 9768)

UNTY LUCY-Rudy Gray's play exploring the
themes of black affluency, marriage and positive re-
lationships in a competitive world. 6/18-21, 25-28;
$4 Frank Silveia Theater, 317 W. 125th St., 3rd
floor (662-8463).

LUDLOW FAIR-Lanford Wilson's play. Wed.-Fri. at
8:30; $2 50; from 6/17. Baruch Collage, Lexington
& 23rd (222-5755).

MISS JULIE— August Strindberg's drama of an aristo
crat attracted by a butler's masculinity, directed by
Thomas Bullard. Diane Venora plays Miss Julie, and
William Russ is in the butler's role. Tues. -Sat. at 8,
Sun. at 4 & 8. 6/26-7/2; $7; Tomi Thaatai, 23 W.
73rd, 16th floor (877-1800, Ext. 533).

MONKEY MUSIC-The Pan Asian Repertory Thea-
ter presents an encore production of Margaret
Lamb's play, directed by Tisa Chang 6/20 at 2:30 &
7:30; $6 Ouaans Thsatsr-in-tha-Park, Flushing
Meadows (592-5700).

OH, COWARDI— Cabaret production of Noel Co-
ward's musical comedy revue conceived and di-
rected by Roderick Cook, starring Terri Klausner,
Russ Thacker, Dalton Cathey and Kay Walbye. Fri. A
Sat. at 1 1. Sun. at 6. Ted Hook's On Stage, 349 W.
46th (265-3800).

ONE-ACT MARATHON-Richard Dreyfuss and BiU
Murray appear in a series of 13 new one-act plays,
each performed seven times throughout the mara-
thon Tues.-Sat. at 7:30, Sat. at 2; $6; thru 6/20 En-
semble Shidio Theater, 549 W 52nd (247-4982)

PIRANDELLO PLAYS-His Chee Chee and The
Man With the Flower in His Mouth, directed by Dee
Bagley. Thurs.-Sat. at 8:30. Sun. at 2; $4; thru 6/21
Brass Ring Theater, 351 E. 74th (744-5251).

PLUNGING MY DAGGER INTO HER CORSET-
Based on Tolstoy's Kreutzer Sonata and the chroni-
cles of his married liie, written and directed by Atay
Citron. Fri. & Sat. at 10:30, Sun. at 3; thru 6/28. Ohio
Theater, 64 Wooster St (226-7341)

PROGRESS— A country-and-westem musical comedy
by Gary Zetler, Al Matthias, and John Gentempo,
directed by Bruce Lumpkin, with a cast oi six. Thurs.-
Sun. at 8; $3; thru 6/28. Wsstheth Theater, 151
Bank St (246-8484)

THE SEDUCERS— Based on a deMaupassant story
about a group of people traveling across France; di-
rected by Steven Baker. Thurs. -Sun. at 8; $4. Dra-
matic Personas, 25 E. 4th St. (468-8285)

SUSPECT— Mystery about a woman living in a remote
part of England with her housekeeper, by Edward
Percy and Reginald Denham, directed by John
Rainer. Thurs -Sat at 8, Sun. at 3; $5; thru 7/12 Ap-
ple Corps Theater. 601 W. 51st (664-0027).

THOM AND JERRI-Carol de Santa's comedy about
two lovers from both sides of the tracks; directed by
Sebastian Stuart, featuring Norman Thomas Marshall
and Stephanie Rich. 6/18-20, 23-27 at 8; 6/21, 28 at
3; 6/28 at 6:30; S5. No Smoking Playhouse, 354
W. 45th (582-7862).

TRIPLE BILL— Israel Horovitz's It's Called the Sugar
Plum; David Mamet's Mr. Happiness; Samuel Beck-
ett's Foof/a/is— three short plays dealing with familial
and interpersonal relationships. Wed.-Sun. at 8; $4;
6/24-28 Process Studio, 257 Church St.
(267 5756)

WELDED— Eugene O'Neill's play, directed by Jose
Ouintero, starring, Philip Anglim, Laura Gardner,
Bob Heilman, and Ellen Tobie. Mon., Wed.-Sat. at 8,
Sat & Sun at 3; $10; thru 7/5. Horace Marui Thea-
ter. Broadway & 120th St (678-3276).

THE WINOS-A musical comedy by Bimbo Rivas
about alcoholism and drugs in an ethnic community.
Also, Scenes from El Salvador, a work in progress
about the current situation in L^tin America. 6/19,
20, 21 at 8. New Assembly Perfformance Space,
350 E 10th St (982-0627).

THE WONDERFUL ICE CREAM SUIT-Ray Brad
bury's comedy about six Hispanic men and a white
suit, directed by William E. Hunt and featuring Er-
nesto Gonzalez, Hector Mercado, Raul Alphonse,
Walter Valentino, Michael Rivera, and Ricardo
Matamoros. Thurs -Sat. at 8, Sun. at 3; S4; thru 6/28.
Bouwerie Lane Theater, 330 Bowery (667-0060).

YOUNG BUCKS-John Kunik's comedy that lays
bare the fears and pressures oi a smalltown high
school basketball team; directed by George Mead.
Tues -Sat. at 8, Sat. at 2, Sun. at 7; $6; thru 6/20.
Tyson Studio, 1026 Sixth Ave (354-8471).

NEW YORK TICKET SERVICE

For tree information regarding what tickets may be
obtained for theater, dance, and concerts,
call 880-0755 Mon.-Fri., 12:00 to 6:00. New York
Magazine will be happy to advise you.

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JUNE 22. 19ei/NEW YORK 79

MUSIC & DANCE

MUSIC « DANCE DIRECTORY

Abraham Goodman Coneart Hall, 1 29 W. 67lh
St. (362-8719)

Biooklrn Aeadamy oi Music (BAM), 30 Laiayelle
Ave. (636-4100)

Cantayia Hall and Cain*«ia Raeital Hall,

Sevenlh Ave. a{ 57lh Si. (247-7459)

City Cantor, 131 W. SSlh Si. (246-8989)

Citicorp Canlar, Lexinglon Ave. and 53rd St.
(5594259)

Lincoln Cantar Alice Tully Hall (362- 191 1), Avery
Fisher Hall (874-2424). Library Museum (870-1630)
Melropolilan Opera House (580-9830). New York
Slale Theater (870-5570)

Madiaon S<iuara Oardan, Sevenlh Ave. al 33rd St.
(5618000)

Matropolilan Muaaum, Fifth Ave. and 82nd St.
(570-3949).

92nd SI Y, on Lexinqton Ave. (427-4410)
Symphony Spaca, Broadway al 95th St. (865-2557)
Town Hall, 123 W 44lh St. (84&2824)

Concerts

Monday, Juna 15

BENJAMIN OREN, pianist. Sessiona's Sonata No. 3.
Faur«'s Ballade Op. 1 9, Bsalhovan's Sonata Op. 111.
Abraham Goodman Concert Hall at 8. $6.

WOMEN'S JAZZ FESTIVAL-"Now Voices in Jan",
eight singers, with bassist Jamil Nasser, pianist Har-
old Mabem, drummer Frank Gant. Jazz Gallery, 55
W, 19lh St , at 8. JS.

RINA TELLI'S OPERA AND SONO FESTIVAL-
Carnegie Becilal Hall al 8. $10.

PRESERVATION HAU. JAZZ BAND-Westbury
Music Fair. Brush Hollow Rd., Weslbury, L.I.
(516-333-0533), at 8:30. $8.75. $9.75.

Tuesday, June 16

NEW YORK PHILHARMONIC. Kurt Masur con
ducting; bass Hans Sotin. Arias and other music from
Wagner's Die Meisteninger and Dio WalkUre: also
Sirauss's Don Juan and Till Exilenspieqel. Avery
Fisher Hall at 8. $S-$17.50.

NED ROREM, pianist-composer; PHYLLIS BR'YN-
JULSON. soprano. Music by Rorem, including N.Y.
premiere of Nantucket Songs; also songs of Debussy
92nd Si. Y al 8. $6-$8 SO.

PULI TORO, meiio-soprano/ERNESTO COR-
DERO, guitarist-composer, with assisting artists.
Works of Del Vado, Cordero, Handel, «t al. Abraham
Goodman Concert Hall at 8. $5.

WASHINGTON SQUARE FESTIVAL ORCHES-
TRA, Henry Schuman conducting. Stravinsky's Sym-
phonies of Wind Instruments, Var^se's OctAndre,
Messiaen's Et Exspecto Resurrectionem Mortuorem.
Grace Church, Broadway and E lOlh St., at 8. Free
Broadcast, WNYC-FM.

FICTION BROTHERS, country music. Exxon Park,
west of Sixth Ave., 49th-SOth Sts , at 12:30. Free.

CAPRICORN TRIO-Music of Martinu, Farrenc,
Haydn, Weber. Symphony Space at 8. $3.

WOND'ROUS MACHINE, a vocal consort. Works of
Byrd. St. John's Episcopal Church, Waverly PI. and
W. 1 1th St., at 8. $2.

BRUCE ENGEUi, trumpet/MENACHEM WEISEN-
BERO, pianist. Music of Bozza, Haydn, Tartini.
Trinity Church, Broadway al Wall St , at 12:45 Free.

WOMEN'S JAZZ FESTTVAL-Emily Remler. Dona
Carter Trio, Maxine Sullivan. Jazz Gallery, 55 W.
19th St , at 8. $5.

SHEILA AKIN PEARL, soprano. Carnegie Recital
Hall al 8. Works of Sil>alius, Rangstrom, Griffes, Men-
delssohn, St al. Carnegie Recital Hall at 8. $7.50.

MUSIC LIVE— Rock, soul, salsa, jazz, by a rock band.
Truck and Warehouse Theater, 79 E. 4th St.
(254-5060), at 8. $2.50.

NEW YORK CHORAL SOCIETY SUMMER
SING— Tamara Brooks conducts open reading of

Verdi's Asguism. Kodaly's Te Deum. CAMI Hall. 165
W 67th Si. (972-01 13). at 7:30. $4 includes refresh-
ments, use of score.

Wsdnssday. Jtma 17

NEW YORK PHILHARMONIC-S«e 6/16

STEVE LAWRENCE/EYDIE GORME, vhth
George Segal, Conrad lanis, the Beverly Hills Un-
listed Jazz Band. Carnegie HaU at 8. $12.50-$25.

ELAN SICROFF/JinJETTE ZEELANDER-
Piano-violin music of de Hartmann and Gurdgieff.
Carnegie Recital HaU at 8. $5.

THOMAS BOGDAN, tenor/DENNIS MICHNO,
harpsichordist-pianist. Works of early Italian com-
posers. Ward, Ireland. All Saints Church, 230 E. 60th
St. (758-0447), at 12:30. Free.

DIZZY REECE AND THE GOTHAM ALL-STARS
—Citicorp Market at 6. Free.

NANCY HIRSCHE— A Victorian song recital. Fed-
eral Hall, 26 Wall St., at 12:30. Free.

WHEATONWARRENVILLE HIGH SCHOOL
PERFORMING BAND-Lincoln Center Fountain
Plaza at noon. Free.

WOMEN'S JAZZ FESTIVAL-Ravella Hughes, WU-
lene Barton Quartet. Dakota Staton. Jaiz Gallery, 55
W. 19th St , at 8 $5 Re-broadcast at 10, VfBAI FM.

FESTIVAL TRIO— Chamber music by Moskowski,
Beethoven, Ravel, Poulenc, Bari6k. Symphony Space
at 8. $3.

HOPEWELL CONSORT-Love songs from the Mid-
dle Ages and Renaissance for voices and old instru-
ments. St. Ann and the Holy Trinity Church, Clinton
and Montague Sts., Brooklyn Heights, at 12:30. Con-
tribution.

ALDIS LAGZDINS. organisl/ASBURY CHOIR
Works of Liszt, Peelers, Bach, et al. Asbury United
Methodist Church. 167 Scarsdala Rd.. Yonkers
(914-779-3722). at 8. Free-will offering.

Thuraday, June 18

GARDEN STATE CHAMBER ORCHESTRA.

Frederick Storfer conductor; trombonist Per Breviq.
cellist Loretta O'Sullivan. Works of Richter, Jacchini,
Themin (world premiere), Schubert. Mozart.
Geminiani-Corelli. Abraham Goodman Concert Hall
at 8. $7.50.

STEVE LAWRENCE/EYDIE GORME-See 6/17

GUGGENHEIM CONCERT BAND, Ainslee Coz
conductor. Opening of summer season. Works of
Goldman, Suppe, Herbert, Bennett, Sullivan. Tchai-
kovsky. Lincoln Center Damrosch Park at 8. Free.

THE BASIE ALUMNI-Iazz with Helen Humes. Al
Grey, Butch Miles, et al. NYU Loab Shident Center.
566 LaGuardia PI (598-3757) at 8. $6.

PAUL LAWRENCE, ceUist/KENNETH HOTER,
pianist. Carnegie Recital Hall at 8. $7.50.

WOMEN'S JAZZ FESTIVAL-Iuli Homi. pianist;
Erica Lindsay Quintet. Sheila lordan. Jazz Gallery.
55 W. 19th St.. at 8. $5.

THOMAS BOGDAN, tenor/DENNIS MICHNO, pi-
anist. Schumann's Dichterliebe. All Saints Church,
230 E 60th St. (758-0447), al 6. Free.

AMBASSADOR TRAVEL SWING CHOIR-Lin-
coin Center Fountain Plaza at 12:30. Free.

CHRIS ALBERT, jazz. Exxon Park, west of Sixth Ave..
49th-50th Sts . at 12:30. Free.

ALLEGRO HANDBELL CHOIR-St. Paul's Chapel.
Broadway at Fulton St , at 12:10. Free.

FICTION BROTHERS, bluegrass. South Street Sea-
port, Pier 16. Fulton St. and the East River
(687-9000), at 8. $4 Take blankets or chairs, picnics
too.

MARSHA LONG, organist Works by Bach, the Wei-
mar period. St. Paul's Chapel, Columbia U , Broad-
way and 1 16th St. (280-3830), at 8. Free

THE BASSOON, a concert in two acts; bassoonist
David Intrator. pianist-harpsichordist Nancy Gar-
niez. guitarist Michael Bocian. Christ and St. Ste-
phen's Church. 120 W. 69th St.. at 8. $3.

SABRINA FUNG-CULVER, pianist Works of De-
bussy, and 12lh-century Chinese pieces. Federal
Hall, 26 WaU St , al 12:30 Free.

NEW YORK CHORAL SOCIETY SUMMER
SING— Dino Anagnost conducts an open reading of
Bach's B-minor Mass. See 6/16 lor other details.

CLEO LAINE, singer/JAMES GALWAY, flutist.
Westbury Music Fair. Brush Hollow Rd.. Weathury.
L.I. (S16-333-0533). at 8:30. $14. $15.

Friday, Juna 19

NEW YORK PHILHARMONIC, Jamas Lavina con-
ducting; Philadelphia Singing City Choir; tenor Phi-
lip Creech. Berlioz's Be<puem. Closing program of
the "Romantic Era" Festival. Avery Fisher Hall al 8.
$5.$1750.

STEVE LAWRENCE/EYDIE GORME-$1S-$30.

See 6/17 for other details.
GUGGENHEIM CONCERT BAND, Ainslea Cox.
Dorothy Klutzman conducting. Works of Bach,
Suppe, Guilmant. Hindemith. Tchaikovsky, Sousa,
Gershwin, Loewe. Lincoln Center Damrosch Park at
8. Free

WILLIAM WESTNEY, pianist. Carnegie Recital HaU
at e. $5.

WOMEN'S lAQ FESTIVAL-Janice Robinson, lay
Clayton, Kirk Nurock, Rosa Murphy. Jas GaUsry. SS
W. 19lh St., al 8 $5.

WOND'ROUS MACHINE-See 6/16 (this U a dif-
ferent program).

MUSIC UVE-Soe 6/16

CDONEL LEVY QUARTET-Iazz at Summerpier,
South Street Seaport Pier 16. Fulton St. and the East
River (766-9066). at 8. Free.

NICK PLAKIAS, singer-banjo player. Good Coffee
House, Brooklyn Society for Ethical C\Uture. 53 Pros-
pect Park West (768-2972), at 9. $2.50.

JAZZ AT NOON, a jam session with pianist Barry Har-
ris. StoryTowne, 41 E. S8th St. (755-1640), at 12. $3.

Saturday, June 20

CLEO LAINE, singer,/JAMES GALWAY, flutist;
lohn Dankworth conducting. Avery Fisher HaU
at 8. $lS-$20.

STEVE LAWRENCE/EYDIE GORME-See 6/19

A SONG OF LOVE-FOR MARY LOU WIL-
LIAMS, a tribute in memoriam. Women's Jazz Festi-
val, with Meiba Liston, Buddy Tate. Hazel Scott, Ernie
Royal, a score more. Town HaU at 8. $8-$25.

SHYAM YODH, sitarist. Music of North India. Alter-
native Museum, 17 White St. (966-4444), at 8. $5.

CDONEL LEVY QUARTET-See 6/19.

ART ON THE BEACH-Gina Wendkos. visual-musi-
cal performance. Creative Time Inc.. Gate No. 19,
Chambers and West Sis.. Battery Park City LandiiU
(825-1494), at 6. Free.

MUSIC LIVE-See 6/16

STARS OF TOMORROW-Soprano Diane lohnson,
clarinetist Cyril Ricci, singer-actor WiUiam Moize,
pianist RocheLle Kelly; Riverside Community Cho-
rale. Marvin V. Curtis conductor. Salem United Meth-
odist Church. Seventh Ave. and 129th St.
(622-1107). at 5 $5.

BERT LINDSEY, tenor Songs by Scarlatti, Schubert,
Massenet, et al. Theodore Roosevelt Birthplace, 28 E.
20th St . at 2. Free.

DIZZY REECE AND THE GOTHAM ALL-STARS
—Citicorp Market al 8. Free.

ROSE MOSKOWITZ/SUSAN MORTON-Duo-
piano music for four hands and two pianos. Brooklyn
Conservatory of Music, 58 Seventh Ave. and Lincoln
PI., Park Slope (622-33(X)), at 8. $2 donation.

GUGGENHEIM CONCERT BAND, Seaside Park.
Brooklyn, at 8. Same program as 6/19. Free.

SMOKEY ROBINSON-Weslbury Music Fair, Brush
HoUow Rd . Westbury, L.I. (516-333-0533). at 8:30.
$14, $15.

Sunday, Juna 21

CLEO LAINE/JAMES GALWAY, flutist; John Dank-
worth conducting. Avery Fisher HaU al 3 and 8.
$10-$I7.50.

STEVE LAWRENCE/EYDIE GORME-Ssa 6/17.

A SUMMER-SOLSTICE FESTTVAL-Music of
North and South India, with kamatic violinist Shan-
kar, singers Parween Sultana and Mohammad Dil-
shad Khan, bansuri flutist Hariprasad Cliaurasia,
tablist Zakir Hussain. et al. Town Hall, 5-11. $8-$ 12.

MARYA MARLOWE, pianist. Citicorp Market at 1.
Free.

80 NEW YORK/JUNE 22, 1981

!MirSI€& DANCE

OUOOENHEIM CONCERT BAND, Ainslee Cox
conducting. Works of Rimsky-KorsAlcov, Mascagni,
Grieg, Hovhaness (N.Y. premiere, wlh trumpeter
Douglas Hedwig), Suppe, Goldman, Sousa. Lincoln
Center Damrosch Park at 8. Free.

WOMEN'S JAZZ FESTIVAIi-Melba Listen con-
ducts a big-band concert, with guest artists. St. Pe-
ter's Lutheran Church, Lexington Ave. and 54th St.,
at 7:30. $3.

L'AREMA ENSEMBLE— Music of Mozart, Gershwin,
Bernstein, Joplin. Sculpture Court, Whitney Museum,
Madison Ave at 7Sth St (570-3633), at 3 Museum
admission, $2.

JOSEPHINE MORRIS, soprano/JACOB TER-
RELIi, lenor/CODY LOaLIE, baritone. Music of
Handel, Mendelssohn, Stainer, Copland, et al. St.
Phillip's Church, 134 th St. west oi Seventh Ave
(862-4940), at 3. $S

JOANNE JANKOWTTZ, singer-guitarist Centerfold,
263 W. 86th St. (866-4454), at 7:45. $3.

JOHN SHAW OinNTET-Ian vespers, at St Peter s
Lutheran Church, Lexington Ave. and 54th St., al 5.
Offering.

RAFAEL CORTES, pianist. El Museo del Barrio,
1230 Fifth Ave (831-7272), at 2. Free

ANDY LA VERNE, pianist, with guests. "Coffee and
jazi," at LaPiana Piano Shop, 147 W 24th St.
(243-5762), at 1. Free.

CON BRIO ENSEMBLE-Oueens Museum, NYC
Building, Flushing Meadow (592-2405), at 2:30. Mu-
seum admission by contribution.

Opera

METROPOLITAN OPE31A— Annual iree concert
versions in the city's parks. All these are at 8:30. 6/
16, Great Lawn, Central Park: Puccini's Tosca. James
Levine conducting; with Renata Scotto, Placido
Domingo, Sherrill Milnes. 6/17, Snug Harbor, Staten
Island: Saint-Saens's S^maon et D&lila. Neeme larvi
conducting; with Viorica Cortex, Richard Cassilly,
Louis Ouilico, Ara Berberian. 6/19, Marine Park,
Brooklvn: Tosca. Angelo Campori conducting; with
Galina Savova, Carlo Bini, Peter Glossop. 6/20,
Cunningham Park, Queens: Same as 6/17. 6/23,
Great Lawn. Central Park: Same as 6/17. 6/24, Co-
Op City, Bronx: Same as 6/19. 6/26, Prospect Park,
Brooklyn: Samson et Dadila. Jarvi conducting; with
Bianca Berini, Guy Chauvet, Richard J. Clark, Rich-
ard Vernon. 6/27, Eisenhower Park, Nassau County:
Tosca. Same as 6/19.

LIGHT OPERA OF MANHATTAN-Eastside Play-
house, 334 E. 74th St (861-2288). 6/17-28, Gilbert
and Sullivan's The Mikado. Wed. at 2 and 8:30,
Thurs. at 8:30. $6.50-$10; Fri. at 8:30. Sat. at 4 and
8:30, Sun. at 4, $7-$ll.

LUCIA DI LAMMERMOOR, by Donizetti. Brooklyn
Lyric Opera, Holy Name Auditorium, 96 St. and Am-
sterdam Ave (837 1176). 6/21, 28 at 3, 6/20, 27 at
7:30. $3.

Dance

Royal Ballet
Metropolitan Opera Houae

6/1 S THRU 7/4 Eves, at 8 (except opening night and
6/17, at 7), Wed. and Sat. mats, at 2, except 6/17 al
1. $8-$35. 6/15, Slaaping BMutr. 6/16, 17 (mat. and
eve.). Sleeping Beauty. 6/18, La Fia du Jour, Hamlet,
Rhapsody, A Month in the Country. 6/19, La Fin du
Jour, Hamlet, Rhapsody, A Month in the Country. 6/
20 (mat. and eve.). La Fin du Jour, Hamlet, Rhapsody,
A Month in the Country. 6/22, 23, Swan Lake. 6/24
(mat.). La Fin du Jour, Hamlet, Rhapsody, A Month in
the Country. 6/24 (eve.). Swan Lake. 6/25, Daphnis
and Chloe, Scenes de Ballet, Gloria. 6/26, Daphnis
and Chloe, Symphonic Variations, Gloria. 6/27
(mat ), TTie Sleeping Beauty. 6/27 (eve ), TTia Sleep-
ing Beauty. 6/29, Isadora. 6/30, Isadora. 7/1 (mat.),
Isadora. 7/1 (eve.), Isadora. 7/2, Daphnis and Chloe,
Symphonic Variations, Gloria. 7/3, Daphnis and
Chloe, Scenes de Balled Gloria. 7/4 (mat. and ava.).
Swan LaJce.

New York City BaUet
New York State Theater

THRU 6/28— Tues. thru Sal. al 8, Sun. al 7, matinees
Sat. al 2, Sun. al 1. $3-$20. 6/16, Tchaikovsky Festi-
val. 6/17, The Four Temperaments, Opus 19/The

Dreamer, The Four Seasons. 6/18, Tchaikovsky Festi-
val. 6/19, BalJo della Regina, Davidsbiindlerianxe,
Agon. 6/20 (mat.), S<juare Dance, Davidsbiindler-
tame, The Four Seasons. 6/20 (eve.), Tchaikovsky
Festival 6/21 (mat.) Tchaikovsky Festival.6/21 (eve.),
Ballo della Regina, Other Dances, Opus 19/ The
Dreamer, The Four Tempetamenta.

Other

APPLE BREJVKS, with Tudith Scott and Dancers. En-
vironmental dance improvisations. Citibank, 1 1 1
Wall St., 6/16 at 12:30. Free.

BALINESE AMERICAN DANCE THEATER, a

full-evening contemporary dance drama, A New Pan-
theon. 88 Franklin St. (496-8354) 6/17, 19, 24, 26
at 8. $5

BALLET IMAGERS— Die Seasons, and Menuetto.
Symphony Space. 6/19 al 8. $5.

BATTERY DANCE COMPANY^caramoucAe and

Loose Joints, choreographed by Jonathan Hollander.
Great Hall, 55 Wall Street, 6/15, at noon. Chase
Manhattan Plaxa, 6/18, al 12:30. Free.

LA ROCOUE BEY SCHOOL OF DANCt-Afro-

Caribbean revue. Black, Cultured, and Beautiful
1981. Symphony Space, 6/21 at 3 6t 6. $5-$10.

CHOREOGRAPHERS SHOWCASE 2-Works by

six choreographers. American Theatre Lab, 219 W.
19th St. (924-0077). 6/16, 23 at 8. $4.

DANCERS IN REPERTORY, vnth guest artists
Naomi Sorkin and Ronald ThornhiU performing
works by Margo Sappington, Anna Sokolow and oth-
ers, lapan House, 333 E. 47th 6/21 at 8. $5.

BARBARA DILLEY-Nava;o Homage, The Way It Is
(to a Mayan text), and Open Structures. The Perform-
ing Garage, 33 WoosterSt. 6/18-21 at 8. $4.

DOUGLAS DUNN & DANCERS-World premiere
of Walking Back, with music by John Driscoll. Mid-
town YM-YWHA, 344 E. 14th (279-4200) 6/20, 21,
at 8:30. S5

SALLY GROSS-ParaiJe/s, Vectors, Chair, and Scor-
ing with music by Peter Griggs. Oil and Steel Gal-
lery, 157 Chambers St. 14lh Uoor (691-1283). 6/
17-19 at 8 30. $4.

FLOWER HUnrR DANCE COMPANY. Storied
Passage, with music by Shostakovich. Damrosch
Park, Lincoln Center. 6/23, at 8 (rain dale 6/29).
Free.

REBECCA KELLY DANCE COMPANY. Black
Glass and Fatha Rhythms, with excerpts from Mig-
nonne. Jeanette Park, 55 Water St. on 6/19 al 12:30.
Free World Trade Center Plaia on 6/22 at 12:30.
Free.

LINDA KOHL & DANCERS. New York University
Theater, 35 W 4th St. (2S4 6521). 6/17, 18, 19 at 8.
$4

PEARL LANG DANCE COMPANY-New dances
based upon the works of the Yiddish poet Itzik Man-
ger, Notturno; and Shira. Public Theater, 425 La-
fayette St. (598-7150). Gala, 6/17 at 6:45,6/18 -20
at 8, 6/21 at 3. S8-$12 (Gala, $ia$25.)

RIVERSIDE DANCE FESTFVAL-An evening of
dance by Ellen Kogan, Brett Raphael, Ohad Naharin,
and Mari Kajiwara. Riverside Church, 120th St. &
Riverside Drive (864-2929). 6/18, 20,21 al 8. SS.Shi-
denls, seniors, $3.50.

SERENA AND DANCERS-Procession: A Near-East
Dance Fantasy. Lincoln Center Damrosch Park, 6/20
at 8 (rain date, 6/22 at 7:30) Free.

BARRY SMITH & GERMAINE SALSBERG-<3a7-

liard. Bridge of Glass, music by Peter Baumann. Riv-
erside Church, 490 Riverside Drive (864-2929). 6/
17, 19, at 8, 6/21 al 2. $5. Students Seniors, $3.50.

TONI SMITH AND DANCERS, Steps, a piece de-
signed for performances on various large flights of
outdoor stairs. Federal Hall (Wall St. Steps). 6/22 al
12:30. Free.

JOYCE TRISLER DANSCOMPANY. a tribute to
Igor Stravinsky, with Le Sacre du Printemps and Four
Against the Gods. Alice Tully Hall. 6/18 al 7:30, 6/
19, 20, al 8, 6/21 al 2. S6-$12.

UNDA TARNAY AND DANCERS-Two premieres,
with guest artists Mary Easter and Peggy Lyman.
NYU School of the Arts, 111 Second Ave.
(924-0077). 6/16-18 al 8. $5.

TURKISH FOLK DANCE ENSEMBLE, first time
in America (50 performers). Avery Fisher Hall
(874-2424). 6/15 at 8. $8-$ IS.

THE SHINING HOUSE, a dance opera by Jean Erd-
man, from a ritual of pagan Hawaii. Libretto by Chris-
topher Millis, music by Michael Cxajkowski. Theater
of the Open Eye, 316 E. 88th St. (534-6363). 6/
16-28, Tues.- Sat at 8, Sun. al 3. Tues. -Thurs. SS;
Fri.-Sun. $6.

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ART

Galleries

Gallaries ax« generally op«n Tu«s.-Sat. from
iMtween 10 and 1 1 to betwean 5 and 6.

SOLOS

S7th Strsat

POWER BOOTHE— Abstract "displacements" in oil,
thru 6/18. Sachs, 29 W 57th (421-8686)

JACK EARl*— Narrative sculpture and drawings in-
cluding a nude girl sitting on a bunch of bananas,
thru 7/7 Portnoy, 56 W. 57th (757-0461).

MAURICE OOLUBOV/KEN GREENLEAF-Major
works/Copper and steel sculpture. Thru 6/25.
deNagy, 29 W. 57th (421-3780).

FRANCES HAMILTON-A central image of per-
sonal mythology framed by beads, sequins and gou-
ache on paper, thru 7/4. Markel, 50 W S7th
(581-1909).

WILLIAM HARPER— Surreal brooches, amulets,
thru 7/3. Kennedy. 40 W. S7th (541-9600).

MAROIE HUGHTO-Painted ceramic tablets, thru
7/3. Emmerich, 41 E. 57th (752-0124).

FRANCES HYNES-Charcoal on paper, oil on can-
vas architectural simplifications, thru 6/19. Dinten-
fass, 50 W. 57th (581-2268).

LOinS KAHN-Drawings, thru 6/30. Prototch, 37 W.
57th (838-7436).

GRACE KNOWLTON-Photographic "white cor-
ners," thru June Herman, 50 W. 57th (757-7630).

LOWELL NESBITT— Animal garden, thru 7/11.
Crispo, 41 E. S7th (758-9190).

KENNETH NOLAND— A new series of shaped paint-
ings, thru 6/26. Emmerich, 41 E. S7th (752-0124).

J. DUNCAN PITNEY-Sea clouds, thru 7/3. Findlay,
17 E. S7th (421-5390).

JACK REILLY— Abstract illusionism, thru lune. Ber-
man, 50 W 57th (757-7630).

TOM STOKES— California color fields, thru 6/20.
Parsons, 24 W 57th (541-7288)

TURKU TRAJAN/WILLIAM ZORACH-Pamted
plaster and cement figures from mythology and the
Bible/Paintings and watercolors by this well known
sculptor. Thru 7/11. Zabriskie, 29 W. 57lh
(832 9034) Mon Fri. 10-5:30.

STEPHEN WOODBURN-Recent paintings, thru 6/
27 Rosenberg, 20 W. S7th (757-2700).

Madison Avenue and Vicinity

PIERRE ALECHINSKY-Recent lithos and etch-
ings, thru 7/2. Halioua, 37 E. 67th (794-2757).

MARK BAUM/OLIN DOWS-Selected paintings/
Large screens and prints. Thru 6/26. Salander-
O'Reilly, 22 E SOlh (879-6606)

ROBERTO CARBONE/IOHN PLUNKETT-De
tails of voluptuous ladies in lingerie/Battle. Thru 6/
27. Yves Arman, 817 Madison (570-2700).

JOSEPH CORNELL-Minatures, thru 7/30. Castelli
Feigen Coicoian, 1020 Madison (734-5505).

WILLIAM CROZIER-Cast bronze nudes, thru 6/20.
Fourcade, 36 E. 7Sth (535-3980).

IRENE DENDRINOS-Greece in oils, thru 6/20 Ta-
Nisia, 741 Madison (879- 15 10).

JOANNE HARTMAN-Paintings and drawings, thru
7/1. Ingber, 3 E 78th (744-3158).

ERICH HECKEL {1881-1970)-Early woodcuts,
etchings and lithos, thru 6/27. Sabarsky, 987 Madi-
son (628-6281).

HIROSHIGE— Woodblock prints by this Japanese
master, thru 6/20. Tsuru, 29 E. 61sl (888-7142).

DORIS LANIER— Eerie assemblages and xerox stills
of a lost and damaged father, thru 7/1 1. Orion, 835
Madison (535-3006)

A. OSCAR— Heraldic figures, sometimes abstracted in
imposto oil, thru 6/26. Graham, 1014 Madison
(535-5767).

FORTZ SCHOLDER-Works, thru 6/30 Weintraub,

992 Madison (879-1 195)
HILDA STECKEL — Circus performers in ceramic,

thru 6/26. BFM, 150 E S8th (755-1243)
JOANNE SYROP-Brightlypainted symmetrical

rocking horses and chairs, thru 6/20, Findlay, 984

Madison (249-2909)

82 NEW YORK/ JUNE 22, 1981

CY TWOMBLY— Lithos using drawings, elements
and collage, thru 6/27 Castelli, 4 E 77th
(288-3202).

PETER WALKER-The circus in many media, thru 7/
13. Bjorn Lindgren, 575 Madison (83B-3943).

JACK YOUNGERMAN-Three large scale "totems,"
thru 6/30 Entrance to Central Park, Fifth and 60th.

SoHo

GROVER AMEN/FANNIE LAGER-Poetry and

lyric abstractions/Wood carvings. Thru 6/28. Atlan-
tic, 458 W Broadway (228-0944).

JUD FINE — Two large drawings, three installations in-
cluding a bound hay tube, thru 6/27. Feldman, 31
Mercer (966-3008).

DAN FLAVIN- "Corridors in fluorescent light," thru
8/30 Castelli, 420 W. Broadway (431 5160)

MICHAEL GALLAGHER-Color abstractions using
realistic space/Members. Thru 6/27. Meisel, 141
Prince (677-1340).

STAN PESKET— An autobiographical walk-in instal-
lation, thru 6/30 Braathen-Gallozzi. 76 Duane
(732-4029)

PICASSO— Etchings, aquatints, lithos and tapestries,
thru 6/28. Dyansen, 122 Spring (489-7830).

PETER PLAGENS— Dyptychs using the universal
open circle juxtaposed with an eccentric shape, thru
7/8. Hoffman. 429 W. Broadway (966-6676)

RAY YOSHIDA— Tribal motifs in a system of tiny dots,
thru 6/20 Kind, 139 Spring (925-1200).

Other

GERALD HUTH— Constructions of shaped canvas
and wood, thru 6/28. Imperial, 69 University PI
(673-7710)

M. BROOK JONES-Seltzer boHle labels. 6/16-7/19.

Good Company, 339 Columbus Avenue (724-7244)
KARL KORAB— Industrial realism, thru 7/15. Horn,

503 Sixth (741-1450). Mon.-Fri. 11-7. Sal. 1-7. Sun.

2-6.

JOHN SUCHY-Drawings of New York City, thru 7/
15. Ragusa. 323 Amsterdam (362-0940)

RUFINO TAMAYO— Latest works on paper, thru 6/
19 Horn. 503 Sixth (741-1450)

GROUP SHOWS

57th Street

ADLER-37 W. 57th (980-9696). Color abstractions
by Bordo. wood, rice paper, bead constructions by
Chevalier, steel flags by Kagan. thru 7/3.

ESMAN-29 W. S7th (421-9490) "Artists Make Ar-
chitecture." constructions, thru 6/27.

FITCH-FEBVREL-5 E. S7th (688-8522). Print, from
the Ren6 Taz6 atelier, Paris, thru 6/30.

GRUENEBAUM-38 E. 57th (838-8245). Tues-
Thurs. 9 30 5:30. Brooks, Cavallon. Seery. thru 7/31

HEIDENBERG-50 W. 57th (586-3808). Works on
paper by Knutsson. Fricano. Solomon, 6/17-7/10.

MIDTOWN-11 E 57th (758 1900). Mon.-Fri. lO-S.
Bishop. Cadmus. Varga. 6/15-9/1.

OSCARSSON HOOD-41 W 57th (750-8640)
Works on paper by Willis plus a preview of Brown.
Brookner, Pels, thru 6/27,

PACE-32 E S7th (421-3292) Mon-Fri 9:30-5:30
Paintings and drawings by Dine, Dubufiet, Krasner,
Samaras, sculpture by Nevelson. thru 7/1.

PEARL-29 W. 57th (838-6310). Color, surface and
geometry in American paintings of the 40's and 50's
by Cavallon, Hald, Jensen, Sander, thru 6/30. Mon.-
Fri 10-5 30

SUMMIT-lOl W 57th (586-6734). Americans of the

30's and 40s including Gonzalez, Lozowick, Neel,

Solman, thru 6/26.
TOUCHSTONE-29 W. 57th (826-61 1 1) CampbeU,

Dworkin, Solow, thru 6/27.
ZARRE— 41 E. 57th (752-0498). Dialogues in new

works by Daphnis, Shaprio, Buonagurio, Boyd, thru

7/18.

Madison Avenue and Vicinity

ACA-21 E. 67th (628-2440). Tues. Fri. 10-5. Master
Americans Avery, Cornell, Hassam, O'Keeffe, plus
contemporaries Balcomb, Carruthers, thru 8/30.

ACOUAVELLA-18 E 79th (734-6300). Mon-Fri.
10-5. Connor, McKie. Schlesingar. Warren, 6/15-9/
1

ARSENAL-830 Fifth (360-8141). Mon.-Fri. 9-4:30.
Contemporary textiles, thru 6/25.

BOROENICHT-724 Fifth (247 2111). Applebrooq,
Jarden. Kim, Tewes. thru 7/3.

CICCHINELLI-15 W 29th (532-6566) Summer
gardens by Aiello. Cooperman, thru 6/27.

DEXrr8CH-43 E 80th (861-4429). Avery, Demuth,
Drewes. Henri, thru 7/4.

FORUM-1018 Madison (535-6080). Cloar, Gilleq>ie,
Levine, Lucchesi. thru 7/31.

GOETHE HOUSE- 101 4 Fifth (744-8310) Tues.,
Thurs. 11-7, Wed.. Fri.. Sat. 12-5. Natural science
and technology in 19th century Germany in draw-
ings, etchings, models, thru 6/27.

KNOWLTON-19 E. 71st (794-9700). Invitational of
new artists in New York City including Barchat,
Rupp, Stevens plus narrative tapestries by Urquharl,
thru 7/30.

LERNER-HELLER-956 Madison (861-9010) New

works by members, thru 6/27.
ODYSSIA-730 Fifth (541-7520). Drawings and

watercolors by Americans and Europeans, thru 6/30.
ROLLY-MICHAUX-943 Madison (535-1460).

Graphics by Appel, Calder, Dali, punle sculpture by

Berrocal, thru 9/30.
SHEPHERD-21 E 84th (861-4050). German draw-
ings and watercolors from 1780 to 1880, thru 7/11.
STAEMPFLI-47 E 77th (535-1919). Surreal sofa by

Arita, fuel pumps by Magee, torn triangles by Tol-

stedt, all drawings, thru 7/3.
STONE-48 E 86th (988-6870). Members, thru 6/30.

WIIiLARD-29 W. 72nd (744-2925). Humphrey. U-
Doux. Price, thru 7/2.

SoHo

BAYARD-4S6 W Broadway (477-3804) Canadian

realism, thru 6/28.
BOONE— 420 W Broadway (966-2114) Black en-
caustics by Bleckner, fresco portraits by McClard.

Salle. Winters, thru 6/30
BROMM-90 W Broadway (732-6196) New work by

new artists, thru 6/19.
COOPER-155 Wooster (677-4390). Andie, ludd, L»

Witt, thru 6/30.
COWLES-420 W Broadway (925 3500) Six Texans

including Surl's sculpture and Wade's paintings, thru

6/26.

DRAWING CENTER- 137 Greene (982 5266)
Sculptors' drawings from over six centuries, thru 6/
20.

ENO-101 Wooster (226-5342). Works on paper by 16

Rutgers graduates, thru 6/28.
HUTCHINSON- 138 Greene (966-3066). Painting

and sculpture by members, thru 7/31.
55 MERCER-(226-8513). Kalish, Uonard. Nachi,

Rothenberg, Smaka, thru 6/27.
MEYER-410 W. Broadway (925-3527). Installation

drawings by 53 artists, thru 6/27.
NEILL-136 Greene (925-8633). Stone sculpture by

Shepp. Wakita. thru 7/1.
PLEIADES-1S2 Wooster (475-9658). "CODA." 6/

16-28

SOHO CENTER-114 Prince (226 199S) Donate.

Honjo. Paquette. thru 7/25
THORP— 419 W Broadway (431 6880). Paintings and

works on paper by Fischl, Gornik, Schor, True, thru

8/1.

WARD-NASSE:-178 Prince (925-6951) Bold ab-
stractions by Miller, others, 6/20-7/9.

WEBER-142 Greene (966-6115). Reliefs by Arlan,
Benglis, Gummer, Levitt. Poxxi, Smithson, thru 6/27.

WESTBROADWAY-431 W Broadway (966-2520)
Form and surface in paint by Anderson, caseins by
Feinberg, ceramic and cloth in paint by Landa, the
body in photos by Miller, thru 6/25.

Other

AFRICAN TRIBAL ARTS-84 E. lOth (982-4556).
Royal and sacred circles in African masks, statues,
thru 9/8.

Cor

BACA-1 1 1 Willoughby Street. Brooklyn (596 2222)

Mon.-Fri. 1 1-4. Posters from exhibitions in New York

State and New York City, thru 7/1
CITY-2 Columbus Circle (974- 11 SO) Mon Fri

10-5:30- Cash. Driscoll, KozloH. von Rydingsvaard.

thru 6/19

F.I.T.-227 W. 27th (760-7614) American quilts, cov-
erlets, bedcovers irom two centuries, thru 6/23-

PRATT-BrookJyn, NY (636-3517) Paintings,
photos, collage by Aptekar, Barani, Barbera, Hel-
man, lagger, Semmel, Zises, thru 6/20

SEAGRAM-37S Park (572 7379). Mon -Fri. 10-4
Dreams and fantasies by Ernst, Masson, Man Ray,
Moholy-Nagy, Saret. thru 6/30-

SEAPORT GAUjERY, South Street Seaport Museum,
215 Water (766-9020). Wed -Sun. 11-5. River craft
on the Hudson from 1807 to 1927 including paint-
ings, prints, photos, models, ship ornamentation, thru
9/13.

8PACED-165 W 72nd (787-6350). 18th, 19th and
20th century prints of romantic desert ruins, thru 6/
27.

Photography

ARliENE ALDA— Nature color close-ups and behind-
the-scenes making of a motion picture, thru 6/27.
Nikon House, 620 Fiith (586-3907)

LAURENCE BACH— Recent studies in black and
white, thru 6/20 Samuel, 795 Broadway (477 3839)

MARCEI.-LOU1S BAUGNIET-Constructivist re-
liefs, collages, 1922-1933, thru 7/3. Prakapas, 19 E
71st (737-6066)

MARINO COtiMANO-Inside San Ouentin, thru 6/
26 Soho Photo, 15 White (226-4265) Fri Sun 1-6,
Tues. 7-9 pm

JED DEVINE-Palladium prints, thru 6/27 Wolf, 30

W 57th (586-8432)
FLOATING FOUNDATION-Pier 40 S W and S

Houston (242-3177) Thurs -Sun 12 30 6 New York

night life by 25, thru 6/28
FOTO-492 Broome (925 5612) Tues -Sal 1-6 "Sei

Object" by Kazimierski, coUaged and manipulated

by Sagabazarian, the semi-surreal by Singer, thru 6/

20

ROBERT HEINECKEN-' Videograms" produced

with multiple, manipulated photographic pictures,

thru 7/2. Light, 724 Fifth (582-6552)
KAREN TWEEDY-HOLMES/SAM HASKINS-

The nude/Surreal superimpositions. Thru 7/25.

Neikrug, 224 E. 68th (288-7741) Wed.-Sat. 1-6.
LINCOLN CENTER- 1 40 W. 65th (877-1800) NYC

Ballet, thru 6/28 Mon -Sat. 11-8
HERBERT LIST/DON MCCULLIN-40 years of

haunting surrealist images/War in Cyprus, the

Congo, Vietnam, Biafra. Thru 6/28. International

Center of Photography, 1130 Fifth (860-1777)
VIVIENNE MARICEVIC-Male strippers, thru 6/20.

Leslie-Lohman. 485 Broome (966-7173)
CHARLES MARVILLE-19th century Pans, thru 6/

26. French Institute. 22 E. 60th (355-6100)
LYNN RUSSELL-Summerscapes, 1980, thru 7/7.

Camera Club of New York, 37 E 60th (223-9751).

Mon.-Fri. 1-5-

SHELLY RUSTEN-Lower Manhattan with a sense
of surrealism/New York City from the permanent col-
lection Thru 8/20. Midlown-Y, 344 E 14th
(674 7200) Sun -Thurs 12-8, Fri. til 4

IAN SAUDEK-The first time in New York Cily for this
Czech artist, thru 6/30. Pfeifer, 825 Madison
(737-2055)

WASHBURN-42 E. 57th (753-0546) Portraits by Mi-
chaels, Erwitt, Horst, Krementz, thru 6/20-

Museums

AMERICAN CRAFT MUSEUM-44 W 53rd St
(397-0600) Tues . Sat. 10-5, Sun. 11-5 $1 Craft m
Process A Living Worlcshop, 6/19-9/6

AMERICAN MUSEUM OF NATURAL HIS-
TORY, CPW at 79th St (873-1300) 10-4 45, Wed.
10-8; Sat., Sun. 10-5. Contribution $2; children $1.
Recently opened Gardner D- Stout Hall of Asian Peo-
ples; 3,C)00 artiiacts and artworks, covering Turkey to
Japan, Siberia to India Joseph Wolf: Natural His-
tory Artist . The Glories of the Sea; Munyan Collec-
tion of Cone Shells . Arthur Ross Hall of
Meteorites. . Traditional Artifacts from Saudi
Arabia; thru 8/23 Shakespeare: The Globe and
the World; 6/18-9/20

BRONX MUSEUM OF THE ARTS-851 Grand
Concourse (681-6000) Mon -Thurs. 9-5, Sun
1 2:30-4:30. Free. Emerging Bronx Artists, thru 6/21.

BROOKLYN MUSEUM, 1 88 Eastern Pkwy
(638-5000) Wed -Sat 10-5. Sun 12-5 $1 50 sug-

gested donation. The Decorative Arts of Peru, thru
July . African Furniture and Household Objects; 6/
20-9/7 Paintings by Chao Chung-Hsiang; 6/17-8/
9

COOPER-HEWITT MUSEUM. Fifth Ave at 9l9t St.
(860-6868). Tues. 10-9, Wed -Sat, 10-5. Sun. 12-5.
$1,50; free Tues. after 5, Thru 8/9, Pottery from The
Cooper-Hewitt Collection. . . Thru 8/23, Gardens of
Delight 6/16-8/16. The Moving Image; the Art of
Animation.

FIRE MUSEUM-104 Duane St (570-4230). Hon -
Fri. 9-4, Sat. and Sun. 9-2. Free. Located in an old
firehouse, and operated by the city's Fire Depart-
ment, it displays firefighting apparatus of the past
and today— uniforms, sliding poles, fire-boat equip-
ment.

FRAUNCES TAVERN MUSEUM-Broad and Pearl

Sts. (425-1778) Mon.-Fri. 10-4. Free. A city land-
mark; period rooms, Washingtonia, etc. Thru 6/19:
Tea, A Revolutionary Tradition; decorative arts,
paintings, documents. . . Thru 6/21, Freedom of the
Press; The Anglo-American Struggle, 1644-1837.

FRICK COLLECTION, 1 E 70th St. (288-0700),
Tues Sat. 10-6; $1 Sun. 1-6; $2. From 6/3, Wed -Sat.
10-6; Sun. 1-6. Children under 10 not admitted. Jean-
Antoine Houdon: Eight Portrait Busts; thru 6/9.

GUGGENHEIM MUSEUM. Fifth Ave at B9th
(860- 1313) Tues, 1 1 -8, Wed.-Sun. 1 1 -5. $2. Pioneers
of Twentieth -Century Art including Picasso, Braque,
L^ger, and Mondrian. . . Arshile Gorky, 1904-1948;
A Retrospective; thru 7/19, . . European Paintings
from the Permanent Collection; thru 7/19.

JEWISH MUSEUM-Fifth Ave at 92nd St.
(860-1888). Mon.-Thurs. noon-5; Sun. 11-6. Closed
Fri., Sat,, major Jewish holidays. Visions of the Bible:
prints from the Daniel M. Friedenberg Collection;
thru 6/21... Maurice Golubov: Paintings
1925-1980; 6/16-8/23.

METROPOLITAN MUSEUM OF ART, Fifth Ave
at 82nd (879-5500). Tues. 10-8:45; Wed.-Sat.
10-4:45, Sun. 11-4 45. $3.50. New Sackler GaUery
for Assyrian Art, sculpture, ivory, stone reliefs. . . For
Spirits and Kings: African Art from the Paul and Ruth
Tishman Collection; thru 9/6. . New American
Wing, furnishings, artworks, architectural settings. . .
American decorative arts; glass, ceramics, pevrter
and silver. . . Andr6 Meyer Galleries for 19th-century
art. . . In the Costume Institute, thru 8/30: The Man-
chu Dragon, Costumes of China, the Ch'ing
Dynasty. . . Terracottas from the Arthur M. Sackler
Collection; thru 9/6. . . An American Choice: The
Muriel Kallis Steinberg Newman Collection; thru 9/
27 . . German Masters of the 19th Century: Paintings
and Drawings from the Federal Republic of Ger-
many: thru 7/5 . . Douglas Dillon Galleries for Chi-
nese Paintings and The Astor Court, recreation of
16th Century Chinese Garden Courtyard; from 6/18.

PIERPONT MORGAN LIBRARY-29 E. 36th St
(685-0008), Tues.-Sat 10 30-5, Sun, 1-5. Free. Thru
7/31, British Literary Manuscripts, 1800-1914. ..
David Levine Caricatures of British Authors. . Piano
Music of Two Centuries

EL MUSEO DEL BARRIO, 1230 Fifth Ave.
(831-7272). Tues. -Fri. 10 30-4:30; Sat. Sun. 11-4 The
Golden Age of Spain: Theatre and Period Dress, thru
8/31

MUSEUM OF AMERICAN FOLK ART--49 W

S3rd St (581-2474) Tues -Sun 10:30-5:30; Tues.
5:30-8. $1, tree Tues. eve Anonymous Beauty:
Quilts. Coverlets, and Bedcovers-Textile Treasures
from Two Centuries; thru 8/23

MUSEUM OF THE AMERICAN INDIAN, Broad-
way and 155th St (283-2420) Tues -Sat ; 10-5 Sun.
1-5. $1.50. Art and artifacts from North and South
America, ancient to modern Arctic Art; thru 9/30.
Glimpses at 65; thru 11/1.

MUSEUM OF BROADCASTING- 1 E S3rd St
(752-7684). Tues -Sat 12-5. $2 Cassettes avaUable
for viewing at museum include documentaries, news,
dramatic and comedy shows Also special screenings
every day

MUSEUM OF THE CITY OF NEW YORK, Fifth
Ave. at 103rd St (534-1672). Tues.-Sat. 10-5; Sun.
1-5 Free. Salute to Vera Maxwell, a retrospective of
her fashion designs, '30s to the present; thru 9/7. . .
The Big Apple; multi-media history of New York. . .
New York Collects: recent aquisitions by the Depart-
ment of Paintings, Prints & Photographs; thru 9/13. . .
Lucille Lortel: Queen of Off Broadway; thru 8/16. . .
Dolls Magic Journey and Dolls that Traveled. . . June
Doll-Brides; thru 9/7 . . Pierre Alechinsky A Print
Retrospective; thru 8/11

MUSEUM OF HOLOGRAPHY- 11 Mercer St
(925-0526) Wed.-Sun. 12-6, Thurs to 9. $2. In Per-
spective, permanent exhibition on development of
holography from 1947 Light Years III. . . Fringe
Scapes '81. multimedia art by Hlynsky and Sowdon;
thru 7/12

MUSEUM OF MODERN ART, 11 W 53rd
(956-7070) Fri.-Tues. 1 1-6; Thurs. to 9, closed Wed
$2.50 Photoqraphs by AUred Capel-Cure; thru 6/
28. . , Before Photography; Painting and the Inven-
tion of Photography; thru 7/S. . . Dorothea Rock-
bume: Locus; thru 7/7. . . Pierre Alechinsky: A Print
Retrospective; thru 8/11.

NASSAU COUNTY MUSEim OF FINE ART. 1
Museum Drive, Roslyn. L.I. (516-484-9337). Tues -
Fri. 10-4:30; Sat., Sun. 1-5. $1 suggested donation.
William Cullen Bryant and the Hudson River School
of Landscape Painting, thru 7/19.

NEW MUSEUM-65 Fifth Ave. (741-8962) Mon.-Fri.
12-6, to 8 Wed.; Sal. 12-S. Alternatives in Retrospect;
An Historical Overview 1969-1975; thru 7/16 . .
14th Street "Window": Similarities and Differences
by Bai Beirne; thru 7/16.

NEW- YORK HISTORICAL SOCIETY, Central
Park West at 77th St. (873-3400). Tues -Fri 11-5, Sat.
10-5, Sun. 1-5. $1.50. Permanent: New installation
devoted to children's playthings. . . The Cries of New
York: 2 1 watercolors painted in the 1 840's by
Nicolino Calyo.

NEW YORK PUBLIC UBRARY-Central Building,
Fifth Ave. and 42nd St. DaUy ex. Thurs. and Sun.
10-6; some collections to 9. The Bard and the Book:
17th-century editions of Shakespeare's works; thru
Aug. . . Memento Mori: Works by Durer, Kathe KoU-
witz & German Elxpressionists; thru July . . Typo-
graphical Smallwares: Ephemera from the
Collections. . . Mirror the World; A Survey of
Satire. . . Library al Lincoln Canter, 111 Amster-
dam Ave.: Closed Sun.; some closed also Wed. Boris
Aronson; From his Theatre Work; thru 8/15, . . Hom-
age to Music: album covers and canvases by Alex
Steinweiss; thru 6/20.

QUEENS MUSEUM. New York City Bldg . Flushing
Meadow (592-5555). Tues.-Sat. 10-5; Wed, to 9; Sun.
1-5. Contribution suggested. Vuillard, Drawings
1885-1930; thru 7/19. . . The Book: Seven Artists/
Different Visions; thru 8/9. , . Trylon & Perisphere:
Icon of the Future; irom 6/20.

STUDIO MUSEUM IN HARLEM-Fifth Ave at

1 25th St. (427-5959). Tues.-Fri. ia6. Sat. and Sun.
1-6. $1. Permanent: Photographs by James Van
Derzee.

WHITNEY MUSEUM. Madison Ave at 75th
(570-3676) Tues. 11-8, Wed.-Sat. 11-6. Sun. 12-6.
$2, free Tues. after 5. Close Portraits: 65 works from
1968 to 1981; thru 6/21. . . 1940-1950: Decade of
Transition; thru 7/12. . . O. Louis Guglielmi; The Sur-
realist and Magic Realist Work; thru 7/5.

YESHIVA UNIVERSITY MUSEUM. Amsterdam
Ave, at 185th St. (960-5825), Tues.-Thurs. 1 1-5, Sun.
noon-6. $1 adults, 50 cents children. Music in An-
cient Israel, and Daily Life in Ancient Israel. Instru-
ments, {uchaeologicai objects, thru June. . . Terexin
1942-44: Through the Eyes of Norbert Troher, thru
Dec.

Auctions

CHRISTIE'S-502 Parle Ave at 59th St (546-1000)
6/22 at 10 a 2: English & Continental SUver and
Objects of Vertu, Watches and Russian works ol Afl.
On view horn 6/17. Eut. 219 E. 67th Si. (570.4141).
6/16 at 10; Oriental Works of Ait. On view from 6/
12. 6/17 at 2: Good Oriental Rugs and Carpets On
view from 6/13. 6/19 at 10: Continental, English and
American Silver. On view from 6/15.

DOYIjE, 175 E 87lh St. (427 2730) Nest Sale 6/24.

PHILUPS. 867 Madison Ave at 72nd St. (570-4830).
6/15 at 4: Stamps. On view 6/15. 6/16 at 10: Antique
and Modern lewelry. On view from 6/13. 6/18 at 2:
Ancient & Foreign Coins and Medals. On view from
6/16. 6/22 at 2: European Porcelain. On view from
6/18. 525 E. 72nd St (570-4842). 6/16 at 1 1: Fine
Furniture & Decorations. On view from 6/13.

SOTHEBY PARKE BERNET-980 Madison Ave at
77th St (472-3400) Open Mon. by appt. only. Tues -
Sat. 10-5, Sun. 1-5, Tues. to 7:30. 6/16 at 2, 6/17 al
1 0: 1 5 & 2: Antique and Period Jewelry. On view from
6/12. 6/19 al 10:15 A 2: American 19th & 20th Cen-
tury Paintings, Drawings, and Sculpture. On view
from 6/13. 6/20 al 2: Fine Posters. On view from 6/
13 York Ave. GaUeries, al 72nd St (794-3000)
Mon -Sat 10-5, Sun. 1-5, Tues. to 7:30 6/16 al 10:15
A 2: English and Continental Silver and Objects of
Vertu. On view from 6/12. 6/17 at 2: Important Sil-
ver. On view from 6/13. 6/17, 18, al 9:30 & 1.00:
Sotheby's Arcade Auction. On view from 6/13. 6/17
at 10:15, 6/18-20 al 10:15 & 2: Victorian Inlerna-
lional; Property from Ihe Collection of Maria leritza
Seery On view from 6/13 84th St. Galleries
(472-3400). 6/22 al 2: Printed and Manuscript
Americana. On view from 6/17.

JUNE 22, 1981 /NEW YORK 85

OTHER EVENTS

Happenings

A MHiE OF MUSEUMS 20-plui blocks of art and
entertainment, otherwise known as Museum Mile, is
now an annual street festival. This year the date is
6/16, and Fifth Ave. between 86th and lOSth Sts. will
be closed to virtually all traffic from 6 to 9 p.m. Enter-
tainment in the street and in the ten museums along
the "mile," special hours in nearby Madison Avenue
shops and restaurants, access to the museums' cur-
rent shows — you'll have to hurry to take it all in.
There's Bach at the Met (82nd). folk music at El
Museo del Barrio (105th), jass at Cooper • Hewitt
(91st) and the International Center of Photography
(94th) — something going on in each. Besides the al-
ready mentioned museums, you'll find open-house
hospitality at (in northward geographical order) Goe-
the House (B3rd), YTVO Institute for Jewish Research
(86th), the Guggenheim (88th), National Academy of
Design (BSth), the Jewish (92nd), City of New York
(103rd). Each is free that evening, except the Met,
which has a pay-what-you-wish policy. Drop in, too.
at the N.Y. Academy of Medicine, 103rd St, and the
Church of the Heavenly Rest, 88th, which also plan
special goings-on. . . Now, a request: Will somebody
appoint a fun-and-culture coordinator so there
will be no more conflicts like the unfortunate sched-
uling of Museum Mile and the Met Opera's first park
concert on the same evening?

AMERICA— A musical celebration at Radio City Mu-
sic Hall. Sixth Ave. and 50th St. (246-4600). Thru
Sept. 9. Daily at 2:30 and 8. No pertormances
Thurs. $11.73- $14.75.Note: No2:30,6/21,23,or24.
IN ART CIRCLES— News includes two shows in the
open air: Artists Bring the World Together, 6/20-21.
noon-6 each day, will focus on both fine-arts exhibits
and the performing arts, with those whose talents "ei-
ther depict or are inspired by a country or a cultural
heritage" (does that forget anyone out there?). Music
of all kinds, along with the arts and crafts. At Lincoln
Center's North Plaza. . . 6/20-9/13, Creative Time's
Art on the Beach will be one big outdoor art show,
with changing displays as background for music,
dance, and performance artists who will turn up
throughout the summer. The site is Battery Park City
Landfill, Gate 19, Chambers and West Sts., and we'll
list the pertormers in the appropriate columns. Ex-
hibit hours: Wed. -Sun. noon- 5: 30; free, but with an
admission for some performances.
NEW YORK EXPERIENCE-Multi-screen specta-
cle of New York's past and present. Shown on the
hour, Mon. -Thurs. 11 a.m.-?; Fri. and Sat. 11-8; Sun.
noon-8. McGraw-Hill Bldg., Sixth near 48th
(869-0345). $3,50, $1.75.
FESTIVALS AND SUCH It's time for one of our big-
gest block parties, this one the annual 52nd Street
Fair, 6/21, 1 1-7, from Third to Ninth Aves. The area's
restaurants, vendors in all categories, and street en-
tertainers in all moods will take part. Rain date is 6/
28. . . A Chip Off the Old Block- a name we like
—invites everyone to watch pro athletes like Dave
DeBusschere and Spider Lockhart tackle experts in
street games— 100 PAL youngsters— 6/20, 1-4.
Choose your team in wiHle-stickball, potsy, double-
dutch, and cheer the players on. W. 77th St between
Central Park West and Columbus Ave. Free. . . Jew-
ish Expression in the Arts is a two-part, two-neighbor-
hood festival combining music, dance, food, arts, and
crafts. 6/21, it's the Lower East Side, at Rutgers and
Grand Sts., and 6/28, the Upper West Side's turn is
on West End Ave. between 76th and 79th Sts. Both
days, the fun goes on from 1 1 a.m. to 7 p.m. . . In
Brooklyn, recently re-landscaped Ocean Parkway is
staging a roundup of foods , crafts and entertain-
ment, from Ditmas Ave. to Ave. I. Date is 6/21, from
1 1 a.m. to dusk. . . Clearwater's Great Hudson River
Revival '80 calls itself "a radiant festival," and it may
well be. On hand: the Weavers, Holly Near, Fiction
Brothers, Brass Ouintet, Maxine Sullivan, and many
more performers. Croton Point Park, on the Hudson
(info: 914 454-7912), 6/20-21. II to dusk. $11 one-
day, $ 1 9 two-day tickets; less in advance. Have fun. . .
A moonlight cruise around Manhattan's rivers and
harbors will be a fund-raiser for the Natural Re-
sources Defense Council (949-0049). 7 p.m., 6/16,
from Pier 83 at West 43rd St. and the Hudson. Live
music, country dancing, a box supper, wine— $20. . .
The Washington Square Fair, foot of Fifth Ave. below
8th St., is a benefit for the greening-cleaning of the
park, and it happens 6/20, 11 a.m.-10 p.m. Chil-
dren's fun, games, disco, skating, and all kinds of
music, foods, and the rest.

Sports

BASEBAUi-Mets, al Shea Stadium, Flushing
(672-3000); S4-$7. 6/15 at 5:35 (doubleheader), 6/
16 at 8:05, vs. Atlanta. Away 6/17-25. . . YankMS,
at Yankee Stadium (293-6000), $1.50-$7.50. 6/16,
6/17, 6/18 at 8, n Calilornia. 6/19, 6/20 at 8, 6/21
at 2, vs. Minnesota. 6/22-25 at 8, vs. Boston.

SOCCER— Cosmos, at Giants Stadium, Meadow-
land*, E. Rutheriord, N.I. (ticket inio: 265-8600), $7,
$12; children $4, $12. 6/21 at 2:30, vs. Los Angeles.

RACING— Thoroughbreds at Belmont Park, Elmont,
L.I. (641-4700). Daily except Tues. Post lime. 1 p.m.;
Sun. 1:05. $2.

Tours

EAST SEVENTIES— The fashionable East Side. Up-
per Fihh Ave. and the side streets. 6/21, meet at 2,
St. lean Baptiste Church, 76th St. and Lexington Ave.
Museum oi the City of New York (534-1672). Rain or
shine. $5.

BICYCLE BACK TO MANHATTAN, from Howard
Beach, with Friends of the Parks 6/21 at 1:15, meet
at Time-Life Bldg.. Sixth Ave and 50th St., to catch
the train to the plane to Howard Beach, for the ride
back (861-9696). $1, plus $4 train fare.

HELL'S KITCHEN- Walking tour of this re-burgeon-
ing midtown West Side area. 6/20, meet at noon, NW
corner of Eighth Ave. and 50th St. Adventure on a
Shoestring (265-2663) $3.50.

DISCOVER NEW YORK TOURS, by Municipal Art
Society (935-3960). Emphasis is on history and archi-
tecture of both past and present, in three separate
tours each Sun. at 2. 6/21: "Canyons of Stone, Cliffs
of Glass"— the financial district; meet at the old Cus-
toms House, Bowling Green. . . "The Brooklyn
Promenade"— Brooklyn Heights; meet in front of
Borough Hall, Brooklyn. . . "An Urban Suburb"— the
Upper West Side; meet SW corner of Central Park
West and 73rd St. Each tour, $5.

EAST HARLEM/SOUTH BRONX-Focus is on
public policy, urban design, what makes a successful
community. 6/21 at 1:30, bus leaves from Hunter
College, Park Ave. between 68th-69th Sts. Planners'
New York Tours (734-1366). $10.

FULTON FISH MARKET-6/18, 6-8 a.m. See this
bustling landmark at its busiest hour, then wind up
with a chowder breakfast. Starts from Education
Workshop, South Street Seaport, 165 lohn St.
(766-9062). $12.

CITY EDGES— Exploratory walk over the Brooklyn
Bridge, with focus on history and architecture. 6/21,
12:30-3. Meet at South Street Seaport Gallery, 215
Water St. (766-9062); $4.50.

CENTRAL PARK TOUR-Hold on-this time it's Riv-
erside Park; 6/20 at 2, meet at Riverside Dr. and 76th
St. Led by the Urban Park Rangers (397-3 1 56). Free.

LOWER EAST SIDE AND JEWISH LAND-
MARKS— Visit a kosher winery. Orchard St.; trace
the development of the lewish community. 6/21 at 2,
meet in front of Garden Cafeteria, E. Broadway and
Rutgers St. Holidays in New York (765-2515). $4.
Rain or shine.

TWO SEASIDE COMMUNITIES-Sea Gate and
Brighton Beach, the former a private residential com-
munity, the other a bustling center now home to many
Russian immigrants. 6/21, 10:30-3. Call 92nd St. Y to
register (427-6000). $6.

BROOKLYN HEIGHTS-Begins with a walk across
Brooklyn Bridge into history, with emphasis on devel-
opment of the borough, led by Pace U.'s loaeph
Hores. 6/21, meet at 2, by the Benjamin Franklin
statue. Pace's campus, across from City Hall and ad-
jacent to the Bridge at Spruce St. (285-3331). $4.

NEWSPAPER QUARTER- A tour with a literary ac-
cent, following Edgar Allan Poe around the area
where he worked in 1844-45. 6/20 at 2:30; meet at
Nevelson Plaxa at Maiden Lane. Liberty, and William
Sts. Academy of American Poets (427-5665). Free.

Children

THE SPnUT OF THE GOLDEN STOOL-Harlem
Children's Theatre Co., in a story told through poetry
and dance. Lion Theater, 422 W. 42nd St.

(279-4200) 6/19 at 7:30. 6/20 at 1 and 4 30, 6/21

at 1 and 4:30 $5.
HELP THE DRAGON GROW-Universal Symphony

Woodwind Quintet in a chamber concert, music by

Nielsen. Community Church, 40 E. 3Sth St.

(341-0883), 6/21 at 2:30. $2, adults $3.50.
CAPTAIN BOOGIE AND THE KIDS FROM

MARS, a rock-'n'-roU space odyssey, by 4th Wall

Repertory Co., Truck A Warehouse, 79 E. 4th St.

(254-5060). Sat. and Sun. at 3:30. $1.50, adults

$2.50.

GIMBELS, free events. The Brementovm Musicians,
Penny lones & Co. Puppets. Broadway and 33rd St.
6/21 at 1:30. . . Puppet Fun. with Pegasus. Gimbels
East, Lexington Ave. and 66th Street. 6/ 21 at 2.

13TH STREET REPERTORY COMPANY-Tlie
Emperor's New Clothes, a musical; Sat. at I. The
Saow White Show, a musical; Sun. at 1 (741-9282). . .
Michael the Magician, Sun. at 3. 50 W. 13th St.
(675-6677). $2.

ALFRED THE DRAGON, Children's Improv. Co.
New Media Repertory Co.. 203 E. 88th St.
(86a8679), Sat. at 3:30. $2.50, adults $3.

JACK AND THE BEANSTALK-Hudson Valley Ma-
rionette Co. The Puppet Store, 477 Atlantic Ave..
Brooklyn (625-3893). Sat. at 1. $2.

8INBAD THE SAILOR, an adventure. Off Center
Theater, 436 W. 18th St. (929-8299). Tues., Wed.,
Thurs. at 10:30 a.m., thru 6/25. $2.50.

LITTLE PEOPLE'S THEATRE CO.-GoldUocIa at
1 :30. Alice in Wonderland at 3. Sat. and Sun., thru 6/
28. Courtyard Playhouse. 39 Grove St. off Sheridan
S<iuare (765-9540). $3. Note: reservations are a must.

FAO SCHWARZ, Fifth Ave. at 58th St. (644-9400)
Thru 6/20, during store hours: "Parade of Dolls." an
exhibition of unique dolls from private coUectioiu
and today's favorites.

MAGIC MATINEE, with audience participation.
Mostly Magic, 55 Carmine St., near W. 4th
(924-1472). Sat. at 3. $3. Reservations required.

YUEH LUNG SHADOW THEATER-Classic leg-
ends of the East. Wave Hill, Independence Ave. and
249th St. (549-2055). 6/21 at 1:30. $1.50. adults $3.

THE TOWN MOUSE AND THE COUNTRY
MOUSE-Rainbow Puppet Works. N Y. PubUc Li-
brary. University Ave. at 181st St.. Bronx. 6/18 at
3:30. Free.

MAGIC TOWNE HOUSE, 1026 Third Ave.. 60lh-
6l8t (752-1 165). Shovrs feature magic, comedy, live
birds, a bunny rabbit, and audience participation.
Sat. and Sun. at 1, 2:30, 4. $4 (reservations required;
all adults must be accompanied by a child).

STORYTELLING-Hans Christian Andersen statue.
Central Park, at the model-boat pond, off Fifth Ave.
and 72nd St. Sat. at 1 1 a.m. 6/20, "The NighUngale,"
Free.

THE ME NOBODY KNOWS, a musical by Gary
William Friedman and Will Holt. Children's Dance
Theatre Co., 133 W. 21st St. (242-0984). 6/19 at
7:30, 6/20 at 2, 6/21 at 4. $3.50.

METROPOLITAN MUSEUM-Fifth Ave and 82nd
St. (879-55(X)). Pay-what-you-wish admission. In the
2nd-floor Children's Bookshop: Storytime, 20-minute
informal readings. Sat. and Sun. at 3 and 4. . . Riddles
and Rhymes, with writer Peter Trachtenberg. 6/
20-2 1 , 1-2. . . Weekend programs around a theme. 6/
20-2 1 : Colors. . . Tues. at 7: gallery talks for parents
and children, meet at desk in Great Hall. 6/16: Mod-
ern Painting.

G.A.M.E.— Manhattan Laboratory Museum. 314 W.
54th St. (765-5904). 11-5 Tues.-Sat. Donation. Mul-
timedia museum. Games, demonstrations, etc. Also
aiter-school workshops in many subjects. . . Photo-

2raphs by Elliot Hess of the Empire State Bldg. . . The
istening Laser. . . Betty Klavun's sculpture Manhat-
tan Tree House to climb. . . 6/20: "Twas the Day
Before Father's Day-bring him or a special someone
for a day of creative activity. Poetry workshops at
1:30 and 3.

FROM INKWELLS TO PUPPETS- Early anima-
tion films. 6/20 at 2:30: Cartoon Menagerie. Queens
Museum, NYC Building, Flushing Meadow
(592-5555). Adm. by Museum contribution.

STATEN ISLAND CHILDREN'S MUSEUM, 15
Beach St., S.I. (273-2060). Tues.-Fri. 3-5, Sat. and
Sun. and school holidays 1-5. 50 cents, $1 adults.
Hocus-Focus, exhibit on art and visual perception. 6/
14 at 2: Dragon Train; discover fantastic 6/20 at 2:
Haywire, Claywire, a sculpture workshop. . . 6/21 at
2: Caren Acker and "A Pocketful of Whales."

86 NEW YORK/JUNE 22, 1981

Cv

RADIO HIGHLieHTS

W«d., Jun. 17

3K)0/WNCN-FM-
BMthOT*n: Rondo for
PtAno in C, Op. 51
(Kempff).

3:05/WOXR-AM/rM-
Uttini: U Re Pastore Ov.
Dabuuy: Images for
Orch: Bondes de
Printemps.

4:00/WNCN-FM-Ia»«t

(arr. Hubay): Hungarian
Rhapsody for Violin and
Orch (Glenn/Landau).
S:00/WNCN-FM-Fux:
Sonata a quattro
(Harnoncourt).
6:00/WNCN-FM-
Mendelasohn: Violin
Cto in e, Op. 64
(Heifetz/Munch).
6:30/WNYC-FM-
MendeUsohn: Ov
"Calm Sea and
Prosperous Voyage,"
Op. 27 (Haitink).
Mussorgsky: Pictures at
an Exhibition (Davis).
7:00/WNCN-FM-
Stravinsky: Circus
Polka (Stravinsky).
7:05/WOXR-AM/rM-
Boris Chistoff, basso.
8.00/WNYC-FM-
Russo: Three Pieces for
Blues Band and Sym
Orch, Op. 50, 1958
(Siegel-Schwall, Osawa).
Prokofiev: Ivan the
Terrible, Op.
116,1942-45 (Vokelaitis,
Carlsen, Voketaitis,
Slatkin)

8:05/WOXR-AM/FM-
Haydn: Sym O I(X) in G
(Davis).

9K)0/WNCM.rM-
Chopin: Piano Sonata
# 3 in b. Op. 58
(Argerich).

Thu., lun. 18

3:00/WNCN-FM-
Wegner Faust Ov
(SsaU).

WNYC-FM-Baxber:

String Ot.

3:05/WOXR-AM/FM-
Schubert. Der

Vierjahrige Posten Ov
4K)0/VVNCN-FM-
Feuxe: Ot in e. Op. 121.
5:00/WNCN-FM-
Paganini: Caprice in a.
Op. 1 (1. Oislrakh,
Zertsalova).
6:00/WNCN-FM-
Chopin: Mazurka U 38
in f-sharp. Op. 59
(Horowitz).
6:30/VraYC-rM-
Shoetakovich: Sym tt7.
Op. 60 (Haitink).
7:00/WNCN-FM-J.
Staxnitz: Sinfonia
Pastorale in D, Op. 4
(Hogwood).

7:OS/WOXRJIM/FM-

Leonard Pennario,
pianist.

8:00/WNCN.FM-
Hazidel: Chandos
Anthem « 2: In The
Lord I Put My Trust
(Boatwright, Bressler/
Mann).

WNYC-FM-
Hindemith: Symphonic
Metamorphosis on
Themes of Carl Maria
von Weber (Shaw).
Faure: Impromptu for
Harp (Lehwalder).
8:0S/WOXR-AM/FM-
Sainl-Saene: Cello Cto
# 1 in a. Op. 33
(Gendron/Benzi). Gliere:
The Red Poppy:
Excerpts (Payer)

Fri., Jun. 19

3:00/VffNYC-FM-
Ijuc-Ferrari: Presque
Rien.

3:05/WOXR.AM/FM-
Rameau: Pygmalion
Ov

4:00/WNCN-FM-
Ditiersdori: Paitita for 2
Oboes, 2 Horns and
Bassoon in D.
5:00/WNCN-FM-
Grainger: Handel in the
Strand (Adni).
6:00/WfNCN-FM-
Francaix:
Divertissement for
Bassoon and String Ont
CMelos)

6:30/WNYC-FM-
Poulenc: Les Chemins
de I'amour.
7:00/WNCN-FM-
Mehul: Les Deux
Aveugles de Tolede: Ov
(Couraud).

7:05/WOXR-AM/FM-

Sir Georg Solti,
conductor.
7:30/WNYC-FM-
Mozart: Don Giovanni
(Diaz, Ramey, Vaness,
Anderson, Kays/
Mauceri).

8:00/WNCN-FM-
Telemann: Oboe
d'amore Cto in A
(Clemenl/Redel)
8:0 5/WOXR-AM/FM-
Atterberg: Suite
Barocco, Op. 23
(Atterberg). Ravel:
Daphnis and Chloe:
Conclusion (Boulez).
9:00/WNCN-FM-
Hindeznith: Viola
Sonata, Op. 11.
9:05/WOXR-AM/FM-
Beethovan: Egmont Ov,
Op 84 (Tennstedt).

Sat, lun. 20

9K)5 a.n>./WOXR-
AM/FM-Schubert:

Waltzes, Op 18
10:00 a.m./WNCN-FM
—Bach: Fantasia and
Fugue in a (Durufle).
10:05 a.m./WOXR-
AM/FM— LUat: Tasso
11:00 a m /WNCN-FM
— Mozarl: Sym in C, K.
128 (I Musici).
12:00/VraCN-FM-J.
Stzauas Jr.: A Night in
Venice: Ov (Rudel).
WNYC-FM-Vivaldi:
Cto Grosso in d. Op. 3
(Stokowski). Bach:
Passion According to St
Matthew, S 244
(Moyse).

1 2:05/WOXR-AM/FM
— Sammartini: Sym in
A.

2K)5/WOXR-AM/FM-
Biael: Carmen.

3:00/\WNCN.FM-
Freecobaldi: Canxoni a
due canti for Flute,
Oboe, and Continue.
4K)0/WNCN-FM-
Schubert: Piano Sonata
in A, Op. Posth.
(Kempff).

6K)0/WNCN.FM-
Saint-Saena: Morceau
de Concert, Op. 1 54
(Michel/F roment).
7:00/WNCN.FM-
Ofienbach: Tales of
Hoffmann: Doll Song
(Mesple/Marty).
8:00/WNCN-FM-
Tchaikovsky:
Nutcracker, Op. 71:
Waltz Finale (Gould).
8:05/WOXR-AM/FM-
Beethoven: Trio in c.
Op 9

9:00/WNCN-FM-
Vardi: Ballo in
Maschera: Arias (Callas/
Rescigno).

9:05/WOXR-AM/FM-
Schumann: Six Studies
of Francis Bacon
(Maazel).

Sun., Jun. 21

10:00 a.m./WNCN-FM
—Ponce: Sonata # 3:
Cancion; Postlude
(Segovia).

10:05 a.m./WOXR-
AM/FM— Piaeloriua:

Canticum Trium
Puerorum.

11:00 a.m./WNCN-FM

—Greek Liturgical Music
(Theophilopoulos),
1:00/WNCN-FM-
Berg: Violin Cto
(Altenburger/Levine).
1:30/WNYC.FM-
Baeh: The Musical
Offering (Roseman).
3:00/WNCN-FM-
Beethoven: Piano
Sonata # 20 in G, Op.
49 (Brendel).
3:05/WOXR-AM/FM-
Schuxnan: Sym #9
(Mehta) Brahma: Violin
Cto in D, Op. 77.
4:00/WNYC-FM-
Debuaay: Prelude to the
Afternoon of a Faun,
1930 (Moyse/Slaram).
S;O0/WNCN-FM-
Bartok: Rhapsody # 1
for Violin and Orch
(Gertler/Ferencsik)
6:00/WNYC-FM-
Handel: Sonata in F.
7:00/WNCN-FM-
Puccini: Manon Lescaut
(Albanese, Bjoerling,
Merrill/Perlea).
7:05/WOXR-AM/FM-
Wanda Wilkomirska,
violinist.

8:00/WNYC-FM-
Menin: Moby Dick.
8:0S/WOXR-AM/FM-
Verdi: Falstaff
10:00/WNCN-FM-
Nielsen: Woodwind
Ont, Op. 43.

Mon., Jun. 22

3:00/WNCN-FM-
Pleyel: Flute Qt in D,
Book 3 (Rampal,
Gendre, Lepauw, Bex).
WNYC-FM-Bernatein:
Mass.

3H}S/WOXIt-AM[/FM-
Boyca: Ov to His
Majesty's Birthday Ode,
1769. Lambert The Rio

Grande.

S:00/WNCN-FM-
Souaa: Marche
Americaine (Dondeyne).
6O0/WNCN-FM-
Biaet Carman: Suite # 1
(Toscanini).
6:30/WNYCFM-
Brahma: Cto in a for
Violin and Cello, Op.
102 (Zukerman, Harrell/
Mehta).

7O0/WNCN-FM-
Duparc: Vie Anterieure

(Toxirel, Berr tein).
7:05/WOXR-AM/rM-
George London,
bass- baritone.
8:00/WNCN.FM-
Granadoa: Canciones
amatorias (Caballe/
Ferrer).

WNYC-FM-Bach:

Brandenburg Cto # 4.
Bartok: Cto for Orch
(Whun-Chung)
8:05/WOXR-AM/FM-
Reapighi: The Birds
(Dorati). Falla: EI Amor
Brujo (Horne/Bernstein).
9:00/WNCN.FM-
Schumann: Violin
Sonata in a. Op. 105
(Laredo, Kallir),
Frauenliebe und Leben,
Op. 42 (Ciesinski,
Frank).

Tue., Jun. 23

3:00/WNCN.FM-
Caaadeaus: Piano Cto,
Op. 37 (R Casadesus/
Martinon).

WNYC-FM-Liaat Ute

Piano Works.
3:05/WOXR-AM/FM-
Bach: Sinionia for solo
Violin, 3 Trumpets, 2
Oboes, and Strings.
Dvorak: Ont in A for
Piano and Strings, Op.
81.

4K)0/WNCN-FM-
Corelli: Cto Grosso in
B-flat, Op 6 (Marriner)
5:00/WNCN-FM-
Vitali: Chaconne in g.
Op. 4 (Armuzzi-Romei,
Tagliavini).

8:00/WNCN-FM-Suk:
Fantasy for Violin and
Orch in g. Op. 24 (J
Suk/Ancerl),
6:30/WNYC-FM-n>ert:
Suite Symphonique
(Brusilow).

7K)5/WOXR-AM/FM-

Konrad Ragossnig,
guitarist; Hans-Martin
Linde, flutist.
8:00/WNCN-FM-
Vivaldi: Al Santo
Sepolcro: Sinfonia.
WNYC-FM-Stiauas:
Death and

Transfiguration, Op. 24,
1889 (Maazel)
Telemann: Sonata in B
for Oboe, Cello and
Harpsichord from
"Esserzicii Musici," circa
1739 (Dombrecht,
Kuijken, Kohnen).
8:05/WOXR-AM/FM-
Haydn: Sym #45 in
f-sharp (Marriner).
9:00/WNCN-FM-
Tchaikovaky: Sym # 1
in g. Op. 13 "Winter
Dreams" (Bernstein).

Bobby Short

(Tues. thru Sat )
From 9:30. Cover per
show, $12.00 p.p.

Wo minimum.
Supper 6 to 1 a.m.

Barbara Carroll

Mon. thru Sat.
From 9:30. Cover $3.50 p.p.

Wo minimum.

HOTEL CARLYLE

Madison Ave. at 76th St. • Tel. RH 4-1 600

Focus On

FORTUNE GARDEN

This Gem Among
Chin«s« Restaurants Is
Acclaimed For Authenticity And
Magnificent Presentation Of
Hunamese Cuisine.
Most "Fortunate" Change.d^
Rated **** 31^ Stars
New York Magazine
I Live Music Nitely In Lounge

1 160 3rd Ave. (bet. 67th & 68ih Sts.]
.res. 744-1 212 luui.c^iicw*

LCLLO

Riatorante

"The cuisine U remarkably light,
elegantly presented and outstanding"
— Gourmet 3/81
65 East 54th St.. N.Y.C. • Tel. 751 1555

COBB'S MILL INN

Westport-Wttton / / .-,./- /~/r
.Connecticut UH ttK VVlltuJaU.

Cocktaitt & Dinner
Charming Country Store
• Open All Year •
Exit 17— Connecticut Thruway
Exit 42 Merritt Parkway
4>/i Milet North on Rte. 57
Tel: 203-227-7221

NORTHI KN ITALIAN CUISINi;
Luncheon - Cocktuils - Dinner'
RES: Tel. 759^660
OPEN 7 DAYS

T^aTenice

242 EAST 58th STREET
V (Between 2nd & 3fd Aves.) N.Y.C.

LUNCHEON • DINNER
COCKTAILS

Private Banqutt Reom
3342 JERUSALEM AVE.
at Wantagh Avt.
WMITA6H, L.I., N.T.
CAttIt 1-OMO
Dintn Club Amtr f»p

Finest Cantonese Cuisine

All times are pim. unless otherwise indicated.

JUNE 22, 1981 /NEW YORK

87

TELEVISION

Daytime, June 17- 19 and 22-23

O WCBS

212-975-4321
O WNBC

212-664-4444
O WNEW

212-535-1000
O WABC

212-887-7777
O WOR 212-764-7000
CD WPIX 212-949-2428
(B WNET

212-560-2000
Q) WUW

516-454-8866
CD WNYC

212-566-3112
O HOME BOX

OFFICE

212-484-1100
0 SHOWTIME

212-880 6600
©UPTOWN

212-942-7200
G3 WOMETCO
(WHT).

800-631-7800

Listings are accurate at
press time but stations
make changes in
programs on a daily
basis.

Programs seen daily
unless otherwise noted.
Closed -caption
programming is
indicated (cc).

6:00

O News

CD Wed/Aprenda Ingles
Thu,Tue/I Dream of

Jeanxiie

Fri/Gigglesnort

Hotel

Mon/Carrascolendas

6:08

O News

6:15

& News

6:25

O Health Field
O Listen and Learn

6:30

O Summer Semester

O Flintstones & Friends

ONews

(D Mighty Mouse

0 Captioned News

7KK>

0 Morning

CB Today
O Popeye & Bugs
O Good Morning
America
O Life of Rtley
CD Popeye
(E) Mon/Dateline N.J
Tue-Fri/N J. News

7:30

O Great Space Coaster
O lim Bakker
CD losie and the
Pussycats
CD Over Easy

7:45

SI A.M. Weather

8:00

O Captain Kangaroo
O Woody Woodpecker
Ql Tom and lerry
SI Sesame Street

8:30

O Flintstones

O Mon, Wed/Meet the

Mayors

Thu/Nine on N I.

Fri/Newark and
Reality

Tue/N.Y. Report
CD Heckle and leckle
(B Dick Cavett

9:00

O John Davidson

O Donahue

O Brady Bunch

O Good Morning New

York

0 loe Franklin
CD Munsters

CD Sesame Street

01 Instructional
programming thru 3 p m.

9:30

8 Partridge Family
CD I Dream of Jeannie

lOKM)

O Jeffersons

O Las Vegas Gambit

O Bewitched

O To Tell the Truth

O Romper Room

CD Hollywood Squares

CB Instructional

programming thru 3 p.m.

10:30

O Alice

O Blockbusters

0 I Love Lucy

O Tic Tac Dough
CD $50,000 Pyramid

11:00

O Price Is Right

O Wheel of Fortune

O Midday

O Love Boat

O Straight Talk

CD Civic Programming

C9 Wed/Movie: Harrad

Summer

Thu/Movie: Roadie

Fri/Movie:
Conversation

Mon/Movie: Dick
Deadeye

Tue/Movie: Once
Upon a Honeymoon

11:30

O Wed-Fri/Password
Plus

CD Civic Programming

11:4S

SI A.M. Weather

12 NOON

O Lives We Live
O Card Sharks
O Family Feud
O News

CD Mon-Thu/Magic
Garden

Fri/loya's Fun
School

CD Miscellaneous
programming thru 4:30

p.m.

12:30

O Young and the
Restless

Wed-Fri/Search for
Tomorrow
O Doctors

O Love American Style
O Ryan's Hope
O Let's Make a Deal
CD Family Affair

IKW

O Days ol Our Lives
O My Three Sons
O AU My ChUdren
O Wed/Movie: China
Girl (1942). Gene
Tierney, George
Montgomery, Lynn Bah.
An adventure in wartime
China.

Thu/Movie: Claudia
(1943) Dorothy
McGuire, Robert Young,

Ina Claire. Sweet story
of the coming of age of
a young married couple.

Fri/Movie: Sea
DevUs (1937). Victor
McLaglen, Ida Lupino,
Preston Foster. The
Coast Guard are good
guys.

Mon/Movie: Scudda
Hoo! Scudda Hay!
(1948) June Haver, Lon
McCallister, Walter
Brennan, Mules help a
boy win a girl's heart
Don't ask us how.

Tue/Movie: Love
Letters (1945). Jennifer
Tones, Joseph Cotten,
Ann Richards. An
amnesiac is cured with
love.
CD News

1:30

O As The World Turns
O Addams Family
CD 700 Club

2:00

O Another World

O Get Smart

O One Life to Live

2:30

O Search for Tomorrow

O Abbott and Costello

Cartoons

CD Mike Douglas

3K)0

O Guiding Light
O Texas

O Woody Woodpecker
O General Hospital
O Bonanza
CD Wed/Slim Cuisine

Thu/Victory Garden

Fri/Ouilting

Mon/Julia Child and

Co

Tue/Romagnolis'
Table

SI Wed/Sports America
Thu/Kup's Show
Fri/Romagnolia*

Table

Mon/Eventng at

Symphony
Tue/Guale

0 Thu/Roasted Medium

Rare

Tue/Movie: The

Black Hole

3:30

CD Tom and Jerry

CB Studio See
SI Fri/This Old House
O Wed/Movie: The
Last Wave

Fri/Movie: Ride a
Wild Pony

Mon/Movie: Days of
Heaven

4:00

O One Day at a Time
O Hour Magazine
O Little Rascals
O Edge of Night
O Wed/Movie: The
Man Outside (1968)
Van Heflin, Heidelinde
Weis, Pinkas Braun.
Pretty good spy story,
with a former CIA agent
staying involved with a
defector.

Thu/Movie: Mr.
Kingstreet's War (1973).
John Saxon, Tippi
Hedren, Rossano Brazzi.
A couple rebels when
war encroaches on their
African sanctuary.

Fri/Movie: Count
Yorga, Vampire (1970).
Rober Ouarry, Roger
Perry, Donna Anders. A
good variation on the
theme, set in Southern
Cal

Mon/Movie: Super
Seal (1974). Foster
Brooks, Sterling
Holloway, Sarah Brown.
A family adopts a seal
and they all become
very close.

Tue/Movie: Torpedo
Bay (1964). James
Metson, Lilli Palmer,
Gabriele Ferzeti.
Warring naval units
meet on neutral ground;
good drama.

Sesame Street
SI Lilias, Yoga and You

4:30

& Barnaby JonM
8 Gilligan's Island
O Wed/TV Movie:
How The West Was
Won (1976). A mountain
man leads his family to
safety. Part HI.

Thu/TV Movie: How
The West Was Won.
Part IV

Fri/TV Movie: How

The West Was Won
Pan V.

Mon/TV Movie:
Muscle Beach P^uty
(1964). Frankie Avalon,
Annette Funicello, Don
Rickles. A wealthy
contessa falls for a
young surier.

Tue/Movie: Palm
Springs Weekend
(1963). Troy Donahue.
Connie Stevens.
Basketball players have
Easter weekend dates in
Palm Springs.

CD Scooby Doo

Ql Electric Company

SI Wed/Southbound

Thu/Pete; A Profile
of Pete Fountain

Fri, Mon. Tue/Black.
Blues, Black

Mon/ Affair in the Air

Tue/Charles M.
Schulz to Remember

O Thu/Tuscalooia's

Calling Me. . . But I'm
Not Going!

5:00

O Barnaby Tones
O News

O Wonder Woman
O Mon. /Bonanza
CD G»ood Times
CD Mister Rogers
SI Sesame Street
CD Wed/American
Perspective

O Wed/Movie: Sammy,
the Way Out Seal

Mon/Movie:
Coyote's Lament
O Tue/Movie: The
Water Babies

5:30

CD Happy Days Again
CD Electric Company
SI Thu/Spoleto '81

Fri/Tomorrow/Today
Mon/Intemational
Byline

Tue/South by
Northwest

CD Fri/Movie: Journey
Back to Oz

Tue/Island of
Nevawaz

O Wed, Mon/Overture

Fri/Movie: Kit
Carson

Evening, June 17- 19 and 22 -23

Wed., June 17

600

O O a News

O Starsky and Hutch

O lokei's WUd

IB Happy Days Again

ID Healthline

SI Mastorpiece Theatre:

Cousin Bette

81 World Chronicle

19 Movie: Smokey and

the Bandit

0 Movie: Days of

Heaven

6:30

O Tic Tac Dough

ID Saniord and Son
IB N.I. Nightly News
Q) News o< N Y

7:00

O O 0 News
O M*A*S*H
O Bullseye
ID Barney Miller
ID Up and Coming
81 The Originals: the
Writer in America
81 The Shakespeare
Plays: A Winter's Tale

7:30

O Magazine
CB Family Feud
O All in the Family
O Hollywood Squares

O Face the Music
ID News

IB MacNeU/Lahret

Report

SI Over Easy

8:00

0 TV Movie: Captain
America 11
O Real People
O PM Magazine
0 Charlie's Angels
O Soccer: Cosmos vs.
Washington

0 The Immigrants. Part
1

tB American Odyssey

0 L.I Newsview

0 Movie: Some Came

Running

0 Movie: Used Cars
a Movie: Harrad
Summer

8:30

O Merv GriHin
0 Fast Forward

9KX)

O Dili'renI Strokes
0 Movie: Telefon
(1977). Charles Bronson,
Lee Remick. A Russian
secret agent and a
beautiKu CIA agent fall
in love.
0 Fabulous
Philadelphians: From

Ormandy to Muti

0 Mysteryl Rumpole ot

the Bailey

0 Movie: Soldier of
Orange

9:30

O Facts of Liie

lOOO

O CBS Reports
O Ouincy
0 Nevn
0 Vegas

0 Newark and Reality
O News

0 World: Sweden:
Waiting for Spring
0 Three Cheever

Stories: The Sorrovrs of
Gin

0 Vic Braden's Tenni*
0 Movie: Crazy Mama
0 Movie: Casanova

10:15

O Standing Room Only

10:30

0 Meet the Mayors

0 News

0 News of N Y

11:00

0 O 0 0 News

0 M*A*S*H
0 Manniz

0 Happy Days Again

88 NEW YORK/ JUNE 22. 1981

Cc:

TELEVISION

IB Dick Cavatt
SI L.I. Newsview
(D Movia: Soldier of
Orange

£3 Movie: The Tin
Drum

11:30

O Movie: Rosebud

(197S) Peter O'Toole,

Richard Atlenborough.

O Tonight

O Koiak

O Nighlline

to Odd Couple

(B World Gathering oi

Holocaust Survivors

SI Captioned ABC

News

8 What's Up America!

11:45

to Movie: Butch
Cassidy and the
Sundance Kid

12 MIDNIGHT

O Love Boat

& Movie: A Hatful ol

Rain (1957). Eva Marie

Saint, Don Murray.

Anthony Franciosa. A

drug addict on the long

road back.

(D Three Stooges

(B Newsline

12:10

(B Masterpiece Theatre:
Cousin Bette

12:30

O Tomorrow
O Hogan's Heroes
tD Twilight Zone
Q Movie: The Rose

1:00

O Rat Patrol

1:10

O Movie: Vampire
Circus (1972). Adrienne
Corri, Laurence Payne.

1:30

O Movie: Treasure of

Monte Cristo (1949).

Glenn Langan. Adele

Jergens.

O Adam- 12

CD News

1:35

O Movie: The

Mountain Men

2:00

CB Mary Tyler Moore
O Movie: The Dark
Mirror (1946). Olivia de
HaviUand, Lew Ayers,
Thomas Mitchell. De
HaviUand plays twins ■
one good, one bad •
who are implicated in
murder.

O Joe Franklin

Ql Movie: The Promoter
(1952). Alec Guinness,
Glynis Johns, Valerie
Hobson. Nice acting in
this story of a con-man
who makes it big.

2:30

O Mary Tyler Moore

3:00

O News

O Movie: Guerrillas in
Pink Lace (1964).
George Montgomery,
Valerie Varda, Roby
Grace. Shallow
adventure of show
troupe hiding out in
South Pacific during
war.

3:17

8 Lives We Live

3:47

& Movie: I Shot lesse
lames (1949) lohn
Ireland, Barbara Britton.

4:00

(D Best of Groucho

4:30

Ol Abbott and Coslello

5:00

ID Family Affair

5:30

O Daniel Boone

(D Biography: Princess

Margaret

5-32

O Give Us This Day

Thu., June 18

6:00

News

O Starsky and Hutch

O loker's Wild

Ql Happy Days Again

(B Healthline

SI Mystery: Rumpole of

the Bailey

SI Open Mind

CI Island of Nevawui

O Movie: French

Postcards

6:30

0 Tic Tac Dough
Ql Sanford and Son
(B N.I. Nightly News
81 News of N.Y

7:00

News
a M'A*S*H
0 Bullseye
O Barney Miller
CB Up and Coming
SI Once Upon a
Classic: The Swish of
the Curtain

SI Puerto Rico: Paradise
Invaded

0 Movie: Return From
Witch Mountain

7:30

O In Search of . . Great
Lovers

O Family Feud
O All in the Family
O That's Hollywood
0 Baseball: Mels vs.
Reds
0 News

0 MacNeil/Lehrer
Report

0 Over Easy
0 I-Cap Presents
Percussions, Impressions
and Reality

8:00

O Special: America's
Junior Miss Pageant
O Magazine with David
Brinkley

0 PM Magazine

O Mork & Mindy

Ql The Immigrants. Part

II

0 Good Neighbors
0 L.I. Newsview
0 South by Northwest
0 Movie: Brubaker

Baseball: Yankees
vs. Caliiornia

8:30

O Merv Griffin
0 Bosom Buddies
(B Movie: The Light That
Failed (1939). Ronald
Colman, Ida Lupino,
Walter Huston. Film
version of Kipling's first
novel about an artist
who is losing his sight.
0 L.I. Speakout
0 A Bayou Legend

9:00

O Knots Landing
O Movie: The Seven
Percent Solution (1976).
Nicol Williamson. Alan
Arkin, Vanessa
Redgrave

a Barney Miller (cc)
0 Sneak Previevrs
0 Movie: The Lady in
Red

0 Movie: Can't Slop
the Music

9:30
0Taxi

0 Southbound

10:00

O CBS Reports
0 News

O News Closeup
0 Face the Music
Ql News

0 Austin City Limits
0 Thomas Hornsby
Ferril

10:10

0 Inside Story

10:15

S3 Movie: Roadie

10:30

0 Apple Polishers
0 News

0 To be announced

0 News of N Y

0 Movie: Heroes:

Winston Churchill

O Movie: My BrUliant

Career

11:00

O O O News

O M'A'S'H

O Benny Hill

IB Dick Cavett

0 L.I. Newsmagazine

0 Movie: Hollywood

Knights

0 Movie: Can't Stop
the Music

11:30

O Hec Ramsey
O Tonight
O Kojak

0 GoU: U S. Open

0 Racing from Yonkers

0 Odd Couple

0 World Gathering of

Holocaust Survivors

0 Captioned ABC

News

12 MIDNIGHT
O Movie: Who Done
It? (1956). Benny HiU.
Belinda Lee. A
self-made detective gets
hot on a case.
Ql Three Stooges
8 Newsline

12:10

IB Lawmakers

12:15

O Charlie's Angels
0 Movie: Rough Cut

12:30

O Tomorrow
0 Hogan's Heroes
0 Twilight Zone
0 Movie: Divine
Madness

12:35

0 Movie: The lerk

12:40

0 Crystal City: The
Brown Out

1:00

0 Rat Patrol

1:25

O Movie: Never to
Love (1940) Maureen
O'Hara, Adolphe
Menjou. Strange
circumstances force a
young girl to renounce
marriage, while urging
her mother to marry the
man she loves.

1:30

O Movie: Code Name:
Heraclitus (1967)

Stanley Baker. Leslie
Nielson. Sheree North.
0 Adam 12
ID News

2M

O Mary Tyler Moore
O Movie: Dark
Command (1940) John
Wayne, Walter Pidgeon,
Claire Trevor. Kansas
City school teacher
becomes the famed
guerrilla chief, Ouantiell,
and fights a sheriff
during Civil War raids
in Kansas Territory.
0 Joe Franklin
0 Movie: Where Love
Has Gone (1964). Bette
Davis, Susan Hayward,
Michael Connors.
Screaming drama of an
estranged family and a
violent daughter.

2:15

0 Movie: Blood in the
Streets

2:30

O Mary Tyler Moore

2:55

O News

3:00

O Movie: My Boys Are
Good Boys (1978).
Ralph Meeker, Ida
Lupino, Lloyd Nolan.
Odd story of teens
robbing an armored car.

3:17

O Lives We Live

3:47

e Movie: A GunKght
(1971). Kirk Douglas,
Johnny Cash.

4:00

0 Best of Groucho

4:30

0 AbboH and Coitello

5:00

0 Family Affair

5:30

0 Daniel Boone

0 Biography: Thomas

Dewey

5:32

0 Give us This Day

Fri., June 19

600

0 O 0 News

0 Starsky and Hutch

0 Joker's Wild

0 Happy Days Again

IB Healthline

Ql The Scarlet Letter

SI Inside Story

0 Movie: Return From

Witch Mountain

6:30

0 Tic Tac Dough
0 Sanford and Son
IB N.J. Nightly News
SI News of N Y.

7:00

0 O 0 News
0 M*A*S*H

0 Bullseye

0 Barney Miller

0 Up and Coming

0 Vic Braden's Tennis

0 This Old House

O Remember When: On

the Air

0 Movie: The Electric
Horseman

7:30

0 Sha Na Na
O Family Feud
0 All in the Family

0 Teletone News
O Face the Music
0News

0 MacNeU/Lehrer
Report

0 Over Easy
0 AU About TV
0 Overture

BtOO

0 Incredible Hulk
O Special: Swedish
Royal Command Circus
O PM Magazine
0 Benson
0 Movie: Shall We
Dance (1937). Fred
Astaire, Ginger Rogers,
Eric Blore. Who needs
plot, who needs theme—

Seat dance musical.
I Baseball: Yankees
vs. Twins

0 Washington Week in
Review

0 L.I. Newsview
SI Are You Listening:
Household Technicians
0 Movie: ffolkes
0 Movie: Hot Shiff
0 Movie: The
Conversation

8:30

0 Merv Griffin

0 I'm a Big Girl Now

0 Wall Street Week

0 Inside Story

0 The Power Game

9:00

0 Dukes of Hazzard
O Wendy Hopper, U.S.
Army

a Movie: To be

announced

0 Bill Moyer's lournal

0 Fox Musical: Wabash

Avenue (1950)

0 Washington Week in

Review

0 Movie: High Plains
Drifter

9:30

O Why Us?

0 Crystal City: The
Brown-Out

0 The Los Angeles Big
Laff Oti

10:00
O Dallas

O The Changing West:
Reflections on the
Stillwater
0 News

0 Julia Child & More
Co

0 A Night in Tunisia
0 Movie: The Shining
d Movie: Clockwork
Orange

10:30

0 N Y. Report

0 News

0 News of N Y

11:00

O O 0 0 News

OM-A'S'H
0 Mannix
0 Dick Cavett
0 L.I. Newsview
0 Bizarre XVIII
0 Movie: 3-Way
Weekend

11:30

0 Special: First
Amendment Project A
simulated trial debating
the right of the press to
use confidential sources.
O Tonight
e Kojak

O Golf: U.S. Open

0 Happy Days Again

0 Newsline

0 Captioned ABC

News

0 Movie: The Black
Hole

11:40

0 Inside Story

12 MIDNIGHT

O Nightline
0 Movie: Return of
Count Yorga (1971)
Robert Oiiarry, Mariette
Hartley. Roger Perry
Bad-guy Count takes on
an orphanage.
ID Odd Couple

12:10

0 Movie: The Light
That Failed (see Thu .
8:30 p.m.)

12:15

G3 Movie: The Gin
Game

12:30

O SCTV Network/90
0 America's Top Ten
O Movie: The Death ol
Me Yet (1971). Doug
McClure. Darren
McGavin. A Russian spy
defects and becomes an
American spy.
0 Solid Gold
Gl Movie: The Game
For Vultures

1:00

O Movie: Super Cops

(1974). Ron Liebman,

David Selby

8 Rockworld

0 Movie: Beyond EvU

1:30

to News

8 Movie: The Evil

2:00

O Mary Tyler Moore
a Movie: Anthony
Adverse (1936). Fredric
March. Olivia de
HaviUand. Claude Rains.
Story of the moral and
emotional grovrth of a
man through his
experience,
a News
8 loe Franklin
0 Movie: White
Comanche (1968)
WUliam Shatner. Joseph
Cotten. Rossana Yani.
Nothing doing Western.

2:20

0 Movie: lust TeU Me
Vfhat You Want

2:30

O Mary Tyler Moore

3:00

0 Movie: Doc Hooker's
Bunch (1977) Dub
Taylor. A travelling
medicine show in the
old West

3:30

0 Movie: Hot Stuff

3:59

0 Lives We Live

4:00

0 Best of Groucho

4*29

a Give Us This Day

4:30

0 Abbott and CosteUo

5:00

0 Family Affair

5:30

8 Movie: Honeymoon
(1947). Shirley Temple.
Franchot Tone, Guy
Madison. Nothing too
exceptional about this
story of a GI with a
three-day pass and no
fiancee.

0 Biography: George

MarshaU

0 Bizarre XVIII

JUNE 22. 1981 /NEW YORK 89

C

TEIETISION I

Mon., June 22

6:00

S00N«wi

SCUoa and Man
loWa WUd

CD Happy Days Again
(B Paddington Bear
ai TV Movi*: The
Catholic!. Martin She«n,
Trevoc Howeid.

8M.Y U Bruacatt Lab
B lw rtt Batain From
Witch MnniilBlii
• llMteilldaaWiM

6:30

O Carol Burnett
0 Tic Tac Dough
IB Sanioid and Son
m N.I. N«w«
O New* oi N.y

7:00

O O O News
O M*A*S"H
O Bullseye

SBanwr Milln
Up «iid Comiag
S Fna to ChooM

SUuppets
PaiailT Feud
All in the Family
O Day of Dtoaator
8 Face tha Mmic
ID News

ID MacNail/Uhnr

Report

S) Over tatf

8K)0

B WKRP in Clnciiinati
0 LittU Haan on Dm
Pniri*

• PMlfa«Mine

B ABC Comedy

Special

O Ironsides

(D TV Movie: Attack on
Terror. The FBI vs. the

Ku Klui Klan (1975).
Ned Baalty, lohn Back,
Billy Graan Balh. Good,
solid producUen baiad

on an actual
investigation Part I.
IS Three Cheever
Stories: Tha Sorrows of
Gin

GD L I. NevrSTiaw
CD Kup's Show
19 Movie: The
Mountain Men
a Movia: We'll Be
Riaht Back
O Movia: Tha Goag
Show Me*la

8:30

O Tim Conway
O Merv Griffin
O Baseball
81 Marty Bobbins'
SpoOight

9:00

eM*A*S*H

O Flamingo Road
^9 Movie: Psycho
(1960) Anlhony Perkins,
Janet Leiqh, Vera Miles
The classic shocker
directed by Hitchcock.
IB Opera Theatre:
Yaoman oi dta Guard
9 Flambards
CD Masterpiece Theatre
Cousin Bette
Ql Movia: The Street
Fiqhter'a L<

9:30

MiMiatDMiia

O BAevia: Tha Shining

10:00

B Lou Grant
SNaws
ID News

SI Evening ai Symphony
SI FrontUna: H.t.C.
13 Spaeial: WiBUadon

■81

10:30

ID News

9 News oi N.Y

O Maria: Butch

Caaaidy and lha

Sundanea Kid

11:00

O O O News
OM*A*S'H
Q Mannix

ID Happy Days Again
IB Dick CaveH
9 L.I. Newsview
O Movia: 3- Way
Waahand

11:30

8 Ouincy

O Best of Carson
O Mission Impossible
O NighUina
ID Odd Coupla
ID Newsline

11:40

SI Papar Chaaa

9 CapHoaad ABC

News

S Movie: The Evil

12 MIDNIGHT
O Fantasy Island
O Movie: Blood Mania
(1970) Peter Carpenter,
Maria Aragon.
Vengeance in the family
ID ThraaStoovas
C3 Movia: One-Trick

Pony
12:25

O Movia: Smokay and
lha Bandit

12:30

C9 Tomorrow

O Hogan'a Heroes

9 Twilight ZoM

1:00

0E«lFSitool

1:10

O Movie: Reprisal
^i93D^. uluy nAaison,
Felicia Farr. A man is
unjiutly blanwd for tha
daath oi a powaiful
randwr

6:30

a Carol Burnett
8 Tic Tac Dough
8 Saniord and Son

8 N.I. Naws

9 News of N.Y

O Movia: loumay back
to Os

8lleaatodMadliuB
Raia

1:<3U

O Adam. 12
9 News

9Me«ia: Day* oi
Haavm

7:00

888 News
8 M*A*S*H
a Bullseye
8 Barney Miller

8 Up and Coming

9 Victory Garden
9 On tha lob

IS Movia: Man OB

Outside (1974). Lona
Greene, Lorraiaa Gavy,

lames Olson.

2:00

O Mary Tyler Moora
a Best oi Midday

8 loa Franklin

9 Movie: Escapade in
Japan (1957) Teresa
Wright, Cameron
Mitchell, Jon Provost.
Young boys search for
their parents in Japan;
the scananr i* alca.

2:05

7:30

8 Sha Na Na

9 Family Feud

a All in the Family

8 Match Gama PM
a BaaabaU: Uets n
Expos

9 Naws

9 MaeNait/Uhiar

Report

9 Over Easy

9 Women: N.Y Edition

9 Spaeial: WUnbladoB

'81

2:30

8 Mary Tyler Moora
2:40

9 News

3:00

9 Movie: Along the
Great Divide (1951)
Kirk Douglas, Virginia
Mayo, lohn Agar Great
locations in this hunt for
a prisoner in the desert.

3:53

9 Livas Wa Uva
aBaal oi Groucfao

4:23

a Giva Us This Day

4:30

9 Abbott aad CoMlo

• FaiDily Aiiak

S:30

a Daniel Boone

(D Herbert Hoover

Tue., June23

600

88 8 News

a Chico and the Man
a Joker's Wild
9 Happy Days _Again

8:00

9 Walter Cronkite's

Universe

9Ubo

9 PM Magazine

a Happy Days

8 Baseball: Yankees
vs. Red Sox

IB Nova

9 L.I. Newsview
9 I-Cap Presents
Simpson Street
a Movie: Doc
a Bixarre II

8 Movie: Gunga Din

8:30
a Flo

a Merv Griiiin

a Laverne and Shirley

9 Spoleto 'R1

9 South 1-;, -

a American Dance

Machine Piaaaata a
Celebration ui Bioadway
Dance

9:00

a Dummy

a Hill Street Blues

a Three's Company

8 Mystery' Rumpole of
the Bailey

9 Masterpiece Theatre:
Cousin BaMa

9 To Say I Ab
9 Movia: Soldlor oi
Oranga

9:30

a Too CloM ior
Comiort

• Don'l Has* Tiaa to

Oto

ThaBoM

10:00

O Nero WoUa

8 News

a Hart to Hart

a Face lha Music

ffi Back Wards to Back

Street

9 Tha Scarlet Letter
9 Southbound

a Spaeial: Wioibladen

81

a Movia: Nona Bui
Tha Lonaly Haart

Tom

8 Nina on N.f

8 News

9 News oi N.Y
a Spaeial: David
Lanmnaa: Leefcino ioi
Fan

11:00

8889 News

a M*A*S*H
a ManniK

8 Dick Cavetl

9 L.I. Newsview

a Movie: The Shining
0 Movia: Beyond Evil

11:30

a Cannon
a Torught

a Mission Impossible

8 Nightline

8 Happy Days Again

aNewalina

CD CapHaoad ABC

News

11:40

8 Movia: A Foreign
Affair (1948). Mariana
Dietrich, John Lund,
Jaan Arthur.

12 MmmOHT

a Movie: Trouble in

High Timber Country

(1980). Eddie Albert.

Kevin Brophy.

^9 Racing from Yonkers

9 Odd Couple

a Movie: Brubaker

a Movie: North by

Northwaal

liiso

0 Hogan't Raroas

0 Movie: Little Laura
and Big John (1973)
Karen Black, Fabian
Forte. A gang on lha
loose in

tum.oi-lha-canluiy
Florida.

0 Twilight Zona

1:00

a Rat Patrol
1:25

O Movia: Soma Cama

1:30

a Adam- 12
a News

1:80

8 Movie: The Girl
Who Came Gift
Wrapped (1974).
Ridianl Long, Kaiaa

0 Mary Tylar Moora
0 Movie: Johnny Cool
(1963). Henry SUva.
Elisabeth Montgomary,
Jim Backus. Italian boy
brought up by Sicilian
guerrilla goes to Naw
York to wreak
vengeance.
0 loa Franklin
0Mevla: All Mine to
Giva (1957). Cameron
Mitchell, Glynis Johns,
Patty McCormack.
Tough goi ng foe

2:1S

0 Movia: Tha Wine
I>adtSaa(196«). Baddy
MoDomD, loha LaiMa.

0 Movia: Tha Black
Hole

2:30

0 Mary Tylar Moaco

3:00

0 Movie: Impulsion
(1972). Alejandro Rey,
Katherina Justice. Life in
the jet laaa.

3:15

0Naws

3:10

0Ll«aaWaLi«o

3:40

9 Spaeial: WlabladoB

'81

3:49

Movie: Death Cruise
(1974) Edward Albert
Jr , Kate Jackson.

4:00

9 Best oi Groucho

4:23

8 Give O t Thia Day
Abbott and CoataUo

5:00

9 Family Affair
5:18

a Give Us This Day

5:30

8 Biography: Admiral
WiUamHalwr

Weekend, June 20-21

Sat., June 20

600

8 Agriculture, U S.A.
a Patterns for Living
8 Barbapapa
a Movia: Kit Carson

6:30

O Summer Semester

a A Belter Way

a Abbott and Costello

a News

0 Mighty Mooia

0BiiairaI

7:00

0 Patohworit Family
0 To be announoad

a Brady Kids

a Davey and Goliath

a News

ID Popeye

IB Sesana Sbaal

7:30

8 Dravriag Po«mt
a Groovia Goolias
a Hot Fudge

a Newark and Reality

9 Tom and Jerry

8:00

8 Mighty Mouse
0FUBMonaa

0 Popaya and Friends

a Superfriends Hour
19 Davey and Goliath

9 Big Blue Marble
0 Seaana Sbaal
0 Movie: WhoUy

Moses!

8:30

a Tom and Jerry
8 Supecliaraae
8 VievrpoinI on
Nutrition

0Toai and lany

9:00

O Bugs Bunny/Boad

Runner

O Godzilla

a Car Care Central

a All Naw Scooby and

Scrappy Deo

a Dr. Who

8 Computer Wedd

9:30

O Batman and tha

Super Sevan

a spaeial: Let's Talk

Sports

0 Scooby and Scrappy
Doo

0 Herald oi Truth
8 Electric Company

10:00

a I Love Lucy
a Movie: This Island
Earth (1955). lefi
Morrow, Faith
Domergue, Rex Reason.
Aliens snatch one of our
scientists: fun sci-fi.
8 Old Time Goapal
How

SHova
1"

■Covlei Dayi oi
Heaven

10:30

8 Popeye

8 Daffy Duck

0 Portrait oi a Legend

090 Minulaa of Action

Comedy

IIM
0 lelsons

a Soul Train

CD Hee Haw

8 The Shakespeare

Plays: Biehaid n

11:30

0DiakPaek

0 Hong Kong Phooey

12 NOOM

0 New Fat Albeit

8 Johnny Quett
Amariea'a Top Tea

a ABC Waakend

Special

a Voyage to the Bottom

oi the Sea

0 Tennis. Wotid

Champlonihip: Vliay

Amritraj vs. Brian
Teacher

a Tuscaloosa's Calling
Me But I'm Not

Going!

12:30

a Lone Ranger/Tarzan
0Flintatonas
0P*ilddga Family
0 American Bandstand

1K)0

0 Mary Tylar Moora

0Litda Baaeala

0 Movia: Giaan Graa

90 NEW YORK/ JUNE 22, 1981

Copyrlghled material

of Wyoming (1948).

Peqgy Cummins, Robert

Arlhur, Charles Coburn.

Involving story ol rival

horse-breeders.

(D Sports Afield

ED Sesame Street (cc)

1:30

O 30 Minutes
O Baseball Bunch
Laughtoons
Today's Black
Woman

O World of Survival
O David Sheehan

2:00

Kidsworld

Baseball: An Inside
Look

Brady Bunch
News Conference
Q) Comedy Shop
(B This Old House
SI Soccer Made in
Germany

2:15

O Baseball

2:30

O Public Hearing
O I Love Lucy
O Golf: U S. Open
CD Movie: I'm the Girl
He Wants to Kill (1974)
lulie Sommers, Tony
Selby, Robert Lang
CD Vic Braden's Tennis
O Movie: Days of
Heaven

3:00

O Movie: The Hatfield:
and the McCoys (1975)
Jack Palance, Steve
Forrest.

O Movie: Frankenstein
Created Woman (1967)
Peter Cushing, Susan
Denberg. A young man
is unjustly set to death
for a murder he did not
commit. With Dr.
Frankenstein's help, he
returns to life in the
body of a woman.
O Movie: The
Plunderers (1948). leff
Chandler, John Saxon,
Dolores Hart. Sneaky
rascals infiltrate an
honest town.
CB Sports America

Q] Washington Week in
Review

3:30

at Wall Street Week
Gl Movie: Some Came
Running

4:00

CD Rookies

IE) Soccer Made in

Germany

8) Victory Garden
Q) Free to Choose

4:30

O Sports Saturday

SI Power Game

Q Tuscaloosa's Calling

Me. But I'm Not

Going!

5:00

a Marcus Welby, M.D.

O Mission Impossible

O Outer Limits

CD Emergency

(E) Presente

81 Sports America.

1981 Gasparilla

Fencing

SI Brooklyn College
Presents

a Movie: Urban
Cowboy

5:30

(E) Dateline: New Jersey
CD Mundo Real

6:00

Q Channel 2 the

People
O News

O Starsky and Hutch
O Racing From
Aqueduct Race Park
(D Star Trek
(El Made in New Jersey
SI Sneak Previews
SI Mystery! Rumpole of
the Bailey

(3 Movie: The Black
Marble

O Movie: Wholly
Moses!

6:30

O O O News
O Wild Kingdom
SI This Old House

7:00

O News

CI Prime of Your Life

8 $6 Million Man

O Insight

O Greatest Sports

Legends Visits Arnold

Palmer

(D Dance Fever
(D Inside Albany
SI Lawmakers

Frontline: N Y.C.

7:30

Price is Right
O This Was America
B $100,000 Name That
Tune

O Baseball: Mets vs
Braves

(D Solid Gold

IE) Agronsky and

Company

SI Inside Albany

CD N Y U Broadcast Lab

S3 Movie: 20 years of

Rock & Roll

8:00
O Enos

O Barbara Mandrell
and the Mandrell Sisters
O Movie: Dallas
(1950) Gary Cooper,
Ruth Roman, Raymond
Massey. Former
Confederate Soldier
goes to Dallas to seek
revenge.

O Eight is Enough
IE) Paper Chase
SI Mystery! Rumpole of
the Bailey

CD The Scarlet Letter
Gl Movie: Rio Bravo
8 Movie: Urban
Cowboy

8:30

ID Country Top 20
C3 Movie: Blume in
Love

9:00

O Movie: The lordan
Chance (1978).
Raymond Burr, Stella
Stevens.

O Special: Games

People Play. With

Bryant Gumbel, Johnny

Bench, Donna de

Varona.

O Love Boat

ID Tourist

IE) Movie: A Foreign
Affair (see Tue., 11:40

a.m.)-

Sl A Bayou Legend
CD Spoleto '81
8 Movie: The Street
Fighter's Last Revenge

9:30

8 Southbound

10:00
8 News

8 Fantasy Island

8 What's Happening

America?

8 Odd Couple

8 In the Key of Jazz

10:30

8 Black News
8 Nine on N I.

8 News

8 Charles M Schuli . .
To Remember
8 AU About T V.
8 Special: David

Letterman: Looking for
Fun

8 Burley-Q
8 Movie: Foxes

11K)0

a a News

8 Blue Jean Network

8 Benny Hill

8 Odd Couple

8 Mystery! Rumpole of

the Bailey

8 Austin City Limits
8 Movie: Urban

Cowboy

8 Movie: The Black
Marble

11:05

8 Mystery! Rumpole of
the Bailey

11:15
8 News

11:30

8 Saturday Night Live
8 Movie: That Man
Bolt (1973). Fred
Williamson, Teresa
Graves.

8 Harness Racing from
Roosevelt Raceway
ID Rookies
8 Bizarre II

11:45

8 Movie: Fear on Trial
(1975). George C Scott,
William Devane.

12 MIDNIGHT

a Wrestling

8 Two Ronnies

8 Movie: Crazy Mama

12:30

a Tales of the
Unexpected
8 FBI

8 Good Neighbors
8 Movie: The Harrad
Experiment

1:00

a SCTV Network
a Movie: Come Fill the
Cup (1951) lames
Cagney, Gig Young,
Phyllis Thaxter,
Raymond Massey. An
alcoholic loses his tob
and the girl he loves,
a Movie: They Came
From Beyond Space
(1967). Robert Button,
Jennifer Jayne, Zia
Mohyeddin. Creepy
aliens come very close
to taking us over.
8 Movie: 3- Way
Weekend

1:20

8 Movie: Serial
1:30

a Rock Concert
8 News

a Movie: The Rose

1:35

8 Movie: Hammerhead
(1968), Vinco Edwards,
Judy Geeson.

1:51

a Movie: The Girl
From Petrovka (1974)
Goldie Hawn, Hal
Holbrook.

2:00

8 Movie: Beyond the
Time Barrier (I960).
Robert Clarke, Darlene
Tompkins, Arianne
Arden. Things aren't so
great in the future.

2:50

8 Special: Marvin
Gaye Live

■TELEVISIOH

a Mary Tyler Moore
a Movie: The White
Spider (1963). Karin
Dor, Joachim Berger.
Master detective is put
in the unenviable
position of having to
save the world.

3:27

a Movie: Tall Man
Riding (195S). Randolph
Scott, Dorothy Malone,
Peggy Castle.

3:30

a Mary Tyler Moore
8 Hazel

3:35

8 News

3:53

8 Movie: Mask of
Marcella (1971). James
Farentino, Christine
Belford, Patrick O'Neal.

4:00

8 Twilight Zone
a Burley-Q

4:30

8 Abbott and Costello

5:00

8 Family Affair

8 Movie: Crazy Mama

5:30

a Life of Riley

8 Biography: Nikita

Krushchev

5:49

8 Give Us This Day

Sun., June 2l|

6:00

a Issues in the Jewish

Experience

8 Straight Talk

8 I Dream of Jeannie

6:30

a Freedom's Word
8 Time for Timothy
8 News

8 Christopher Closeup
8 Movie: Urban
Cowboy

6:54

a Give Us This Day
8 Davey and Goliath

7:00

a Robonic Stooges
8 Women's Forum
a Kenneth Copeland
8 Faith for Today
a News

8 Hour of Power
8 Sesame Street

7:30

a Jason of Star
Command

a Creative Years of the
Child

a This Is the Life

a Christopher Closeup

8:00

8 Mario and the Magic
Movie Machine
8 Villa Alegre
a Jimmy Swaggart
8 Christopher Closeup
8 James Robison
Presents

8 Frederick K. Price
8 Sesame Street

8:30

8 Way to Go

a MaryknoU World

a Insight

8 Day of Discovery
8:45

a Your Sunday Best

SciitcL in MoCCCi

NORTHERN ITALIAN CUISINE

179 Madison Avenue
(Bet. 33rd & 34th Sis ) J
N.YC. 10016 x^>.
684-1757 .

Three open storie* qf romantic hi-tech
Jeaturing New York't pgnuUimale Bar,
Cityscape views abound!

■ Noo

■ Sat

Noon thru very late nite Coje Dining

a. Sun Brunch Jeaturing Chamber music
ensemble. A delicious evenir

Third Avenue &27(h
Street 683-6500

KjAFE

{Inn of the Dove)

N.Y.'t FINEST '
MEXICAN ^
RESTAURANT

SUiUing Guitarists ^

256 E. 49 St. • Res. 421-5495

Two exciting Cuban Restaurants
serving the best black bean soup and
suckling roast pig in town!

VICTOR'S CAFE

240 Columbus Ave.
(Corner 71st Street) 877-7988
Near Lincoln Center
**♦ Rating (N.Y. Times)

VICTOR'S CAFE '52

236 W. 52nd Street
(Off Broadway) 586-7714

• Soft Piano Music

• Skylight Rooms

fluxiat

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In the hfurt of

Little

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SPANISH CVISINB &.p« @
I **N.Y.TIiiiM
a UMCH • Dimn • cocktails

1 406 E. 73 (lit Am J

9 797-7699; 6900609

JUNE 22. 1981/NEW YORK

91

SOLUTIONS TO LAST WEEPS PUZZLES

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APT. NO.

9K>0

SSuadar I

O TV SumUy School
O Wond«rama
O Page Seven
O Oral Boberls
fD Old Time Gospel
Hour

(BMMsr Bogan
O Morlm: timttch
Poalcanb

9:15

O lewisli Scene
9:30

O Hiqh Feetber
aHiMa>M.J.
BMwlnlnM.).

10:00

O First Estate
O Fantastic Four
S Camp Wildmian
SMaaa

CD losie and the
Pussycats

10:30

O For Our Times

O Women and the Law

Q Spidennan

O Kids Are People. Too

O Point of View

CD D istartUy and

Muttlay

IB Datelina N.I.

IIKJO

O Channel 2 The

People
O Visiones

O Movie: Tarxan's Peril
(1951) Lei Barker,
Virginia Huston.
O Liie oi Riley
(D F Troop

atliHtalfTBrilltaal
Career

11:30 '

G Face the Nation
O Tony Brown's Journal
O Animals, Animals,
Animals

0 Rex Humbard

01 Movie: Abbott and
Costello Meet Captain
Kidd (1952). Bud
Abbott, Lou Costello,
Charles Laughton.
Dopey guyi search tor
hiddaaioot

IB Open Mind

12 NOON
0 Nawnnakan
0 News Forum
0 Issues and Answais
O Robert SchuUat
(B Mastaplaoa Th a a lr a :
The Dudiaai ei Dulw
Street

12:15

e Movie: Popi (1969).
Alan Arkin, Rita
Moreno, Miguel
Alejandro. A sweet story
of surviving in a ghetto
by any means available.

12:30

O Public Hearing

01lMtdwFMM

B Directions

IM

0 Movie: The Great
Niagara (1974). Richard
Boone, Michael Sacks.
B Teirnia: Charlton
Hasten Pro-Celebrity
Charity Classic
0 Like It Is With GU
Noble

O Great Movie
Cowboys
0 Odd Couple
0 Firing Una
0riMtBCIwaa*

Bam

011ikWMkio

2K)0

SOiddowIdia
Bu<

Braves

0 Baaebalb Taakaa*

vs. Twins
0 Three I
Stories: "O' Toulh and
Beauty"

0 Soccer Mad* in

Germany

2:15

O Baseball: Yankees
vs. Twins

2^30

0 Movie: The Molly
Maguires (1969).
Richard Harris, Saan
Connan, I
Eggar. A <
iniorms on rebellious
coal miner* in iha
1870's.

0 OoU: U.& Opm
OMoeia: Fraani
Postcaidi

3ioO

0 Movie: The Man

Who Killed a Ghost
(1970). lanet Leigh,
David Hartman.
O Tomorrow's
Champions

MeCaidir

loe

Imw^CoOagiai* Bodeo

3:30

O Movie: Special
Edition: Close
Bneoudan of Iha Third
Kind

4:00

O SportsWorld

0 Matinee at the Bijou:

Gung Ho! (1943)

0 Once Upon a Classic

4:30

O Music World
0 Crystal Ciir The
Brown Out

Faaliag Fraa
a Mnia: Mr Brilliant
Career

CB Bionic Woman
O Bonansa

0 Movie: A Lion Is in
tfaa Stnati (1953). lames
~ • Bale,

Small-town Soulharn
poUtteian mmvaa up the

bdder.

8 Bill Mover's Journal
New Voice
O Movia: Mystery
Island

5:30

0 Romagnolis' Table
0 This Old House

6K)0

0ONaws

0 Movie: Report to the

Commissioner (1975).

Michael Mociattr.

Yaphet KotlOk Swui

Blakaly.

0 Movie: Desk Set

(1957). Spencer Tracy,
Katharine Hepburn.
Joan Blondall. Great
Tracy A Hepburn; in this
one he's an afiiciancy
expert in her
department.
0 American Odyssey
0 Victory Garden
0 Kup's Show
OMevia: iiallM

eili

O Movia: Baiag There

6:30

^B CB News
0 Inside Albany
tBSa«ia:T>w Watw

7:00

^B 60 Minutes

^B Disney's Wonderful

World

0 BpaeiaL Roots: The

Next Generations

0 Monte Carlo Show

0 New Voice

0 Washin0on Week in

Review

0 Tomorrow/Today

7:30

0 History oi Space
Flight

0 WaU Street Weak
0Opan Mind

8K)0

0 Walter Crenkito's

Universe

O Chips

0 Special: Shirley
Bassey Show. Guests:
Stan Gati Qiuutat.
0 Dr. IaaM Xanaadr
0 Lawrence Walk
0 The ScarM Lallar
0 All Creahuaa Gcaat
and Small
0 I-Cap riaannta
0 Moflac Tin Ilaetfic

0lbl^ "lO"

8:30

O One Day at a Time
SS Movie: "10"

9:00

0 Alice

O Movia: LonriBq Ton
(1957). Elvis Pradar,

Lisabeth Scott.
0 Special: Crisis in tha
Horn of Africa
0 Movie: Bite the
BuUet (1975) Gene
Hackman, Candice
Bargan, lamat Cobum.
Grand Wastam in the
classic tradition, about a
700 mila hoiaa race.
0 It Is written
0 News

0 Masterpiece Theatre:

Coxisin Bette

0 Fox Musical: Happy

Landing (1938|

0 Amarican

Perspadiva

0 Meitta: Caal Stop

the Muilc

9:30

0 Jetfersons

0 World Tomorrow

0 Herman Badillo

10:00

0 Trapper John, M.D.
O News

0 Jimmy Swaggart
0 Blaclc Conversations
0 Two Ronnies II
0 In the Key of Jarz
0 Movie: The Lady in
Red

0 Movia: Huitla

10:30

0 Sports Extra

0 Focus: New Jersey

0 Movie: The

Catholic*. Martin Sheen,

Trevor Howard.

0 Inside Albany

10:45

O Ma*i« BoUiag

11:00

O O O News

0 Baxters

0 Mannix

0 Odd Couple

a Blovia: Soldier oi

Oranga

11:15
0 News

11:30

0 David Susskind

IWbaleaBacdi?

11:45

O Sports Update
0 Movie: The Great
Brain (1978). Jimmr
Osmond.
0News

12 MIDNIGHT

0 Movie: BUnd Man's

Bluii (1969). Broderick

Crawford, lack

Klugman.

B News

0 Movie: Forever
Amber (1947). Linda
Darnell, Cornel Wilde,
Richard Greene. Lavish
production set in
17-century England.
0 World: Sweden
0 What's Up America!

12:30
0FBI

0 Movia: Go Tall lha
Spaitana

0 Moviae Tha Tin

Drum

12:45

0 Movia: Journey Into
Midnight (1968). Chad
Everett Julia Harris.

aMoviasDiitr

1:30

0 New*

1:35

a New*

1:42

a Movia: My Father's
Hoiiaa (1975). EUaan
Brcnnan, Cliii
BobntMo.

1:45

Mary Tylei Moore
2KiO

atfaToorBoiiBats

0 Mary Tyler Meera

2:30

0 Movie: Island of the
Burning Doomed (1970).
Christopher Lee, Patrick
Allen, Peter Cushing.
Aliens make thing*
warm under the collars
tor i

2:4S

O First Estate
^B Movie: Screaming
Mimi (1958). Anita
Ekberg. A dancer
becomes obsessed vrith
tha thought that «ha

COB

3K)0

0 Movie: Trent's Last
Case (1952). Michael
Wilding, Margaret
Lockwood, Orson Welles.
An iavaatigation oi tha
suioidaeial
-it I

3:37

CP NewsnM^BMS

iioT

0 Publio HMiiag

4:20

0New*

4:30

4:37

0 G,vc. L'i This Day

sToo

0Familr AHaii

5:30

0 Daniel Boone
0 Biograpkr. Huay
Long

NEW YORK/JUNE 22. 1981

Copyrighled material

RESTAURANT DIRECTORY

KEY TO ABBREVIATIONS

B

BrMldul

Br

Brunch

L

Lunch

D

Dinner

S

Supper

m

Inexpensive — Mostly $10 and under*

(M)

Moderate-Mostly S10-$25

(E)

Expensive— Mostly $25 and over*

AE

American Express

CB

Carte Blanche

DC

Diners Club

MC

MasterCard

V

VUa

Formal:

Jacket and tie

Dress Opt:

Jacket

CosuaI:

Come as you are

*AT«rag* coat ior a maal pmx parson ordarad A la
carta.

This is A list of advartisers plus some of the city's
most popular dining establishments.

Please check hours and prices in advance. Rising
food and labor costs often force restaurateurs to alter
prices on short notice. Also note that some deluxe
restaurants with ^ la carte menus levy a cover (bread
and butter) charge. Many restaurants can
accommodate parties in private rooms or in sections
of the main dining room— ask managers ior
information.

Manhattan

Lower New York

CASA BELLA - 127 Mulberry St., 4314080
Neapolitan-Sicilian. Spcl: veal chop Casa Bella. Res.
sug. Open Sun.-Thurs. 1 1 a.m. -midnight, Fri.-Sat, to 1
a.m. Pianist nightly to 3 a.m. (M)

AE, CB, DC, MC, V

FRAUNCES TAVERN RESTAURANT-Bioad &
Pearl Sts., 269-0144 Washington bade farewell to
his officers here in 1783. Dress opt. Regional Ameri-
can. Spcls: Pearl St. roast oysters, carpetbagger
steak, red snapper grenobloise. Open Mon.-Fri.
1 1:45-9 Closed Sat -Sun (M) AE, CB, DC, MC, V

GIOVANNI'S ATRIUM- 100 Washington St., at
Rector St., 344-3777 Dress opt Roman-Italian.
Spcls: cannelloni, beef & veal alia borgia. Res. sug.
Same menu Mon.-Fri. 11:30-9. Pre-theater D Live
ent. 5:30-10 30. Banquets for IS-ISO Closed Sat -
Sun (M) AE, CB, DC, MC, V.

GREENE STREET CAFE-101 Greene St.. bet.
Prince & Spring SU., 925-2415. French. Res. sug.
L Mon.-Fri noon-3 D Sun -Thurs. 6-11:30, Fri to
midnight. Sat. 7-midnight. Br Sun. noon-3:30. Ent.
(M) AE, MC, V

GROTTA AZZURRA-387 Broome St., 226-9283
Casual. Italian. Spcls: homemade pasta, Italian sea-
food. Open Tues.-Sun. noon-midnight. Closed Mon.
(M) No Credit Cards

LAUGHING MOUNTAIN BAR & GRILL-148
Chambers St., 233-4434. Casual. Nouvelle-Ameri-
can. Spcls: calf's liver in portvrine, roast rack of lamb,
Chinese roast duck with hoisin sauce, fresh linguine
with clams, shrimp & asparagus. Res. sug. L Mon.-Fri.
11:30-5. D daily 5-1 Br Sat. -Sun. 11 30-5. (M)

AE, DC. MC, V.

MANDARIN INN PELL-34 Pell St., 267 2092
Casual. Szechuan-Mandarin. Spcls: lemon chicken,
Szechuan jumbo shrimp, Mongolian beef. Res. nec
Open daily noon-midnight. (I) AE, MC, V.

MARKET DINING ROOMS AND BAR-World
Trade Center Concourse, 938-1155. Dress opt
Continental. Spcls: seafood, fresh vegetables. Res.
nec. Concourse cafe and barroom. Dining Room: L
Mon.-Fri 11:30-2:30 D Mon.-Sat. 5:30-10 30 Bar-
room: 1 1:30 a.m.-l a.m. Free D parking. Closed Sun.
(M) AE, CB, DC, MC, V.

OH-HO-SO-395 W. Broadway, at Spring St.,

966-6110 Dress opt Chinese. Spcls: honey shrimp
bowls in the nest, yam yam duckling. Res. nec. Open
daily noon-1 a.m. (M) AE.

POMTE'S-Desbrosses & West Sts., 2 blocks S. of
Canal, upstairs, 226-462 1 Dress opt. Italian. Spcls:
steak, seafood. Res sug. L Mon.-Fri. noon-3:30. D
Mon Fri 5:30-11, Sat 6-11:30 Ent nightly Free
parking Closed Sun (M) AE, CB, DC, MC, V

RAOUL'S-180 Prince St., 966-3518 Dress opt Pro-
vencal French Spcls: steak au poivre, escargots
Polignac, rognons de veau A la moutarde. Res. nec.
D only 6:30- 12:30 daily (M-E) AE, MC

RUGGERO-194 Grand St., 925 1340. Casual Ital-
ian. Res. sug. Same menu L fit D. Sun.-Fn. noon-mid-
night. Sat. to 1 a.m. Strolling guitarist Mon.-Sat. Valet
parking (M) AE, MC, V

S.P.O R— 133 Mulberry St., 925 3120 Casual Ital-
ian. Spcls: homemade pasta, scallopine S.P.O R., pa-
ella Valenciana. Res. sug Open Mon -Thurs
ll:30-midnight, Fri to 1, Sat 1-1, Sun 1-11 Private
parties. Valet parking for D. (M)

AE, CB, DC, MC, V

TEMPLE GARDEN-16 Pell St., 233 5544 Dress
opt, Mandarin-Szechuan. Res nec. L Mon.-Fri.
1 1 30-3 D 3-midnight, Sat to 1 Chinese pastry Sat -
Sun 10 30-3 Complete L & D (I-M)

AE, CB, DC, MC, V

WINDOWS ON THE WORLD-One World Trade
Center, 938- 1 1 1 1 1 07 stories atop Manhattan For-
mal. Continental. Membership club at L (nonmember
surcharge) D Mon -Sat 5- 10 Table d'h6te Buffet
Sat noon-3. Sun to 7 Res nec (E). Cellar in the
Sky: Wine cellar setting. 7-course D with 5 wines.
Mon -Sat at 7:30 Res nec (E). Hors d'Oeuvrerie &
City Lights Bar:— Dress opt. International hors
d'oeuvres. Open Mon.-Sat. 3-1 a.m. (cover after
7:30), Sun to 9 (cover after 4) No res Jazz nightly
(M) AE, CB, DC, MC, V.

Greenwich Village

BEEFSTEAK CHARLIE'S-12th St. & Fiith Ave.,

675-4720 Casual Pub Spcls: steak, old fashioned
barbecued ribs, incl. shrimp & salad bar, beer, wine
or Sangria. L Mon.-Fri 11:30-4. D Mon -Thurs.
4:30-1 l,Fn. to 1, Sat 1-1, Sun. 1-1 1. Child's D. (I-M)

AE, DC, MC, V

BIANCHI & MARGHERITA-186 W. 4th St.,

242-2756 Dress opt Italian Res sug D only Mon.-
Sat 5:30-2 Complete D Ent by opera & popular
singers Closed Sun (M) AE, CB, DC, MC, V

CAFE ESPANOL-172 Bleecket St., 475 9230
Casual. Spanish-Mexican. Spcls: mariscadas with
egg sauce, veal Cafe Espanol, paella. Res. sug. L
daily noon.4. D Mon. -Thurs. 4-midnight, Fri. -Sun to
1 a m (M) AE, DC, MC, V

CHRISTY'S SKYLITE GARDENS-64 W. 1 1th St.,
673-5720 Casual Continental Spcl fritto misto
Open Mon -Thurs. 11:30-11, Fri -Sat to midnight.
Sun 5-10 Br Sun 1 1 30-3 (M) AE, DC, MC, V

THE COACH HOUSE-1 10 Waverly PI., 777 0303
Formal. American. Spcls: rack of lamb, striped bass,
steak au poivre. Res. nec. D only Tues.-Sat.
5:30-10:30, Sun 4 30-10 Closed Mon (M-E)

AE, CB, DC, MC, V

COVENT GARDEN-133 W. 13lh St., 675-0020.
Casual. Continental Spcls: veal chop, fresh fish,
pasta, garden fresh vegetables. Res. sug. L Mon.-Fri.
noon-3:30 D daily 5-1 1:30 Br Sun, noon-3:30 Pian-
ist nightly (M) AE, MC, V

DA SILVANO-260 6th Ave., 982-0090 Casual. Flor-
entine. Res. nec. L Mon.-Fri. noon-3. D Mon.-Sat.
6-11:30, Sun 511 (M-E) No Credit Cards

EL CHARRO-4 Charles St., 242 9547 Casual
Mexican-Spanish. Res. sug. L Mon.-Sat. 11:30-3. D
Mon -Thurs. 3-midnight, Fri -Sat to 1 am, Sun. 1-
midnight Also El Charro 11-58 E. 34th St.
689-1019. Closed Sun. (I-M) AE, DC, MC, V

EL COYOTE-774 Broadway, bet. 9th & 10th Sts..
677-4291. Casual. Mexican. Spcls: large combina-
tion plates, chili rellenos, shrimp con salsa verde. L
daily 11:30-3 D Sun -Thurs. 3-1 1 30, Fri -Sat to mid-
night (M) AE, MC, V.

GARVIN'S-1 9 Waverly PI., 473-5261 Casual Con
tinental Spcls: roast duckling with blueberry brandy
sauce, poulet brochettes a I'orange, stuffed trout with
crabmeat. Res. sug. L Mon.-Fri 11:30-5. D Mon -

Thurs. 6-12:30, Fri -Sat. to 1:30, Sun. 5-midnight. Br
Sat 11-5, Sun to 4 Pianist nightly from 9:30. (M)
AE, CB, DC, MC, V.

GOTTLIEB'S-343 Bleecker St., at W. 10th St.,
929-7800 Casual Pub International Spcls: whole
fish, gaucho steak, fresh vegetables oriental style. L
Mon.-Fri, noon-4. D daily 4- 1 2:30. Br Sat. -Sun. noon-
4 (I) AE, MC, V.

HORNBLOWERS ON HORATIO-S9 Horatio St.,
74 1-7030. Casual. Continental. Spcls: fresh poached
salmon with hoUandaise sauce, stuffed brook trout,
duck a I'orange, veal in tarragon sauce. Res. nec. L
Mon.-Fri, noon-3. D daily 5-midnight. Br Sat. -Sun.
noon-4. (M) AE.

RAFFAELA'S-134 W. Houston St., 982-0464
Casual- Italian. Spcls: stuffed artichoke, chicken
breast alia rollantine, calamari alia Napoletana with
mussels and clams Res. sug. D only Mon. -Thurs.

5- 11:30, Fri -Sal 4-1:30, Sun. 4-11:30 (M)

AE, CB, DC, MC, V.

SEVILLA-62 Charles St., at W. 4th St., 929-3189.
Casual. Spanish. Spcls: paella h la Valenciana, maris-
cada Sevilla. L Mon.-Sat. noon-3. D Mon. -Thurs. 3-
midnight, Fri, -Sat. to 1 a.m.. Sun. noon-midnight.
(I-M) AE, DC, V.

TRATTORIA DA ALFREDO-90 Bank St.,
929-4400 Casual Northern Italian. Spcls: cacci-
ucco, stronzata of mixed veq. with green sauce. Res.
nec. L Mon., Wed -Sat noon-2 D Mon , Wed.-Sat.

6- 10:15, Sun 5-9:15 Closed Tues (M)

No Credit Cards.

VILLA MOSCONI-69 MacDougal St., 673-0390,
473-9804- Family-owned and decorated with the
Mosconis' own imported art. Casual. Italian. Spcls:
zuppa di pesce, scampi alia Mosconi Res. sug. Open
Mon.-Fri. noon-1 1, Sat from 1. Same menu daily.
Closed Sun O-M) AE, DC, V.

VILLAGE GREEN-531 Hudson St., bet. W. 10th &
Charles SU., 255-1650 Dress opt French Res sug.
D Mon -Sat 5:30-midnight, Sun 5-10. Br Sun. noon-
3. Pianist nightly. Private parties. (M-E)

AE, MC, V.

14th-42nd Streets, East Side

APPLAUSE-360 Lexington Ave., at 40th St.,

687-7267. Cabaret-style shows, singing waiters and
waitresses. Casual. American-Continental. L Mon.-
Fri. noon-3. D Mon.-Sat. 5-1 a.m. Complimentary hors
d'oeuvres Mon.-Fri. cocktail hour. Closed Sun. (I-M)

AE, DC, MC, V.

BUCHBINDER'S-375 Third Ave., at 27th St.,

683-6500 Casual Continental Spcls: Nora's East
Hampton clam chowder, rosemary chicken, fresh fish
daily. Res sug. Open daily noon-2 a.m. Br Sat. -Sun.
noon-3, chamber music. (M) AE, MC, V.

CEDARS OF LEBANON-39 E. 30th St., 725-9251
Casual, Middle-Eastern. Spcls: shish kebab, falafel.
Res. sug. L daily, noon-3. D daily 5-11. Complete L
& D Belly dancer Fri & Sat. (I)

AE, CB, DC, MC, V.
DOSANKO-329 Filth Ave., bet. 32nd & 33rd SU„

686 9259. Casual lapanese Spcl: noodles. Open
Mon -Fri 11-10, Sat -Sun. noon-8 (I)

No Credit Cards

DUBROVNIK-88 MadUon Ave., at 29th St,

689-7565 Dress opt. Yugoslav-Continental Spcl:
ambassador h la Ziggy (chicken, veal fit filet mignon
in a wine sauce). L Mon.-Fri. noon-3. D Mon. -Thurs.
5-11, Fri -Sat to 4 a m Disco Fri -Sat Closed Sun
(M) AE, CB, DC, MC, V

FARNIES SECOND AVENUE STEAK PAR-
LOUR-311 Second Ave., at 18th St., 228-9280/
475-9258 Casual American. Spcls: steak, chops,
lobster tail. Open Mon. -Thurs. 11:30 a.m. -midnight,
Fri.-Sat. 3-1, Sun. 3-midnight. Free parking. (I)

AE, CB, DC, MC, V.

THE FISHERMAN'S NET-493 Third Ave., at
33rd St., 532-1683. Casual. Seafood Spcls: lobster
bisque, lemon sole Florentine, soft shell crabs. Res.
sug L Mon -Sat 11-3 D Mon -Sat. 3-11, Sun noon-
1 1 Early-bird D 3-6 (M) AE, CB, DC, MC, V.

GIAMBELLI-238 Madison Ave., at 37th St.,
685-8727/685-8728 Dross opt. Northern Italian.
Spcls: panzerotti, tortellini, veal rolatini with green
noodles. Res. sug, L Mon.-Fri. noon-4. D Mon.-Fri.
5-10:30, Sat. 4-11. Private parties for 25. Closed Sun.
(M) AE, CB, DC, MC, V

JUNE 22. 1981/NEW YORK 93

Copy I .J , , tUUl kji

Beefsteak Charlie.
Meet my nephew,
Beefsteak Chuck?

He's helping me give you the i<ind
of quality' and vakie that's so hard
to find ttiese days. Like unlimited
free Shrimp and Salad and Beer,
Wine or Sangria with dinner*
Of course, you'll lo\e my famous
thick, tender, juicy Steaks.

MANHATTAN NASSAU

12th St. & 5th .Ave. Carle Place

44th St. & B'vvay Lawrence

45th St. & 8th .Ave. Levittown

49th St. E. of 5th .Ave. Merrick

6!^hl.&BW SUFFOLK
QUEENS/ ■ f^^,

BROOKLYN LakeCW
Bellerose

Forest Hills N.J.

Whitestone Paranuis

Bay Ridge Parsippany

Georgetown Princeton

Sheepshead Bav I nion

BRONX ^J>>"f,

E. Kingsbridge Rd. ^^'='*t"""Se

ISLAND -J;;;;;^!;-

Richmond \\c. bv law.

WESTCHESTER

.Scarsdale

CONN.

Danbury
East Haven
Waterbury
Westport

Beefsteak
Charlie
"We won't
stop giving

Beefsteak
Chuck

until vou say
JUncle!' '

BEmURANT DntEGTOmr !

GRAMERCY PARK HOTEIi-2 Laxington Ave., at
2Ut St.. 475-4320 Casual Continental SpcU
sliced fillet of beef p^nqourdine, poached fillet of
sole bonne femme Res sug L 11 45-3, D 5 lS-9 S
9-10:30. Complete L & D. Pianist in cocktail lounge
Mon -Fri. 8:30-12:30. Banquets for 25 175 (M)

AE, CB, DC. MC, V

HORN & HARDART-AUTOMAT-200 E. 42nd St.,
599-1665, Casual. American. Spcls: baked macaroni
& cheese, fresh steamed vegetables plus the automat
windows. Open daily 6 a,m.-10 p.m. (I)

No Credit Cards.

JOANNA- 18 E. 18th St., 675-7900 Casual Conti-
nental Spcls. paella, osso buco, chicken paiUard.
penne alia vodka Res nec Open daily noon-2 a m.
Private parties lor 150 (M) AE.

LA COLOMBE D'OR-134 E. 26th St., 689 0666,
Casual Provencal French, Spcls: bouillabaisse, pis-
saladiere. lambonnet A la Ni<;oise. Res nec L Mon.-
Fri noon-2 30 D daily 611 (M) AE, MC, V

IjUCHOW'S-110 E. 14lh St., 477-4860 98-year old
landmark Dress opt German. Spcls: schnitzel,
goose, pheasant under glass L Mon -Sat. 1 1:30-2:30.
D Mon. -Sat 5-11, Sun. from noon. Dancing nightly.
Discount parking (M-E) AE, CB, DC, MC, V

O'CASEY'S-22 E. 41st St., 685-6807 Dress opt.
American-Continental Spcls: steak, sealood. Res.
sug L Mon -Fri 11:30-4 D Mon -Fri 4 10 Private
parties Closed Sat -Sun (M) AE, CB, DC, MC, V

OYSTER BAR & RESTAURANT-Grand Central
Terminal, 599- 1000. Casual, American-seafood.
Spcls: oysters, grouper, swordfish, red snapper. Res.
nec Open Mon -Fri 1 1.30 9:30 Closed Sat & Sun
(M) AE, CB, DC, MC, V

PETE'S TAVERN-129 E. 18lh St., at Irving PI.,
473-7676, Casual. Italian-Continental. Spcls: steak,
shrimp. Res. sug. L Mon. -Fri noon-3 D Sun.-Thurs.
3-midnight, Fri -Sat. to 1 a.m. Br Sat -Sun. noon-5. Bar
8 a m -3 a m (I-M) AE, CB, DC, MC, V

RISTORANTE IX3MENICO-120 E. 40th St.,
682-0310, Dress opt Northern Italian, Spcls: veal
piccante, red snapper marichiaro, lobster fra
diavolo Res sug. Open Mon.-Fn. noon-10:30. Sat.
from 5. Private parties for 100 Closed Sun. (M)

AE, CB, DC, MC, V

SALTA IN BOCCA-179 MadUon Ave., bat. 33rd &
34th Sts., 684-1757 Casual Northern Italian. Spcls:
fettuccine casalinga, saltimbocca, polio alia
Romana Res sug L Mon -Fri noon-3. Sat to 4. D
Mon -Thurs 4-10 30, Fri -Sat to 11 Closed Sun (M)
AE, CB, DC, MC, V

SAPPHIRE-135 Third Ave., at 15th St., 260-7690
Casual. Mandarin ■ Hunan - Cantonese - Szechuan.
Spcls: Peking duck, beef with orange flavor. Queen
Young jumbo shrimp, Sapphire seafood delight Res.
sug Open Mon -Fri. 11:30-10:30, Sat -Sun 4-10:30
(M) AE, CB, DC, MC, V

TlJESDAY'S-190 Third Ave., at 17th St., 533-7900
Casual. American. Spcls: steak, hamburger, salad.
Open daily 11:30-2 a.m. Spec. Br. Sat. -Sun. noon-4
(unlimited champagne). (I) AE, MC, V.

I4th-42nd Streets, Wast Side

CHEERS-120 W. 41st St., 840 8810 Casual Ameri-
can-Continental. Spcls: Horn of Plenty D with sliced
steak, scampi, chicken, ribs, and more. Res sug. L
Mon -Fri 1 1 30-4 D Mon -Sat 4:30.9 Closed Sun
(I-M) AE, CB, DC, MC, V

DINO & HENRY'S-132 W. 32nd St., 695-7995
Dress opt, Italian-Continental Spcl: veal Sorrentino.
Res sug L Mon -Sat 1 1 45-3 30 D Mon -Sat 3:30-9
Complete L & D. Parking from 5 p.m. Closed Sun.
(I-M) AE, CB, DC, MC, V

EL OUIIOTE-226 W. 23rd St., in CheUea Hotel,
929 1 855 Casual Castillian Spcl: lobster from tank
Res. sug. Open daily noon-midnight. Inexpensive
lobster special daily (M) AE, DC, MC, V

KASPAR'S-2S0 W, 27th St., 989-3804 Casual Con
tinental Spcls: fettuccine carbonara, steak au poivre,
grilled marinated Thai style chicken. Res suq. Open
Mon -Sat noon-midnight. Closed Sun (M)

AE, CB, DC, MC, V

NEW HANKOW-132 W. 34th St., 695-4972
Casual. Cantonese. Spcls baked Cantonese shrimp,
treasure steak, baked chicken with ginger & scallion.
L daily 1 1-4:30 D daily 4 30 10:30 Complete L 4 D
Spec gourmet & family Ds (I) AE, DC, MC, V

OLD HOMESTEAD-56 Ninth Ave,, bet. 14th &
ISlh Sts.. 242-9040. Casual American Spcls sir-
loin, 4 1/2-lb lobster. Res. sug L Mon -Fri, noon-4
DMon Fri 4-10 45, Sat 1 -midnight, Sun 1-10 Com-
plete D Free parking from 5 & all day Sat -Sun, (I-M)
AE, CB, DC, MC, V

PAMPLONA-822 Ave. of the Americas, bet. 28th &
29th Sts., 683-4242 Casual Spanish Spcl fillet of
sole Marbella. Res. nec. L Mon. -Fri noon-3. D Mon.-
Thurs 5 30-11, Fri -Sat to midnight Ent Tues -Sat
from 6pm Closed Sun (I-M) AE, CB, DC, MC

SAN REMO WEST-393 Eighth Ave., bet. 29th A

30th SU., 564-1819 Dress opt Northern Italian.
Spcls: shrimp Milanaise, chicken Valdostane, red
snapper in green sauce. Res. sug. Open Men. -Sat.
noon-midnight. Sun. to 9, Private parties. Pianist
Tues -Sat (M) AE. CB, DC, MC, V.

37th STREET HIDEAWAY-32 W- 37th St,

947-8940 (John Drew Barrymore's former town
house.) Dress opt. Italian-American. Spcls: Danish
lobster tail, seafood fra diavolo. L Mon. -Fri noon-
3:30 D Mon Sat 5 midnight Complete D 5-10 Pi-
anist Mon, -Sat, Irom 5 Private parties. Closed Sun.
(M) AE, CB, DC, MC, V

43rd-56th StreeU, East Side

ALFREDO THE ORIGINAL OF ROME-54th St.,
bet. Lexington & Third Aves., in Citicorp Bldg.,

371-3367 Casual. Italian. Spcl: fettuccine Alfredo.
Res sug. Open daily 11:30-11:30. Br Sun, noon'4.
(M) AE, CB, DC, MC, V

AMBASSADOR GRILL-One United Nations
Plaza at 44th St., in U.N. Plasa Hotel, 355-3400
Dress opt Continental Spcls: supreme of chicken,
rack of lamb. Res. nec. B daily 7-11. L daily noon-3.
D daily 6-11. Champagne bufiet Br Sun. noon-3. Late
menu from 10 30 p m (M) AE, CB, DC. MC, V.

THE BAILEY SEAFOOD HOUSE-203 E. 4Sth St.,
661-3530. Casual. Seafood. Spcls: I l/21b. lobster,
broiled striped bass, shrimp scampi. Res. sug. L Mon.-
Fri noon 3 D Mon -Sat 5-11 Closed Sun (M)

AE, CB, DC, MC, V.

BEEFSTEAK CHARLIE'S-12 E. 49tb St.,
753-1700 Casual. American. Spcls: steak, old-fash-
ioned barbecued baby-back ribs, incl. shrimp &
salad bar, beer, wine or Sangria. L Mon. -Sat.
11:30-3:30. D Mon.-Thurs. 4-8:30, Fri -Sat. 4-9, Sun.
1-9 Child's menu (I-M) AE, DC, MC, V

BENIHANA OF TOKYO- 120 E. 56th St.,
593- 1 627, Casual Japanese. Food prepared at table.
Spcl: teppom-ari Res sug. L Mon -Sat noon-2:30. D
Mon -Thurs 5 30-11, Fn.-Sat. to midnight. Sun.
4 30 10:30 Complete D tt-M) AE, CB, DC, MC, V

BRASSERIE-100 E. S3rd St.. 751-4840/751-4841.
Casual, French-Alsatian. Spcls: choucroute Al-
sacienne. onion soup, brioche. B daily 6-11. Br Sat.-
Sun. noon-5. L Mon -Fri, 11-5 D daily 5-10. S daily
10-6 a m (I) AE, CB, DC, MC. V.

BRUSSELS-llS E. 54th St., 758-0457 Formal.
French Spcls: bass breval, carrd d'agneau pesilU.
Wine cellar Res nec. L Mon. -Fri. noon-3 D Mon.-
Fn. 5:30-midnight, Sat. from 5. Parties. Closed Sun.
(M-E) AE, CB, DC. MC, V.

THE CATTLEMAN-5 E. 45th St., 661-1200 Dress'
opt. American. Spcls: prime ribs, steak, chicken. Res.
sug. L Mon -Sat. 1 1 30-3 D Mon -Fri 3 30-1 1, Sat to
1 1 .30, Sun. 3-10. Br Sun. noon. 3. Piano bar in saloon
Mon -Fri 5-11 Free D parking Mon. -Sat. 5-midnight.
(M) AE, DC. MC, V.

CHRIST CELLA-160 E. 46lh St., 697-2479. For-
mal. American. Spcls: steak, chops, lobster, seafood.
Res sug Open Mon -Fri. noon- 10:30, Sat. from 5.
Closed Sun (E) AE, CB. DC, MC, V

CITY LUCK-127 E. 54th St., 832-2350. Casual
Cantonese. Spcl song loong gai cube. Res sug. L
Mon, -Sat 1 1 30-3 D Mon, -Sat. 3-1 a,m,. Sun. noon-1
a.m Valet parking after 6. (I-M)

AE, CB. DC, MC, V.

DOSANKO-135 E. 45th St., 697-2967. Casual Japa-
nese Spcl noodles. Open Mon. -Fri. 11-9:30, Sat.
noon-8 (I) No Credit Cards

ELMERS-1034 Second Ave., 751-8020. Jacket re-
quired, American. Spcls: prime sirloin steak, lamb
chops, swordfish, striped bass. Res. sug. Open Sun.-
Thurs 1 l:30-midnight, Fri.-Sat. to 1 a.m. (E)

AE, CB, DC, MC, V

FOUR SEASONS-99 E. 52nd St., 754-9494 Dress
opt International. Pool Room: L Mon. -Fri. noon-
2:30 (slight cover). D Mon -Sat 5-11:30 (cover).
Complete pre-theater D 5-6:30; after-theater D
10-11:30 Res nec Closed Sun (E). Bar Room: L
Mon. -Sat. noon-2 (cover). D Mon. -Fri. 5:30-9:30 (no
cover). Reduced-rale parking from 6. Private parties
in both rooms Closed Sun. (M-E)

AE, CB, DC, MC, V.

GIAMBELLI 50TH RISTORANTE-46 E. 50th St.,
688-2760. Dress opt. Northern Italian. Spcl: im-
ported scampi Res. sug, L Mon -Fri, noon-3. D Mon.-
Fn, 3-midnight, Sat noon-midnight. Valet parking
from 6. Private party room. Closed Sun. (M-E)

AE, CB, DC, MC. V

GIN-RAY OF IAPAN-148 E. 50th St., 759-7454
Casual. Japanese Spcls: sushi, tempura, teriyaki. Res.
suq L Mon -Fri noon-2:30. D Mon -Fri 5-10:30.
Complete L & D. Private parties. Closed Sat. -Sun
(I-M) AE, CB, DC, MC, V

94

NEW YORK/JUNE 22, 1981

In Search
Of Adventure!

The misl shrouded provinces ot Szech-
uan. Hunan and Yunnan are high in the
mountains ot central China. Their cui-
sines are similar, always well sea-
soned, sometimes hot
Given a chance, dishes such as prawns
in chih sauce. chicl<en with walnuts and
beet in garlic sauce should become as
well loved as pizza, conrned beef and
cabbage or chili con carne

1S40 Second A«e. al aoth SI. Icl. S3S-4921

l^yOU DONT HAVE TO BE
^ IRISH... TO LOVE

IGim? rtrks

THREE FIRE PLACES and a GARDEN

Siitling Steaki and Seafood Too.
Iriih English Specialties
Are Our Brew,

Nightly [nttrtoinmcnt 683-4686

SECOND AVE. bet. 31st & 32nd Sts.

THEATRE DISTRICT'S # 1 ^
ITALIAN - CONTINENTAL
— RESTAURANT —
All Food Preoareo To Order

Closed Sat. and Sun.
Free Parking after 5 PM
(at Hippodrome Garage 44 St.)
54 W. 45tti St.
(Bet. 5tli & 6th Aves.)
Ret: 840-1284 • 997-9112 .

FOR FINE FOOD

Specializing in early
and late dining.
Continuous piano till the wee hours
♦

Third Avenue at 80th Street
Reservations 535-2333
Open 7 evenings.

TEL. 242-275C

' OPERATIC ARIAS
AND OPERETTA
MUSICAL COMEDY

CONTINENTAL CUISINE
dREbrr cards • closed sun
in WMt 4tll ST. (Bat 1 1 7 *n't.)

^ComiiKnial dining To enhance the pleasure of
your evening, a live mo plays for dancing as
you like it

37th Street

Hideaway Restaurant

32 W. 37th St. (b«l. 5lh4 6lh A»es.) 947 8940-1

. MijiHCrrdilCardk. (>»rn Mi>n Sil Frirr Vjkl Parkine

! lESTAnRANT DIRECTORT

IL NIDO-251 E. S3rd St.. 7S3-8450 Uclcet required
Northern Italian. Spcls: maliatti, polio toscana. Res.
nee L Mon.-Sat. noon-2:lS. D Mon.-Sat. 5:30-10:15.
Closed Sun. (E) AE, CB, DC, MC, V

IL RIGOLETTO-232 E. 53rd St.. 759-9384. Dresa
opt. Northern Italian. Spcls: langostina marinara,
homemade pasta. Res. nec. L Mon.-Fri. noon.3. D
Mon -Fri. 5:30-10:30, Sat. 5-11. Complete L & D
Closed Sun (M) AE, CB, DC, MC, V.

KEOON JAPANESE RESTAURANT-80 E. 56th
St., 421-8777. Casual. Japanese. Spcls: stone steak,
sushi, shogun nabe. Res. sug. L Mon.-Sat. noon-2:30.
D Mon.-Fri. 5:30-10:30, Sat.-Sun. 5-10. Private par-
ties for SO. (I-M) AE, DC, MC, V.

KENNY'S STEAK PUB-565 Lexington Ave., bet.
50th & Slat Sti., 355-0666 Casual American.
Spcls: steak, chops, lobster tail. Res. sug. Open daily
noon-midnight. (M) AE, CB, DC, MC, V.

KING COLE RESTAURANT-2 E. 55th St, in the
St. Regis-Sheraton Hotel, 753-4500. Dress opt.
French-American. Res. nec. Open daily 7 a.m. -mid-
night. Sun. to 1 1 p.m. Br Sat.-Sun. noon-2:30. Pianist
5:30-9; Broadway review shows Mon.-Sat. at 9:30,
Fri.-Sat. at 1 1:30. (M-E). St. Regie Bar: L Mon.-Fri.
noon-3. Open Mon.-Sat. 1 1 a.m. -2 a.m.. Sun. noon-
midnight. Astor's: Cocktails Mon.-Thurs. 5-1, Fri.-
Sat, to 2 a m AE, CB, DC, MC, V.

KNlCKERS-928 Second Ave., at 49th St,
223-8821. Casual. American-French. Spcls: rack of
lamb, duckling A I'orange, sole amandine. Open
daily noon-4 a.m. Br Sun. noon-5 p.m. (M)

AE, DC, MC, V.

LA BIBUOTHEOUE-341 E. 43rd St, 661-5757.
Dress opt. Provencal French. Spcls: veal chop,
poached salmon. Res. nec. Open Mon.-Sat. noon-
midnight. Br. Sat. 11:30-3:30. Banguets for 10-150.
John Bayless on piano nightly. Closed Sun. (M)

AE, CB, DC, MC, V.

LA CHANSONETTE-890 Second Ave., at 47th St.
752-7320. Dress opt French. Spcl: rack of lamb. Res.
sug. D only Mon.-Sat. 6-2 a.m. Complete D. Shows &
dancing. Reduced-rate D parking. Closed Sun.
(M) AE, CB, DC, MC, V.

LA COTE BASOUE-5 E. SSth St. 688-6525 For
mal. French. Spcl: cdte de veau aux morilles. Res.
nec. L Mon.-Sat. noon-2:30. D Mon.-Sat. 6-10:30.
Closed Sun (M-E) AE.

LAURENT-ni E. 56th St. 753-2729 Formal.
French-Continental. Spcl: duckling bigarade. Res.
nec. L Mon.-Sat. noon-3. D Mon.-Sat. 6-10:30, Sun.
from 5 (cover dinner). Complete L. (E) AE, DC.

LE CYGNE-S3 E. S4th St., 759-5941 Formal
French. Res. nec. L Mon.-Fri. noon-2:30. D Mon.-Fri.
6-10, Sat. to 1 1 Closed Sun (E) AE, DC.

LELLO RISTORANTE-65 E. S4th St, 751-1555
Formal. Italian. Spcls: dentice in bianco, polio Valen-
tino, scaloppine Boscaiola. Res. sug. L Mon.-Fri.
noon-3 D Mon -Sat 5:30-10:30. Closed Sun. (M)
AE, CB, DC, MC, V.

LE MADRIGAL-216 E. S3rd St, 355-0322 Dress
opt. French. Spcls: mignon de veau aux morilles,
coeur de filet en chemise au poivre vert. Res. nec. L
Mon -Fri noon-2:30. D Mon.-Sat 6-10:30. Complete
D Closed Sun. (E) AE, CB, DC, MC, V.

LUTECE-249 E. 50th St, 752-2225. Formal. French.
Spcls: blanquette du p^heur, fillet d' agneau aux
poivre. Res, nec. L Tuea.-Fri. noon-2, D Mon, -Sat.
6-10 Closed Sun. (E) AE, DC.

MARIO'S VILLA D'ESTE-58 E. 56th St.,
759-4025. Dress opt. French-Italian, Spcl: boneless
squab. Res, nec. L Mon.-Sat. noon-3. D Mon.-Sat.
5:30-1 1, Sun. from 5. Complete L & D. (M-E)

AE, CB, DC, MC, V.

MONT D'OR-244 E. 46th St, 490-7275 Dress opt
French-Italian-Continental. Spcl: beef Wellington.
Res, sug, L Mon,-Fri, noon-3. D Mon.-Sat. 5-10:30.
Complete L 6l D, Free 2-hr parking after 5, Closed
Sun (M) AE, CB, DC, MC.

NANNI'S-146 E. 46th St, 697-4161. Dress opt. Ital-
ian. Spcl: angel hair. Res. nec. L Mon.-Fri. noon-3. D
Mon.-Sat. 5:30-11. Closed Sun (M-E)

AE, DC, MC, V.

O'LUNNEY'S-915 Second Ave., bet 48th & 49th

Sts., 751-5470, Casual, American, Spcls: southern
fried chicken, chili, barbecued spareribs. Res, sug. L
Mon.-Fri. 1 1:30-3. D daily 6-2 a m Ent. nightly. (M)

AE, DC, MC, V

PALM— 837 Second Ave., 687-2953. Casual. Ameri-
can. Spcls: steak, lobster. Open Mon.-Fri. noon-
10:45, Sat. 5-11. Closed Sun. (M-E)

AE, CB, DC, MC, V.

PEN & PENCIL-205 E. 4Sth St., 682-8660 Dress
opt. Spcl: steak. Res. sug L Mon -Fri. 11:45-3. D
Mon.-Fri. 3-11:30, Sal -Sun, from 4:30. Pre-theater
D 4:30-7. Valet parking from 7. Party room avail,
by advance res. (M) AE, CB, DC, MC, V.

WHEN YOU
FEEL LIKE
YOUR HEAD'S
IN THE
CLOUDS,
PUT IT
THERE!

THE RESTAURANT
THE CELLAR IN THE SKY
HORS D'OEL^VRERIE
107th FLOOR.
1 WORLD TRADE CENTER
(212)938-1111

The American Express Card. ®
Don't leave home without it . sm —

JUNE 22. 1981/NEW YORK 95

CG|. ,

SICHUAN PAVILION

Authentic Sichujn (S/ethuan) Cuisine in U.S.A.

Direct From the People 's Republic
of China . . . Ten Distinguished
Chefs Selected by the Sichuan
Provincial Government . . .

Specializing in "Stdte Banquet "Dishes for Parties
OPEN 7 DAYS FOR LUNCH COCKTAILS DINNER

Res: 212-986-3775 322 EAST 44th ST.

JCeimg'a

§lfahPub WEST

in the Heart of the Theatre District

221 WEST 46th ST. N Y.
(bet.7th & 8th Aves.) 719-5799

Lunch - Dinner - Pre-Theatre
& After Theatre Dining

Special attention to theatre goers

Mon. Sat. from 11 :30 A.M.

r Piano Music Nitely from 7 PM

"The Racing Club

206 East 67 Street
(bet.2nd & 3rd Avenues)
presents

BROOKS KERR
at the piano
in a limited
special
engagement

Friday & Saturday
June 19th and 20th
June 26th and 27th
Phone: 650-1675

mm DINING THAT
TINGLES WITH THE
^EXCITEMENT OF TODAY!

SKK VKD BY A FRIENDL Y ST A FT
Home of the Famous - POPOVERS "

BRING THE ENTIRE FAMILY!
OPEN 7 DAYS PARTY FACILITIES CREDIT CARDS
FASHION SHOWS WED & THURS. (S16I 627 3020

1445 NORTHERN BLVD - Maiiliassi-i. I I
^ L.I.E. Exit 36 North or Northern Pkwy. Exit 27.

RESTAURAirT DIRECTORY

PRONTO RISTORANTE-801 Sacond Ave., at
43rd St., 687-4940 Dress opt Northern Italian Spcl;
fettuccme Pronto Res sug L Mon Fri 1 1 :30-4:30 D
Mon -Fri 5-U 30 Closed Sat -Sun (M)

AE, DC, MC, V

THE RENDEZVOUS-21 E. 52nd St., in Berkshire

Place, 753-5970 Dress opt. Nouvelle cuisine. Res
sug B Mon -Fn 6;30-10:30 L noon-3 D 6 10 30 S
10 30-12 30 Br Sat Sun noon-3 (M)

AE, CB, DC,MC, V

RICHOUX OF LONDON-Cilicorp Building,
Third Ave. at 54th St.. 753-7721 Casual English
Spcls steak & kidney pie, rarebit, tea & scones Open
24 hrs daily (I-M) AE, CB, DC, MC, V

THE RUSSIAN BEAR-139 E. 56lh St., 355 9080
Casual Russian-American Spcls: hot borsch, blini
with red caviar, pelmeni, pirozhki Res sug. L Mon -
Fri noon-3 30 D daily 5-midnight. Gypsy orchestra
nightly (M) AE, CB, DC, MC, V

SAITO-305 E. 46lhSl., 759-8897 Casual Japanese
Tatami & western style rooms Sushi & tempura bars
Res. sug. L Mon -Fn. noon-3. D Mon. -Fri 5:30-10,
Sat. to 10:30 Complete D Closed Sun (I-M)

AE, DC, MC, V

SHINBASHI-280 Park Ave., on 48th St., 66 1 39 1 5

Dress opt- Tatami and western seating lor Japanese
(ood Res sug L Mon -Fn 1 1 30-2 30 D Mon -Sat

5 30- 10 Closed Sun (M) AE, CB, DC, MC, V
SHUN LEE PALACE-ISS E. SSlh St., 371 8844

Dress opt- Szechuan-Hunan. Spcls: sliced veal FJunan
style, tangy spicy pheasant, sizzling scallops. Res
nec L Mon. -Fri. noon.3. D Mon.-Thurs. 3-11, Fri. to
midnight. Sat. noon-midnight. Sun. noon- 11 (M)

AE. DC

SICHUAN PAVILION-322 E. 44th St., 986 3775
Casual. Szechuan Spcls: Chengdu style whole fish,
Szechuan pavlia beel duet, eggplant strips in garlic
sauce Res. sug Open Mon -Fn. 1 1 30- 1 1 p.m . Sat -
Sun from noon (M) AE, CB. DC, MC

SMITH & WOLLENSKY-Third Ave & 49th St.,
753- 1 530. Dress opt American. Spcls: 1 6-oz steak, 4-
to S-lb lobster Res sug Open Mon -Thurs noon-11,
Fri. to midnight. Sat 5-midnight, Sun 4-11 (E)

AE, CB, DC, MC, V

TANG'S CHARIOT-236 E. 53rd St., 355 5096
Casual. Szechuan. Spcls: Szechuan lamb, marvelous
beef, smoked duck Res sug. L daily noon-3. D Mon -
Thurs 5-10 30, Fri -Sun to 1 1 (M) AE, DC, MC. V

TORREMOUNOS-230 E. Sl.t St., 755 1862
Casual. Spanish-Continentdi Spcls: zarzuela de
manscos, paella Res. nec L Mon -Fn noon-3 D
Mon.-Thurs. 5:30-1 1, Fri.-Sat. to midnight. Ent. Tues -
Sat eves Closed Sun (M) AE, CB, DC, MC

TOSCANA-246 E. 54th St., 371-8144 Formal
Northern Italian Spcls: paglia e fieno, veal Toscana.
Res. nec. L Mon.-Fri. noon-3 D Mon -Thurs.
5:30-10:30, Fri Sat to 11 Closed Sun (M)

AE, DC, MC

TRATTORIA-Pan Am Bldg., at 45th St.,

661-3090 Casual Italian. Spcls veal, pasta, home,
made pastry & ice cream L Mon -Sat. 1 1:30-3.30. D
Mon -Sat 3 30-11 30 B Mon -Fn 7-1 130 Closed
Sun (M) AE, CB, DC, MC, V

WALDORF-ASTORIA-301 Park Ave., bet. 49th &
50th Sis., 355-3000 Bull and Bear: Dress opt Brit-
ish-American. Spcls beef, seafood Res sug. L Mon -
Fn noon-3 D daily 5-10 S 10 30-12 20 am
Cocktails 5-1 a m.. Sun. noon-1 a.m. (M-E). Peacock
Alley Restaurant & Cocktail Lounge; Dress opt
Continental. style and nouvelle cuisine. Res. sug B

6 30-10 30, Sat 7 30-10 30, Sun 8-10 30 L noon-
2 30 D 5 30-10 30 Complete D Buffet Br Sun
11:30-3. Ent Cole Porter's own piano Tues -Sat

7 30-2 am. Sun 1 1 30-2 45 (M-E). Cocktails Mon -
Sat. 1 1 a.m--2 a m , Sun. from noon. Oscar's: Casual
dining and snacks B Mon. -Sat. 7-1 1:30. Sun to noon
L 11 30 3, Sun noon-5 D 5-9 30 Complete D
Snacks or S to 1 1 45 p.m. Cocktails noon-1 1:45 Sir
Harry's Bar: Cocktails daily 1 p.m. -3 a.m Juke Box.
The Hideaway: Cocktails Tues. -Sat. 5-1 a.m. Pianist

8 30 12 30 AE, CB, DC, MC, V

WELLINGTON GRILIj-65 E. 56lh St., 888 0830
Jacket required English grill Spcls: fresh Dover
sole, roast prime ribs, English trifle Res sug Open
7 am -11 p.m daily. Cocktails from 5-2 Hors
d'oeuvres, piano bar. Complete D. (M-E)

AE, CB, DC, MC, V

43rd-56lh Streets, West Side

ABRUZZI-37 W. S6lh St., 489 8111/489.8110
Casual Italian Spcl veal chop Milanaise Open
Mon.-Fn. noon- 11 30. Sat .Sun to midnight Com-
plete LSD Banquet room 20-100 (M)

AE, CB, DC, MC, V

A LA FOURCHETTE-342 W. 46th St., 245 9744/
246-1960. Dress opt French. Spcls: moules mari-

n^re, duckling bigarade, seafood Bercy. Res. nec. L
Mon.-Fri. noon-3 D Mon.-Fri. 5-11, Sat. from 4:30.
Closed Sun (M) AE.

ALGON0UIN-S9 W. 44tb St., 840-6800 Dress opt.
Three dining rooms. Continental. Res. sug. L noon-3.
DMon-Sat530-930BrSunnoon-2:lS Late S bul-
let 9:30-12:30 Free D parking 5:30-1 a m. Cover at
LSD (M) AE, CB, DC, MC, V.

AMERICAN CHARCUTERIE-Sl W. S2nd St.,
751-5152 Casual. International deli menu. Res. sug.
L Mon -Fn. 1 1:30-3, Sat. from noon. D Tues. -Sat. 5-1
a m , Mon to midnight. Closed Sun. Jazz Tues. -Sat.
6 11 (M) AE, CB, DC, MC, V.

THE ASSEMBLY STEAK & FISH HOUSE-IS W.
51st St., 581-3580 Dress opt American. Spcls:
guaranteed prime beef, fresh fish, lobster. Res. sug.
L Mon -Fn 1 1 30-3 D Mon -Fn 4 30-11 Pro-theater
D Closed Sat Sun (M-E) AE, CB, DC, MC, V.

AU TUNNEL-2S0 W. 47th St., 582-2166. Casual.
French- Spcls: noisette de veau, tripes h la mode de
Caen. Res. sug L Mon -Sat. noon-3. D Mon. -Sat.
5:30-1 1:30. Complete D. Closed Sun. & major holi-
days (M) AE.

BARBETTA-321 W. 46th St., 246-9171. Dress opt.
Northern Italian Spcl: vitello tonnato. Res. nec. L
Mon. -Sat noon-2. D Mon. -Sat. 5-midnight. Complete
pre-theater D 5:30-7. Private rooms. Closed Sun.
(M-E) AE, CB, DC, MC, V.

BEEFSTEAK CHARLIE'S-S 1 st Si. & Broadviray.,
757-31 10 Casual Pub atmosphere. Spcls: steak, old
fashioned barbecued ribs, incl. shrimp & salad bar,
beer, wine or sangria with dinner. L Mon. -Sat. from
1 1 :30 D Mon. -Sat- from 3, Sun. from noon. Child's D.
Also 44lh St. & Broadway, 398-1910 L Mon.-Sat.
from 1 1 .30. D Mon.-Sat. from 3, Sun. from noon. 45th
St. & Eighth Ave., 581 0500 L Wed , Fri , & Sat.
11 30-3 30 D Mon -Sat from 4, Sun from 1 (I-M)

AE, DC, MC, V

BILL HONG'S-133 W. 52nd St., 581-6730 Dress
opt Cantonese. L Mon.-Fri. 11:30-3, Sat. noon-3. D
Mon.-Thurs. 3-1 a m., Fri.-Sat. to 2, Sun. 2 p.m. -1:30
a m (I-M) AE, CB, DC, V.

BOMBAY PALACE-30 W. 52nd St., 541-7777
Casual Spcls: barbecued steak on sizzling platter,
lamb or beet Pasanda Res. sug. L daily noon-3. D
daily 5 30- 1 1 Complete L & D Free D parking. (M)

AE, DC, MC, V

CAFE DE FRANCE-330 W. 46th St., 586-0088

Casual. French. Res. sug. L Mon.-Fri. noon-3. D Mon.-
Thurs 5-10 30, Fn Sat to 11 Complete D Closed
Sun (M) AE. DC, MC, V

CAFE ZIEGFELD-227 W. 45lh St., 840-2964
Casual- American-Continental- Res. sug. L daily
11:30-4 D daily 4-10 After-theater S 10-1 a.m. Br
Sun. noon-3. Jazz/Pianist Tues -Sat. nights. (I-M)

AE, DC. MC. V

CAFFE FONTANA-81 1 Seventh Ave., at S2nd St.,
in Sheraton Centre Hotel, 581-1000 Casual Con-
tinental B Mon -Sal 7-10 30 Br Sun 10-3 L Mon.-
Sat 11:30 2 30 Piano bar ent nightly 5- 1 (M)

AE, CB, DC, MC, V.

CELESTIAL EMPIRE-144 W. 46th St., 869-9183.
Dress opt Szechuan-Mandarin. Spcl: crispy fish in
chili sauce. Res sug. L Mon.-Fri. 11:30-2.30 Ala
carte daily 11 a.m -I I p.m. Discount D parking. (I)

AE, MC

CHARLEY O'S-33 W. 48th St., 582-7141 Casual.
Irish pub style. Spcls: Irish stew, hot roast beef. Res.
sug L Mon.-Fri 1 1:30-3. D Mon.-Sat. 5-10, Sun. from
4- Br Sat. 1 1-3, Sun from noon. S Mon.-Sat. from 10
p m (M) AE, CB. DC, MC. V.

CHEZ CARDINALE-347 W. 46lh St., 245-9732,
247. 4284 Casual French and Italian food Spcls:
beef bordelaise, fettuccine Alfredo. Res. sug. L Mon.-
Fri noon-3 D Mon -Thurs 5-9, Fn to 10:30, Sat.
4 1 0 30 Closed Sun (M) AE, DC, MC.

DISH OF SALT-133 W. 47lh St., 921 4242 Jacket
required. Cantonese Spcls. Peking duck, orange
steak, blossom flounder. Res. nec L Mon.-Fri. noon-4.
D Mon Sat 4-midnight Pianist Neil Wolfe Tues. -Sat.
Private parties for 50-400 Closed Sun (M)

AE, DC

EL JERE2-234 W. 56th St., 765-4535 Dress opt.
Spanish Spcl: paella-mariscadas Res. sug. L Mon.-
Fn noon 3 D daily 3-11 (I-M) AE, DC, MC. V

FALSTAFF-870 Seventh Ave., at 56th St., in the NY
Sheraton Hotel, 247-8000. Pub-style Spcl: 20-oz
steak L Mon -Fn noon-2 30 D daily 5:30-1 1 Com-
plete D Pianist Mon -Fri (M) AE, CB, DC, MC, V

FOOD AMONG THE FLOWERS-18 W. 56lh St.,
541-9039 lacket & tie required. French nouvelle
cuisine Spcls: lobster tail Wellington, poulet saut6
with champagne & vinaigrette, crisp duckling with
honey baked banana Res nec. L Mon.-Sat. noon-3.
D Mon Sal 5-11, Sun noon ll Bar 3-7 (M)

AE, DC, MC, V

96 NEW YORK/JUNE 22. 1981

LUNCH-DINNER-AFTER THEATRE

109 West 46th Street
Corner 6th Avenue
NewYork, N.Y. 10036
Res. 582-7989

Joe Derise

Trio
in Lounge -
Wed- Sat

<fry m<K

127 E AST 54th STREET Tel: 832 2350

Our master chefs can make the
world of difference in the prepar-
ation of our Chinese specialties.
CA NTONESE-SZECHU AN HUN AN

2 HOURS FREE DINNER PARKING AFTER 6 P M
Lunchcon-CocktAiK-Dinntr-Privatt Party Roomi

You hoven'l been around
if you hoven'l heard of

Lunch ■ Cocktails • Dinner • Late Suoper
131 East54lhSt. • Res: 838-8384

THE
UmMATE
IN DINING IN LITTLE ITALY

GsaBelL

127 MULBERRY STREET
431-4080

LUNCHEON- DINNER II A.M. IA.M.
CALL FOR RESERVATIONS
PIA.\0 BAR TO 3:00 A.M.

ALL .\H.I<)II ( REIirr ( ARIXi A( < LPTtll

Dependable. Professional.
A restaurant beyond the

OPEN DAILY Ig^^A d& HickiA RMd

tor LUNCH aiHt ^ ifJBmnO^

DMNER. S'
M«ior Crwilt C»nl« ^ » V ♦ 516 WE1-2201

Exit 41N L.I. Expwy • Exit 35 No. State Pk'wy.
• South on 106 / 107 from Jericho Tpke.

^Dining'

^•^^ Music Nitely

Credit Cards Parking
Lunch Mon.thru Fri.Noon to 3 PM
Dinner Mon thru Sat.from 4 PM
Sun from Noon /Closed Tuesdays

Union Tpke at Springflekl Blvd.. Queens HQS ■ 1 791 1

REmURANT DIRECTORY

FRERE IACOUES-151 W. 48»h St.. 575 1866
Dtess opt. French. Res. sug. L Mon Sat noon-3. D
Mon. -Sat. 5-10. Pre-lheater D 5-6:30. Closed Sun.
(M) AE, V

GREAT AUNT FANNY'S-340 W. 46th St.,
765-7374 Casual.Continental-American L daily
noon-4 D Mon.-Sat. 4-12;30. Sun 1-10 Bar open 1
hr later (I-M) AE, DC, MC, V

HO HO-131 W. 50th St., 246-3256 Casual. Classic
Cantonese-Mandarin L Mon -Sat 11:30-4 D Sun -
Thurs 4-1 a m , Fri -Sat to 2 Complete L & D Free
D parking alter 5:30 (I-M) AE, CB, DC, MC, V

111 GATTOPARDO-45 W. 56lh St., 586-3978 Dress
opt. Italian Spcls: chicken Gattopardo, red snapper
livornese. Res sug. L Mon. -Fri. noon.3. D Mon.-Sat.
5-1 1:30 Closed Sun (M) AE, CB. DC, V

ITALIAN PAVILION-24 W. 55th St., 753-7295/
586-5950 lacket required. Italian-Continental.
Spcls: veal chop Pavilion, steak Pavilion, piccata
Guido Res sug L Mon -Sat noon-3 D Mon.-Sat
5 30-11. Complete L & D Closed Sun (M)

AE, CB, DC, MC. V

JOES PIER 52-144 W. S2nd St., 245-6652 Casual
Spcls: seafood and steak. Res. sug. Open Mon.-Sat
noon-2 a.m.. Sun. to 1 a.m. Spec. L Mon. -Fri. noon-3.
Ent nightly. (M) AE, CB, DC, MC, V.

KONA TIKI-163 W. 52nd St., 246-5656 Casual.
Hawaiian-American Spcls: shredded duck with Chi-
nese vegetables, sirloin fit king crab leg. Res. sug.
Open Sun -Thurs 11:45-3 a.m., Fri. Sal. to 4 a m
Dancing from 10 (M) AE, CB, DC, MC, V.

KYOTO JAPANESE STEAK HOUSE-148 W. 46lh
St., 265-2344 Casual Japanese steakhouse/tep-
panyaki cooking. Spcls: steak, seafood. Res. sug. L
Mon -Fri noon-2 1 5 D Mon.-Thurs. 5:30-1 1, Fri. to 9,
Sat to 11:30 Complete L & D Closed Sun (I-M)
AE, CB, DC, MC, V

liA BONNE SOUPE-48 W. 55th St., 586-7650
Casual. French bistro Spcls: French hamburger,
omelettes, fresh fish, chocolate fondue. Open daily
1 1:30 a m -midnight (I) AE

LA GRILUADE^45 Eighth Ave., at 51 at St.,
265-1610. Casual French Spcls: 7 varieties of fish,
roast leg of lamb Res nec L Mon -Fri noQn-3. D
Mon.-Fri 51 1:30, Sat.-Sun. from 4. Complete LAD.
(M) AE, DC, MC, V.

LES PYRENEES-251 W. 51 at St., 246-0044,
246 0373 Dress opt French Spcl: coquilles St.
Jacques. Res. sug. L Mon.-Sat. noon-3 D Mon.-Sat.
S midnight. Spec pre-theater D 5-9 Closed Sun. (M)

AE, DC, MC, V

LE VERT-GALANT-109 W. 46lh St., 582-7989.
Jacket required. French Spcls: onion soup, rock Cor-
nish hen, c6tes de veau farci, Maurice's special
cheesecake. Res, nec. L Mon.-Fri. noon-2:30. D Mon.-
Sat S midnight. Private parties Trio Wed. -Sat from
8 Closed Sun (M) AE, CB, DC, MC, V

MAMMA LEONE'S-239 W. 48lh St, 586-5151.
Casual Italian. Spcls: veal & chicken parmigiana.
Res sug. L Mon.-Fri. 11 30-2:30 D Mon.-Fri.
3:30- 1 1 30, Sat. 2 30- 1 1 :30, Sun 2-10 Complete L S
D Ent. nightly. Private parties for 500 (M)

AE, CB, DC, MC, V.

MARTA'S OF BERGEN STREET-249 W. 49th

St., 265-4317 Casual. Italian. Spcls: seafood posil-
lipo, veal or chicken A la Marta. Res sug. Open Mon.-
Fri. 11:30 a m -11:30 p.m.. Sat. to midnight Closed
Sun (M) AE, CB, DC, MC, V.

MERCURIO-53 W. 53rd St., 586-4370. Casual.
Northern Italian-Continental Res. sug L Mon.-Sat.
noon-3. D 3-midnight. Free parking after 6 p.m. Par-
ties Closed Sun (M-E) AE, CB, DC, MC, V.

MILDRED PIERCE-345 W. 46th St., 582 4801
Casual. American-Continental. Spcls: broiled brie
with fruit, chili, fresh pasta, rack of lamb. Res. sug. L
Tues -Sat. noon-4 D daily 5-midnight. Br Sun noon-
4. Pianist Thurs -Sat (M) AE, DC, MC, V.

NEW YORK HILTON-Ave. of the Americu &
53rd St., 586-7000 Hurlingham's: Dress opt. Inter-
national cuisine. Res. sug. B Mon.-Fri. from 7:30 a.m..
Sat -Sun from 8 L daily noon-2:30 D 4 S 5-1 1:30.
Pianist nighUy 6-1 1:30. (M). Sybils: Res. sug Buffet
L Mon.-Fri noon-2:30, Br Sat.-Sun. 11:30-3. D 4 S
nightly 8- 1 1 30. Cocktails and dancing to 4 a.m. Mi-
rage Lounge: open for cocktails daily 1 1:30 a.m. -2
am. Sun from noon Pianist daily 5-midnight. Ki»-
met Lounge: Cocktails daily 5-1 a.m. Ent. 6.mid-
night. International Promenade: Cocktails 1 1 :30-3
a.m.. Sun. from noon. Ahernoon tea. (M)

AE, CB, DC, MC, V.

CLUNNEY'S STEAK HOUSE-12 W. 44th St.,
840-6688 Irish-Continental. Spcls: Irish lamb stew,
corned beef 4 cabbage. Open Mon -Fri. 1 1 a.m. -mid-
night. Sat from 5:30. Closed Sun. (I)

AE, DC, MC, V

ORSINI'S— 41 W. 56th St., 7 57- 1698 Formal Italian.
Spcl: fettuccine porcino Res. nec. L Mon.-Sat. noon-
3. D Mon.-Sat. 5:30-1 a.m. S 10:301 a.m. Closed Sun.
(M) AE, CB, DC, MC, V

RETURN TO THE ERA OF

MTTLEHM

5 E. 45th St..NY. (212) 661-1200
From Lunch to Late Supper

ASPARAGUS
FESTIVAL!

JUNE ITHBU MTU

The Cattleman's first-ever Asparagus
Festival featuring 3 delicious varieties
of All-American Asparagus, each
prepared in one of 3 superb ways.
FLUSs -A- Cream of Asparagus Soup
with Asparagus Tips
if Asparagus Benedict
★ Spring Saute of Filet Mignon Tips
and Asparagus P.S. Try one of our fine
American wines. Open 7 days.

Free Parking at Meyers Garage, 46th St. between
Madison & Fifth, with dinner 5-12 pm except Sundays.

JAPANESE STEAK HOUSE

TEPPAN CUISINE

"ONE OF THE BEST STEAK HOUSES
IS THE KYOTO IN THE THEATRE

DISTRICT." N.Y. Time.

Staak, Chicken, S«a Peed.
Praparad ta Yaur Tatta
at Yaur Tabla.

14S Watt 4«th Straat
Rai. 265-2345

CLOSED SUNDAY

New York's linest Dininq and Enterlaiomanl Landmark
faaturing auttientic Spanish and continental Cuifina.
"...top Latin Supper Club in America..."

Jack O'Brian, DAILY NEWS
2 Showi Daily 3 Shows Sat
_Sup«rb Cuisine - Continuoui Dane
Jacketf required • Credit Cardi '

JUNE 22, 1981 /NEW YORK 97

We apologize to those who could

not get a table for lunch...
Why not give yourself a chance
and come for dinner.'

FINESTCHINESE FOOD SERVED
IN THE MIDTOWN AREA

OPEN 7 DAYS CREDIT CARDS
0pp. MACY'S a 1 Block fism MADISON SO. GARDEN

132 West 34th St. OX 5 4972 5

THREE GOOD REASONS
FOR DINING At....

DiiioSHeNUi;^,

FINE CONTINENTAL CUISINE
STEPS To MAD. SQ. GARDEN
• FREE DINNER PARKING

LUNCHf.CN • COCKTAILS • DINNER Daily
132 W. 32 ST. • RES: OX 5 7995 • Credit Ca
Rer. by CUE TIMES WHERE EARNSHAW I

■Y JOVI.7;

DINNIR til 4AM I

within walking diitance of....
Thaatras - Holeli - Diues

Op«fi h NOON 7 Ocyt PtlVATI PAITItS CXIOIT CAIDS

v900 7th AVE. 01 sM. * »7*) 265-4360^

listen "to aji6
Sinq Along with

kAte pheUn

12 W. 44th St., N.Y.C. -840-6688
Dining & Entertainment Nightly

COUNTRY MUSIC CITY

915 2nd Ave., N.Y.C. ■ 751-5470

Dlnlngn^indng Nlgtrtty - Lunch Mon..Fl1.

5/

"k -k ^ NY Tim»i
"On* of the Best
Spanish Kitehans in

th« Clfv."
Cecktaili • Credit Cordi

OUR 2 LOCATIONS:

22< THOMPSON ST., (Ornnwlch Villog*)'
TEl. 475-9891
•2 BEAVER ST. • OPEN 12-9 PM
, TEL 344-5221 • SAT. 12-1I:M • FREE PARKINC

oCoulde ^r.

Restaurant

317 Eost S3rd (bet. 1st & 2nd Av) PL 2-7132

Open (or lunch . Open Mon. to Sat. 12-11 PU
Cloifd Sun.

RESnURANT DIREGTOIIT !

PROMENADE CAFE-Rock«f«lUi Ctr., 757-5731
Casual. Amencan-Contineatal. Spcls: roast prime
ribs, chops, salads. L Mon.-Fri. 11:15-3. D daily
4;30-10:lS. Br Sat -Sun. 11:15-3. Private party room
for 200 (M) AE, CB, DC, MC, V.

RAINBOW ROOM-30 Rock«{*lUr Plau, 65th
iloor of RCA building, 757-9090. lacket & tie re-
quired. French-Italian. Res. sug. Cocktails Mon.-Fri.
from 4, Sat. from 3, Sun. from noon. D Sun. -Mon. 5-10
(open till midnight), Tues.-Sat. to 11:30 (open till 1
a.m.. Fri -Sat till 2.) Pre-thealer D 5-7. Br Sun.
11:30-3. Live orchestra Tues.-Thurs. 7-1 a.m., Fri.-
Sat. 8-2 a.m.. Sun. G-midnight. Music charge after 7.
(M). Rainbow Grill: Jacket required. Redesigned
nightclub offering French-Italian menu. Res. sug. D
Mon.-Thurs. 7:30-11:30, Fri -Sat. to 12 30. Shows
Mon.-Sat. 9:15 & 11:30 (show cover) (M)

AE. CB, DC, MC. V

RAINIER'S— 8 1 1 Seventh Ave., at 52nd St., in Sher-
aton Centre HoteL 581-1000. Formal. Northern
Italian D daily 6-11:30. Cocktails from 5:30. Com-
plete D Pianist Rio Clemente Mon.-Sat 7-11 (E)
AE, CB, DC, MC, V.

RICHOUX OF LONDON WEST- 1 371 Ave. ot the
Ameticaa, bet. 55th & 56lh Su., 265-3091. Casual.
English. Spcls: steak & kidney pie, rarebit, tea &
scones. Open 24 hrs. daily. (I-M)

AE, CB, DC, MC, V.

ROCK GARDEN OF TOKYO-34 W. 56th St.,
245.7936- Casual. Japanese. Spcls: yaki-niku steaks.
Res. sug. L Mon.-Sat. noon-2:30. D Mon. -Wed.
5:30-10:30, Thurs Sat. to 11. Closed Sun. (M)

AE, CB, DC, MC, V,

SARDI'S-234 W. 44th St., 22 1 8440 Dress opt. Con.
tinental-Italian. Spcl: cannelloni au gratin. Res. sug.
L Mon -Sat 11:30-3:30 Club Saidi : Business L
Mon -Fri. D daily 3:30-9. Complete L & D Br Sun.
noon-4 After-theater S to 12:30. Parties. (M-E)

AE, CB, DC, MC. V

SEA FARE OF THE AEGEAN-25 W. 56th St.,
581-0540. Jacket required. American-Mediter-
ranean seaiood. Spcl: bouillabaisse Marseillaise.
Res. sug. L Mon.-Sat. noon-3. Sun. 1 -3. D daily 3-11.
(M-E). AE, CB, DC, MC, V.

SPINDLETOP-254 W. 47th St., 245-7326 Dress
opt. Continental. Spcls: steak, prime ribs, seafood.
Res. sug. L daily 1 1:30-4. D daily 4-1 a.m. After thea-
ter supper. No-smoking room. Parties for 10-300. Pi-
anist nightly (M) AE, DC, MC, V

STAGE DEIiICATESSEN-834 Seventh Ave., bet.
53rd & 54lh Sle., 245-7850. Casual Spcls: smoked
& cured pastrami, corned beef, homemade blintzes,
stuffed cabbage. Open daily 7 a.m.-2 a.m. B to 1 1
a m (I) No Credit Cards

SWISS CENTER RESTAURANTS-4 W. 49th St.,
247-6545. Dress opt. Swiss specialties. Upstairs, the
Swias Pavilion: Res. sug. L Mon.-Fri. noon.2:30. D
Tues -Fri 5:30-10, Sal to 11 (M-E). Downstairs,
Fondue Pot; L noon-2:30. D Mon.-Fri. 5-9, Sat. noon-
6 (I-M). Bell Bar and Lounge: L Mon. Fri 1 1:30-3
(M). Free parking Mon.-Fri. after 5:30. Closed Sun.

AE. CB, DC, MC, V

TED HOOKS ONSTAOE-349 W. 46th. St.,
265-38CX). Casual. Continental-American. Spcls:
prime rib, veal Oscar, shrimp scampi. Res. sug. Open
Mon.-Sat. 11:30 a.m. -4 a.m.. Sun. 5-4 a.m. Complete
L & D. Em. & piano bar. (M) AE, DC, MC, V.

UNITED STATES STEAKHOUSE COMPANY-
120 W. Slat St., 757-8800. Dress opt Res nec. L
Mon.-Fri. 11:30-3. D Mon.-Sat. 5-midnight. Free
parking. Closed Sun. (M) AE, CB, DC, MC, V

VICTOR'S CAFE 52-236 W. 52nd St., 586 7714
Casual. Cuban. Spcls: black bean soup, roast suck-
ling pig, paella, shredded beef Cubana. Res. sug.
Open daily 11 a.m.-l a.m. Pianist Tues.-Sun. Private
parties (M) AE, CB, DC, MC, V.

WARWICK HOTEL-54lh St. & Ave. oi the Ameri-
cas, 247-2700 Sir Walter's: Continental L Mon -
Sat 11:30-2:30. D Mon.-Fri. 511, Sat. -Sun. to 10. Br
Sun. 11:30-3. (M). Bar & Lo\mge. American. L
Mon-Fri 11:30.2:30 S 10:30-1 am.

AE, CB, DC, MC, V.

57th-60th StreeU

AMBROSIA-115 E. 60th St., 838-6662 Dress opt
Continental. Spcls: lacquered roast duck, calf's liver
dill. Res. sug. L Mon.-Fri. noon-3. D Mon.-Sat.
5:30-1 1:30. Private parties. Pianist Tues.-Sat. Closed
Sun. & legal holidays. (M) AE, MC, V

COPENHAGEN-68 W. 58th St., 688-3690 Dress
opt. Scandinavian cuisine. Authentic smorgasbord.
Res. sug. L Mon.-Fri. noon-3. Sat. to 4. D Mon.-Fri.
5-11, Sat. from 4. Closed Sun. & legal holidays. (M)
AE. CB, DC. MC. V

DODIN-BOinTANT-40S E. S8lh St., 751-2790
Formal. French. Spcls: saucisson de legumes, foie de
veau panee au graine de moutarde. Res. nec. D only
6:30-10 Closed Mon. (E) AE, DC.

GAYLORD-50 E. 58lh St., 759-1710. Dress opt
Northern Indian. Clay cooking. Res. sug. L Mon.-Fri.
1 1:30-3. D nightly 5:30-1 1. O-M)

AE, CB, DC, MC, V.

GIAN MARINO-221 E. 58th St., 752-1696 Jacket
required. Italian. Spcls: 65 kinds of homemade pasta.
Res. sug. LTues.-Fri. noon-3. DTues.-Fri. 3-midnight,
Sat. from 4, Sun. from 1 p.m. Closed Mon. (M)

AE, CB, DC, MC, V.

KAPLAN'S AT THE DELMONICO-S9 E. S9th St..
755-5959. Casual. Jewish deli. Spcls: Rumanian ten-
derloin, corned beef, stufied cabbage, potato pan-
cakes. Open for B, L, D, & cocktails Mon.-Fri. 7:30
a m.-9 p m , Sat -Sun. 10 a.m. -9 p.m. 0) AE, DC

LE BIARRITZ-325 W. 57th St., 757-2390 Casual.
French. Spcls: gigot aux flageolets, contre-filet, pou-
larde aux chanterelles. Res. sug. L Mon.-Fri. noon-3.
D Mon.-Fri. 5-11, Sat. to midnight. Complete D.
Closed Sun (M) AE, DC, V.

LE STEAK-1089 Second Ave., bet 57th & 58th Sts.,
421*9072. Dress opt. French-style steakhouse serv-
ing steak only D daily 5:30-11 Complete D (M)

AE, DC.

LE TRAIN BLEU-1000 Third Ave., at 59th St., in
Bloomingdale's, 223-5100. Recreation of French
railway dining car Casual. Nouvelle cuisine. Res.
sug L Mon.-Sal 1 1-3 D Mon, Thurs. 5:30-7:30. High
tea Mon.-Fri. 3-5 Closed Sun (M) AE.

LE VEAU D'OR-129 E. 60th St., 838-8133 Dress
opt. French. Spcl: rognons de veau saute moutarde.
Res. sug. L Mon.-Sat. noon-2:30. D Mon.-Sat. 6-10:15.
Complete L & D Closed Sun. (M) AE.

THE MAGIC PAN-149 E. S7th St., 371-3266
Casual. French-Hungarian. Spcls: crepes, roulette
steak, coq au vin. Res. sug. Open Mon.-Sat. 11:30
a.m. -midnight. Sun. to 10 p.m. Complete L & D. Pri-
vate parties for 100. Also 1409 Ave. of the Ameri-
cas, 765-5080. Open Mon.-Fri. 1 1:30 a.m. -midnight.
Sat. from 11, Sun 11-10. Ent. Wed.-Sat. (I)

AE, MC, V.

THE MUTINY-400 E. S7lh St., 688 8803 Casual.
American. Spcls: stuffed lobster, shrimp i la Mutiny,
scallops Mutinous, exotic desserts. Res. sug. D Mon.-
Thurs. 5-11, Fri. -Sat. to midnight, Sun. to 10. (M)

AE, DC.

OLIVER'S-141 E. S7th St., 753-9180 Casual.
American. Spcls: prime ribs, lobsters, hamburgers,
salads. L Mon.-Fri. 11:30-5, Sat. from noon. D Mon.-
Wed. 5-midnight, Thurs. -Sat. to I. Closed Sun. (I-M)
AE, CB, DC, MC, V.

PALACE-420 E. 59th St., 355-5150. Formal. Haute
cuisine. Spcls: salad de homard Palace, cdte de boeuf
rdti bressant, white chocolate mousse Brillat-Savarin.
Res. nec. L Mon.-Fri- noon-2. D Mon.-Sat. 7-10. Com-
plete L it D Closed Sun. (E) AE, MC, V.

PLAZA HOTEL-Fifth Ave. & 59th St., 759 3000
Edwardian Room: Dress opt. Continental. Res. nec.
B Mon -Fri. 711, Sat -Sun. to 1 1:30. Br Sun. noon-3.
L Mon.-Sat noon-3 Pre theatre D 5:30-7:30. D daUy
6-10 S daily 10-12:30 Roger Stanley trio for danc-
ing Tues-Sat. 612:30. (M-E) Oak Bar: Casual.
Sandwich menu Mon.-Sat. 1 1 a.m. -2 a.m.. Sun. noon-
1 a.m. Oak Room: Dress opt. Rib Room. Res nec. L
Mon.-Fri. noon-3. D Mon.-Fri. 6-10, Sat. -Sun. to 11.
(M-E) Oyster Bar: Casual. Fresh seafood. Res. nec.
Open Mon.-Sat. 11:30 a.m.-l a.m.. Sun. from noon.
(I-E) Palm Court: Dress opt. Continental. Res. nec.
B Mon -Sal. 7:30-10:30 Coffee service Mon.-Sat. 11-
noon. Br Sun. 1 1-2:45. L Mon.-Sat. noon-2:30. After-
noon tea Mon.-Fri. 3:30-8, Sat -Sun. 4-8. "After 8"
Mon.-Fri. 8-1 a.m.. Sat. to 2, Sun. to midnight. Ameri-
can Caviar Bar Wed.-Sat. 4-7. Music daily. (E)
Trader Vic's: Dress opt. Continental-Polynesian.
Res. nec. L Mon.-Fri. 1 1:30-2:30. Cocktails and hors
d'oeuvres Mon.-Fri. 4-1 a.m.. Sat. 3-2 a.m.. Sun. 4-
midnight. D Mon.-Thurs. 5-midnight, Fri. -Sat. to
12:30, Sun. 4-11:30 (M-E) AE, CB, DC, MC, V.

PRONTO RISTORANTi:-30 E. 60th St.,
421-8151. Dress opt. Northern Italian. Spcl: fettuc-
cine Pronto. Res. sug. L Mon.-Sat 11:30-4:30. D
Mon.-Sat. 5-midnight, Sun. 4-11. (M)

AE, DC, MC, V.

REGINE'S-502 Park Ave., bel. S9th & 60th Sts.,

826-0990. Jacket 6t tie required. French. Spcls: roast
duck, lobster in port sauce, fillet of veal in green-
peppercorn sauce. Res. nec. L Mon.-Fri. noon-3. D
Mon.-Sat. 8-midnight. Pre-theatre D 6-8. Closed Sun.
(E) AE, CB, DC, MC, V.

THE RUSSIAN TEA ROOM-150 W. 57th St.,
265-0947. Jacket required. Russian. Spcls: blini,
shashlik, chicken Kiev. Res. sug. Open Sun.-Fri.
11:30 a.m -1 a m , Sat to 2 a m S after 9:30. Com-
plete D Private parties. (M) AE, CB, DC, MC, V.

THURSDAY'S-57 W. S8th St., 371-7777. Casual.
Spcls: fish, steak, burgers. Res. sug. Continuous menu
from noon. Spec, champagne Br Sun. noon-4. Danc-
ing after 10 p.m. & Br Sun. (I) AE, CB, DC, MC, V.

98 NEW YORK/ JUNE 22, 1981

I

fINE

SPANISH CUISINt

• LUNCH

• COCKTAILS

• DINNER

famed Paella a la Valenciana

929-3189, 243-9513

62 CHARLES ST. (W. 4th ST.)

NY Times

ristoranteH

italiano
lunch & dinner

Amer. Express &
Diners Chib
251 E. 93rd Street
(Bet. 2nd& 3rd Aves.)
N.YiC. 763-8450-1 I

A GOURMET S

Live M^^EM TOUR FROM
Music tVI ^ SPAIN TO

fftpFni LA TIN AMERICA

^^ak 01 RoosrvoM Avn

Res: 672-7756 Jackson Heights. N Y

FRESH FISH AND PRIME
MEATS DELIVERED DAILY!

Restaurant, Banquets, Business Meetings
Piano Bar • ALL REASONABLY PRICED
GRAMERCY PARK HOTEL
21st St. & Lex. Ave., NYC
GR 5-4320

DINING— DANCING— LIVE
ENTERTAINMENT Nitely

[Luncheon/Cocktails j
Din ner/Supper

68 FIFTH AVE.
OSth St.)

credit cards/cl. Mon.
per Club 255—3699^

69-16 Metropolitan Ave
Middle Village NY 11379

A Landmark
Since 1845

'212) 326^)717

NIEDERSTEIN'S
Restaurant & Catering

Music Wed.. FrI., Sat,

8 TOMS . f

R<(. MU 3 099&
237 Madison Ave.

near 37lh Slroil

^ Consistently First Rate Food ... a verjT^
engaging restaurant.

— Jay Jacobs, Gourmet, 1978

cucina per eccellenza
luncheon dinner

MONSIGNORE II ,

^ 61 Easl55lh Street NY F.L 5-2070 y

I RESTADRANT DIRECTORY

TINO'S-235 E. 58lh St., 751-0311 lacket raquirBd.
Northern Italian. Spcls: linguine with broccoli & zuc-
chini, costolette alia Milanaise, capp«lli d'angelo all-
'ortlane. Res. nec. L Mon.-Fri. noon-3. D daily
S-midnight. (M) AE, DC, MC, V.

TOP OF THE PARK-W. 60th St & CPW, top o£
Guli & WeBtarn Bldg., 333-3800 Dress opt Inter-
national cuisine. Res. nec. D Mon.-Fri. 5-10, Sat. to
10:30. Complete D. Closed Sun. (M)

AE, CB, DC, MC, V.

TRE SCALINI-230 E. 58th St., 688 6888 lacket
required. Northern Italian. Spcl: winter game. Rea.
nec. L Mon.-Fii. noon-3. D Mon. -Sat. 5-midnight.
Closed Sun. (M) AE. CB, DC, MC, V

TYCOON- 1078 First Ave., bet. 58lh & 59th St«.,
9800777 lacket required. Continental-French
Spcls: pasta al pesto, rack of lamb bouquetidre, pous-
sin Raymond, canard aux cerises. Res. sug. D Mon.-
Sat. 5-11. S 11-4 a.m. BuHet Br Sun. noon-4. Piano
bar and dancing. (M) AE.

Above 60th Street, East Side

ADAM'S APPLE-1117 Firet Ave., at 61«t St,

371-8650. Dress opt. Spcls: chicken steak, seafood.
Res sug. Open daily 11:30-4 a.m. Br Sun. 11:30-4.
Parties to 500. (M) AE, CB, DC, MC, V.

ADAM'S RIB-23 E. 74th St, off Volnay Hotel
lobby, 535-2112. Dress opt. American. Spcl: roast
prime ribs of beef. Res. sug. L Mon.-Fri. noon-3. D
Mon-Thurs. 5-11, Fri 4 Sal 4:30-11:30, Sun.
4:30-10:30. (M) AE, CB, DC, MC, V

ANDREE'S MEDITERRANEAN CinSINE-3S4
E. 74lh St., 249-6619 Dress opt. Mid-East/French
Spcls: striped bass in phyllo, herbed rack of lamb.
Res nec D only Tues -Sat 7-9:30 Closed Sun &
Mon. (M) No Credit Cards.

AUCTIONS-1406 Third Ave., at 80th St,
535-2333. Casual. American. Spcls: escargot, prime
steak, chops, fresh fish. Res. sug. D Sun.-Thurs. 5-1,
Fri -Sal to 2 Pianist 7-2 (M) AE, MC, V.

CAMELBACK & CENTRAL- 1 403 Second Ave., at
73rd St., 249-8380. Casual Continental-American.
Spcls: roast duck with port & black currant sauce,
vegetables tempura with sherry, ginger & soy sauce,
pork tenderloin with peanut sauce, stuHed veal chop.
L Mon.-Fri. 1 1 :30-4. D Mon.-Thurs. 5-midnight, Fri. to
1, Sat. 6-1, Sun. 6-midnight. Br Sat -Sun. 11:30-4. Pri-
vate parties for 75. (I-M) AE, CB, MC, V.

CARLYLE HOTEL-76th St. & Madiaon Ave.,
744-1600 Cale Carlyle: Formal Res. nec BuHel L
Mon. -Sat. noon-3. D Tues. -Sat. 7-1 a.m.. Sun. from 6
p.m. Buffet Br Sun. noon-3. Bobby Short Tues.-Sat.
Carlyle Restaurant French cuisine. B daily 7-11
a.m. L daily noon-3. D daily 6-11. Br Sun. noon-3.
(M-E) AE, CB, DC, MC, V.

CLAUDE'S-205 E. 81»1 St, 472-0487. Formal.
French. Res. nec. D only Mon. -Sat. 6-10:15. Closed
Sun (E) AE, DC, MC, V.

CZECHOSLOVAK PRAHA-1358 Firat Ave., al
73rd St., 988-3505 Casual. Ciechoslovakian. Spcls:
duck, goose. Res. sug. L Mon. -Sat. noon-4. D Mon.-
Sat. 4-11, Sun. from noon. Parlies up to 80. (M)

AE, DC, MC, V.

DAVID K'S-1 1 1 5 Third Ave., at 65th St, 37 1 -9090

Formal- Chinese cuisine. Res. nec. L Mon. -Sat. noon-
3 D Sun.-Thurs 5-midnight, Fri. Sat. to 12:30. Br.
Sun. noon-5. Executive L. Pianist Charles Deforest
Tues -Sat (M-E) AE, DC.

FRIDAYS-1152 First Ave., at 63rd St., 832-8512
Casual. American. Spcls: hamburger, omeleHes,
salad. Open daily 1 1 :30 a.m. to legal closing. Br Sat.-
Sun 1 1 :30-4. (I) AE, CB, DC, MC, V

HOEXTER'S MARKET-1442 Third Ave., bet.
81st & 82nd Btm., 472-9322. Formal. American-Con-
tinental. Spcls: grilled baby chicken, market steak,
chocolate cake. Res. nec. D only daily 6-12:30.
(M-E). AE.

IL MONELLO-1460 Second Ave., at 76tb St.,
535-9310. lacket required. Northern Italian. Spcls:
lasagna verde Fiorentino, polio alia Toscana. Res.
sug. L Mon. -Sal. noon-3. D Mon.-Thurs. 5-11, Fri. -Sal.
to midnight. Closed Sun. (M-E)

AE. CB, DC, MC, V.

IANUS-1461 First Ave., at 76th St, 879-7676. Dress
opt. Italian. Spcls: cap d'angelo primavera, scal-
lopini alia lanxis. Res. sug. D Mon. -Sat. 5-midnighl,
Sun. to 1 1 (M) AE, CB, DC, MC, V.

KING DRAGON-1273 Third Ave., at 73rd St.,
988-3433/988-3496. Casual. Cantonese Spcl: dim
sum. Open Mon.-Fri. noon-ll:30. Sat. to midnight,
Sun from 1 (M) AE, CB, DC, MC.

LA FOLIE-21 E. 61st St., 765-1400. lacket required.
French. Spcls: oysters in champagne with caviar,
pauptetle de sole Chantal, confit de canard. L Mon.-
Fri. noon-3. D Mon.-Thurs. 6-midnighl, Fri. -Sat. to 1.
Pre-theatre D Mon -Fri. 6-7:30, Sat. to 7. After-theatre
D & dancing Mon. -Sat. from 11. Free valet parking
aher 7 Closed Sun. (E) AE, CB, DC, MC, V

SAPPHIRE

CHDIESE RESIAURA.NT

1 f 'G

"Newly npened Sapphire is one (if the in(»st altractive
Chinese restaunints tn tmvn .. Excellent Chinese
cuisine. Prices are modest , . . '

HUGH CONWAY— "H' NEWS

Lunch, Cocktails, Dinner. Open 7da>'s.
135 Third Ave. (at 15th St )
(212) 260-7690 • 260-6329
All miyor credit cards accepted

(feECHET^S^

tJ Restaurant and Jazz Club

Hot Jazz Nightly, Smart Setting,
Exquisite French Cuisine
June 16-21 st
BUDDY TATE
Quartet

June 23-28th
KENNY DAVERN
Trio

Sunday— Jazz Brunch
ThlPl An. M. 75-71 Sts., In. 171-1181

American &
Continental Cuisine

LUNCH,
DINNER
COCKTAILS

LATE SUPPER
& SUNDAY
BRUNCH.
7 DAYS

345 West 46th St.

Tel. S82-4S01

UI.1 \Dros

a restaurant to please ttie senses

1)5 east60th street new york (212) 838-6662

Westehttier's Gouimet Ci'nese Pestajrant
. . Ctxntse Cu'S'ne al /ck btst"
Special Gourmet Dinners
510 Lexington Avenue, Ml. Kisco, N,V.
(914) 241-156S

JUNE 22. 1981 /NEW YORK

99

ABOVE ALL

65 floors atop Rockefeller Center /
Dining and dancing amid elegant
art deco surroundings and spectacular
' views of the city Pre-ttieatre. a la carte
and after ttieatre menus
The Rainbow Room 30 Rockefeller Plaza
NewYofVCin' Res 757-9090

And at Ttie Rainbow Grill, "Kicks" a daring, delightful
French cabaret revue produced by Peter Jackson.

^^i^KAMEHACHI

JAPANESE CUISINE
[T I J I SUSHI-TEMPURA
kii %m m Lunch • Dinner • Supper

Served Til 12 A.M.
Credit Cards • Closed Sun.
14 Ust 47th St. N.Y.C. Tel. 765-4737

FRENCH CUISINE
Lunch • Cocktails • Dinner • Party Facilities.
A L« Carte After Theatre — Moderate Prices
An elegant French restaurant
In the heart of the theatre district
348 W 46 St Am X, MC 757-2154

ONE FIFTH AVENUE

13AL,' U[f,' TALjLjANT

a rt'Uaitritiit hi itic Park A t rniit' iruililion
lunt vcUf-ctmtincnttil cttisitu-
Lunch, Dinner, Ten Park Avenue

Late Supper til 2 AM New York City

Entertainment Nightly (212) 889-1310

(5161 599-9306
(516) 593-2472

f^eilaurant (^ocklaii aCoun^e

NORTHERN ITALIAN CUISINE
SEAFOOD

YOUR HOSTS
GIANNA & SANDY

24 MAIN STREET
EAST ROCKAWAY, N Y 11518

DINING & DANCING W
LATE DISCO FRI&SAT

I at

duErawnk

LUNCHEON • COCKTAILS • DINNER Daily
88 MADISON AVE. (29 St.) « 689-7565

RESTAURANT DIREGTORT !

LA PETITE FERME— 973 Lexingion Ave., at 70th

St., 249-3272. Dress opt. French. Spcls: moules
vinaigrette, poached bass with sauce chezillot. Res.
nec. L Mon.-Sat. noon-2:30. D Mon.-Sat. with seatings
at 7 & 9 Closed Sun (M) AE, CB. DC, MC, V
LE BOEUF A LA MODE-S39 E. 8 1 .1 St., 650-9664
Dress opt. French. Spcls: sweetbreads b^arnaise,
duckling aux cerises, veal florentine. Res. sug. D only
Tues -Sun 5:30-11. Complete D Closed Mon. (M)

AE, DC, MC.

LE CLODENIS-1409 York Ave., at 75th St.,

988-4660- Formal. French haute cuisine. Spcls: rack
of lamb, fillet of sole in champagne sauce and rose
petals, mousseline de crevette. Res. sug. D only Mon.-
Sat 6-11 Closed Sun (M-E) AE, DC
LE COUP DE FUSIL-160 E. 64th St., 751-9110
Dress opt Nouvelle cuisine. Res. sug. L Mon.-Fri.
noon-2:30. D Mon.-Thurs. 5:30-10:30, Fri.-Sat to

1 1 30 Closed Sun (M-E) AE, DC, MC, V
LE LAVANDOU-134 E. 61»t St., 838-7987 Formal

French. Spcls: ballotine de red snapper, cdte de veau
aux raorilles. Res. nec. L Mon.-Sat. noon-2:30. D
Mon -Sat. 6-10 Complete LSD Closed Sun (E)

AE.

LE PLAISIR-969 Lexington Ave., 734-9430 For-
mal. Nouvelle cuisine. Spcls: game in season, pasta
with truffles Res nec D Mon.-Sat 7-10:30 Closed
Sun & July (E) CB, DC, MC, V.

LION'S ROCK-316 E. 77lh St., 988-3610. Casual.
Continental. Spcls: shrimp with honey mustard, roast
quail with raisin & sausage stuffing. Res. sug. D only
Mon.-Sun S-midnight Br Sun 11:30-4 (I-M)

AE, DC. MC, V

MARTY'S-1265 Third Ave., at 73rd St., 249-4100.
Casual. American. Spcls: prime ribs, steak, and sea-
food. Res. sug. D Mon.-Fri. 5-midnight, Sat. to 1 a.m..
Sun. 4:30- 1 1 , Br Sat. -Sun. noon-3. Piano bar. Jazz ent.
(M) AE, MC, V.

MAXWELL'S PLTJM-1181 First Ave., at 64th St.,
628-2100. Casual. Continental. Spcls: salade caribe,
supreme of chicken, lobster salad, soft shelled crab,
hazelnut chocolate & raspberry cake. Res. sug. L
Mon.-Fri. noon-5. D Mon.-Sat. 5-1:20 a.m.. Sun. to

12 20. Br Sat noon-S, Sun. from 11 (M-E)

AE, CB, DC, MC, V

MEAT BROKERS-1153 York Ave., at 62nd St.,
752-0108 Casual Steakhouse Spcls: USDA prime
steak, chops, ribs, fresh fish daily, salad bar with D
Mon.-Thurs. 5-midnight, Fri.-Sat. to 1 a.m., Sun. 4-11.
Free 2-hr parking (I-M) AE, CB, DC, MC, V

NANNI AL VALLETTO-133 E. 61»t St., 838 3939
Dress opt. Italian. Spcls: angel's hair primavera, veal
chop alia Nanni with mushroom sauce. Res. nec. L
Mon.-Fri. noon-3. D Mon.-Sat. 5:30-midnight. Closed
Sun (M) AE, CB, DC, MC, V

PICCOLO MONDO-1269 First Ave., bet. 68th &
69th Sts., 249-3141 Formal Northern Italian. Spcl:
scampi alia Veneziana. Res. sug. L Mon.-Fri. noon-3.
D Mon.-Fri. 5-midnight, Sat. -Sun. from noon. Parking.
(M) AE, CB, DC, MC, V

PIERRE HOTEL-2 E. 6Ut St., 838-8000 Cafe
Pierre: Formal. French-International. Spcl: authentic
Indian curries at L. Dancing nightly. Res. sug. L & D
noon- 12:30 a.m. Br Sun. noon-3. Yellow Bird
Room: B only daily from 6:30. The Rotunda: En-
glish afternoon tea Mon.-Fri. 3-6:30. (M-E)

AE, CB, DC, MC, V

THE RACING CLUB-206 E. 67th St.. 650-1675
Casual. Continental. Spcls; USDA prime steak, veal
chop, seafood. Open Mon.-Sat. noon-midnight. Pian-
ist Fri -Sal Closed Sun (M) AE, DC

THE REGENCY-Park Ave., at 6Ut St., 759-4100
Le Restaurant: Dress opt. Continental. Spcls: red
snapper en croute, mignon of lamb Bretton. Res. sug.
B daily 7-11 L daily noon-3 D daily 6-10:30 (E)
AE, CB, DC, MC, V.

SAMANTHA-1495 First Ave., at 78th St..
744-9288. Casual. Continental Spcls: brook trout
stuffed with crabmeat, veal Oscar, barbecued St.
Louis back-ribs. Res. sug. D Sun.-Thurs. 4-midnight,
Fri -Sat to 1 a m Br Sat -Sun 11-4. <M)

AE, DC, MC, V

SIGN OF THE DOVE-1 1 10 Third Ave., at 65th St.,
861-8080 Formal Continental Spcls: pasta, fillet of
sole Sign of the Dove. Res. sug. L Tues.-Sat. noon-3.
D Mon.-Thurs. 6-midnight, Fri.-Sat. to 1 a.m.. Sun. to
1 1 . Br Sun, 1 1:45-4. Pianist Lynn Mollinax in cocktail
lounge Closed Mon. L (M-E) AE, CB, DC, MC. V

TRUFFLES-696 Madison Ave., at 62nd St.,
838-3725. Casual, Continental. Spcls: chicken Gis-
monda, whole smoked trout, avocado & crabmeat
salad. Res. sug. Open daily 11:30 a.m. -4 a.m. (M)

AE, MC, V.

Above 60th Street, Wast Side

ALLEGRO CAFE-Avery Fishsr Hall. Lincoln Ctr.,

874-7000. Casual. American-Continental. Spcls:
roast prime ribs, roast duckling. Open daily noon-8.
(M) Adagio Buffet; Open performance nights
5:30-8. (M) AE, DC,MC,V.

ATHENS MY LOVE-20 W. 72nd St., in the Fran-
conia Hotel, 580-1463 Casual Greek-Italian.
Spcls: lamb kapama, veal roUatine. Res. nec. D Tuas.-
Sun. 5-midnight. Closed Mon (M) AE, DC, MC, V.

BEEFSTEAK CHARLIE'S-68th St. & Broadway.

787-2500 Casual. American. Spcls: steaks, bar-
becued baby-back ribs, incl. shrimp h salad bar,
beer, wine or Sangria. D Mon.-Thurs. 4:30-10:30, Fri.
to 1 1:30, Sat. 4-1 1:30, Sun. 4-10:30. Spcl. child's D.
(I-M) AE, DC, MC, V.

BROADWAY BAY-2178 Broadway., at 77th St..

362-5234 Casual. Seafood Spcls: lobster, pasta.
Open Mon.-Sat. 1 1:30-1 a.m.. Sun. 3-midnight. (I-M)

AE. DC, MC, V.

CAFE DES ARTlSTES-1 W. 67th St., 877-3500.
Casual. French. Res. nec. L Mon.-Fri. noon-3. D
Mon.-Sat. 5:30-1 1, Sun. 5-9. Br Sat. noon-3. Sun. from
11 (M-E) AE, CB, DC, MC, V.

MAESTRO CAFE-S8 W. 65th St., 787-5990.
Casual, American-Continental. Res. sug. L Mon.-Sat.
11:45-5 D daily from 5. Br Sun. 11:30-4. (I-M)

AE, DC, MC, V.

MRS. IS SACRED COW-228 W. 72nd St,
873-4067. Casual. Continental. Spcls: prime steaks,
fresh fish. Res. sug. D only Mon.-Thurs. 4-2 a.m., Fri.-
Sat. to 2:30 a.m., Sun. to I a.m. Pianist nightly. Private
parties. (M) AE, CB, DC, MC, V.

OENOPHILIA-473 Columbus Ave., at 83rd St.,

580-8127, Casual. Continental. Spcls: swordfish ma-
rind with cucumber & coriander sauce, country quail
stuffed with brandied apricots, boned duck with
brandied peach sauce. Res. sug. D only Mon.-Thurs.
6-11, Fri Sat. 5:30-11:30, Sun 5-10. Br Sun. noon-
3:30. Live ent. Sun (M) AE, DC, MC, V.

SHELTER-2180 Broadway, at 77th St., 362-4360.
Casual. American-Continental. Spcls: hamburger,
barbecued ribs, mussels marinidre. L Mon.-Fri.
11:30-4:30 D Sun.-Thurs. 5-2, Fri.-Sat. to 3. Br Sat.-
Sun. 1 1 :30-4:30. Bar open to 4 a.m. Also 540 Second
Ave., at 30th St , 684-4207. (I) AE, DC. MC, V.

SHUN LEE WEST-43 W. 6Sth St.. 595-8895.
Casual. Mandarin-Hunan-Szechuan. Spcls: Hunan
country chicken, sliced kidney Yunnan style, triple
crown Peking style. Rec. nec. L Mon.-Fri. noon-3. D
daily 5-10. S 10-midnight. Dim sum Br Sat. -Sun.
noon.3. (M) AE, MC, V.

SWEETWATER'S-I70 Amsterdam Ave., bet. 67th
& 68th Sts., 873-4100. Dress opt. Continental-
Italian. Spcls: tortellini alia Nonna, chicken scar-
pariello, prime ribs. Res, sug. L daily 1 1:30-5. D daily
5-1 a m Br Sat -Sun 1 1 30-5. Quartet Tues.-Sat. (M)
AE, CB, DC, MC, V.

TAVERN ON THE GREEN-67th St & C.P.W.,
873-32(X). Casual. Continental. Spcl: veal piccata.
Res. sug. L daily noon-3:45. D daily 5:30-midnight. Br
Sat 11-3:45, Sun. from 10 (M-E)

AE, CB, DC, MC, V.

TICKER S STEAK HOUSE WEST-320 Colum-
bus Ave., at 75th St.. 799-4073. Casual. Spcls:
steak, chops, seafood. Soup & salad bar. Res. sug. L
Mon.-Fri 1 1:30-3:30. D Sun.-Thurs. 4-af1er midnight.
S Fri.-Sat. 4-4. Mon.-Thurs. spcl. D menu. Jazz Fri. h
Sat (I-M) AE, DC, MC, V.

VICTOR'S CAFE-240 Columbus Ave., at 7Iat St.,
595-8599. Casual. Cuban, Spcls: black bean soup,
roast suckling pig, paella, shredded beef Cubana.
Res. sug. Open daily 10 a.m.-l a.m. (M)

AE, CB, DC, MC, V.

Brooklyn

BAY RIDCE SEA FOOD RESTAURANT-8620
Fourth Av«., 748-2070. Casual. Seafood. Open
Sun.-Thurs. 1 1 :30 a.m.- 1 1 p.m., Fri.-Sat. to midnight.
Complete D. Complimentary parking. (I-M)

AE, CB. DC, MC, V.

BEEFSTEAK CHARLIE'S-3121 Ocean Ave.,
934-0321. Casual, Pub setting for beef spcls. Open
7 days. D Mon.-Fri from 5 p.m.. Sat. from 4, Sun. from
1. Spcl. child's D Also 2133 R&lph Ave. at George-
town Shopping Ctr., 241-5600. D Mon.-Sat. from 5,
Sun- from 1. D incl. shrimp & salad bar; beer, wine,
or Sangria, and baked potato Child's D. Bay Ridge
Third Ave & 96th St., 745-6200. Beef, chicken. &
seafood spcls. D Mon.-Sat. from 5, Sun. from 1 . D incl.
free shrimp dt salad bar; unlimited beer, wine, or
Sangria: baked potato. Child's D. (I*M)

AE, DC. MC. V.

100

NEW YORK/JUNE 22. 1981

fine dining in Soho

152 Spring Street Res. 226-3444

rdUtSo&t

TRADITIONAL FRENCH CUISINE
In YOKKVlUE at MODERATE PRICES
Undtr th* (ptritlcn of AUEUSTE, thi mrntr
LUNCHEON • DINNER Dailr • Clottd Moa.
322 U$T (6 ST. (bat. 1st t 2nd Avit.)

AT t-l99B L 427-3900 ^

lunch
Cocktaih

"Injpirationa

rM. 673-0390
69 Mac Oougal StrMt

CLASSIC
ITALIAN CUISINE

\n%p\r»6 by th« Spaciol
Touch of Pioti* M m t opi,
CM — Hm«

Open 7 Days
Noon - 11PM
Banquet Facilities
POO)

RESrxURMT t CATERERS

140 2nd Ave. |8th & 9th Sts.| 533-6765 ^

HOME COOKING
StuflMl CaMiit
PiKoirs Slintzes
Hona Malt Clulih
Biud

6 Extraordinarily good food 9 —Esquire

Authentic French Cuisine • Lunch • Dinner
• Cocktaik • comfortable prices ^

Res: 582-2166
250 W. 47 SI. NYC.

Tunnel

Luncheon • Dinner

( lovd SiiiHlii>

5 East 55th Street, N.Y.C. Tel. 688-6525

CoMiccio

/ RISTORANTE

NORTH ITALUkN CUISINE
lUNCHaOINNERtCOCXTAILS

11 WEST 56 STREET . 757-7795

! RES1AURAMT DIRECTORY

FOURSOME STEAK PUB-1992 Ralph Avm., at

corner Ave. I., 241-7300. Casual. American-Conti-
nental. Spcls: steak, seafood. L Tues.-Fri. noon-3. D
Tues.-Thurs. 4-midnight. Fri.-Sat. to 2, Sun. 1 -mid-
night. Complete L & D. Ent. & dancing. Child's D.
Parking. Closed Mon. U-M) AE, CB, DC, MC, V.

GAGE & TOLLNER-374 Fulton St., 875-5181
Casual. American. Spcls: lobster Newburg, crabmeat
Virginia, soft clam belly broil. Open Mon.-Fri.
11:30 9, Sat. 4-11. Sun. 3-9. Br Sun noon-3. Private
parties Pianist Fri -Sun. (M) AE, CB, DC, MC, V

GROTTA D'ORO ON THE BAY-3206 Emmona
Ave., 646-4300, 646-4900. Casual. Italian-Ameri-
can. Spcl: seafood. Res sug. Open Men -Thurs. noon-
midnight, Fri.-Sat to 1, Sun. to 11. Valet parking.
(I-M) AE, DC, MC, V.

JUNIOR'S— 386 riatbtish Ave. Extenaion.,
852-5257. Casual. American. Spcls: steak, deli sand-
wiches, cheesecake. B daily 6:30- 1 1 . L daily 11-4. D
daUy 4-9. (I) AE. DC.

LISANNE-448 Atiantic Ave., bet. Nevins & Bond
Sta., 237-227 1 . Casual. French. Spcls: poached
salmon with sorrel sauce, veal chop with morels, cor-
nish hen stuffed -with lucchini & cheese. Res. nec. D
Tues.-Sat 6-10:30, Sun. 4-10. Closed Mon. (M)

MC, V.

MICHAEL'S-2929 Ave. R., 998-7851, 339-9288.
Casual. Italian -American. Spcls: variety of veal
dishes. D Tues.-Hiurs. 3-midnight, Fri.-Sat. to 1 a.m.,
Sun. noon-11. Piano. Closed Mon. (I-M)

AE, CB, DC, MC. V.

MONTE'S VENETIAN ROOM-451 CarroU St.,
624-8984. Casual. Italian. Spcls: baked jumbo
shrimp alia Monte, chicken carpariello, baked clams.
Res. sug. Open Sun. -Thurs. 1 1 a.m. -midnight, Fri.-Sat.
to 3 a.m. Free valet parking. (M) No Credit Cards.

Queens

BEEFSTEAK CHARUE'S-Fluahing, 3122 Far-
rington St., Whitestone Shopping Ctr. at Linden PI.,
359-2080. Casual. Features beefsteak, sirloin, daily
fish spcls. D Mon. -Sat. from 5, Sun. from 1. D incl.
shrimp & salad bar; beer, wine, or sangria. Child's D.
Forvst Hills 1 Station Square., at Forest Hills Inn.
793-5555 Pub setting with beef A rib spcls. Mon -
Sat. from 4:30, Sun. from 1. D incl. shrimp & salad
bar; beer, wine, or sangria. Spcl. child's D. Belleros*
248-15 Union Tpke. Open 7 days. D Mon.-Thurs.
5-9:30, Fri.-Sat. to 11, Sun. 1-9 30. D incl. baked
potato. Spcl. child's D. (I-M) AE. DC. MC, V.

CHARCOAL ORILL-Astoria, 3 1 -64 2 1 st St.,
721-91 66. Dress opi. American-Northern Italian.
Spcls: charcoal broUed jumbo shrimp, prime ste^dc,
fresh fish daily. L Mon.-Fri. 11:45-3. D Mon.-Fri.
3-9:30, Sat. 5-10. Complete LAD. Free parking.
Closed Sun. (M). AE, DC.

DAZIE'S— Sunnyside, 39-4 1 Queens Blvd.,
786-7013. Casual. Italian. Spcl: veal armando. Res.
sug. L Mon.-Fri. 1 1:30-3 30. D Mon.-Thurs. 4-11, Fri.
to midnight. Sat. 2-midnight. Sun. 2-11. Complete L
& D. Ent. Fri -Sun. eve. Free parking. (M)

AE, CB, DC, MC, V.

LOBSTER TANK SEAFOOD HOUSE-Fluahing,
134-30 Northern Blvd., 359-9220/9692. Dress opt,
American-Italian. Spcls: 1 1/4-5 lb. lobster, prime
steak, lobster fra dUavolo. Res. sug. D only Mon.-
Thurs. 5-11, Fri.-Sat. to 1 a.m.. Sun. 4-11, Complete
D S menu Mon.-Fri, 5-11. Catering. (I>M)

AE, MC. V.

MARBELLA-Bayside, 220 33 Northern Blvd.
423-0100. Casual. Spanish-Continental. Spcls: pa-
ella, sarzuela, fresh fish. Res. sug, L daily noon-3:30.
D Mon.-Thurs. 3 30-1 1:30, Fri. to midnight. Sat, to I
a m., Sun. noon- 11:30. Complete D (exc. Sat ). Fla-
menco show Fri. & Sun. Parties to 250. (M)

AE, DC, MC, V

RIPPLES ON THE WATER-Whitestone, 168- 11
Powells Cove Blvd., 767-5500. Dress opt. Open to
the public Sat. only with complete lobster tail, prime
rib, or chicken. D 8:45-12:30 a.m. Res. sug. Ent.
9:30-2 a.m. (min. in lounge only). Dancing. Catering.
(M) No Credit Cards

SILVER STAR-Jackson HeighU, 90-24 Astoria
Blvd., 672-1389. Casual. Italian -American. L Mon.-
Fri. 1 1 30-2 30 D Mon. Sat. 3-10, Sun. 1-9. Complete
D (I-M) AE, CB, DC, MC, V

SUSHI KAZU-Flushing, 41 32 Main St., 939-4004.
Japanese. Tatami room. Sushi bar. Spcl: shabu shabu.
D Mon.-Tues., Thurs. -Fri. 5-11, Sat. noon-11. Sun.
noon- 10, Complete D Free parking. Closed Wed.
(I-M) AE, DC, MC, V.

VILLA SECONDO-FreBh Meadows, 184-22 Hor-
ace Harding Expy., 762-7355. Casual. Northern Ital-
ian. Res. sug, LAD Tues.-Fri. noon-11. Sat. 4 to
midnight. Sun. 2-11. Complete L Closed Mon, (I-M)

AE. DC, MC, V

Tour in first class

SET'

tl

CREDIT CARDS
ACCEPTED

247-7572
249-8400

BERMUDA CHAUFFEUBED LIMOUSINE
SERVICE

FOR ILW TIME, ^tOOD, OR PLAICE

"I'M CONVINCED IT'S ONE OF THE FINEST
ITALIAN RESTAURANTS THIS SIDE OF
VENTIMIGLIA." GOURMET 4/71

Lunch & Dinner
American Express & Diner's Club
14 Eut S2nd St., N.T.C. (Bat. Sth A HuUion)

Telephone 421-7588

LUNCHEON ^^^^^^ DINNER
58 EAST 65th ST. RES: 794-9292

Italian Home Cooking
Luncheon * Cocktails ■ Dinner
61st St. & Third Ave. • PL 8-1828 2

\ ^ HOOT, LADS and LASSIE'S
y-g Make Your Way To

4R.J. SCOTTY'S

for Surprising "ITAUAN SPECIAITICS"
( Noon 'til 1AM - 7 Days

p' 202 9th Ave.ib.m * ?3,d sr. ) 741-2148

Bianco

ITALIAM

& CONTINENTAL CUISINE

Flushing: 168tn St
& Northern Blvd.

FL 3-7065
Little Neck: 251-17
Northern Blvd.
631-5666

TheFRENCH SHACK

Cuisine Frcinuiisv
LUNCH a DINNER
Table d' Note

65 West 55lh St. • CI 6-5126
Open Daily-Sunday 5 PM

Yorkville's Most Famous Restaurant

Enjoy The Finest German Cuisine
Open 7 Days AE, DC

234 East 86th St. NYC Tel:737 7130

JUNE 22. 1981 /NEW YORK 101

1-^

NIGHTLIFE

KEY TO ABBREVIATIONS

AE

Amsrican Expr<sa

CB

Cut* Blanch*

DC

Dinvra Club

MC

Maat*rCard

Via

Pl«aM check hours and talent in advance. Many
placet are forced to make changes at short notice.

Pop/lazz

JAZZIilNE 423-0488.

Call for latest information as to when and where
They're playing.

BECHET'S-1319 Third Ave. 879-1001. French-
American cuisine. 6/ IS, 22, lane Harvey & Trio. 6/
16-21, Buddy Tate Quartet feahiring lim Roberts A
Jackie Williams. Music starts at 9. AE.

CAJUN-129 Eighth Ave., at 16th 691-6174 New
Orleans restaurant, with the Rick Hardeman
Trio, Thurs. 8 30-1 1:30. Andre Franklin plays Mon.-
Sat. except Wed. when Macy Blackman takes over.

AE, CB, DC, MC, V.

CHIUE'S-142 W. 44th 840-1766 Chili parlor with
entertainment by blues singers. 6/15. Fred Gold-
berg. 6/16, limmy Faulkner. 6/17, The Christy's; Jo-
seph Albert & Massa. 6/19, David Tate. 6/20,
Katherine Johnson & Tony Monte.

AE, CB, DC, MC, V.

THE COOKERY-Unive»ity PI. at 8th 674-4450.
Blues singer Alberta Hunter performs Tues.-Sat. at 9
All accompanied by pianist Gerald Cook, with
Jimmy Lewis on bass. Sundays, at 9 & 11, Lu Elliot
sings. No credit cards.

EDDIE CONDON'S-144 W. 54th 265-8277 Bala-
ban a Cats, Mon -Sat , 8:30-2 a.m. 6/21, Rolf Eric-
sson Quartet. AE, DC, MC.

FAT TUESDAY'S-190 Third Ave. 533-7902. 6/
16-21, Billy Taylor Trio, nightly at 9 and 11, except
Mon., with extra shows on Fri. & Sat. at 1 a.m.

AE, MC, V.

FOLK CITY-130 W. 3rd 254-8449 Shows at 9:30 A
U. 6/15, 22, Hootenanny 6/17, Frankie & the
Thieves 6/19, Bob Gibson. 6/20, Paula Lockheart.

No credit cards.

GINGER MAN-51 W. 64th 399-2358. The New Bar-
lem Blues 6t Jazz Band, featuring Scoville Brovm, Al
Hall, Dill Jones and others, Thurs., Fri., Sat. at 9
A midnight. Sun. Miss Rhapsody with Ram Ramiriez
from 9. Wed. Doc Cheatham. AE, DC, MC, V.

GREENE STREET-101 Gia*n* SL 925-2415 Mul-
tilevel floors for entertainment. 6/15, Emme Kemp.
6/16. 17. School Girls. 6/18-20, Shirley Alston
Show. 6/21. Denise Dalephena. AE, MC, V.

MORS irOEUVRERIE-One World Trade Center
938-1111. Tues.-Sat, 7:30-1 00 a.m.. The Chuck
Folds Trio play for dancing, alternating with pianist
Judd Woldin. Sun. 4-midnight. Roger Paige trio A
Mon. 7:30-12:30. Roger Paige trio alternating with
PhU DeUa Penna. AE, CH, DC, MC, V.

JAZZMANIA'S STUTZ-40 W. 27th SL, 532-7666
A new loft with a living-room environment, with mu-
sic A dancing 9-4 a.m. on Fri. A Sat.; 9-1 on Sun. 6/
19, 20, David Amram A Co. No credit cards.

JIMMY RYAN'S-154 W. 54th 664-9700 Roy El-
dridge and sextet work Wed. -Sat. Max Kaminsky and
sextet Sun.-Tues. No credit cards.

KENNY'S CASTAWAYS-157 Bleecker 473-9870.
Mondays, 8:30-11:30, Showcase 6/16, 17, Rosalie
Sorrels. 6/18. David Roche. 6/19-21, Tom Pacheco.
6/23, Guy A Pipp Gillette. No credit cards.

KNICKERBOCKER SALOON-33 University PL
228-8490- Atmospheric jazz and dining room with
music starting at 10. 6/16-20, pianist Kenny Barron
with Buster Williams on bass. Sun. A Mon. pianist
Nina Sheldon with Bob Bodley on bass.

AE, MC, V

MARTY'S-Third Ave. at 73rd 249-4100 6/15-27,
Astrud Gilberto sings. Mon. -Thurs. at 9 A 1 1; Fri. at
10 & midnight. Sat. at 1 1 A 12:30. AE, MC, V.

MICHAEL'S PUB-21 1 E SSlh 758-2272 Thru 7/4.
Red Norvo, master of the xylophone with guitarist Tal

Farlow and Steve Novasal on bass fiddle. Two sots
nightly beginning about 9:15. Woody Allen holds
forth on most Mondays. AE, DC, MC, V.

THE OTHER END-149 Ble*ck*r St 673-7030. 6/
16-18, Stephana Grappelli featuring The Martin Tay-
lor Trio; Hilly, Lili A Lulu. No credit cards.

PALSSON'S-158 W. 72nd 362-2590. Thru 6/16.
Nancy La Molt. 6/18, Denny Kahr and Friends. 6/19.
20, Carol Trinca with Burke and l>ougla8.

AE, CB, DC, MC. V.

RED BLAZER. TOO- 1576 Third Ave. 876-0440
Big Band Sound. Mon.. Lynn Oliver. Tues.. Vince
Giordano. Wed.. Stan Rubin. Thurs.. Sun., Sol Yaged
All-Stars. Fri.. Sat.. Dixieland bands. AE.

SAVOY-1 4 1 W. 44th 92 1 -9490. 6/ 1 7, Jan A Dean 6/

16, Juice Nev/ton vrith Jesse Winchester.

AE, MC, V,

SEVENTH AVE. SO.-21 Seventh Ave. So.

242-4694. 6/lS. 22. Ed Palermo Big Band. 6/16. Jay
Hoggard Group. 6/17, Roland Vazquez and the Ur-
ban Ensemble. 6/18-21, Mongo Santamarie. Music at
10, 11:30, A 1 am. MC. V.

S.NJLF.U.-Sixth Ave. at 21«t 691-3S3S. 6/lS. Bob
McGrath; SheryU Marshall. 6/16. FUthy Rich. 6/17.
Craig Vandenburgh. 6/18. Gary Lippt. 6/19, Galen
Blum; Hibiscus A the Screaming Violets. 6/20, Laurel
Masse 6/21, Ethyl Eichelberger. AE, MC. V.

STAR AND OARTER-IOS W. 13th 242-3166. 6/

17, 18, Bross Townsend. 6/19, 20. Al Hibbler with
the Sammy Benskin Trio. AE.

SWEET BASIL-88 Seventh Ave. So. 242-1785. 6/
16-20. Jon Hendricks A FamUy. 6/21, 22, Sal Salva-
dor. AE. MC. V.

SWEETWATER'S- 170 Amsterdam 873-4100 A
next-to-Lincoln Center eatery with entertainment. 6/
16-20. Jimmy Norman Trio. (Free parking!)

AE. DC. MC. V.

S'TNCOPATION-IS Waverly PL 228-8032. Mon -
Tues. The John Levns Sound. Thru 7/5, Max Roach
Quartet. AE. IX:.

TRAMPS-12S E. ISth 777-5077. 6/16, Uptown
Horns. 6/17, Khunat Ra A Reggae Airika. 6/18, Cer-
tain Generals. 6/19, Off Beach. 6/20. J.B. Hutto A
the New Hawks. AE, V.

TRAX-100 W. 72nd 799-1554. 6/15, Ian North; Die
Hausfrauen. 6/16. Shane Champagne. 6/17, Beau
Jack. 6/18, Bob Duncan. AE, DC, MC. V.

THE WEST END-2911 Broadway 666-9160. Jazz,
nightly from 9. 6/15, 22, Honky Tonk Part III. 6/16,
23, Jo Jones 6/17-21. Willis Gator Tail Jackson.

MC, V.

Country/Western

CITY LIMITS-lOth A Seventh Ave. 243-2242.
Country music and dancing. 6/15, Blackwater. 6/16,
Floyd Domino Band. 6/17, Johnny Jake Band. 6/18,
Soozie A High in the Saddle. 6/19, 20, Redwing. 6/
21, ChUi Packers. 6/22. Buddy MiUer Band.

No credit cards.

LONE STAR CAFE-Fiith Ave. at 13th 242-1664.
Texas-style bar, with continuous country and western
entertainment. Mon. -Fri. 11:30 a.m. -3 a.m.. Sat.
7:30-3 a.m.. Sun. S-2 a.m. AE, CB, DC, MC.

O'LUNNEY'S-giS Second Ave. bet. 48th A 49th
751-5470. 6/15. The Cammie Harper Band. 6/16,
17. Saw Back Sally. 6/18-21, The Gabe Johnson
Band AE, DC, MC, V.

Comedy/Nagic

CATCH A RISING STAR-1487 First Ave.

794-1906. Continuous entertainment by comics and
singers, 7 nights a week, with steadies Kelly Rogers
and David Sayh AE, MC.

COMIC STRIP-1568 Second Ave. 861-9386. Res-
taurant, comedy spot with improvisational entertain-
ment Sun. -Thurs. the fun starts at 9:30, Fri. 9 A
midnight. Sat. 8:30 A midnight.

AE, CB, DC, MC, V.
DANGERFIELD'S-1 1 18 First Ave. 593-1650 Pare
dist-impressionist Dennis Blair appears Mon. -Thurs.
at 9:30 A 1 1 : 1 S, Fri. A Sat 9 A midnight. Sun. at 9:30,
talent showcase. AE, CB, DC, MC, V.

GOOD TIMES— 449 Third Ave. 686-4250. Full
menu; comics, singers, and impressionists, 7 nights
bom 9:45. AE. MC. V.

MAGIC TOWNE HOUSE-1026 Third Ave.

752- 1 165. Professional magicians appear Fri. A Sat.
from 9. No credit cards.

MONKEY BAR -60 E 54th (in Elysae Hotel).

753- 1066. Mon.-Fri. pianist Johnny Andrews,
8:30-7:30. Continuoiu entertainment 9:30-3 a.m. by
comedians Marian Page, Mel Martin, A Danny Curtis.
Closed Sun. AE. CB. DC. MC. V.

MOSTLY MAOIC-SS Camine St 924-1472.
Nightclub/theater featuring magic, comedy, mime,
music with Imam (from India); thru June. Opens al
8:30; fun starts at 9:30. MC, V.

Disco/Dancing

ADAM'S APPLE-1117 First Ave. 371-8650. Disco
with bi-level dance floor. Open daily 4-4 a.m.

AE, CB, DC, MC, V.

BARBIZON PLAZA LIBRARY-Sizth Ave. bet
S8th & 59th 247-7000. Lively discolhegue. open
Mon.-Fri. 4:30-3 a.m.; Sal. A Sun. 9-3 a.m. AE.

ELECTRIC CIRCtJS-100 Fifth Ave. 989-7457. A
three-level complex, feahiring disco, light show, lo-
cal bands, live acts, evorythinq!. AE.

EL MOROCCO-307 E. 54th 752-2960. Elegant din-
ing and dancing to the music of Conirey Phillips and
his jazz quartet, Tues. to Sal. AE. V.

FREDERICK'S-124 E. 56th 752-2500. Pari of the
Gaslight Club, but for this you don't have to be a
member. Dancing nightly. No credit cards.

HIGH ROLLER-617 W. 57th 247-1530. RoUer
disco, open Mon.-Fri. 8-2 a.m.. Sat A Sun. 8-3 a.m.

No credit cards.

JIMMY WESTON' S- 1 3 1 E. 54th 838-8384. Restau-
rant which serves up jazz and dancing.

AE, CB. DC, MC, V.

LE8 MOUCHES-260 Eleventh Ave. 695-5190.
Disco/restaurant. AE, CB, DC, MC. V.

NEW YORK. NEW YORK-33 W. S2nd 245-2400.
Multi-level complex, open seven nights from 10 for
dancing to disco and rock. AE, DC.

ONCE UPON A STOVE-32S Third Ave. 683-0044.
Slrylight Room for dining, drinking. A cheek-to-cheek
dancing. Wed.-Sat. 9- 1 a.m. Upstairs in the Valentine
Room, talented waiters A waitresses perlorm Fri. A
Sal., al 8 A 1 1 Tuesdays, 8:3ai 1. AE, DC, MC. V.

ONDE'S— 160 E. 48lh 752-0200. Split-level supper
club. Irving Fields Trio play for listening/dancing
nightly (except Sun.) from 8. In the Lounge: pianist-
singer Baba Mota. AE, DC. MC. V.

REOINE'S-S02 Park Ave. 826-0990. Restaurant.
Mon. -Sat.. 8-midnight. Lively disco, open Mon. -Sat.
from 10 30-4 a.m. AE. CB. DC, MC, V.

ROSELAND-239 W. 52nd 247-0200. Legendary
ballroom features a 7(X)-seat restaurant-bar. and is
open for dancing Wed. from 5:30; Thurs.. Sat. A Sun.
from 2:30; Fri. from 6:30. AE. V.

37TH ST. HIDEAWAY-32 W. 37lh 947-8940. Din-
ing and cheek-to-cheek dancing. Mon.-Sat. from
7:30 Pianist from 5 p.m. AE. CB. DC, MC. V.

WEONESDAYS-210 E. 86th 535-8500. Disco/bar/
restaurant in the form of a block-long underground
village with all sorts of nightlife entertainment. Tues.
thru Thurs.. the big bands. AE. DC. MC. V.

Floor Shows

CHATEAU MADRID-48th St & iMxington Ave.
(in the Hotel Lexington). 752-8080. Thru 7/5.
Latino RoyAla '81, a musical revue starring 'King
Latino' Ed Vachan. featuring Sabu. Raven Original,
Dagmar, Legnaly Legnaly. Nightly at 9:30 A mid-
night, on Sat. 8:30, 11:30, A 1:45 a.m. Closed Mon.
Flamenco Suite: Dancers and singers, and gui-
tarists, from 10:30 AE. CB. DC, MC, V.

CLUB IBIS-lSl E. SOth 753-3884. Continental res-
taurant with exotic decor. A revue, Hugs A Kissoa
with William Daniel Grey, Jerry Goodspeed, Mike
Singer, Peterson A Lynn, A the Ibis girls, twice
nightly 9:30 A midnight, thrice Sat., 8:45, 1 1 :30, 1 :30

102 NEW YORK/ JUNE 22, 1981

Oct

THEmSTESr
FOUR-GOIOR CLOSING

OF ANY WEEKLY

IN AMERICA.

Give us material by 5 p.m. Wednesday and
you're on the newsstand the following Monday.
You don't pay any premium. You don't get stuck
in a bank of ads. We don't need plates.

We take black-and-white and two-color pages,
as well as four-color, on the same basis.

To get fast action, get into New York.
Call David O'Brasky, (212) 880-0720.

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Cl

Call New York
Magazine for
Information

Call 880-0755, for NEW YORK
Magazine's information about
restaurant reviews and night spots;
Broadway shows, Carnegie Hall,
Lincoln Center and Madison Square
Garden and information about past
articles— all NEW YORK Magazine
has created to help you to the
world's greatest city. Courtesy of
NEW YORK'S Information Services
Department. Just call 880-0755,
Monday through Friday from
12:00 PM to 6:00 PM.

ARMINIAN RiaTAURAIMT I

DARDANELLES

^luTMCfmc' LUNCH & DINNER uqwms

8G UNIVERSITY PL. ( iCH 2 8090

NEW YOKK S riNCST CLASSICAL
ITALIAN HESTAUKAM

108 E. 381h ST. (Be t. Park t Lex.)

MU3-0135-CI.Sun.
Mal. Cred. Cards

is conducive

Conducive for lunch, cocktails
and dinner.
141 E. 57th St., N.Y.C. 753-91*
Open 7 day*. Sunday Brunch.

i^AKAHAT

ile^drtCcotorful atmo&phm

4 EAST 3<i^*'Shll£t

nfiRTUFE!

a.m. Upstairs: El Sultan, with bellydancers and mid-
Eastern musicians, continuously from 10:30.

AE. CB. DC, MC, V
EL AVRAM-80 Grov* St 243 0602 Kosher Israeli
Mediterranean restaurant/nightclub, featuring a re-
vue with Israeli singers and bellydancers. Two shows
nightly. Closed Mon. k Fri. AE, DC, MC, V

GASLIGHT CLUB-124 E. 56th 752 2500. "Key"
club ($50 membership). Restaurant/disco, with a
'30s "speakeasy" Oiguor served in coffee mugs, etc.);
piano bar with John Meyers and Sammy Goldstein
alternating No credit cards.

LA CHANSONNETTE-d90 Second Ave.
752-7320. French restaurant, with Rita Dimitri sing-
ing Piaf-Brel-Aznavour, Tues.-Sat. Stanley Brilliant
Trio for cheek-to-cheek dancing. Mon., Sasha Polin-
off with Russian gypsy music AE, CB, DC, MC, V

MICKEY'S-44 W. S4th 247-2979. Restaurant/bar/
cabaret. 6/15, 22, The Loose Connection. 6/16, 23,
The Nerve, Marlene Fontenay. 6/17, The High
Heeled Women. 6/18-20, singer Karen Akers.

AE. CB, DC, MC, V.

PLAYBOY CLUB-S E. S9th 752-3100 ' Key ' club
restaurant ($25 membership). Five floors of entertain-
ment and dining, from disco in Hef's to The Blue
Suede Shoe Eevue featuring the music of the 50's, in
the Cabaret. Reservations a must. DC, MC, V,

RAINBOW GRILL-30 RockefeUer Plaza, 65th
floor, way up in the sky. 757-8970. Kicks. French
cabaret revue produced by Peter lackson. Shows
nightly, 9:15 6i 11 30. Disco dancing between and
after shows. Closed Sun Rainbow Room: Right
across the hall, with the same stupendous view, Sy
Oliver and his Orchestra play for dancing (exc.
Mon ), AE, CB, DC. MC, V

SIROCCO-29 E. 29th 683-9409. Revue starring the
Ans San group and Israeli singing star Claude Ka-
dosh (songs, bellydancers, bouzouki, etc.) nightly,
exc. Mon , at 10 & 1 a m AE, DC, CB

Hotel Rooms

AIiGON0inN-S9 W. 44th 840 6800 Oak Room:
Steve Ross, his piano, his songs, every Wed. -Sat. 9 to
1 am. Sun liom S:30. Wed St Thurs , "Cole at the
Algonquin ■' AE, CB, DC, MC

AMERICAN STANHOPE-Fiith Ave., at 81 at St.
288-5800. Saratoga: Kevin Quinn on flute and
Alyssa Nan Hess on harp, Tues.-Sat. 7-10:30

AE, CB, DC, MC, V

CARLYLE-Madison Ave. & 76th 744 1600 Caie:
Bobby Short entertains, thru 6/27. Bemmelmans
Bar: Barbara Carroll plays 9:30-1 a m , Mon. -Sat.

AE, CB, DC, MC, V

GRAND HYATT-Paik Ave., at 42nd 883 1234
The Crystal Fountain: An elegant contemporary
restaurant with string quartet Mon. -Sat. Trumpet's:
Pianist Robert Solone, Mon -Sat. 5:30-10:30.

AE, CB, DC, MC, V

HILTON-S3id & Sixth Ave- 586 7000 Kismet
Lounge: Singer/pianist Dianne Rogers from 6 to
midnight. Sun. -Thurs. Pianist Bob Gerardi Fri. & Sat.
Mirage: Roland Granier de Lafayette plays piano
Tues.-Sat., 5-midnight, replaced Sun. & Mon. by Bob
Gerardi. Sybils: Thru 6/26, Peter Dean featuring the
Buddy Weed Trio, Mon -Fri at 8:15 & 10:45, plus
dining & dancing until 4 a.m. Hurlingham's: Pianist
Ruth Andrews from 6 to 11, Fri -Tues. Robert Gerardi
plays Wed & Thurs AE, CB, DC, MC, V

NEW YORK SHERATON-Seventh Ave. at 56th
247-8000 Sally's: Entertainment, Mon. -Sat
9:30-2:30 a m. Falstaii: Pianists Sally Harmon & Ju-
lie Heberlein entertain from 5 to 1 a.m.

AE, CB, DC, MC, V

PARKER MERIDIEN-119 W. 56lh St., 245 5000
Le Patio: Yvonne Constant sings, Tues.-Sat., 10-mid-
night AE, CB, DC, MC, V

PIERRE-Fifth Ave. at 61st 838 8000 The Caie:
The Bucky Pizzarelli Trio with Tony Monte on piano
and bassist Ron Naspo, Tues.-Sat., 8:30-12:30,

AE, CB, DC, MC, V

PLAZA-Fifth Ave. at 59th 759 3000 Edwardian
Room: Dance music by the Roger Stanley trio, Tues.-
Sun , 6-12:30 a.m. AE, CB, DC, MC, V

SHERATON CENTRE-S2nd and Seventh Ave.
581-1000. Gaffe Fontana: Continental restaurant.
Piano bar entertainment, 5-1 a.m. nightly. Rainier's:
Exquisite restaurant with pianist Rio Clemente enter-
taining nightly. La Ronde: Cabaret-show lounge, 6/
15-7/4, The Shayne Twins, Mon.-Sal. at 10 30 &
12:30, and live dance music 9:30-2 a.m.

AE, CB, DC, MC, V

SHERRY-NETHERLAND-7B1 Fifth 355 2800 Le
Petit Restaurant: Bob Dawson plays Mon. -Wed.,
7:30-1 a.m. lim Newman plays, Thurs. -Sat., 7:30-1
a m AE, DC, MC

ST. REGIS SHERATON-Fifth Ave. & SSth
753-4500 King Cole Room: Thru 7/25, TTie
Sounds of Boqeis & Hammerstein, Part II with Susan
Bigelow, Ron Holgate, Martin Vidnovic & Laura Wa-
terburr Mon -Thurs at 9:30, Fri. & Sat. at 9:30 A
1 1:30 Astor's; Thru 7/4, The Charles St. Paul Show,
Mon. -Thurs., 9-1 a.m., Fri. & Sat., from 10-2 a.m-

AE, CB, DC, MC, V.

TUSCANY-120 E. 39th St.. 686 1600 limmy La
Grange Room: Restaurant with entertainment fea-
turing pianist Martin Berns, Mon. -Sat., 6:30-11

AE, CB, DC, MC, V

UN PLAZA-44th & First Ave. 355-3400 Ambaua-
dor Lounge: A greenhouse with muted lights and
Dick Hankinson at the piano, Mon. -Fri.. 5:30-12:15
a.m. Sat. from 5:30, composer/pianist Baldwin Berg-
ersen. Sun. 6-midnight, pianist Earl Rose. Brunch,
12-3, Dick Hankinson plays AE, CB, DC, MC. V.

WALDORF-ASTORIA-Park Ave. & 50th 355 3000
Peacock Allay: Pianist Jimmy Lyon plays Tues.-Sat.
6-10 a.m. Ronny Whyte entertains from 10-2 a.m.
Hideaway: Pianist/singer George Feyer, appears
Tues.-Sat,, 8 30 12 30 a m AE, CB, DC, MC, V.

Background Music

APPLAUSE-40th & Lexington Ave. 687-7267 Res-
taurant club, with singer-pianist Ann Lebeaux hold-
ing forth Wed. -Sat. from 7:30. Sue Maskaleris sings A
plays Mon -Tues., 7 30- 10 30 AE, DC, MC, V.

BIANCHI & MARGHERITA-186 W. 4th 242 2756.
Entertainment nightly by two tenors, three sopranos,
and two baritones. AE, CB, DC, MC. V.

CHRISTY'S SKYLITE GARDENS-64 W. 11th
673-5720. Romantic skylights, and mimical entertain-
ment Mon -Thurs 8 30 12 30a m , Fri. ASat. 9-1 a.m.

AE, DC, MC, V

MITCHELL PLACE-al the Beekman Towei Ho-
tel, E. 49th St., at First Ave. 355-7300. Musical
entertainment, Tues.-Sat. from 5:30-2 a.m.

AE, CB, DC.

PLAZA CAFE— 37th above Third Ave. (in the Mur-
ray HUl Mews). 867-7179 Pianist David Alexander

entertains Tues.-Sat, 7-midnight.

AE, CB, DC, MC, V.
SPINDLETOP-254 W. 47th 245 7326 Continental
restaurant. Pianist Albert Aprigliano entertains
nightly. Music from 5 to closing. AE, DC, MC, V.

Piano Rooms

BACKSTAGE-318 W. 45th 581 8447 Pianist
Johnny Earl, 10 IS until closing. AE, DC, MC, V.

CALLBACK-45th & Eighth Ave. 581 0500 Piano
bar featuring Bob Amarai. Open Wed. -Sat. 10-3.

AI, DC, MC, V

CARNEGIE TAVERN-16S W. S6th 757 9522 Pi-
anist plays Mon -Sal , 8-midmght. AE, DC, MC, V.

DAVID K'S-1115 Third Ave., at 65tb 371 9090
Aquarium Lotmge: singer-pianist Charles Deforest
entertains Tues.-Sat. from 8-1 a.m. AE, DC.

DUPLEX— 55 Grove St. 255-5438. Cabaret/piano
bar. 6/15, Scott Robertson. 6/16, Susan Jo "Thaul;
Annie Dinerman. 6/17, Merryl Miller. 6/18, RozSor-
rell 6/19, Nahcy La Mott. 6/20, Denny Dillon. 6/21,
Lilly Danielle, Nikki Stern. No credit cards.

FREDDY'S-308 E. 49th 888-1633. Restaurant/bar/
cabaret. 6/16-7/9, singer Roz Ryan returns.

AE, DC, MC, V.

NICKELS-227 E. 67lh 794 2331. Tues Sat , pianist
Danny Nye Sun. fit Mon., pianist Norman Kubrin

AE, DC, MC, V.

PIANO BAR-69th & Broadway 787 2501 Open 7
nights, 9-2 a.m. Sat.-Tues. Jim Moses. Wed. -Fri. Joel
Silberman. AE, DC. MC, V.

THE PRIORY-224 E. S3rd 753-1090 Pianist-singer
Don Tabor, Mon -Fri from 8. AE, CB, DC, MC, V.

PROOF OF THE PUDDING- 1165 First Ave..
421-5440. Pianist Mitch Kerper & Friends entertain
from 8 in the Stagestruck Lounge.

AE, CB, DC, MC, V.

THE RAVELLED SLEAVE-79th at Third Ava.
628-8814. Continental restaurant. Tony Stephano
and Joseph Tranchina alternate at the keyboards.

AE, MC, DC, V.

RUPPERT'Sr-Third Ave. at 93rd 831 1900 Piano
bar/reslaurant. Tues.-Sat., 8:30 until late, late, late,
song stylist Louis Hancock at the piano, with Bobby
Arkin on baas. Sun., from 8, pianist Ken Hellman, and
Mon , Chris Denny plays. AE, DC, MC, V.

S.P.O-R -l 33 Mulberry St. 925-3 1 20. The Lynx Trio,
Tues -Sat from 8 to 1 a m Upstairs at S.P-Q.R.: 6/
1 S-23, Mimi Hines. AE, CB, DC, MC, V.

104 NEW YORK/JUNE 22, 1981

Cc

NEW YORK CLASSIFIED

New York Classified is a weekly feature. All classified ads accepted at the discretion or the publisher.
Rates: I lime ad $4.50/word: 2 consecutive ads $3.75/word; 3 cons, ads S3.60/word; 4 cons, ads
J3.45/word: 13 issues per year $3.45/word; 26 issues per year $3.40/word: 51 issues per year $3.35/word.
Min. ad 10 words. POB #'s. NYM Box #'s — 2 words each; Abbreviations. ZIP Codes— 1 word each. Ex-
tra S7.S0 Tor NYM Box #'s. Classined Display available at $268/inch. Complete rate card available.
Check/M.O. must accompany copy &. be received by closing (every Tues. by I p.m. for following Mon.)
Phone orders with Master Charge/Visa only. Classified Dept.. New York Magazine. 755 Second Ave..
N.Y.. N.Y. 10017. (212)880-0732. Reply to NYM Box Numbers at same address.

ART

New York's Largest Lladro Gallery— Over 300
pieces on display. CRAWFORDS 2 - 2137 Ralph
Avenue. Brooklyn. N Y. 11234. 763-2700.

Fine Art Investors — Oils and Graphics by Agam.
Chagall, Dali, Ginzburg. Luongo, Max. Vasarely.
Yvarall. Excellent investments or tax shelters.
Packages from $500. For information plea.se call
(213) 240-7014.

Oils & Graphics — Boulanger - Simbari - Novoa -
Delacroix - Rockwell - Alvar. STUDIO 53. 424
Park Avenue. NYC, 755-6650.

Woodcut Circus Posters, Billboards — Color catalog
SI. POSTER PALS. 1003-N Crest Circle, Cincin-
nati. Ohio 45208.

Tony Graham "Manhattan!!" Posters and Prints.
Large selection Graphics by Allman. Bruni. Folon.
Kipniss. HOLE MARK GRAPHICS. NYC.
744-7779.

ANTIQUES

Sixth Avenue Flea Market - Outdoors — Every
Sunday 10:00 a.m. - 7 p.m. The ANNEX, 25th
Street and 6th Avenue. Dealer Inrormation
243-5343; Admission 75e. Free Parking.

Pre-Columbian, Central/South American (Pottery).
900 - 1200 years old. (212) 496-7366.

Wicker Antiques — Natural. White Porch to fancy
decorator pieces. (914) 457-5057.

Sale!! Armoires! Armoires! Armolres! Enormous
selection!! Lowest prices ever!!! 1 1 a.m. -6 p.m. 7
Days. . . JUNQUE SHOPPE. (212) 691-6634.

Where Dealers Buy — Edgewater Hall Antiques
Center. Fourteen shops. 691 Bay. Slaten Island.
720-1861.

Quilts — Beautiful American patterns (I800's); all
between $200 - $400. (203) 824-0042.

Manhattan Art & Antique Center — NY's largest
antique center. 73 Shops /Galleries offering fine
quality antiques, jewelry, furniture, etc. - 1050 Sec-
ond Avenue/56th Street, 355-4400, 7 Days.

CRAFTS

Earthworks Pottery — Classes begin June 22nd. 255
East 74th. 650-9337.

DarifT Design Associates — Yarns, Weaving Lixims,
Dyes, Books - 80 Fifth Avenue, Room 904. (212)
243-8091.

ENTERTAI^ME^^T

Eastern Union Entertaining Telegrams — Gorilla,
Belly, Roller. Greaser. Baby. Operetta. Bunny Gal
Grams for Adults or Children. (212) 947 0591.

Special Delivery Belly Dance Service — Your greet-
ings elegantly delivered anywhere. (212) 243-8052.

Pianist! Parties. Dinners. Weddings. N Y. Society
Favorite. (212) LT 1-6470 ("Composer").

Share Your Fantasies. , . Over the phone - Call
Donna, (212) 741-0216. MC/Visa Only.

Comic-Gram® — NY's lop stand-up comedians
perform nileclub act, telegram. (212) 228-0244.

Erotic Magic Presentations - Magicgrams — Taste-
fully executed - Parties, Organizations - "Sophis-
ticated!" (212) 599-7576.

Tropical Gardens — Bilingual Models, Hostesses,
Performers for all Occasions. Guides as well.
246-6319; 744-0625.

Singing Telegrams

Musical extravaganzas fealiir-
ing Bellygrams. Macho Man.
'ifi Wonder Onion WorT\an.
"i GonllaGrams and MORE!!

OMIOn

(212) 741-0006

olfices nationwide

We Have Everything for Father's Day — Singing
Telegrams, Balloons, Belly Dancers. Red Hot Dev-
ilgrams. Pussycatgrams and more. N.Y. SINGING
TELEGRAMS. (212) 582-0151.

Gorilla-Grams, Belly-Grams, Balloon-Grams —

Great Any Occasion. Anywhere. Anytime. LIFE
O' THE PARTY. (201) 261-4000.

Caprice Inc. — Multilingual guides for visitors, en-
tertainers, hostesses, models, demonstrators. Call
(212) 737-3291 any day.

Fantasy Telephone Conversations — Call DONNA
HARRIS (212) 741-0216. M/C - Visa Only.

Video Taping in Sound & Color of Weddings, Con-
firmations, Recitals. Bar Mitzvahs. Parties. Business
& Industrial Affairs. (212) 964-7589.

Mind-Sweeper Professional Traveling Disco — 30's
80's Music. Lighting. References. Affordable.
(212) 875-9824.

The Hudson Woodwind Trio — Juilliard Graduates -
Elegant Classical Music. (212) 799-6308; (201)
864-3058.

STOY' Mobile Discotheque. , . Saturday Night
Fever or Friday Night Fox Trot. . . Since 1964.
Make Your Party - Anywhere - The Big One!
(212) 288-2445.

Improvisational Musical Comedy Show personal-
ized for your party. Call (212) 957-9862.

SnilPAGRAM

The 1st Erotic Telegram. Make you Father smile.
Say it with a giggle and a bump and a wiggle. No
nudity. Call N.Y. (212) 420-1190; Boston (617)
424-1007; L.A. (213) 854-4401.

SIRIFAGRAM.

"Rent A Witch"?™. — Tarot. Psychic, Astrology!!!
Parties, Luncheons, Conventions. (212) 349-1956;
(201) 721-0430.

The Flying Carpet® Belly Dancer— Shows/Parti-
grams. All Occasions. NYC. L.I.. etc. (516)
378-8569.

Give-A-Gram® — Belly. Gorilla. Hula, Skin-A
Grams, Balloon Erotica. (212) 548-8636.

Caricatures by Cheryl Gross — Will make your
Party Great!! (212) 965-3109.

OflD€fl FOfl 7 DflVS fl Uje€H DaiV€ftV
,(212) 575-1000 or (800) 223-6600 (CJuofNV int.),

"Psychic Parties Extraordinaire" — Palmistry,
E.S.P., Magic, Tarot, Astrology, Hypnosis. (212)
661-3599.

Caricaturist STEVE BRODNER draws crowds. . .
PL 3-2310.

Personalized D.J. Entertainment — Music, Lighting,
Lasers. Spectacular Effects. NIGHTFLIGHT. . .
(201) 627-9174.

Monique Enterprises: Hostesses, Models, Multilin-
gual Guides, Entertainers. Anytime. (212)
620-31 16.

BALLOONS - TO - YOU

Imprinti'd \l>l;irs - .Iiiinbn I a(f \ -
Pair-a-li;ill(Mms in a Bn\ - \:ifinn-
widf Dt'liit'rit's • Pnumttinns &
Parlies - Ciislinn ('I'tiliTpiecfs -
M( . Visa. AK
(5I6> H68-2325; (212) 863-^**24

Beautiful Penthouse & Roof Garden— Party, Pho-
tography, Exhibition and Movie. 10 - 1,000 people.
Fully equipped. West 31st Street. LOFT AS-
SOCIATES, 947-0811.

Ted Fass Productions — "Mobile Musical Entertain-
ment/Personalized Party Decor"... Balloon Cen-
terpieces, Favors, Theme Creations, Music from
Then to Now. DJ's and more. Mimes, Clowns,
Lights. . . "Balloon Bouquets!" Ted's Disco On
Wheels (516) 764-5384; Party Particulars (516)
764-5608.

Leading Caricaturist — Enliven your Business or
Private Parties. (212) 873-1695

Visitors Hotline! Hostesses. Guides. Entertainers,
Models, Demonstrators. Everywhere you Are - or
Go - America! For now, or anytime, call HOT-
LINE (212) 359-6273; 961-1945.

Impression-Gram® — Special Songs by Singer/Im-
pressionist to impress someone special. (212)
984-3713.

VIDEO VIDEO VIDEO VIDEO VIDEO VIDEO VIDEO VIDE

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2 •Pfotess'onally etlirGd»fler--iorsI'a!icns o'l 'EKiursl* <
9 TRIMAXION TELEVISION PRODUCTIONS 5
■r 14 West 55 Street, New York. N Y 10019 q
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Courtly Music for Weddings or Parties. Elegant,
Festive, Baroque and Renaissance Music on
Recorders. (212) 580-7234.

Portable Disco — Rock - Disco. Excellent Refer-
ences. $210.00. GYPSY SOUND, (212) 662-4921.

Bare Facts Erotic Telegrams — Male and Female
Dancers. (212) 929-4317,

JUNE 22, 1981 /NEW YORK 105

NEW YORK CLASSinED

ENTERTAINMENT

WE WERE THE FIRST
SO CALL US FIRST

MUSICBOX INC.

SINGiNG

Hear the Famous Big Bands at Your Party! Dance
to the JOHN DANSER ORCHESTRA Free musi-
cal recording: (212) 469-5074.

One Man Band— Music by DON ANTHONY.

(212) 233-6161.

Larry Ozone's Have Records, Will Travel — Music
and Party Entertainment. Dance Music of Every
Decade. Creative Lighting EfTecis. Talented per-
formers. Personalized service. (212) 969-2832.

Rent-a-Comie®. . . Or Clown! Having a Party?
Call us just for laughs! MC/Visa. (212) 549-7890
anytime.

International
BEAUTIFUL PEOPLE
Unltd.

Models - VIP Hostesses - Entertainers
Demonstrators - Visitors Social (Juidc

10 a.m.-lO p.m. 7 Days (212) 541-4808

Balloon Saloon — The wackiest Balloon Bouquets
with Butterflies. Parrots & Clowns delivered with
Ch(Kolate Kisses, Chocolate Cards. Champagne or
Songs. Lowest prices. (2 1 2) 444-6700.

Cachet. . . E.\ceptionally attractive, bright and per-
sonable models, hostesses, and bilingual guides for
your special Occasion. (212) 874-1310.

Lisa Goodman Ensembles — Fine Cla.ssical Music
and Quality Jazz. Come hear 6 of our groups at
"Museum Mile" (open house at the Fifth Avenue
Museums) Tuesday Evening. June 16th. (212)
489-1641.

Hypnosis, ESP Show — "Amazing". "Incredible".
"Hilarious". All Occasions. ZORDINI. (212)
939-2066.

FATHER'S DAY

SINGING
TELEGRAMS

THE VNIOIIF- GIFT. . .
SAY IT WITH A SONG!

GARRt-lT
ENTERPRISES

24 HOURS
(212) 575-1000

Silhouettes (hand-cut) and/or Caricatures — Parties.
Business Functions. Conventitins. Extraordinary
mementos. (516) 799-7080.

Disco - Rock *N Motion — Music and Lights for all
Occasions. For your special Party call Paul. (212)
763-2162.

Psychic - Beatrice, formerly at La Cabana, now at
Bondinis. For appointments call 988-4750.

Authentic Strolling Violinists in formal attire for
your "Chez Vito" party. Your home, restaurant,
hotel - anywhere. lri-s(ale. Free brochure: (212)
478-2982.

Hostesses, Models,
Bilingual Guides Sl
Performers for all Oc-
casions. (2 12)888- 1 666.

Peel-A-Gram". . . NY's newest & most unique ap-
proach to the art of Strip Teasing performed with
Class. Male/Female deliver with Telegram & Gift.
(212) 947-3086 days.

ENTERTAINMENT/SINGLES

Scientific Dating Service will help you. Founded
I960. 147 West 42nd. WA 1-1124.

Single? Meet sincere, beautiful people • like You -
anywhere. Very low fees. Call DATELINE - Free:
(800) 451-3245.

Singles for Sailing Cocktail Party — Boat Owners

& Crew - (212) 424-0585.

College Background Singles Only. . . more select,
superb music, deluxe surroundings. . . PARTY
VINE'S popular upper Eastside Clubhouse parties.

Try us! (212) 988-6052 anytime.

SINGLES...FREE
Video Dating Cassette!

Fint tiaw tm! FREE cassttte tap* (roni Introitns, vidM
<>M«|, UUl all abMt dathti Mnkn. Anibbk IMMEMME.
Ur. Call kttwMi) 12.9 P.M. for ;Mr FKE cap;!

ManhittMi Suffok Westchester
|212)750-9292 (516)752-93a (914)42»«766
Nassau Fort Lee L Bnaiswick
(516)829-9595 (201)944-5669 (201)257-7900

VIDEO DMING A Sigril Advaotoge

Gay? Meet someone special - Call STEVE The

Matchmaker, (212) 232-5500.

Between Relationships? Dislike the single scenes?
Let us help you find your COUNTERPARTS. . .
Personal attention. Careful screening. (212)
535-4074: (914) 941-8926.

Are you a Busy, Single Professional looking for
that special someone? Call COMPATIBILITY
PLUS a unique dating service that's as selective as
you are. (212) 926-6275; (201) 256-0202; (516)
222-1588.

Best Bet For Singles — ClubWorld. where active,
professional people enjoy private parties, weekend
travel, workshops and each other! (212) 684-4050.
NYC - Beverly Hills - Ft. Lauderdale.

How would you
prefer to meet
someone special?

^4

■^M □ In a bar
^ □ At a singles weekend

■j^]^ □ At a dance
^BT^ □ On the street

Through someone who
knows and cares for both of you.

// you are uery eligible, and have been
waiting for a close friend to introduce you
to someone special. I'd love to meet you.

For the past eight years / have devoted
myself to meeting the ver\i best
unattached men and women and then
getting them to meet one another

So if you know your own worth as an
individual and know what you would like
as a couple, give me a call

lUelem

• Madtaon Ave.. NYC. (212) 759-9(W9 ExL 145

• LIvingMon. N.J. (201) 994-4766 Ext. 345

• Foit Lee. N.J. (201) 947-1970 Ext. 245

hlHcna h«i b«en featured on A M New York, Th* Jo* FranWin Show
Channels 2. 4. 5. & 7 and otficf matof tetevwon pro-ams

Meet Your Match— FIELD S EXCLUSIVE DAT-
ING SERVICE. Free Consultation - Established
1920. (212) 391-2233. 41 East 42nd, Room 1600,
NYC 10017.

Gay/Bisexual? Meet bright, successful men and
women anywhere U.S.A. World's Largest - Fast -
Safe - Discreet. GSF. (212) 683-6035.

Featured on NBCs Today Show — The proven bet-
ter way to meet quality Singles. Group Activities /
Personal Introductions. TURNING POINT:
Queens/Brooklyn 263-4747; Manhattan 750-1199.

ALONE? WHY?
(212) 744-6300
My service brings together dis-
criminating men & women to en-
joy a richer & happier life.
Confidential. My work on radio A
T.V. Free Brochure. Phone
9:30-12:00 noon; 7-9:30 P.M. Rae
Leifer, 400 E. 85 St., NYC 10028,

Free Leisure Guide for Singles — Also information
on Single Business Owners Club. (212) 758-1661.

The gracious way to meet quality single people.
Personalized networking by Cathy Crawford,
praised by the .V. Y. Times. Branches New York,
Fort Lee - Central Phone (212) 490-1250.

ENTERTAINMENT/CHILDREN

Birthday Parties. . . Complete. . . Our Place -

Yours. . . Magicians. . . As Seen In. , . Cue, . . New
York Magazine. . . Times. . . MAGIC TOWN-
HOUSE, (212) 888-6452.

Fantasyland Children's Shows — Homes. Schools,
Organizations. Free Brochures. (212) 580-9779.

Starmite Puppet Party— Superheroes - BARRY
KEATING 473-3409; 840-1234.

R.J. Lewis — Magician Extraordinaire. Currently in
Broadway's "Barnum". Call 586-6300.

Sandy Landsman, The Music Clown — Songs. . .
Puppets... Balloons... Participation! (212) JU
6-6300.

Make Your Party Successful! Clown /Magician
MICKEY SHARKEY. (212) 788-3985.

KidstufT. . . Rachel Buchman. Guitar, Songs,
Games. Participation, Outdoor Parties... (212)
799-9190.

Magic ■ Puppets - Clowns. . . Fun & More. THE

WIZARD. (212) 724-5280.

Magic Shows— Private Parties at MOSTLY
MAGIC. 55 Carmine Street, (212) 924-1472.

RESTAURANTS

An Occasion To Remember! The gracious service
and warm townhousc setting of our private dining
rooms, overlooking The U,N, Fountains, will make
your next party a truly memorable experience,
whether an intimate party for 10 or a banquet for
150, LA BIBLIOTHEQUE. 341 East 43rd Street,
M, McLoughlin. Banquet Manager, 661-5757,

A Cantonese Masterpiece
in Sot>o Dining

Qh.|fe'S«

39S WestBr<,«lu:«y
Rcseri:«ttcns: 9«>*-»lie

Marteirs'" V.S.O.P. (Very Special Old Place),

Oldest Bar in Yorkville - Once a Speakeasy during
Prohibition, now a fine Restaurant serving Ameri-
can and Continental Cuisine, Sidewalk Cafe, Reser-
vations 861-6110, 83rd Street / Third Avenue -
NYC

106 NEW YORK/JUNE 22. 1981

Cop, I .j. i-uj iiiaterial

NEW YORK CLASSinED

GOURMET SERVICES

Jason Rogers Hale Inc. . . For all Private and
Corporate Occasions when Quality is Important. . .
BU 8-8438.

Montana Palace — Superb Corporate and Private
Catering for over a decade! (212) 673-8888.

Beck and Call Ltd. — Waiters. Bartenders and Ca-
tering for all Occasions. 246-4332.

. . . Western Parties at Rodeo Restaurant — Birth-
days. Weddings. Ofrice Parties. Bar Mitzvahs.
Hayrides. . . 535-5060.

Garvin's — Not only a great Restaurant! Beautiful
private party room for special Occasions from. . .
10 - 200. RICHARD GARVIN. 473-5261.

Vincent, former Executive Chef at Donald Bruce
White Caterers, available for All Occasions. Tri-
Slate. (212) 639-3090; (212) 565-9309.

Authentic Mexican, Creole and Texas Cuisine —

Banquets, Parties and Summer Bar-B-Q's. SEA-
SONS OF MY HEART. (212) 674-2375.

Unique Purple 150' Barge Gallery — Multi-level,
skylights, gardens. All Occasion.s. 242-3177;
226-0687; 431-3126.

Mansions, Townhouses, Rooftop Gardens, Private
Clubs. Discos to Yachts. Complete planning, gour-
met cuisine. PARTY PROFESSIONALS.
691-7432.

(Pa/4^uny (Portr^/,/

SPECTACULAR VIEWS OF MANHATTAN

A PERFECT SEHING FOR SPECIAL EVENTS
(212) 929-3585

Elegant Parties Afloat — pleasure or business.
Cruising N Y. waters aboard our magnificent yachts
to suit 2 to 200 guests, catered to perfection. -
WORLD YACHT ENTERPRISES LTD. (212)
246-4811.

Fifth Avenue (teens) — Fabulous ground level
facility. Party, Exhibition. Photography and Movie.
25 - 1,000 people. . . Other lofts available. . . LOFT
ASSOCIATES. 947-081 1.

A Private Townhouse Affair, Inc. — The Original
Townhouse Caterer: E.\quisite food in beautiful up-
per Eastside environments. Kindly call 427-7227,
Service: 472-2920.

In a Brownstone, a Mansion or our own charming
Restaurant. Complete Wedding and Party Service
in your choice of settings. ONCE UPON A
STOVE. The Party Restaurant. 683-0044.

Mr. Babbington, Caterer Extraordinaire — Food for
all Reasons. (212) 737-0786.

Spectacular Private Dining Rooms available for
Private Parties. BISTRO PASCAL - 206 East 63rd.
NYC. (212) 838-8300.

Party Professionals are the Wedding specialists
providing spectacular locations, gourmet, catering,
total services for your Wedding. 691-7432.

Simi's Catering and Party Planning — Superb ca-
tering for all Occasions. Continental Cuisine and
attention given to every detail. Private /Corporate
from 2 to 30. (212) 244-4270.

Parties fiiLa Cart ®

knaginatlvc "Partia-on-WhacIa''

Sensational catering from festive
canopied carte. Tasteful&decorative.
Home, office, podsidc. Tri-SlaM.
Phone /or "ftirty Mcnuj".
(212) 599-2290
(201) 56S-7611

Nuna's Cuisine — Catering with style for every Oc-
casion. Great Food, Personalized Service, Reasona-
ble. 580-2267.

Adult Parties for Bachelors, Business Groups,
Reunions, and Special Occasions. Totally private
accommodations including open bar. catered food,
and adult entertainment. Groups from 5 to 40. Call
BQ'S Bachelor Quarters at (212) 980-5914 for full
details on facilities and special services.

Magic Mushroom Inc. — We cater parlies that cre-
ate uninhibited joy. (212) 737-9020.

The Movable Feast — Exquisite. Private/Corporate
Catering. Brochure available. (212) 891-3999.

Mark Fahrtr Catering Exclusives: Our locations. . .
Spectacular cuisine. . . Expert stafTing. . . Complete
party planning services in our locations or yours.
Ahoy ! Introducing our Fleet of six glorious Yachts
where we can expertly cater to over 100 guests.
Call: 243-6572.

David's Ltd. — Incomparable International Catering.
Impeccable References. Reasonable. (212)
835-6215.

Manhattan Wedding? Stunning Townhouse /Gar-
den available. Complete services. 741-0567.

TOYO SUSHI
CATKRING

Thi' iilliniatt' in sophistji'iilcd
c»l(>riiit> for thr first lime in
\.V. Kxqiiistle Sushi Sa-
shimi calfrinu dniu- in your
homi' nr tiffivv b> Sushi Bar
ihvf or havi- it t-l('|>^itlv
delivered, U 12) 874-2H73

A Sense Of Taste, Inc. — Creative Catering at your

place or ours. (212) 570-2928.

Weddings, etc. — Elegant, delicious, creative and
different. Locations, gourmet foods. Any size, any
budget. THE PARTY PRODUCERS. 683-5990.

Your Wedding — Its Special. You're Special. We're
Special. ONCE UPON A STOVE, The Party Res-
taurant. 683-0044.

The Only Place for Professional Party Help. . .
Equipment. . . Set-ups. . . Catering. . . LENDA-
HAND, 362-8200.

For the Ultimate in Home Catering— GOURMET
TOUCH INC.. (516) 626-2829.

Demarchelier Charculerie. . . We Deliver. We Ca-
ter. French Bistro Cuisine for Lunch, Cocktail and
Dinner Parties. (212) 722-6600.

Dunhill Caterers Inc. — "Catering to the Dis-
criminating." Call for our unusual ideas. (212)
934-3453.

Need a Shaker? Quality Bartending for private

Parties. (212) 651-8496.

Creative Themes — Locations - Entertainment -
Food. THE PARTY PRODUCERS. 683-5990.

Le Petit Grenier — Personalized Catering. Business
Luncheons. Cocktail and Dinner Parlies. TR
9-7298.

LEISURE ACTIVITIES

Canoeing Weekends — Ruggedly beautiful Upper
Delaware. ADVENTOURS. 752 Cathedral Station.
NYC 10025. (212) 666-6329.

Sexual Fantasies? Call 966-0322 and listen to a
recording!

"Winnersl" Voluntary audience creation /participa-
tion/improvisation with actors. Weekend evenings.
$5. (212) 677-0560.

Clothing Optional Vacations, Resorts. Beaches,
Parties. Details, FUN CLUB NEWSLETTER -
$3.00. Fun Club, P.O. Box 428-NY, Bellflower,
California 90706.

Harborside Motel and Tennis Club— The Place to

stay and the Place to play tennis in Montauk. (516)
668-2511.

Skin- A Scuba-Diving — Aqua-Lung School of New
York. Established 1964. JU 2-2800.

VACATIONS

Jamaica — Luxurious Oceanfront Villa - Fully
staffed. Weekly Rates. (305) 643-9600 (M-F).

Pay 7 - Stay 11-4 Days Free
America's #1 Resort Spa

Room Ka(e Includes all meals, private conferences
with our dietician, separate Health spas for men &
women, water exercise classes. Tennis (day &
niKht). (inlf ^^ times). Massages. niKhtly dancing
X: shows. evtTV resort facilit>.

HARBOR ISLAND SPA

Niirlh Ray \ illaKe
Miami. I la. TOl l, frk.k1-800-327-7510

Bicycling Vacations: 1-12 days. N.Y., Massa-
chusetts, Vermont, Nova Scotia, Ireland. Transpor-
tation, Rentals. Free Brochure: COUNTRY
CYCLING TOURS, (212) 222-6144.

The Improbable Inn, Boothbay Harbor, Maine
04538. Artists/vacationers. American plan. Adults.
Brochure !

Southampton Village Latch — "Absolutely charm-
ing, historic in-town Inn." Tennis. (516) 283-2160.

ESCAPE»ISLANP

Complete Vacation Resort on quiet beach.
Sailing, fishing, rowboats, motor boats, water
skiing, bicycling, tennis, game room all on
premises. Golf nearby. Air cond., color TV.
Eff. cottages. Excellent Cuisine. Dancing.

The PRIDWIN HOTEL & COTTAGES
Shelter Island, NY 11965 (516) 749-0476

TRAVEL

Club Med Reservations — Instant Conrirmations
Caribbean. Mexico, Tahiti, Europe, Brazil, Africa,
Bahamas. (212) 354-1600. outside N.Y. Sute
l-(800)-223-7820. We Are #/. CELEBRITY, 501
Seventh Avenue. NYC (corner 37th Street).

Montreal, Canada — Thursday - Sunday $139 p.p.
includes Roundlrip Amtrak, hotel, Avis car.
AEGINA TRAVEL, (212) 942-9500.

Learn Spanish while luxuriating on Spain's Costa
del Sol. Air Fare. Hotel Accommodations, Lan-
guage Instruction included. Contact: "Vacation 'N
Learn" in Spain. RENNERT BILINGUAL INSTI-
TUTE. 667 Madison Avenue (6 1st Street), N.Y.
10021. 486-1160.

Autumn Cruises & Cape Island Hops — 70-passen-
ger M/V New Shoreham II takes you on whale-
watching or fall foliage cruises for 13 days/ 12
nights. Also up Saguenay River. Or Pick a Week-
end Island Hop. 3 nights afloat, June thru August
to Block Island. . . Martha's Vineyard. . . &
Newport. . . Call loll-free (800) 556-7450. AMERI-
CAN CANADIAN LINES, P.O. Box 368, Warren,
R.I. 02885.

Exchange Your Travel Blues for our Hassle Free,
Custom Designed Getaways!. . . JB's WORLD,
(212) 582-6670.

JUNE 22. 1981 /NEW YORK 107

NEW YORK CLASSIHED

CAMPS

Recapture Childhood Fun! Camp for Individuals.
Families, Organizations. Wrile for brochure: CAMP
BIRCHWOOD, Brandon. Vermont 05733. Phone:
(802) 773-2641.

ADULT CAMPS

Southampton - "New Horizon" — .Adult Tennis
Camp! Fitness Vacations! Cottage Rentals! (212)
879-5221.

SCHOOLS

New York School of Interior Design — Si.\ Week
Summer Session begins July 6lh, 155 East 56lh.
753-5365.

Learn Magic — New York's only School of Magic.
Next Semester: July 1st. (212) 286-9371.

INSTRUCTION

MCAT • GMAT • LSAT - GRE - SAT Courses
Higher Achievement Preparation Institutes. . .
Emanuel Federbush. Director. (212) 247-1086.

Voice— For a Recording Career. (212) 877-6700.
Ext. 6-i.

Creative Playgroup — The ultimate children's pro-
gram. 2Vs - up. Music Appreciattion. An. Dance.
Storytime. Snacks. Featured .V. >'. Times. Space
limited. Call PLINK PI.LNK for brochure. (212)
734-3856.

Swim-o-phobia? Cure it forever. Our private les-
sons by professional instrucltirs will ha%e you
phobia-free and swimming in no time. We guaran-
tee it! The atmosphere is relaxed, the 60 fool pool
is a swimmer's dream and rales are modest. PARC
SWIM & HEALTH CLLB, 363 West 56th Street.
NYC. JL 6-3675.

Guitar Lessons — Unusually effective method en-
compassing all styles. Taught by professional. Be-
ginners to advanced. ETHAN FEIN. (212)
781-8274: (212) 582-8800.

Spanish, French, Italian, German, Portuguese. &
all Languages. Conversation groups of 5 or Tutori-
als. Experienced Native Instructors. RENNERT
BILINGUAL INSTITUTE. 667 Madison Avenue
(61st Street). 486-1 160.

LECTURES

Guest Speaker: Innovative Parenting Skills. Quali-
fied Specialist. Dynamic, informative, entertaining.
(212) 359-4463.

COUNSELING

Sex Therapy available in Northern N.J. Female
surrogate program. Reasonable. (201) 387-1957.

Free Recorded Information on choosing a Therapy
and Therapist PSYCHOTHER APIES SELEC-
TION SERVICE. (212) 861-3605.

Manhattan Counseling Associates offers short-term
Psychotherapy at S19/session Therapy workshops
available for women recently rejected, abandoned.
Call Ms. Adler. (212) 580-0670.

Changing Careers? Need Vocational Testing. . .
Advisement? Ph.D. Licensed Psychologist. (212)
988-1388.

Anxiety Reduction through Stress Management and
Relaxation Training. Groups being formed in West-
chester and Brooklyn. (212) 693-3796.

Recently Divorced or Separated? Group and in-
dividual therapy with experienced, supportive Ther-
apists. (212) 662-8195.

Depressed or Anxious? Psychoanalytic Psychother-
apy: sliding .scale. Call anytime for appointment or
further information. . . PARK CONSULTATION
CENTER. (212) 581-1546.

Guaranteed Weight Loss — 10-20 pounds first week.
Free Brochure. POCO LODGE. P.O. Box 56N,
Minisink Hills, Pennsylvania 18341, (717)
424-2200.

Permanent Weight Loss — Designed exclusively for
emotional eaters. Free private orientation. Excellent
client references. 683-7974.

O. Lee Studio — Shiatsu/Swedish. Excellent treat-
ment. Sauna. Whirlpool. (212) 580-9029.

Manhattan Psychotherapy — Private Doctors. Free
C(tnsullalion. (212) 724-8767. call mornings.

Female Psychodramatist; specialist in dominant
and submissive fantasies. Also air conditioned
Theatre Club. Big Party 7/18/81. 675-8013.

Female Psychodramatist — Specializing in dominant
fantasies. Fee SIOO. .Appointment Only. (212)
477-.W9. 1 I a.m.- 10 p.m.

Weight Reduction Groups now forming in West-
chester and Brooklyn. Scnsili%c. behavioral ap-
proach. Licensed Psychotherapists. (212) 693-3796.

Sensual Fantasy Psyehodrama — You will receive a
personal consultation Then exclusive-individual
role-playing with you. will be provided in an Envi-
ronment tailored to compliment Your Special Fan-
tasy. You will never see another client. $50 - $250.
(212) 924-0888. 1 1 a.m. -9 p.m.

Bioenergelic - Gestalt Therapy — Individual or
Group. Licensed Educator: 472-91 18.

Counseling & Psychotherapy, Westchester. Moder-
ate Fees. Individual - Group - Family. Free Consul-
tation. (914) 698-5696

Sexual Problems? Surrogate Program! Masters &
Jtthnson Techniques. Medical Supervision. (212)
255-2908.

PERSONAL IMPROVEMENT

Stress Distress? Consider Biofeedback. Learn how
to relax deeply. A professional service. BIOFEED-
B.ACK STUDY CENTER. (212) 673-4710.

Lose 10-20 Lbs. — One week at the gracious. . .
RUSSELL HOUSE. 415 William Street, Key West.

Florida. (305) 294-8787.

Dr. Fan, Licensed Acupuncturist — Specializing in
Facelift, also Smoking - Arthritis - Sinusitis - Mi-
graine - Impotence - Menopause and other condi-
tions. 50 Bayard Street. (212) 964-8186.

Weight Loss Guaranteed: Up to 10/20 pounds/
week. Easily. Quickly. True Fasting. Expert Super-
vision. Educational Program. Successful follow-up
regime. Twenty years in operation. Medically Ac-
cepted. PAWLING HEALTH MANOR. Box 401.
Hyde Park. #2. N Y 12538. (914) 889-4141.

Kabuki Health Salon — Shiatsu Mas.sage by Orien-
tal experts. Men Women. (212) 582-6639. 1 1 a.m.
- midnight. Hotel Taft. 777 Seventh Avenue (51st
Street) Ro<im 212.

Park East Health Club— Japanese and Swedish Cellulite, Weight Loss— Fitness Specialist HOW-
ma.ssage. steam, hot bath. East 54th Street. (212) ! ARD JACOBSON coach to film stars, models, ca-
888-7931. reer people. 722-2940.

WEIGHT LOSS GUARANTEED

Itimale dk-t. . . famous Traylor method, fasting.
Special diets. Free Swedish massage. . . Whirlpool. . .
(■roup counseling with psychotherapist. . . lovely
pool on 10 acres of giant pines... sauna, hiking
trails. . . golf. . . tennis. . . bicycles. . . only 40 guests.
Distinguished reputation since 1959

SETON INN SPA
Lakewood. N.J. (212) WO 2*4360; (201) 363-7733

Acupuncturist— DR. CHI SUN LA.M Licensed by
New York State. Paralysis. Facials, Tennis Elbow,
Serious Pain, etc. 14 East 60th St. (212) 759-6706.

Overweight Volunteers Needed — One week long
Weight Loss Program. No Charge. Call RUTH,
(212) 986-6488.

You've Had Your Last Food Binge! THIN

FOREVER! Free consultation, (212) 867-3466.

Enjoy healthy Vacation which makes a difference

in your life. 50 lakeside acres in beautiful Southern
Maine. Personalized attention, instruction in Holts-
tic health and exercise, delicious food, much more.
NORTHERN PINES HOLISTIC HEALTH RE-
SORT - Box 279N. Route 85. Raymond, Maine
04071. (207) 655-7624.

Acupuncture — Free Consultation & Literature on
Facelift, Overweight, Smoking, Pain & other Medi-
cal Problems. CHINESE ACUPUNCTURE CEN-
TER, 57 East 72nd Street, 570-6050.

Lose Weight — 6.000 have. . . Written Guarantee.
Midtown. NY. CENTER FOR HYPNOSIS...

288-3832.

POC'ONO WEIGHT LOSS RESORT
DEERFIELD MANOR
RD 1, E. Str<iudsburg, Pa. 18301. LOSE 10-20 lbs a
week! We offer specially designed fasting or light
diet regimen combined with a full program of activi-
ties & cntcrlainmenl. 75 miles from NYC.
Pa: (717) 223-0160 NY: (212) 726-4033

HOLIDAY SPECIAL 10 DAY WEEK!
LOW RATES! FREE BROCHURE!

Hypnosis! Weight. . Smoking. . . Relaxation.
Memory! Self-Hypnosis! JEROME WALMAN.
PL 5-4363.

uBM-SEX THEBAPV

I Sat.

Experienced Acupuncturist/Internist — LING SUN
CHU. M.D.. 107 East 73rd. (212) 472-.3000.

Allergic? Hayfever. allergic bronchitis, asthma, skin
rashes, itching? Start to get fa.st relief with allergy
testing (Scratch Tests. . . Intra-dcrmal. . PRIST. .
and RAST tests. . . ) by the medically
recognized. . . ALLERGY TESTING LAB (Medi-
caid - Medicare). Traveler's Immunizations, too.
Call (212) 355-1005. 133 East 58th Street. NYC.
This Is Our Only Office.

Massage, Saunas, Showers— MARl OF TOKYO.
Mid-town. 11-11. Hotels / Residential Service.
661-6236.

PUBLIC NOTICE

Video Biography — Location shooting. Provides a
dynamic visual family document. LEWIS VIDEO,
(212) 496-0223.

Act on TV! Want help starting in TV, Commeri-
cals. Movies? ALL-AMERICA CASTING now
open for new members, all types, all areas. Special
I help for beginners. Dial anytime: l-(416)-964-9475.

Looking for Cleveland Heights High School Grad-
uates Class of June 1961. 20 Year Reunion - Send
informatin to: 255 Meadowood Lane, Moreland
Hills. Ohio 44022.

FURNITURE

Sleep and Save! Discounted brand name bedding:
Mattresses. Convertibles. Platforms. Large Selection
of authentic Brass Beds in heirloom designs. THE
FURNITURE CONNECTION. 165 East 33rd,
MU 4-1678.

Rock Bottom Prices on one of New York's great-
est displays of Designer Furniture. If you miss our
store, you'll probably pay too much. So don't miss
our Display Ad on Page 65. NATIONAL FURNI-
TURE, ••• (212) 685-8071.

108

NEW YORK/JUNE 22. 1981

Cc

NEW YORK CLASSinED

Abacus Lucite Outlet — Save up to 50% on furni-
ture, accessories. 102 West 29th. 947-8990. Catalog
$2.00.

Fredrick the Mattress King — Discounts on Sealy,
Simmons, Serta, Restonic. King Koil, Convertibles.
Platform Beds. 157 East 33rd Street, (212)
683-8322.

Sofa Bed Supermarket

Sofo Beds & Bedding, ot Trode Discount Prices Seoly, Simmons

end others. Apartment sizetooversize Latest styles, _

and fabrics. Immediote delivery on most items <i-«- *>' J]

4> E St.. Htw Tbrii City (212) 240-5050 AftkRTME NT M r

Mon-SatlO.i Thun lO-t SunNoon.5 UVING J^Cv
^VISA ■ MASTER CHADOt • Frw foriiing . . -y

Brass Beds... Sec the best! JOAO ISABEL, 120
East 32nd Street. NYC. ML 9-3307.

Furniture Wholesale Co-op — Brand names. .Mat-
tress $29: Frames $12: Convertible 5169: Rugs $39:
Spanish Bedroom $295: Brass Headboards $19.
1326 Madison Avenue. 876-5838.

Discoonrs

...NO LONGER A DIRTY WORD WHEN YOU
APPLY IT TO QUALITY BRAND NAMES AT-

FURMTURECenter

«1 E. Slat Street. New Votk CUk n.lC lOOM
Opn Del^F at SMartey to StOO-Tkm«qr to ado

MUSIC

Debut at Top Cabaret! Fun. supportive workshop
for Singers - All levels. THE SINGING EXPERI-
ENCE (212) 472-2207.

Piano — Intellectual method, wonderful results im-
mediately. MAXIMILLIAN MENDEL. 724-7400.

RECORDS/TAPES

Rare John Lennon/Yoko Ono "Two Virgins" LP.
Best Offer - Anxious to sell. (212) 223-0069
Evenings.

PETS

Manhattan Vacationers — We care for your cat in
your home. CATCARE, 838-2996.

Pet Lodge — Boarding. Lowest Prices. Best Care.
Air-Conditioned. Call 247-131 3.

Pet Sitters — Vacationing? Have one of our pel lov-
ers stay in your home to attend to your pet's
needs. (212) 431-5451.

While You're Away— CAT CATERERS, Etc. cares
for your pets in your home. 982-6379: 772-1870.

Vacation Pet Sitting — Regular Dog Walking. East
50th-90lh. WALK N' WATCHIT. 691-7950.

AUTOMOBILES

Jeeps, Cars, Trucks available thru government
agencies in your area. Many sell for under $2(K).
Call (602) 941-8014 Ext. 6232 for your directory
on how to purchase.

FOR SALE

Olympics Pinball Machine, Chicago coins. $200.
Call Days/Evenings (914) 723-0255.

WANTED

Bokara Rug Company pays top cash for used ori-
ental rugs. Mr. Jan. (212) 532-0787; evenings and
weekends (212) 897-2129.

Swim Club looking for purchase/lease <if operable
Manhattan swimming p<x)l. Write Box 1520 NYM.

Sell Us Your Furs

tliKhest prices paid.
We buy, .sell and trade fine used furs

NEW YORKER
FUR THRIFT SHOP

822 Third Avenue (at SOth Street), NVC
(212) 3.S.S-.S090

SERVICES

Heavy Cleaning — For >our apartment. Waxing,
carpets, windows, etc. SPRING CLEANING,
(212) 765-4750.

From S4,00 a Month! Live, 24 Hour Answering
Service, Direct Pick-up Available, Mail Service.
ACTION, (212) 279-3870.

Private Investigations — Male - Female - Matrimo-
nial. Custody. Business Problems. Expen Collec-
tions. (212) 628-3467; 288-1654.

Maids Unlimited — Heavy or light cleaning. Bonded
personnel. Hourly rates. Party Help. (212)
838-6282.

Need Help Organizing your Kitchen. Closet, Party,
Vacation. Life? Call MOTHER MARY. (212)
779-5912.

Anything/Anytime — We organize, shop, guide,
plan, search out, oversee, entertain, promote. Per-
sonal / Business. I NEED A WIFE, inc. (212)
986-2515 or (212) 964-7272. x-4059.

McMaid — The Professionalized Maid Service for
your cleaning, laundry, parly and limousine needs.
Seven days. Same maid regularly. 371-5555.

Babysitting Service — Reliable. Competent. Trust-
worthy. 30 years experience. AVALON REGIS-
TRY. (212) 371-7222.

Successful? Maximize professional effectiveness
through efficient time and paperwork management,
focused priorities, confident decision-making. We
work with you so you can work better. I. ROTH-
BART ASSOCIATES. Management Consultants
(212) 799-3181.

Research, Writing, Editing by Professionals since
1972. All subjects, all levels. Thesis editing our spe-
cially. 10 minutes from Midtown. Free Catalog.
ACADEMIC RESEARCH GROUP. INC.. 240
Park Avenue, Rutherford, N.J. (201) 939-0252.

Quality 24 Hour Answering Service — Your Phone.
Our Number. (212) 242-3900.

Business "Sitter" — Traveling? Overloaded? Execu-
tive manages everything intelligently, diplomati-
cally, discretely. Highest references. Per diem.
E.A.E., PL 9-5480

Narrower Lapels? Narrower Legs? ROBERTS AL-
TERATIONS, 843 Lexington (64th), (212)
249-3289.

Houseboys. Our professionals love filthy apart-
ments! Fabulous service providing bartenders, mov-
ers, painters, hostesses, secrelaries. etc. to homes
and offices. Free brochure. LENDAHAND INC..
362-8200.

Interior Coordinator Need help accesorizing, dec-
orating, re-arranging furniture or Just a second
opinion. Consultation available. ANN DALE. (212)
532-6497.

$5 Answering Service/Mail Service $5 — Pick up
on your phone. 24 hours available. Call for money-
saving surprise. 799-9190.

Moving? ANDREA ADLER will sell, auction and
organize your entire move from beginning to end.
(212) LT 1-6470.

Calligraphy at its Best for all Occasions. CURTIS
JACKSON. (212) 496-0849.

Imacuclean — The Complete Cleaning Service for
Your Home. 620-9030 Anytime.

Wide Lapel Suits — Change to Narrow Lapels $35.
Complicated Alterations, Remodeling. Custom Tai-
loring our Specially. BHAMBI'S, 14 East 60th,
(212) 935-5379.

LIMOUSINE SERVICES

Marquis Limousine — Latest Model Limousine -
Anytime. Anywhere. "Reasonable Rates". Credit
cards accepted. (212) 639-2338.

A Touch of Class Limousines — Chauffeured Cadil-
lacs - door-lo-door - Anywhere - Anytime. Low
Cash Prices. (212) 424-7041.

ABC Limousine — Chauffeured A/C Cadillacs. Ride
comfortably All Occasions. (212) 468-2444.

Private Sedans with Driver for Hire — Door to
Door Service: $8 & up. In and Around Town: $12
per hour. Airports: $13 La Guardia. (212)
932-7777. 24 hours.

Gotham - Sedans/Limousines— To JFK - $22; La-
Guardia - $15: Newark - $25; Theatre (4 hours) •
$40; Work - $9-f-; Around or Out of Town. Corpo-
rate accounts invited. (212) 772-1610.

Michaels Limousine Service — Ride relaxed. Ex-
perienced Chauffeurs. Reliable Service. (212)
898-61 17.

Anjo Limousine Service — Airports. . . Theatres. . .
Business. . . Atlantic City. . . (212) 478-5159. Credit
Cards Accepted.

RESUME SERVICES

"Eye Opening Resumes" and Creative Job
Strategy. CAREER PLANNING INSTITUTE,
(212) 599-0032.

The Correct Image: Resume/Career Service. RITA
WILLIAMS, (212) 953-0118.

Resumes and Cover Letters Determine Interviews.
For the First and Best Impressions - Linda Layton
REeSPONSE CAREER COUNSELLING, (212)

228-8908.

LEGAL SERVICES

Dominican Law Firm — Will give correct informa-
tion concerning 1 day divorces in the Dominican
Republic. Call toll-free l-(80O)-528-7021.

HEALTH/BEAUTY SERVICES

New Method of Hair Removal: The Insulated IB
Probe. 10"; Off Waxing - Full legs $25. RADIANT
SKIN CARE. 140 West 57lh. (212) 582-5338.

Fast, Expert Waxing — Full legs including bikini -
$16. Porcelain Nail Tips - All Nail Care. Mani-
cures - $6.50; Pedicures - $15.00. Facials, Make-
Up, Lash Tinting. TOWNHOUSE. 838-8831.

Permanent Hair Removal — Electrolysis by R.N.
Recommended by Dermatologists. By appointment

677-8162.

Gentlemens Grooming — Hair Cuts, Manicures, Fa-
cials, Massage. By Appointment 741-0771.

European Facials — Pedicure - Manicure - Skin
Peeling - Waxing by Willette. 246-6319; 744-0625
by appointment only.

Vanishing Act ■ Electrolysis — Special modes for
sensitive skin. Lexington/89th. 722-5277.

Electrolysis • IB Probe and Waxing — Recom-
mended by Leading Physicians and Beauty Editors.
Member 3 societies. Over 10 years experience...
Open Sundays. LENORE VALERY. 119 West
57th Street. (212) 757-6585.

Leg Waxing/IB Probe Electrolysis— Women Only
- West 72nd - 877-9203.

For a Total Man — By great Lady Barbers, cut and
blow, manicure, pedicure, facials, sauna, ma.ssage.
Exclusive. By appointment 944-1223.

JUNE 22. 1981 /NEW YORK 109

NEW YORK CLASSinED

HEALTH/BEAUTY SERVICES

Suzanne De Paris — Praised by International
Beauty Editors. 3 hour Natural Treatment $95 -
Value S200, includes Waxing. ParafTin Massage -
removes cellulite. stretch marks. Facials. Eyelash
Tint, Make-up. Manicures. Pedicures. 509 Madison
(53rd). 838-4024. Credit Cards. Gift Certificates.

Vi Price — Waning. European Pedicures. L'NGAR.
988-7280. 20 East 69th.

Electrolysis - Facials — Stop Tweezing, Waxing!
That only Stimulates Regrowth of Unwanted Hair!
ROSE-EVE SKIN CARE. 347 Fifth Avenue.
Corner 34lh. (212) 889-0166.

Tip Nails, Wrapping, Pedicure. Waxing, and Facial
Treatment. IRMA'S, 270 West 25th. 691-4362.

ART/ANTIQUE SERVICES

r .o„$i495

ONLY

We'll copy your favorite
old photo (with two 5x7
B&W prints)

T»hoto 'Replicas Corp.

L21 Fast 40th Slirel. N.Y.. N.Y. 10017 A
(2121679 1180 m
k Si-nci now for frpt- lolder

HOME/BUSINESS IMPROVEMENTS

Tracli by Jack, Inc. — Track Lighting Specialist.
Designs. Layouts. Expert Installations. Big dis-
counts. Everything in stock. 868-3330.

Levolor Riviera's - Vertical Blinds — Guaranteed
Lowest Prices. "4 Star Rating" - The Lnderground
Shopper. Price them around. . . then call: KHP
INC. Established 1946. (212) 238-5353.

We Make and Shape Space — A total, personal de-
sign and building service. Specializing in custom
built-in Interiors. CONCEPTUAL DESIGNS LTD.
(212) 830-0575.

Rinder Brother's New York Flooring — Sanded. Re-
finished, Installed. Where quality counts. Visit our
showroom D&D Building. Free Estimates.
876-8700.

Interior Decorating Consultants — Advice where
you need help. DONALD SHARPER and As-
sociates. Hourly rates. (212) 722-7627.

45% • 50% Off Verticals - Levolors. . . Directly
Wholesale!. . . Quantity Discounts!. . . Tri States/
Hamptons. . . (212) 352-0999.

Painting and Paperhanging — Interior and Exterior.
Excellent References 728-8759 EL GRECO
PAINTING CO.

Immediate Service — Professional Painting. Paper-
hanging. Carpentry and Renovation. ALLCRAFT
CUSTOM DESIGN. 624-6606.

Fine Painting — Very neat, excellent references.
DENIS CLEARY. 254-4244.

Michael Wiener Design Associates Inc. — Michael
Wiener. A.S.I.D. Residential and Commercial In-
terior Design, by appointment only. (212)
689-2986.

N.Y. Handicraftsmen, . . Carpentry, Electricity,
Plumbing, Professional Handymen; Small Jobs.
(212) 228-9744.

Sandy Rabinowitz— the BANK STREET CAR-
PENTER - Renovations / Kitchens / Finished Car-
pentry / Cabinetry / Shutters. 675-2381: 675-7852.

Frank Zangari ASID Inc.— Residential / Office
Interior Design. (212) 651-8064; Boston (617)
374-1887.

Decorator for a Day. . . for lime pressed, inflation
conscious New Yorkers. . . Absolutely affordable.
DESIGN CONCEPTIONS. (212) 780-0620.

Ben Alper Paperhanger — Twice written up in Mag-
azine. (212) 373-3450.

Judy Does It! General Contractor - Complete
Renovations/Design. Apartments & Lofts.
921-8216.

Levolor Rivieras, Vertical Blinds — We'll beat any
prices in the Metropolitan area. (212) 745-0501.

Carpentry, Painting, Electrical Work. Specializing
in renovation. Licensed. Insured, excellent refer-
ences. ARTISTS & CRAFTSMEN CO-OP
249-8885.

Architects, Decorators and Individuals desiring
quality Cabinetwork. UNDERWOOD. 966-2546.

Whimsical Walls/Murals Ltd. — We custom design
and handpaint murals for all spaces. (914)
941-3686.

Compulsive Perfectionists will paint your apart-
ment flawlessly. Expert wallcovering. Excellent
References. Reasonable Rales. (212) 362-9763.

Painting, Plastering, Renovation — Great Refer-
ences. Reasonable Rates. E. RASSI. 799-9190.

L.J. Suri Interiors — Caviar Decor on Tuna Fish
Budgets. Commercial / Residential Decorator. De-
signer. Contractor. 371-0836.

The Professionals — Quality Painting. Plastering,
Wallcovering. Reasonable. Free Estimates. Excel-
lent References. (212) 729-4368.

Quality Painting, Plastering by qualified and ex-
perienced Painter. References. WIULIAM,
245-7769.

New York Floorman Inc. — Gratis Estimates on
Scraping. Staining. Waxing. Decorator Colors &
New floor installations (wood and tile). All Work
Guaranteed. (212) 289-2900.

Custom Wall Units/Cabinetry — Exclusive designs,
exquisite craftsmanship. Residential/Commercial.
924-1848; 691-3124.

Painting, Papering and Decorating by People who
are Quick and Expert. Call STEVE. 873-4726.

Furniture Repair and Refinishing — Expert Euro-
pean Craftsman - RAPHAEL: 535-7267.

Ceramic Tiles — Largest Selection NYC Floors -
Walls. Installations. Repairs. THE QUARRY. 183
Lexington (31st). 679-2559. Closed Weekends
June. July. August.

Custom Made. . ■ Bedspreads, Draperies, comfort-
ers, upholstered headboards, slipcovers, upholstery.
Choose from hundreds of beautiful Nettle Creek
fabrics or supply your own. NETTLE CREEK
STUDIO. 355-5749.

GREENERY

The New York Gardener Ltd. — For complete land-
scaping services. (212) 420-0373.

LICENSED MOVERS

Moving?. . . You'll love our low rales. S & D
QUICK MOVERS. #399. 91 East 2nd. NYC.
228-1900.

The Padded Wagon — Fine arts, household, com-
mercial. Agent Global Van Lines. Individual fire-
proof storage vaults. #709. #765387. 108 West
107th Street. Manhattan. 222-4880.

Van Gogh Movers. All our men have concave
backs and a highly developed sense of aesthetics.
CA 6-0500. #895. 126 Wooster Street. NYC.

We're Dependable, Reasonable, Professional. Local
- Long. GRADUATE MOVING. #1706, 420
West 1 19th. 864-7640.

Modique Inc. (The Dependable Mover) serving
New Yorkers since 1948. Household, commercial,
fine Arts & Antiques. All estimates guaranteed.
Weekend services. #1053. 325 West 16th Street,
NYC. 929-5560.

American Van — Moving & Storage: We use only
professional moving men. give honest estimates,
and have excellent references. Agents for Van
Gogh Movers, D O T. 895. Call for free estimate,
226-6675. California Specialist.

Rainbow Movers — Household, Commercial. Stor-
age. (212) 431-8550. 290 Lafayette. # 1747.

Rolling River Transport — 79 Grand. Storage, Lo-
cal. Long Distance. 925-5930. # 167.

Nice Jewish Boy With Truck(s) — Local, Nation-
wide. Storage. 7 Days. Flat Rate Estimates.
#1678. 157 Hudson. NYC. Call Neal. (212)
925-1043.

Shieppers Moving Inc. — Don't shlep call SHLEP-
PERS and let us Shlep for you! Low rates to the
Hamptons. Jersey Shore. Quality Moving, Packing,
Storage. . . Never a No-show. Free Accurate Esti-
mates. # 1795, 226 East 83rd, (212) 472-3925.

Established 1895. Local, long distance and interna-
tional moving, storage and packing. SIEGLER
BROTHERS. INC.. ORegon 5-2333. Reasonable,
Florida and Cahfornia specialists. #256. 264 West
11th. NYC. I CC. #106384.

"The No Nonsense Mover"— CLEMENT'S INC.,
# 1839. 21 1 West 28th Street. NYC. 594-3190.

Van Gogh Movers. Careful, responsible, courteous.
Call for free estimate. CA 6-0500. #895. 126
Wooster Street, NYC.

Upper Eastside Specialists— BROWNSTONE
BROTHERS, # 1665, 426 East 91st. 289-1511.

Hud Movers — 3 Men / Large Truck $30 / Hour.
461-0428.9. #281, 264 10th Avenue, NYC 10001.

West Side Movers — Courteous, Professional Ser-
vice at Reasonable Rates. Fine Arts - Antiques.
California/Florida Specialists. (212) 222-2691.
#670; #765437. 17 West 96th Street, NYC.

Florida, California Specialists — Local, National,
International Moving. Fireproof Storage. Commer-
cial. Residential. Packing. STAR'TREK MOVERS.
# 1645. 425 West 13th Street, NYC. 929-5252.

Freedman Moving & Storage — Try us and save

your friends the trouble of finding a great moving
company. Free estimates, credit cards accepted.
#339. 211 West 28 Street. NYC. 594-3535.

Quality Service— Low Rates. METRO MOVERS,

477-1337. #1711.219 Bowery.

TRUCKERS

Light Panel Truck — ^Trucking, pick-ups/delivcry.

679-6423 anytime.

Little Van - Trucking Man — Trucks you carefully.
Reasonably. (212) 580-7608.

Big John's Trucking — Low Cost - Highly Profes-
sional. Dependable. 722-3534.

#1 Truckers — Careful, responsible, courteous. Call
for free estimate. CA 6-6670.

Student Group — Household. Commercial; Ethical,
Reliable. 925-0944; 925-0913.

MERCHANDISE OFFERINGS

Father's Day— English Dartboard & Darts. DART
STORE, .30 Ea.st 20lh Street. NYC. 533-8155.

Vertical Blinds — Fabric. . . Aluminum. . . Vinyl. . .
Kane. . . Macrame. . . Laminated. . . Professionally
installed within 72 hours. . . Horizontals too!. . .
WINDOW FASHION FACTORY (212)
435-6326.

110 NEW YORK/JUNE 22. 1981

Copyrighted materiaj

NEW YORK CLASSinED

Major Appliances, T.V. and Stereo — Ainemp,
G.E., Caloric Maytag, Whirlpool. Magicchef,
Chambers, Thermador, Subzero, Kitchenaid,
Zenith, Fricdrich. Fisher and others - Factory
sealed and guaranteed. (212) 773-8483; 774-0198.

Old Wristwatches — Huge selection. Low prices.
Year guarantee. ILANA JEWELRY. 42 University
Place.

EMPLOYMENT OPPORTUNITIES

DP/Telecommunications — Earn extra money part
time. Work from home. Please send resume to Box
1522 NYM.

Is there life after college. . . outside of a
typewriter. . . Creative Job Campaigns, professional
resumes, unique cover letter individually designed
to obtain interviews. Linda Layton-REaSPONSE
CAREER COUNSELLING. (212) 228-8908

REAL ESTATE

CO-OPS/CONDOMINIUMS

Brooklyn Heights — Spectacular 2-4 bedrooms, 3
baths, N.Y. skyline view Co-op. Family room with
20" wet bar. 3 exposures, 24 hour doorman.
Maintenance $666. Parking available. Price
$165,000. (212) 855-0937.

HOUSE EXCHANGE

Rhode Island Artist swap house/studio for Man-
hattan space. Fall +. (401) 294-4742.

Southampton — Walk to Village, Beach. 3 bed-
rooms, 3 baths. Tree-lined private lane. July
$6,000. (212) 752-4539.

APARTMENTS TO SHARE

Park Slope — Lovely 4 story brownstone on land-
mark block. Carefully renovated and restored. 4
woodburning fireplaces; extra touches include
greenhouse, wine cellar, burglar alarm, etc. Broker;
(212) 638-2728; (212) 768-7149.

Apartment Sharing for Particular People — Call
LESLIE HARPER LTD., (212) 794-9494.
Featured. . . .V. Y. Times. Seen on. . . !S'BC-TV
S'ews. Careful screening. Brochure available.

Share Rent — New England couple seeks use of
Manhattan apartment one weekend each month.
Box 1521 NYM.

Woodstock Area — Spectacular Cedar ski house. 4
bedrooms, 4 baths, 2 fireplaces, servants quarters,
2-car garage on edge of pond. Access to swimming
pool, tennis courts at private club. 10 minutes 5 ski
areas. 2Vi hours NYC. $150,000. Excellent terms.
Evenings (212) 794-2071.

APARTMENT WANTED

SUMMER RENTALS

Relocating Fortune SOD Executives — Need Studios,
1, 2, 3, 4 bedrooms for Bank Personnel. (212)
935-8730.

Private Beach — Picturesque, Sailing. Fishing.
Swimming. Tennis. Individual cottages / lodge ac-
commodations. MAP/European. PECONIC HO-
TEL. Shelter Island, New York 11965. (516)
749-0170.

Stowe, Vermont — Country homes and condomini-
ums for Summer Rental. SIMONEAU REALTY,
P.O. Box 1291. Stowe. Vermont. (802) 253-4623.

Elmhurst, Queens — $233 + utilities, unfurnished, 5
rooms - 2 people. (212) 458-1 1 18.

CO OPS WANTED

We will Buy Your Co-op Subscription Rights.
HAROLD BEST, (212) 675-5000.

FOREIGN REAL ESTATE

Impeccable References — Offered by superior tenant
who will cherish your 3 bedroom apartment or
penthouse. Desires living room, dining room, li-
brary or sweeping space. Future purchase possible.
Eastside preferred. To $3,000 per month. Call
JOAN RICHARDSSON, Tuxedo Park. N Y. (914)
351-2626.

SUBLETS

Greenwich Village — Spectacular Loft, fully fur-
nished, 3-6 months. Expensive. (212) 475-4545.

LAND AVAILABLE

Bridgehampton — 1 full acre in beautifully devel-
oped area. Walking distance to Ocean and Tennis
Club. Principals only. $125,000. If interested call
(212) 759-6642.

Bridgehampton — Custom designed, secluded pond
House. Swimmable. Fireplaces. 3 bedrooms. $1,500
week July. August. Owner (212) MU 3-2039; (516)
537-3397.

Sint Maarten — Luxury apartments for rent, sale.
Call HELLE, 724-2800 (service).

Westporl, Connecticut — 5 bedrooms, 3'/: baths, 4
acre Estate. Ideal summer living. Beautiful pool
with cabana. Available July or August. $10,000.
(203) 227-0384; (212) 883-6486.

Vermont — Sensational Vacation home. Sugarbush
Mountain. 4 bedrooms, steam room, tennis, swim-
ming, golf $475 weekly. (201) 361-6720.

HOUSES AVAILABLE
FOR SALE/RENT

Waterfront Community '/i hour NYC — Beloved

House - Rural ambiance, suburban convenience.
Water views, shady terraces. 4 bedrooms, 2'/2
baths. $148,000. (914) NE 3-9520; (914) NE
3-6594.

The Workins Classified
A service from

(212) 880-0732

Wallcoverings; Grasscloth; Handprints! Thou.sands
of rolls in stock of firsts, seconds, discontinucds
40V70% off. Photowalls. Murals. Brick. Paint.
Floor Tiles. 300 Book Wallcovering selection. Ser-
vice or Free Instruction. WALLPAPER MART.
187 Lexington. 889-4900.

Air-Conditioner, Television, Appliance Bargains. . .
New. . . Warranteed. . . Call for quotes. . . HOME
SALES ENTERPRISES. . . (212) 241-3272.

Dog Training Video Cassette; Puppy training plus
six lessons in Basic Obedience. Taught by famous
Beverly Hills dog trainers since 1952. Dick & Enid
Grossman. Only $49 including handling. Send
check to: STAR VIDEO PRODUCTIONS. Section
Gl. 300 Mercer Street. 19E. NYC 10003. Califor-
nians add $2.94 tax. Specify VCR. Distributors in-
quiries invited.

National Brands — Air-Conditioners, Major Appli-
ances, Televisions. Factory Sealed. Guaranteed.
Give Model. PRICEWATCHERS, (212) 337-6633.

VinlaRc- Classir-. ,iml (".Uwinj; Vii uin.m Whiles
Can Ik- Kound Among l>Miini r ( oiiU iiip<irurii s
Monday Salurda> 10:30 7 30 Thursday Til 9;;t0
Champagnr NIKhi 10% Disc oiiiii TVo Wi-cks Onlv
Willi This All 1 ' l212|r>H5 ♦ 403S

168 Lexington (at 30ih) Manhattan
111 Duval • Key West. Florida

Guitars, Mandolins, Banjos, Amps — Discounts to
41%! Free Catalog. (212) 981-3226. MANDOLIN
BROS.

JUNE 22, 1981/NEW YORK 111

TOWN&GOUNTRT PROPERTIES

This is a Weekly Real Estate Section limited to Display Ads only. Display Ads arc sold by the inch. The
Rales for this section are as follows: 1 time ad — SI 91 per inch: 2 consecutive ads — $170 per inch each: 3
consecutive ads — S158 per inch each: 4 consecutive ads or 13 during one year — $144 per inch each. Long
term rates also available. Larger sizes available in increments of V* inch. E.xtra $7.50 for NYM Box
Number. Complete rates available upon request. Payment & closing dates arc the same as regular New
York Magazine Classified.

TUXEDO PARK

S225.000

F.nchanlinfj wood shinRle home in this private pro-
tected community. Many larKe. Kracious rooms
with fireplaces thruout. 4 bedroom suites plus

guest room & maids quarters. French doors, por
ches, sundeck and a 2 car xaraxe. In excellent con
dition.

(914) 358-3700

AFFORDABLE COUNTRY LIVING

Pine Bush, N.V. - Less than 2 hours NVC. Wood-
stoves, wood floors, paneled den, living room &
dining room, eat-in kitchen. 3 bedrooms can be 6.
Watch Deer from serene acre. Peach and quiet for
559,900. Low Uxes. (212) 677-3600, 9-5 p.m.,
Mon.-Fri.

CARRY ME BACK TO 1890

220 Acres embracing a turn of the century gabled
10 room farmhouse. Complete with fireplace and
library. All this overlooking a classic country barn,
adjacent to lake & stream teaming with trout.
Yours for $160,000. Terms available.

SULLIVAN COUNTY REALTY

Main St., Livingston Manor, NY 12758
(914) 439-5220 Eves: 439-5624

COUNTRY HOUSE 12 ACRES

3 bedrooms with huge master, IV2 baths, living
room with brick nreplaee & French doors opening
to wood deck, zone heat in every room, modern
country kitchen, wide plank pegged floors. Private
but not isolated. 2 hrs NYC, Western Catskills.
199,500. Excellent terms of existing 8</i% plus
owner financing. (212) 628-4213; (914) 482-4094.

19th Century Manhattan
Carriage House in Private Mews

3 stories. Great charm. Rare historic interior care-
fully restored. Originally designed for important
patron of the arts. Huge studio 20' ceiling flooded
with light. North skylight and southern exposures.
Winter garden. Woodburning fireplace. Planted
terrace. Full basement. Private parking. For Rent
- Jane Necol (212) 673-6466 Weekdays.

BENNETTS BRIDGE LODGE
Sandy Hook, Connecticut

Nestled on over 26 lakefront acres, this pic-
turesque cottage-style retreat is within an hours
drive to Hartford. 8-room residence featues floor-
to-ceiling fleldstone fireplace in living room, pan-
eled library overlooking lake, 4 bedrooms.
I -bedroom guesthouse; 4-car garage with overhead
Caretaker's Cottage.

Brochure #NM 4-23 $550,000

Sotheby Pa Ae Bernet
International Realty

980 .Madison Avenue, New York, 10021
Tel. 1212)472-3461

2 STUNNING CONTEMPORARIES
Lyme - Old Lyme: Beautiful views, exciting design,
open floor plan, 3 bedrooms, 2 baths, 2 fireplaces,
$275,000.

Lovely setting, 1 1 rooms, 3'/i baths, 2 fireplaces,
$179,000. Both top quality and in move-in condi-
tion. Brochures.

CENTURY 21 ROOT AGENCY

Lyme Street Old Lyme, Ct. 06371

(203) 434-8900

HUDSON RIVER VIEW
Saratoga Springs Area - 12 miles from the
thoroughbred track on S acres overlooking the
Hudson. 200 year old farmhouse converted to mag-
nificent contemporary: decks, skylights, views,
chers kitchen, 2 fireplaces, beamed ceilings, barn
and pasture land. $110,000.

Owl Real Estate of Saratoga

(518) 587-8300

LAUGHING WATERS

On the bank of world reknowned magical trout
river, a custom specially lumbered "Oregon Ce-
dar" log sided ranch (virtually impervious to aging
& insects) with a covered porch overlooking &
overhearing. The gracious, cozy, marvelously com-
fortable minimal maintenance interior boasts a
master bdrm/fpic, bath - Plus - 2 more bdrms &
bath, LR/fple, DR, combination kitchen/break-
fast bar - Completely A/C, fully furnished &
redecorated for your move-in comfort. Financing
available. $125,000.

VALUED PROPERTIES

Specializing in Unique Properties
(914) 292-8222

LAKE GEORGE, NEW YORK

Rustic contemporary, heavily insulated, 188'
frontage $182,500
A-Frame, very large lot, sandy beach $150,000
.Nice building lot with beach rights $20,000
Roomy cottage, great boathouse, 240 foot frontage

$225,000

Larry Reynolds, Broker (518) 370-2717
Specializing in Waterfront Properties

BACKYARD IN THE EAST 60's
Afforilable Luxury

One of a kind • large studio in luxury building off
Third Ave. Full kitchen, large bathroom, great
closets, wall-to-wall carpeting, mirrored walls,
glass sliding doors out to a spectacular 20' x 30'
fully landscaped terrace. Trees, awning - the
works! Very secure. Fabulous for entertaining.
Must see to appreciate. Low maint. $290/mo.
$108,000. By owner. Call (212) 249-1923.

FIRE ISLAND
SEAVIEW OCEANFRONT

This magniflcent Contemporary home is superbly
crafted of clear Cedar and Glass, fully furnished
and equipped. 6 bedrooms, high ceiling.s, fireplace,
ocean and bay decks. $395,000. Owner will fi-
nance. (212) 260-4632 Evenings; (212) 924-0438
Days; (516) 583-7235 Weekends.

UNIQUE

Circa 1 760 Georgian
Totally restored 4 BR -^
rentable 2 BR stone wing,
new kitchen & baths, re-
stored bam/workshop on
2.33 acre country setting,
3 mi. from Princeton.
Call Mr. Haus.

John T. HENDERSON-REALTORS (609) 921-2776

MONROE, N.Y. 53 MI. GW BRIDGE

HISTORIC FARMHOUSE
60 ACRES

Circa 1700 Center Hall, 6 bedrooms, 2 baths, farm
kitchen, large keeping room. Pine party room,
pond, 2 wells, excellent Winter access, 3 level
stone/wood barn. Possible subdivision. Needs in-
terior refurbishing. Asking $165,000.

AGAR REALTY

BUYERS BROKER SERVICE
Chester, N.Y. (914) 782-8275

112

NEW YORK/ JUNE 22, 1981

Copy I

TOWN & COUNTRY PROPERTIES

RENTAL COTTAGE
Pastoral Beauty

Charming, authenlically restored cottage on SO
acre farm. Property abounds with deer and wild-
life. Pond for swimming and fishing. Thru October
$3,000. Jeffersonville, N.Y. 2 hours Manhattan.
References required. (212) 628-4213; (914)
482-4094.

$500,000 SCARSDALE
ESTATE HOUSE

Owner needs all cash buyer and offers significant
discount. Shown by appointment only.
Days Evenings
(212) 880-2805 (212) 980-4979

Co-operative Apartment New York City

BARONIAL & UNDER A MILLION

Columns, fireplaces, balconies, wainscotting and
14 foot carved ceilings on Park. Living Room, Din-
ing Rooom, 3 Master Bedrooms, New Kitchen, 3'/i
Baths. Maintenance $1,000.

Co-operative Dept. (212) 688-8700

WM. B, MAY CO.

70s E., N.Y.C. CO-OPS
BUILD A ROARING FIRE
OR SUN ON YOUR TERRACE
in this lovely and spacious brownstone 3 rooms.
Many unusual features. 18x26 living room +
master bedroom. Asking $135,000, Mt. $336.

CATHY SAIS, LTD. ... (212) 737-8600

RiveiBcmk South

Spectacular co-ops
overlooking the Hudson River

377 West nth Street

21 Duplex Apartmanii

$120,560 to $230,S60

■ 1953 to 3464 square feel

■ two full baths

H woodbuniiiig fireplaces

■ 15 '-19 ' ceiling heights

■ individually controlled heat

■ 8 '- 14 ' thermopane windows

■ video intercom security panel

■ est. tax deduction approx. 85%

SolMOfflca:

Sat. & Sun. 11 A.M. to 5 P.M.
Mon. to Fii. Noon to 4 P.M.
Monday Evenings to 7 P.M.

Sponsor: Jale Associates

Ell. maint. $390.45 lo $746.70/mo.
7 Triplex Penthouaaa w. rooi larracea

$225,280 to $337,040
Est. mainl. $729.60 to $1,091 SS/mo.

Solas

Agmt

nUOFTS

LIVING

Lid.

Telephone: 964-6714
Offering made only by duly filed prospective.

ANTIQUE LOVERS
YOU CANT SAY NO

to an authentic replica New England Cambrel
Slate roof Colonial on y* private divisable acre on
winding country road in HEWLETT, L.I. Low
taxes, 7IM assumable mortgage. GAS

HEAT, 4 woodbuming fireplaces faced with mar-
ble or antique Dutch tiles. Large beamed country
kitchen, living - dining rooms & den, 5 bedrooms,
3'/i baths. Walk to elementary and high schools in
District 14. $225,000. Principals only. (516)
374-2616.

MANHATTAN EXCLUSIVES
V.I.P.

I have the clients trom the major Fortune 500
Firms that desire to lease quality furnished apts.
Single corporate executives and also families for
long/short term arrangements.

Excellent references provided. I desire quality
apts only.

For further info, please contact Mr. Jackly at
V.I.P. Brokerage, The Furnished Specialist.

586-8840

TRAVEL SERVICES

This is a Mwcckly Section limited to Display Ads only. Display Ads are sold by the inch. The rates for this
Section are as follows: I lime ad — $191 per inch: 2 consecutive ads — $170 per inch each; 3 consecutive
ads — $158 per inch each: 4 consecutive ads or 13 during the year — $144 per inch each. Long term rates
also available. Larger sizes available in increments of V* inch. Extra $7.50 for NYM Box Number. Com-
plete rates available upon request. Closing is every other Monday at 1 p.m.. for following Monday's issue.

OCEAN BEACH
FIRE ISLAND

JERRY'S ROOMS
and APARTMENTS

We are noted for our unique
Guest House Facilities.
Reserve NOW for
JULY FOURTH WEEKEND
Also newly renovated
1,2 & 3 Bedroom Apts Avail.
Special Family Rates; Singles welcome
For Reservations call:
(212) 688-4433 or (516) 583-8870

OCEAN BEACH ON
FIRE ISLAND

Overlooking Great South Bay

PREMIERE SEASON!

The Only Truly Luxury Hotel
On Fire Island
Rooms with Private Bath, Color TV, A/Con,
Heat, Telephone, Hot Tub, Private Deck.
French Restaurant on premises. Rates include
Gourmet Dinner & Buffet Breakfast. Fri & Sat
Nights: $85 per person (dbl occ); Sun to Tfaars
Nights: S75 per person (dbl occ). 2 night mini-
num stay.

Reservations (212) 688-4433; (516) 583-8870
Holiday Weekends Slightly Higher.
Msjor Credit Cards Accepted.

Afermont
Mountain Vboations

in luKury resort condominrums
You and your Inends can vacation for
5 days in a 2-bdrm. IVi bath luxury
condomtnium for as little as SI9l>t Tennis, pool, daily housekeeping.
Economical 1- to 4-bdrm units at the active Kilhngton Summer
Resort can be rented by the weekend, week, month or longer.
Fm cotof bfackun iuMi nan: tdflttnont/Whifletrw ConteaMums.
I34B KMiaren M.. tUMnitoii, VT 05751. (S02| 422.3101.

JUNE 22. 1981 /NEW YORK

113

Come Out to the INN

The CAMPBELL INN

Rnscoc, >.V. Tel. (607) 498-41 1

Chamber Music Concert-July 4 \N kd.
Daily Rales S22-S29 per ptrsiin
3 Meals Daily - All Facilities

NEW YORK MAGAZINE COMPETITION

COMPETITION NUMBER 419 BY MARY ANN MADDEN

My dennist wears designer shoits,
Wears Jourdan shoes to drill in;
She loves them alligator shoits
And just finds Calvin Trillin.

Above, the name-game quatrain. Competitors are invited to compose four
lines of verse to rhyme ABAB and conclude with a familiar name.

Results of Competition 416. in which you
were asked to provide the whimsical etymol-
ogy of an existing word.

Report: Some misinterpretation of just what
was meant by etymology. Syllable-by-syl-
lable redefinition per the current meaning($)
did not fill the bill. We required fanciful im-
agined derivations. In other words, what this
wasn't was a Fractured Definitions competi-
tion. If you really want to hear about it.
Which you probably don't. And all. Dupli-
cations: pumpernickel, gubernatorial, boo-
merang. ragamufTm. Unrelated items. I
think.

First Prizes of two-year subscriptions to
"New York" to:

loom — [Old Welsh lo, to see, to ridicule +
Hindu om, label (laughing bookplate)] Loom
was also the sister of Gryfnis, the foolish
farmer who sprayed Windex into the eyes of
a wolf.

Lewis Burke Frumkes, NYC

guilt — (Early Am. loseph Guilt, first re-
corded settler, 1795, to place his aged par-
ents in a nursing home] feelings of over-
whelming culpability.

Olio Pierce. NYC

interdiction — [49 B.C.: in * L. lerra, earth +
L. dictio, speaking] Roman Law: ban on
mumbled eulogies (enacted after Marc An-
tony intoned: ". . . the good is oft in dirt with
their bones").

Karen Bracey. Burke. Va.

Runner-up Prizes of one-year subscriptions
to "New York" to:

condominium — [It. con Donuni\ a building
sold for many times its true value. (An Ital-
ian-American financier, upon being told
that it was impossible to sell a building for
30 times its cost, replied, "With Cod, all
things are possible.")

Skip Livingston. Hopewell. N.J.

parquet — [Gk. jrr*^] geometrically pat-
terned food spread. (Queen Marie An-
toinette, interrupted while parqueting
her cake, was informed that the peasants
had not enough food. She responded:
"Let them eat spread.")

Julie Boddorf. New City. N.Y.

crustacean — [OE crusl + Fr. chien] crust of
the dog, cure for a hangover brought on by
drinking red wine with seafood.

Elaine Goodman. White Plains. N.Y.

And Honorable Mention to:

incomparable — [ME income parable]
unique, sui generis. From the ancient al-
legory "The Mahre d' Declared All His
Tips."

Hazel A. McNamara. Allenhurst, N.J.

chartreuse — (Fr. chartre use. cf. Chartres
Russe] an architectural anomaly. (At a fa-
mous French Gothic cathedral, an expert in
art restoration uncovered an Eastern Or-
thodox mosaic made entirely of green tiles.)

Bob Levy. Charlottesville. Va.

claustrophobic — (Fr. Claus trop ho bic] fear-
ful of confinement. Traditional reform-
school complaint — roughly, "That fat bum
thinks it's funny to leave you a crummy ball-
point pen."

John J. McCaddin. Summit. N.J.

novella — [Donna Novella, pseudonym of
Sister Mary Narducci, Italian comic actress
condemned for impersonating a religious] a
sham nun.

Robert Tobinski. Chicago. III.

oy — (short for Old Yiddish; orig., vay, short
for Veddy Aide Yiddish] expression of sur-
prise, disgust, relief, etc. (Akin to Anglo-
Saxon oe.)

Herb Martinson. Silver Spring, Md.

signify — [L. non Virginia signe igni est. there's
no smoke without fire] v.i.: to hazard as to
the causes of observable activity, to read
cause into effect.

Leonard Plotnikov. Atlanta. Ga.

sousaphone — [Fr. souse, ME sows, OFr. sous,
a pickle, a drenching, hence: (slang) a drunk-
ard + L. -phone, sound] a telephone in a bar
used to explain that one is working late.

Oliver M. Neshamkin. M.D.. NYC

jackeroo — \joke, jest + roo, short for kanga-
roo] 1. Australian comedian. 2. discriminat-
ing barhopper, esp. one concerned with
price gouging.

Lani Anderson, Washington, D.C.

ichthyology — [ich, term of derision + L.
thydogy, theology] the repugnant belief that
fish evolved from man. (Reverse idea cur-
rently looked upon with disfavor by or-
ganized religion.)

L. Flanagan. New Milford. N.J.

valedictory— (Va/ et Dick Torre] a speech by
two people. (Valerie Fields and Richard
Torre, the first couple to be married on cam-
pus after men were admitted to Vassar, were
honored by being chosen to deliver a com-
mencement address.)

Jane Meredith Ash. NYC

calypso — [Gk., after the all-singing, all-
dancing goddess of palimony (cf. odyssey.
after Odysseus, a man she kept on a Medi-
terranean island for seven years) wor-
shipped chiefly in Brentwood, Malibu, and
Santa Barbara] a dirge lamenting a lawsuit
which concludes the connubial relations of
the unmarried. See also, calfaclo.

Gene Brown. Hollywood. Calif.

chapeau — [Fr. chape d'eau, a hatful of rain]
a water head, hence, a burnt-out person, a
Califomian.

Don Farrar. NYC

marmalade — (Fr. mer, sea + malade, ill]
fruit-flavored seasickness remedy widely
used in the French navy.

Mark Townley, NYC

citizen — [ME citi * zen. a neo-Buddhist
movement offering enlightenment (man-
ihani) through 24-hour banking]

Ronald Melrose. NYC

quisling— (1945; quiz + dim. sufT. •/i«gj short
multiple-choice exam the correct answers to
which are found in the fifth column. (First
used as part of a Norwegian loyalty test)
Heber Bouland. Silver Spring, Md.

parade — [OF: priere, supplicate * aider,
help] to beg (a deity), esp. for favorable
weather on ceremonial occasions. See St.

Patrick.

Sidney McKenzie. E. Providence, R.I.

ruthless — [Literally "lack of clout"] impo-
tent, lowly, menial. Orig. applied to seventh-
place New York Yankees in 1925 during
George Herman Ruth's prolonged illness.

Jack Riordan. Lagnna Beach. Calif.

tintinnabulation- [1871: Am. West, orig.
rintintinnabulation. from L. ringpr, growl +
tintinno, ring + adulatio, of dogs, cringing)
sounding of the dinner bell at cavalry posts,
Wendy Gottlieb. McLean, Va.

admiral — [L. ad, toward + Yidd. mirala,
small reflecting object] one who carefully
polishes small metallic objects, esp. door-
knobs.

Norman Padnos, Brooklyn

114 NEW YORK/ JUNE 22, 1961

^ SPAIN _ ON 58th ST.

ti»C)itionAl»Autiienuc

1 LUNCHEON

1 MONDAY tkra FRIDAY

DINNER iS^'oV'''- 1
inQHUY u 11 arm AM. |

} 130 WEST 58th

bet 6th & 7th

757-6434

LUNCH

COCKTAILS

DINNER

9.

Northern

/I ^ Italian Giitin*
Painttakinaly Pr«par«d

ond >«rv*d By

Your Host Francesco

1053 2ikI AVE. (55th A 56th St.) 751-8950

J

Cheval Blanc

"A Gem Oi a Little
French Restaurant'
145 East 45th St. NYC
599-8886 or 986-4729

MORMANDO

Caf^ & Restaurant

OPEN 7 DAYS
LniDHlaa (Mwrni 4Mi & SMh N.Y.C* 1212) 9}5^7D

'AIID'HectionsAre"GO"

roo CHOW

Out Of This World....
Chinese Cuisine

H7« TMtKO »V1 |b»l 73ni t 74lh in ] B6I -4350

THE ORIGINAL IN
SINCE

FSTEfSISBIBN

ITALIAN « AMERICAN CUISINE

"OldMl StoBdlaq la ti mrC StamlM4'

Outdoor Cafe •'SifrJSSmSS
Private Cartles jESTS-I?
U« Eat lllh St (Cer. Ini>« Plan) CI S-7t7l

indefatigable — [Sanskrit and L. inde+ vatic*
able] pertaining to holy men or prophets of
India. (It is written that Buddha, having
aslced himself the question "Who am I?"
continued to so do until he had ceased to
exist.)

Ted Rosenberg. NYC

character — [Fr. acleur charmant. inverted to
charmanl acteur] one who compellingly dis-
plays qualities he laclcs. (Napoleon's habit-
ual clutching at his heart to woo women.)
See charisma.

Judith Berke. Miami Beach, Fla.

briefcase — [Fr. brie, cheese + Ger. kase.
folderl a leather portfolio for carrying
cheese. ("The ambitious young executive
carries his mid-morning snack in a briefcase
rather than a brown bag." — How To Succeed
in Business Without Realty Starving.)

Albert Komishane, Elizabeth. N.f.

carpetbagger — [Coptic, obs.) one who wraps
rugs. (According to the Rosetta Stone.
Queen Cleopatra ordered herself rolled in a
hemp mat and delivered to Caesar, thus be-
coming the first known carpetbaggage.)

Gretchen Boddorf. New City. N.Y.

tatterdemalion — [1940: F. later demi-lion,
feel almost lionlike] assertive hobo. (Self-de-
scription attributed to the strawman Boo
Oiseau in the French film Le Sorcier d' Oz.)

Adam Bell. Alexandria, Va.

murmansk — [Fr. mer, sea + Russ. mansk,
adult male] half-man. half-fish found in
Siberian waters.

Wendy R. Ellner. Richland. Wash.

fragrant — [Sp. fray guerra ant] a sudden and
noisy battle or raid. (Spanish guerrillas have
often said. "TTiis smells like trouble.")

Pal M. Kuras, Philadelphia, Pa.

violet — [L, violenlus] an aggressive, purple
flower. (Luther Burbank, upon discovering
the blossoms, said, "These flowers really
knock me out.")

Louis B. Raffel, Skokie. III.

incandescent — [in * can * descent] I. state
of being an inferior motion-picture sequel.
2. a passenger washing his hands as an air-
plane lands. (Cf. incandescent — having roots
in ancient Andean royalty. See Raices, by
Alej. leli.)

/. F. O'Connor, Silver Spring, Md.

angiogram — [ME engie, nickname for a
female dynamo or owner of corporations +
gram, a communication] a message received
from one's wife stating that one is not her
second husband.

Phillis C. Saunders, NYC

Compclilion Rules: One entry only should be sent lo
Competition Number 419. New York Magazine. 755
Second Avenue, New York, N.Y. 10017. It must be
received by lune 26. Editor's decisions are Hnal, and
all entries become the property of New York. First-
prize winners will receive two-year subscriptions to
New York, and runners-up will receive one-year sub-
scriptions. Results and winnen' names will appear in
the issue of luly 20. Out-of-town postmarks are given
three days' grace. Postcards only, please.

Le Jacques Coeur

448 east 79th street new york city, ay.

(212) 249-4920

LUNCH
DINN6R
SUPP€R

228 8490

UNIVCRSITY
SALODN .

24 SHERMAN STREET • PORT CHESTER. MT K»73 sgM-git-MSO

Lunch/Dlnnor/Cock tails

FRENCH
PROVINCIAL
na. CUISINE

52 W. 55 /NY 265 8141

QUON LUCK

IH»att of Chinatown)
66 MoH St. CA 6-4675
CairtoMS* Cultlns, La Itala
Oum Fob A CaRtenna Saafood
Loach— Oianar A Family Dlnaan
TAKE Oirr ORDERS

A Culin.nry Exploration

RIATIONS

For your ears by Jorge Rios
For your pa/ate by Donald Fraser

Luncheon terved Monday to Friday
CocktaiK & Dinner Mon. to Sat. from 5:30 P.M.
Romantic Piano & Song

> InChtlsaa 358W.23St.NYC Res:69MSS9k^

DINNER ONLY

PIANO ENT

62 WEST 9th STREET 777 0670

« I ■ i ■ o • r II i • ■ iTAiiAa c » 1 1 1 a a

JUNE 22. 1981/NEW YORK

115

«(r.s((j(iriin( Kriini.o/s

60 W(!Sl 55 .Slrfcl. New York City
CI 5-b7(j4

Co

'SUHlUff TIMES' OF LONDON CROSSWORD

Acvosa

1 It takes a magician to flourish

with nothing. (8)
5 The place to ram and thrust.

(6)

9 A house of evil with horseplay
inside. (8)
10 Gap which is universal in the
dispersal of a clan. (6)

12 "The that from the soul

doth rise" (Jonson). (6)

13 Relaxed with one's glove in the
grass. (8)

15 An agent gets mixed up

between stars who played royal
parts. (12)
' 18 International organisation gives
the French my signature in a
British plane. (6, o)

23 An animal surrounded by a
crowd in the wood. (8)

24 If one left the city one would
become an artist. (6)

26 Born and begin changing and
so declining. (6)

27 An examination is held by me
to reflect on one's ethics. (8)

28 Position in the Hnest ancestral
home. (6)

29 Described as a boy holding girl.
(8)

Down

1 Defenders show what to make
tea in about four. (6)

2 Gold caught and concealed in a
flower. (6)

3 A friend is without certain
backing for study. (7)

4 "Chill penury repress'd their
noble " (Gray). (4)

6 Material which makes it sound
as if you are on fire. (7)

7 Loosen up when surrounded by
drink, looking more cocky. (8)

8 A bowl of cereal makes one
flourish. (8)

1 1 Goes and gets married again?
(7)

14 A different name put on a
single flower. (7)

16 Runs like a holidaymaker in
the heart of Sussex. (8)

17 There is a speed with one and
a degree without one and they
lead two lives. (8)

19 No cigar could be made
structural. (7)

20 Rival making a bird
unpunctual. (7)

21 The top. I am in the most
important match. (6)

22 Protection needed when he slid
awkwardly. (6)

25 A perch put up for a girl. (4)

s.
i

z
n

6
P

'I LOTE HEW TORE': CUE CROSSWORD /By Maui^ B. )ac»bson

8
14

19
20
21
22
23
25
26
28
29
30
32
34

36
39
41
43
44
47
48
50
52
53
55
57
59
61
62
63

64

65

66
67
68
71
73
74
76
77
78
80
82
84
85
87
88
89
90
92
93
94
96

Across

" o' both your

houses!"
Vial

Congo republic

Tunnel

River

Place

Avenue

Church

Before tees

Cannes crony

Gym pad

Religions

Just^ought

Fairy-tale opener

Dispassionate

person

Circle segment
What fans do
Sultana's room
Hebrew letter
Ron of the Dodgers
Scare word
Sobersided
Braced for action
Planetarium roof
Dermal disorder
Theater

Brownstone features

Heller

Sousaphones' kin
Cornish pasty, e.g.

Keep an

(watch)
Griffin

Former Heathrow
abbr.

Hesitant syllables

Decree

Island

Lacerated

Moines

Scraped (out)
Vex

Japanese aborigines
Poetically lit
Comedian Bill
Musical emphases
Having style
Drive

Irani wherewithal
Chicks' moms
Hindu goddess
Make effervescenl
Oklahoma Indian
City law: abbr.
Andalusian city
Pesticide letters

98

Organic compound:

126

var.

127

99

Volleyball barrier

lOO

Potpourris

102

SnaKelike fish

1

104

Doorman's call

2

106

Stu and Mo

3

109

Sculler's need

4

111

Querying sounds

5

113

Coiffure gear

6

117

Hou.se

7

120

Bridge

8

122

Stadium

123

Lane

9

124

Restaurant

10

125

Cell matter: suffix

11

Down

Alack!

Meadow grasses
Attys.' degrees
Ellis Island arrival
Big hits: slang

Numero

Millay

Harte s Chinese
hero

Goat's cry
Given an undercoat
Part of the arm

12

13
14

15
16
17
18
21
24
27
31

33
35
36

Estonians'
neighbors
Realm abbr.
Largest Swiss city

Keep (hang in)

Pruritus
Korean G.l.'s
Printers' quads
Not flighty
In the works
Driver's stopover
Like the Trojan
Horse
Agrees

Pericles' princedom
Desert garb

37
38
40
42

45
46
49

51

52
54
56

Center
Playground
Smell: Sp.
Former capital of
India
School
Building
Positive replies

San , Calif.

" a wonderful

town"

Dash's partner

Zeno oi

Negative

counterpart

Rachel Carson topic

Stratagem

Certain poles

Witticism

TV Squad

Wheat: Fr.

Paint-the-town hue

Shake

Actress Knox
Unmatched item
Halved: prefix
Honorary city
award
Vinegary
Battleship letters
Non-mil,
Roman poet

"Madam, I'm "

Coin drop

Nevada city west of
L.A.

Ned of Madison
Square Garden
fame

Believer's creed
Greediness
Marquette's partner
Parisian passageway
Ridicule
Sub detector
One of the Bruces
Boxer Olson, et al.
Russian rarige
Wyiiter of film
Anti-aircraft sounds

As far goes

Getz

Museum, for short
Heehaw

Bowery denizens
Scam

"I Camera"

Neath's opposite
Lisbon street

116

NEW YORK/JUNE 22. 1981

Solutions 10 last week's puzzles appear on page 92

Portable radio keeps you entertained
before you're entertained by a refreshing
bottle of Kirin.

A backpack for that healthy rustic
look. Contains a basic survival kit and
room for 20 bottles of Kirin.

Imported beer
sensing device disguised
as a perspiration band.

Polarized shades help you
spot the Kirin label. Hides
those weary eyes.

Solid gold watch.
Can be traded for a
case of Kirin.

Powerful binoculars help
spot Kirin posters and other
stimulating things. Has
infrared adaptor for
night viewing.

Compass. Nice
touch but no use
in the city.

Swiss army knife has lots
of blades, but the only one ever
used is the bottle opener.

LArge pockets
stuffed with subway tokens
and salt tablets.

Impressive hiking boots.
Special soles get 20 miles (EPA city)
per bottle of Kirin.

Well-worn city street map.
Indispensable for the streetwise
Kirin drinker. Also used as a fan.

When you're looking for Kirin Beer,
dress for the occasion.

The guy you see here is ready to embark on a most rewarding adventure.
He's going to attempt to find Kirin, the most exclusive, not to mention elusive,
imported beer. Known for its distinctively delicious flavor, Kirin can only be
found at the most selective establishments. In fact, it is often said that once you
find Kirin, it'll be the last beer you'll ever want to look for. So, get ready for the
hunt. And discover why Kirin is not only the largest selling beer outside
America, but one of the most sought after beers inside America.

Kirin Beer. IVs wortli the effort to find it.

IMPOflTED Sy THE CHERRY CO . LTD . NEW YORK. NY, LOS ANGELES, CA HONOLULU, HI

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